AUSTRALIAN MONITOR SM12 Bedienungsanleitung

The Australian Monitor Pro Series SM12 and SM16 stereo

console mixers are designed to be compact, ultra low noise and

feature packed.

With a mixture of mono channels featuring balanced XLR or TRS inputs

and switchable 48V phantom power, and stereo channels all boasting

3 stage E0 and pre and postlader auxiliary sends, the SM series

mixers are as versatile as they are cost effective.

The SM Series mixers feature peak LED indication and low cut

filters on all mono channels, high quality 60mm faders and sealed

potentiometers. 19 inch rack mount kit and accurate 10 segment bar

graph meters for the stereo output buss.

The Australian Monitor Pro Series SM12 and SMl6 give the audio

professional a sonically superior mixing console offering a feature set

and versatility usually found in mixing consoles many times their price.

INTRODUCTION

MONO CHANNELS

STEREO CHANNELS

MASTER SECTION

REAR PANEL

OPERATION

BLOCK DIAGRAM

SPECIFICATIONS t0

AUS, gUR, USA

Copyrigtrt tTth Oct 2U!4

Rev A: lfth Oct 2Of

CAUTION

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PABTS INSIDE.

WARNING !

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK.

DO NOT EXPOSE THIS EOUIPMENT TO RAIN OR MOISTURE.

Caution:

This symbol is intended to alert the user to the pres€nce

of uninsulated "dangerous voltage" within the product's

enclosure that may be of sufficient magnitude to

constitute a risk of electric shock to persons.

This symbol is intended to alert the user to the presence

of important operation and maintenance (servicing)

instructions in the literature accompanying the appliance.

To prevent electric shock do not use this (polarised) plug

with an extension cord, receptacle or other outlet unless

the blades can be fully inserted to prevent blade exposure.

To prevent electric shock, match wide blade of plug lo

wide slot, fully insert.

SMt2 & gM16 0ptRAT|*H f!4ANUAL PAGE 3

MIC/LINE INPUT SECTION @ uro

{$ r',lrc

Balanced XLR input

"@ i:if.,rl""r,*,. @^,_

For unhland u* pi. 1 ad pin 3 hv€ L b bndg€d

LIN E

6.35mm TRS input

Unbalan@d use of

mono 1/{"iack plugs

TiP =

Signal

Grcund/Shield

@ enr

@ r-ow cur FTLTER swrrcH @ e*r.r

This switch will roll off frequencies below

75Hz at an 18dB per octave slope. This

can be used to eliminate rumble caused

by sensitive lectern mics etc.

i. i@ err

The Pre Fader Listen (PFL) switch is used

to monitor the input signal before the

channel fader. This can be switched to

either the headphone/local monitor output

or the master lelVright outputs

(see master section)

@ onrru

This is the initial gain control for each

input and should be set to optimise each

inputs level while still leaving headroom

so the input signal does not reach clipping

level. This gain stage has a range from

+10d8 to +60d8.

EG SECTION

Balanced use ot

sterco l//1" lack plugs

Ring = -

Gound /Shisld

Tip

Ring

For onndton of balaned ad

unbalaned plugs, dng and sleve

have b h bridgsd at ihe sters plug

This mid range E0 control adiusts mid

range frequencies and has a fixed 2

octave bandwidth at 2.5kHz. This control

will give up to l5dB of boost or cut. The

centre position will give a flat response.

$ r-ow

This low frequency shelf E0 control

adjusts bass frequencies and will give

up to 1 5dB of boost or cut at 80H2. The

centre position will give a flat response.

AUXILIARY SECTION

@ uroH

This is a shelf E0 filter that adjusts treble

frequency levels and will give up to 15dB

of boost or cut at l2kHz. The centre

position will give a flat response.

Aux 1 is a mono split of the channel inpul

signal and is post E0 but pre the

channel fader.

@ rosr

Aux 2 is a mono split of the channel input

signal and is post E0 and post

channel fader.

The channel pan control is used to posi-

tion the channel signal in the stereo field.

@ eenrc r-ro

This red LED illuminates when the

channel is going into overload (clip)

@ r-evrr-

This channel output fader adjusts the

level of the channels signal before it

is sent to the master output buss.

PAGE 4SM12 & SM16 OPERATION MANUAL

LINE INPUT SECTION AUXIL!,E.RY STfTiCN

@ lrxr r-rn

These 6.35mm TRS lacks will accept

either balanced or unbalanced line

level signals. For mono operation use

left input only.

@ rcr

Aux 1 is a mono split of the channel

input signal and is post E0 but pre the

channel fader.

@ r*x

EO SECTION

The channel pan control is used to

position the channel signal in the stereo

field. This differs from the mono channels

as this pan control will determine the level

of either the Left or Right buss that is sent

to the master mix. For example if the pan

control is turned fully clockwise, only the

Right signal path will be sent to the

master mix. lf the Left input only is

connected (a mono signal) the pan control

will work as per the mono channels.

@ r,,rro

This stereo mid range E0 control adjusts

mid range frequencies and has a fixed

2 octave bandwidth at 2.5kHz. This

control will give up to 1SdB of boost or

cut. The centre position will give a flat

response.

The Pre Fader Listen (PFLI switch is used

to monitor the input signal before the

channel fader. This can be switched to

either the headphone/local monitor

output or the master lefVright outputs

(see master sectionl

9D ppi-

Unbalaned u3e of

mono t/4-jack plugs

TiP =

Sigml

Balanced u3e of

sbrco 1/4"lack plu96

Tip =

Grcund /Shield

Tip

Ring

For 6nnslion of balao@d and

unbalan@d plugs, ing and sleeve

have to & bridged at rhe stereo plug

ts, Fosr

Aux 2 is a mono split of the channel

input signal and is post E0 and post

channel fader.

@ Hron

This is a stereo shelf E0 filter that adjusts

treble frequency levels and will give up to

15dB of boost or cut at 12kHz. The centre

position will give a flat response. $ rrax r-r*

This red LED illuminates when the

channel is going into overload (clip)

@ low

This low frequency stereo shelf E0

control adiusts bass frequencies and will

give up to 15dB of boost or cut at 80H2.

The centre position will give a flat

resp0nse.

f*il L E\"'f L

This Channel output fader adlusts the

level ofthe channels signal before it

is sent to the Master output buss.

5Mt2 & SMi6 CFTftAT'ilru M&iliUAL P&*e *

ffi i*te.:.- ta*>;

These TRS 6.35mm jacks provide a stereo

output that can be sent to a local monitor

amp and speakers for control room or bio

box monitoring of either the PFL buss or

the master output buss.

Balaned use of

stereo l/4"iack plugs

Rins =

Tip

Ring

Sleeve

I For onnedion orbaranced and I

I unbalan@d pluqs, i,nq and sleeve I

I have to be bndoed ar the sreeo ptuq i

output. This level is independent of

the Master Mix.

f'J;* PC$JEF? LEX

wThis LED indicates that the mixer is "on"

@ +e*v

This LED indicates that 48 volt phantom

power is active.

Sleeve

] StEin reliefcramp

3i'} L.R CUTSUT iITTER

?The Master 0utput level is displayed on

these l0 segment Bar Graph peak meters.

i.4A$TEftIFFL T0 L0CAi_ t4*t1t7c*

This switch determines whether the Master

mix signal or the PFL signal will be sent to

the Local Monitor/Headphone output.

@ rnreinec ro MAsTER

This switch determines whether a tape or

other stereo source connected to the

Tape ln RCA connectors is sent to the

Master Mix.

$ uesrrn ourPur

This fader controls the master output level o1

both the Left and Right busses to the master

XLF and TRS outputs ofthe mixing console.

# i-:,i*pHe n r:

This a monitor output for headphones.

This outputs signal will follow whatever is

assigned to the Local Monitor output.

ffi a*x *eru*r! 1r:

These controls adjust the level of the stereo

auxiliary returns. Both Aux Return 1 & 2 are

permanently assigned to the Master Mix.

ffi u t a*r "'t*i4r.

i L}r;f,.L M * G tT* * t rv € t

This control adjusts the output level of the

Local Monitor outputs and the Headphone

*FI AUX SEND .I/?

These unbalanced 6.35mm jacks can

be used to send the output of each

channels Aux sends to effects devices

such as reverb or delay units.

ffi;;* TArE rfii

These stereo RCA connectors allow

connection of a tape deck, CD/DVD

player etc to the mixer and are routed to

the Master Mix.

*BFd L,,F RICSED OUT

wThese stereo RCA connectors allow for

a tape deck or digital recorder to be

connected to mixing console for

recording the output of the Master Mix.

al€*^t* itl:,'E r{T'*rrr5 1i2

These 2 additional stereo inputs can be

used for the return of stereo effects

units such as reverb or delay units and

are permanently assigned to the Master

Mix. These can also be used as extra

line level inputs and can be mono if only

the left input is used.

PASE 65Mi? & Sld'l$ *pftATlSl* t"{Al.lUA'-

Balanced use of

stereo 1/4" jack plugs

Tip =

hot (+vs;

Ring

cold (-ve)

Sleeve =

Ground / Shield

Tip

Ring

Sleeve

Strain relief clamp

For connection of balanced and

unbalanced plugs, ring and sleeve

have to be bridged at the stereo plug

& **,**z';*

This switch turns 48 volt phantom power

"on" to all mono channels. Phantom

power is required for Electret or

Condenser style microphones

ffi :t.l=r-ar* 1-i t.,.'4 *?e '{=z ?{.4': +i

An insert point is provided for each

Mono Channel on the SMl2 and SM16

mixing consoles. These insert points are

a split of the channels input signal

which is post input gain and Low cut

filter with the return path pre EO. These

inserts are 6.35mm TRS sockets with 1rp

1 being send and ring being return.

i---* l'ip = Send, Ring = fts1x1n

&& **w;.*

This switch turns mains power "on" to

the mixer

& ot **w??.

This is the connection for the supplied

AC power supply.

Please use supplied mains

power supply only. Always

connect the power supply to the

mixer belore connecting to the

mains supply.

& *:;.-*.2,: *l:r

Both balanced XLR and 6.35mm TRS

jacks are included and provide Stereo

mix output at the level set by the Master

output fader. Both sets of outputs can

be used simultaneously.

9 W 3 ?- 5 :* 7a. 1 + 3 p g,'6 it."T t * 7,; ?4 *"?'i 2.j &.r- ?&** 7

: Fi tEEffi.ffi] @ PTPPTF l'

Et tr,+t=LEL=lElgF-t \--./ @]qEElEll l_

I't

-l_

rAPE @€l

OUTPUT

L&R INPUT

L&R

GbJ+jt-h.EE.uE.LlE.O,|@; O' |O,I @,

oir CI'r Or o"r eJ'o* i6 6 |(b:ro

Before connecting any input sources to your SM12 or SM16 stereo

console mixer, please make sure the following initial settings are correct.

. All gain controls and faders are set to minimum

. All Auxiliary sends are set to minimum

. E0 is set flat (i.e. in centre positionl

. Ensure the power supply is correctly connected

. No PFlls are active

Connect mic or line source to desired channel inputs (make sure

phantom power is switched on if required) and ensure Master Outputs

are correctly connected to your audio system.

S S.t tnr Master Output to unity gain (set to "0")

$ furn up the input gain for your selected channel to 12 0'clock

(half way)

O Generate input signal

(i.e. voice for a microphone, play background source etc)

!l Enrrrc the selected channels Peak LED is not illuminating

Gl Ruirr the selected channels fader till the desired level is achieved

$ ff'r UR 0utput meter should be continuously metering at up to 0dB

with any transient signals not exceeding the +6dB indicator.

S| nO;ust input gain stage to ensure correct gain settings

€3 ,O input signals as required remembering that boosting frequencies

will add to the signals gain.

@ Repeatfor remaining channels

ltl0TE: A lull discussion of setting up a complex system with

correct gain structure is beyond the scope olthis manual.

The procedure above assumes that the installer has

correctly set up external equipment connected to this

mixer prior to initiating the setup procedure.

PAGE 8

5MI2 & SMJ6 OPTRATION MANUAL

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PAGE 9

SMI2 & SM16 OPERATION MANUAL

MONO INPUT5

Mic lnput Electronically balanced, discrete input configuration

Bandwidth 10Hz to 60kHz t 3dB

Distortion (THD & N) 0.01% at + dBu, lkHz, Bandwidth 80kHz

Mic E.l.N. (22H2-22kHzl -129.5d8u, l50O source

-1 l7.3dBqp, I 50C) source

-132.0dBu, input shorted

-1 22.0dBqp, input shorted

GAIN range

Line lnput

Bandwidth

Distortion (THD & N)

Line Level Range

Equalisation

Hi Shelving

Mid Range

Lo Shelving

+10d8 to +60d8

Electronically balanced

1()Hz to 60kHz r3dB

0.01% at +4dBu, lkHz, Bandwidth 80kHz

+l0dBu to -40dBu

l2kHz tl5dB

2.5kHz tl5dB

80Hz rl 5dB

STEREO INPUTS

Line lnput

Bandwidth

Distortion (THD & N)

Equalisation

Hi Shelving

Mid Range

Lo Shelving

Unbalanced

1()Hz to 55kHz r3dB

0.01% at +4dBu, lkHz, Bandwidth 80kHz

l2kHz tl5dB

2.5kHz tl 5dB

80Hz tl 5dB

MASTER MIX SECTION

Max. 0utput

Aux. Send Max. 0ut

Control Room 0ut

Signal-to-Noise Ratio

+22dBu Balanced

+22dBu Unbalanced

112d8, all channels at Unity Gain

POWER SUPPLY (mains vottages)

USA/Canada -1l5VAC, 60H2, power supply unit MXUL2 (included)

Europe/Australia -230VAC, 50H2, power supply unit MXUK2 (included)

PHYSI CAL

sM12

Dimensions(HxWxD)

Net Weight

Gross Weight

sM16

Dimensions(HxWxD)

Net Weight

Gross Weight

70mmx293mmx3tl4mm

3.6k9 (PSU not included)

5.8k9

70mmx399mmx344mm

SkS (PSU not included)

8.0k9

PAGE 1O SM12 & SMI6 OPERATION MANUAL

Andere Handbücher für SM12

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