Casio QV-R3 Stücklistenhandbuch

OTHER RECORDING FUNCTIONS

This chapter describes the other powerful features and func-

tions that are available for recording.

Selecting the Focus Mode

You can select one of four different focus modes: Auto Fo-

cus, Macro, Infinity, and Manual.

Enter a recording mode.

Press MF .

• Each press of MF

cycles thorough the focus

mode settings in the se-

quence shown below.

PREVIEW

DPOF

Focus mode indicator

No indicator

(Auto Focus)

(Macro)

(Infinity)

MF (Manual Focus)

Using Auto Focus

As its name suggests, Auto Focus focuses the image auto-

matically. The automatic focus operation starts when you

press the shutter release button down half way. The follow-

ing is the Auto Focus range.

Range: Approximately 40cm to ∞(1.3´to ∞)

Keep pressing MF until there is no fo-

cus mode indicator on the display.

Compose the image

so the main subject is

within the focus

frame, and then press

the shutter release

button half way.

•You can tell whether the

image is focused by

observing the focus

frame and the green

operation lamp.

1200

1600

NORMAL

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/24

:58

Focus frame

OTHER RECORDING FUNCTIONS

When you see this:

Green focus frame

Green operation lamp

Green flashing focus frame

Flashing green operation lamp

It means this:

The image is focused.

The image is not in

focus.

Press the shutter release button the rest of the

way to record the image.

Using the Macro Mode

The Macro Mode lets you focus automatically on close up

subjects. The automatic focus operation starts when you

press the shutter release button down half way. The follow-

ing is the focus range in the Macro Mode.

Approximately 14cm to 50cm (5.5˝to 19.7˝)

Keep pressing MF until the is on the

display.

Record the image.

•The focus and image recording operations are identi-

cal to those in the Auto Focus Mode.

•You can tell whether the image is focused by observ-

ing the focus frame and the green operation lamp. The

indications of the focus frame and green operation

lamp are the same as those in the Auto Focus Mode.

IMPORTANT!

•Optical zoom is disabled in the Macro Mode. Zoom is

fixed at maximum wide angle.

OTHER RECORDING FUNCTIONS

Using the Infinity Mode

The Infinity Mode fixes focus at infinity (∞). Use this mode

when recording scenery and other faraway images.

Keep pressing MF until the is on the

display.

Record the image.

Using Manual Focus

With the Manual Focus Mode, you can adjust the focus of an

image manually. The following shows focus ranges in the

Macro Mode for two optical zoom factors.

Optical Zoom Factor

Approximate Focus Range

14cm (0.5´) to infinity (∞)

40cm (1.3´) to infinity (∞)

Keep pressing

MF until MF

is on the display.

•At this point, a bound-

ary also appears on the

display, indicating the

part of the image that

will be used for manual

focus.

Boundary

OTHER RECORDING FUNCTIONS

•Pressing [ ] or [ ] causes the area inside of the

boundary displayed in step 1 to fill the monitor screen

momentarily to aid in focus. The normal image reap-

pears a short while later.

Press the shutter release button to record the

image.

To do this:

Focus out on the subject

Focus in on the subject

Do this:

Press [ ].

While watching the

image on the monitor

screen, use [ ] and

[] to focus.

Manual focus position

OTHER RECORDING FUNCTIONS

Using Focus Lock

Focus lock is a technique you can use to focus on a subject

that is not located within the focus frame when you record an

image. You can use focus lock in the Auto Focus Mode and

the Macro Mode ( ).

Using the monitor

screen, compose the

image so the main

subject is within the

focus frame, and then

press the shutter

release button half

way.

•The focus and image

recording operations

are identical to those in

the Auto Focus Mode.

•You can tell whether the image is focused by observ-

ing the focus frame and the green operation lamp. The

indications of the focus frame and green operation

lamp are the same as those in the Auto Focus Mode.

1200

1600

NORMAL

/12

/24

:58

1200

1600

NORMAL

/12

/24

:58

Focus frame

Keeping the shutter

release button half

way down, re-com-

pose the image as

you like.

When the image is composed the way you

want, press the shutter release button the rest

of the way to record it.

NOTE

•Locking the focus also locks the exposure.

OTHER RECORDING FUNCTIONS

Exposure Compensation (EV Shift)

Exposure compensation lets you change the exposure set-

ting (EV value) manually to adjust for the lighting of your sub-

ject. This feature helps to achieve better results when re-

cording a backlit subject, a strongly lit subject indoors, and a

subject that is against a dark background.

Exposure Compensation Range: –2.0EV to +2.0EV

Steps: 1/3EV

In a recording mode,

press [ ] and [ ].

•This causes the

exposure compensation

value to appear on the

monitor screen.

EV value

Press [ ] to increase the EV value. A higher EV value is

best used for light-colored subjects and backlight subjects.

Press [ ] to decrease the EV value. A lower EV value is

best for dark-color subjects and for shooting outdoors on

a clear day.

•To cancel exposure compensation, adjust the value

until it becomes zero.

Compose the image and then press the shutter

relese button.

IMPORTANT!

•When shooting under very dark or very bright condi-

tions, you may not be able to obtain satisfactory re-

sults even after performing exposure compensation.

OTHER RECORDING FUNCTIONS

Recording Consecutive Images

(Continuous Shutter Mode)

The Continuous Shutter Mode records images as long as

you keep the shutter release button depressed. Note that the

length of the interval between images depends on the image

quality setting.

Press /DPOF to

select the Continuous

Shutter Mode (page

49).

•The Continuous Shutter

Mode is selected when

the indicator is on

the monitor screen.

Hold down the shutter release button to record

the images you want.

IMPORTANT!

•The flash does not fire during continuous shutter re-

cording.

•You cannot use the self-timer in combination with the

continuous shutter mode.

•Never remove the battery or memory card from the

camera or unplug the AC adaptor while images are

being saved to memory.

OTHER RECORDING FUNCTIONS

Combining Shots of Two People into a

Single Image (Coupling Shot)

The Coupling Shot Mode lets you record images of two

people and combine them into a single image. This makes it

possible for you to include yourself in group images, even

when there is no one else around to record the image for

you.

•First Image This is the part

of the image that

does not include

the person who

is recording the

first image.

•Second

Image

•Combined

Images

Making sure that

the background

of the image is

aligned correctly,

record the image

of the person

who recorded

the first image.

Align the mode dial with (Coupling Shot

Mode).

First, align the focus

frame on the monitor

screen with the

subject you want on

the left side of the

image, and then

press the shutter

release button to

record the image.

•The following settings

are fixed for this image:

focus, exposure, white

balance, zoom, flash.

Focus frame

OTHER RECORDING FUNCTIONS

Next, align the focus

frame with the sub-

ject you want in the

right side of the

image, taking care to

align the actual

background with the

semi-transparent

image of the back-

ground of the first

image, which is

shown on the monitor

screen. When every-

thing is aligned

correctly, record the

image.

•Pressing MENU any time after step 2 of the above

procedure cancels the first image and returns to step

Semi-transparent

image

NOTE

•The Best Shot Mode (page 64) includes three sample

scenes that use Coupling Shot. One of the scenes

uses two shots on the left half and the right half of the

image, as described in the procedure above. The first

shot of the other two Coupling Shot sample scenes

uses the left 1/3 of the image, while that of the remain-

ing sample scene uses the right 1/3 of the image.

Note, however, that the Coupling Shot sample scenes

in the Best Shot Mode cannot be used in the Coupling

Shot Mode.

OTHER RECORDING FUNCTIONS

Recording a Subject onto an Existing

Background Image (Pre-shot)

Pre-shot helps you get the background you want, even if you

need to ask someone else to record the image for you. Basi-

cally, Pre-shot is a two-step process.

1.You compose the background you want and press the

shutter release button, which causes a semi-transparent

image of the background to remain on the monitor screen.

2.Ask someone else to record a shot of you against your

original background, telling them to compose the image by

using the semi-transparent monitor screen image as a

guide.

•The camera stores the image produced by step 2 only.

•Depending on how the image is actually composed in

step 2, its background may not be exactly the same as

the one you composed in step 1.

Note that Pre-shot is available in the Best Shot Mode only

(page 64).

•Freeze the background on

the monitor screen.

•Record the image, using

the background on the

monitor screen as a guide.

•This records the image.

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