Casio EX-S3 - Exilim 3MP Digital Camera Gebrauchsanweisung

OTHER RECORDING FUNCTIONS

Use [왖] and [왔] to

change the exposure

compensation value,

and then press [SET].

• Pressing [SET] registers

the displayed value.

[왖] : Increases the EV value. A higher EV value is best

used for light-colored subjects and backlight

subjects.

[왔] : Decreases the EV value. A lower EV value is best

for dark-color subjects and for shooting outdoors

on a clear day.

OTHER RECORDING FUNCTIONS

This chapter describes the other powerful features and

functions that are available for recording.

Exposure Compensation (EV Shift)

Exposure compensation lets you change the exposure

setting (EV value) manually to adjust for the lighting of your

subject. This feature helps to achieve better results when

recording a backlit subject, a strongly lit subject indoors, or

a subject that is against a dark background.

EV Shift Range: –2.0EV to +2.0EV

Steps: 1/3EV

In the REC mode, press [MENU].

Select the “REC” tab,

select “EV Shift”, and

then press [왘].

Exposure compensation

value

EV value

OTHER RECORDING FUNCTIONS

• To cancel EV Shift, adjust the value until it becomes

0.0.

Record the image.

IMPORTANT!

• When shooting under very dark or very bright

conditions, you may not be able to obtain satisfactory

results even after performing exposure

compensation.

NOTES

• Performing an EV shift operation causes the

metering mode to switch automatically to center

weighted metering. Returning the EV shift value to

0.0 causes the metering mode to change back to

multi-pattern metering.

• You can use key customization (page 66) to

configure the camera to perform exposure

compensation whenever you press [왗] and [왘] while

in the REC mode.

Adjusting White Balance

The wavelengths of the light produced by various light

sources (sunlight, light bulb, etc.) can affect the color of a

subject when it is recorded. White balance lets you make

adjustments to compensate for different lighting types, so

the colors of an image appear more natural.

In the REC mode, press [MENU].

Select the “REC” tab,

select “White

Balance”, and then

press [왘].

OTHER RECORDING FUNCTIONS

Use [왖] and [왔] to select the setting you

want, and then press [SET].

NOTES

• Selecting “Manual” changes white balance to the

settings achieved the last time a manual white

balance operation was performed.

• You can use the key customization feature (pages

66, 67) to configure the camera so the white balance

setting changes whenever you press [왗] and [왘], or

[왖] and [왔] while in the REC mode.

When shooting under these conditions:

Normal conditions

Outdoor daylight

Shade

Incandescent light bulb

(reddish tinge)

Fluorescent light (greenish tinge)

Difficult lighting that requires manual

control (See “Adjusting White Balance

Manually”.)

Select this setting:

Auto

Manual

Adjusting White Balance Manually

Under some light sources, automatic white balance under

the “Auto” setting can take a long time to complete. Also,

the auto white balance range (color temperature range) is

limited. Manual white balance helps to ensure that colors

are recorded correctly for a particular light source.

Note that you must perform manual white balance under

the same conditions you will be shooting under. You must

also have a white piece of paper or other similar object on

hand in order to perform manual white balance.

In the REC mode, press [MENU].

Select the “REC” tab, select “White Balance”,

and then press [왘].

Use [왖] and [왔] to

select “Manual”.

• This causes the object

you last used to adjust

manual white balance to

appear on the monitor

screen.

OTHER RECORDING FUNCTIONS

Point the camera at a white piece of paper or

similar object under the lighting conditions

for which you want to set the white balance,

and then press the shutter release button.

• This starts the white balance adjustment procedure.

The message “Complete” appears on the monitor

screen after white balance adjustment is complete.

• Dim lighting or pointing the camera at a dark colored

object while performing manual white balance

adjustment can cause the procedure to take a long

time to complete.

Press [SET].

• This registers the white balance settings and returns

to the REC mode.

Using the Best Shot Mode

Selecting one of the 15 Best Shot scenes automatically

sets up the camera for recording a similar type of image.

■Example Sample Scene

OTHER RECORDING FUNCTIONS

In the REC mode, press [MENU].

Select the “REC” tab, select “REC Mode”, and

then press [왘].

Use [왖] and [왔] to

select “ (Best

Shot)”, and then press

[SET].

• This enters the Best Shot

mode and displays a

sample scene.

Use [왗] and [왘] to select the sample scene

you want, and then press [SET].

Record the image.

IMPORTANT!

• Sample scene number 4 is Coupling Shot scene

(page 58). Sample scene number 5 is a Pre-shot

scene (page 60).

• Best Shot scenes were not recorded using this

camera. They are provided as samples only.

• Images recorded using a Best Shot scene may not

produce the results you expected due to shooting

conditions and other factors.

• After selecting a Best Shot scene, you can change to

a different one by using [왗] and [왘] to scroll through

available scenes. When the one you want is

displayed, press [SET].

OTHER RECORDING FUNCTIONS

Creating Your Own Best Shot Setup

You can use the procedure below to save the setup of an

image you recorded for later recall when you need it again.

Recalling a setup you save automatically sets up the

camera accordingly.

In the REC mode, press [MENU].

Select the “REC” tab, select “REC Mode”, and

then press [왘].

Use [왖] and [왔] to select “ (Best Shot)”,

and then press [SET].

• This enters the Best Shot mode and displays a

sample scene.

Use [왗] and [왘] to

display “Register

Favorites”.

Press [SET].

Use [왗] and [왘] to

display the image

whose setup you

want to register as a

Best Shot scene.

Use [왖] and [왔] to

select “Save”, and

then press [SET].

• This registers the setup.

• Now you can use the

procedure on page 55

to select your user

setup for recording.

OTHER RECORDING FUNCTIONS

IMPORTANT!

• Setups that you register as Best Shot sample scenes

are located after the built-in sample scenes.

• When a Best Shot user setup is recalled, the monitor

screen in step 4 of the procedure on page 55

displays the text “Recall Favorites”.

• Note that formatting the built-in memory (page 106)

deletes all Best Shot user setups.

NOTES

• Best Shot user setups are located in the camera’s

built-in memory after the built-in sample scenes.

• The following are the settings that are included in a

Best Shot user setup: EV shift value, white balance

mode, flash mode, and ISO sensitivity.

• Note that images recorded with this camera only can

be used to create a Best Shot user setup.

• You can have up to 999 Best Shot user setups in the

camera’s built-in memory at one time.

• You can check the current setup of a scene by

displaying the various setting menus.

• User setups are assigned file names using the format

“UEXS3nnn.jpe” (where n = 0 to 9).

■To delete a Best Shot user setup

In the REC mode, press [MENU].

Select the “REC” tab, select “REC Mode”, and

then press [왘].

Use [왖] and [왔] to select “ (Best Shot)”,

and then press [SET].

• This enters the Best Shot mode and displays a

sample scene.

Use [왗] and [왘] to display the user setup you

want to delete.

Press [왔] ( ) to delete the user setup.

• You can also delete a user setup by using your

computer to delete its file in the “SCENE” folder in

the camera’s built-in memory (page 124).

OTHER RECORDING FUNCTIONS

• Combined

Images

In the REC mode, press [MENU].

Select the “REC” tab, select “REC Mode”, and

then press [왘].

Use [왖] and [왔] to select “ (Best Shot)”,

and then press [SET].

Use [왗] and [왘] to select “Coupling Shot”,

and then press [SET].

Combining Shots of Two People into a

Single Image (Coupling Shot)

The Coupling Shot mode lets you record images of two

people and combine them into a single image. This makes

it possible for you to include yourself in group images, even

when there is no one else around to record the image for

you. Coupling Shot is available in the Best Shot mode

(page 54).

• First Image This is the part

of the image that

does not include

the person who

is recording the

first image.

• Second

Image Making sure that

the background

of the image is

aligned correctly,

record the image

of the person

who recorded

the first image.

OTHER RECORDING FUNCTIONS

Use the monitor

screen to compose

and record the left

side of the image.

• The exposure, white

balance, zoom, and

flash settings are fixed

for this type of image.

Next, use the monitor

screen to compose

the right side of the

image, taking care to

align the actual

background with the

semi-transparent

image of the

background of the

left-side image, which

remains on the

monitor screen. When

everything is aligned

correctly, record the

image.

• Pressing [MENU] any time after step 5 of the above

procedure cancels the first image and returns to step

Semi-transparent

image

OTHER RECORDING FUNCTIONS

Recording a Subject onto an Existing

Background Image (Pre-shot)

Pre-shot helps you get the background you want, even if

you need to ask someone else to record the image for you.

Basically, Pre-shot is a two-step process.

1.You compose the background you want and press the

shutter release button, which causes a semi-transparent

image of the background to remain on the monitor

screen.

2.Ask someone else to record a shot of you against your

original background, telling them to compose the image

by using the semi-transparent monitor screen image as a

guide.

• The camera stores the image produced by step 2 only.

• Depending on how the image is actually composed in

step 2, its background may not be exactly the same as

the one you composed in step 1.

Note that Pre-shot is available in the Best Shot mode only

(page 54).

• Freeze the background on

the monitor screen.

• Record the image, using

the background on the

monitor screen as a guide.

• This records the image.

Andere Handbücher für EX-S3 - Exilim 3MP Digital Camera

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