Casio Privia PX-760 Bedienungsanleitung

PX-760/PX-860/AP-260/AP-460/PX-160

MIDI Implementation

CASIO COMPUTER CO., LTD.

Contents

I MIDI Message Overview 5

1 Product Conﬁguration as a MIDI Device 5

1.1 SystemSection.......................................... 5

1.2 SoundGeneratorSection .................................... 5

1.3 Performance Controller Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

2 Conditions that Disable Message Send and Receive 7

3 Timbre Type Speciﬁc Operation 7

II Channel Message 8

4 Channel Message Overview 8

4.1 SendChannel........................................... 8

4.2 ReceiveChannel ......................................... 8

4.3 Instrument Velocity Resolution . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

5 Note Oﬀ 8

6 Note On 9

7 Polyphonic Key Pressure 10

8 Control Change 10

8.1 BankSelect(00H) ........................................ 10

8.2 Modulation(01H) ........................................ 11

8.3 PortamentoTime(05H)..................................... 11

8.4 DataEntry(06H,26H)...................................... 11

8.5 Volume(07H) .......................................... 11

8.6 Pan(0AH) ............................................ 12

8.7 Expression(0BH) ........................................ 12

8.8 General Use Controllers 1 through 8 (10H through 13H, 50H through 53H) . . . . . . . . 12

8.9 Hold1(40H) ........................................... 13

8.10 PortamentoSwitch(41H).................................... 14

8.11 Sostenuto(42H) ......................................... 14

8.12 Soft(43H) ............................................ 14

8.13 VibratoRate(4CH) ....................................... 15

8.14 VibratoDepth(4DH) ...................................... 15

8.15 VibratoDelay(4EH) ...................................... 15

8.16 PortamentoControl(54H) ................................... 16

8.17 High Resolution Velocity Preﬁx (58H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

8.18 ReverbSend(5BH) ....................................... 16

8.19 ChorusSend(5DH) ....................................... 17

8.20 NRPN(62H,63H) ........................................ 17

8.21 RPN(64H,65H) ......................................... 17

9 Mode Message 19

9.1 AllSoundOﬀ(78H)....................................... 19

9.2 ResetAllControllers(79H)................................... 19

9.3 AllNotesOﬀ(7BH)....................................... 19

9.4 OmniOﬀ(7CH) ......................................... 20

9.5 OmniOn(7DH) ......................................... 20

9.6 Mono(7EH) ........................................... 20

9.7 Poly(7FH)............................................ 21

10 Program Change 21

10.1 AboutTimbreType....................................... 21

10.2 DSP Assignments during Tone Selection . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

11 Channel Aftertouch 22

12 Pitch Bend Change 23

III System Message 24

13 Active Sensing 24

14 System Exclusive Message 24

14.1 Universal Realtime System Exclusive Message . . . . . . . . . . . . . . . . . . . . . . . . 24

14.2 Instrument-Speciﬁc System Exclusive Messages . . . . . . . . . . . . . . . . . . . . . . . . 28

IV Instrument-Speciﬁc System Exclusive Messages 29

15 Format 29

15.1 MessageClassiﬁcations ..................................... 29

15.2 BasicMessageStructure..................................... 29

15.3 FieldFormats .......................................... 30

16 Parameter Transfer 33

16.1 Two-wayCommunication.................................... 34

16.2 One-wayCommunication .................................... 34

V Parameter List 35

17 System Parameters 35

17.1 System Information Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

18 Setup Parameter 35

18.1 MIDIParameter ......................................... 35

19 Patch Parameters 36

19.1 MasterTuneParameters .................................... 36

19.2 MasterMixerParameters.................................... 36

19.3 SystemChorusParameters ................................... 36

19.4 SystemReverbParameters ................................... 36

19.5 BrillianceParameters ...................................... 37

19.6 PartParameters ......................................... 37

20 Tone Parameters 38

20.1 BasicParameters......................................... 38

20.2 LFOParameters......................................... 39

20.3 DSPParameters ......................................... 39

21 Music Library Parameters 40

VI DSP Parameter List 41

22 Tone with DSP List 41

22.1 PX-760,PX-860,AP-260,AP-460,PX-160 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

23 DSP Algorithm ID Tables 41

23.1 DSPAlgorithmList ....................................... 41

24 DSP Parameter Set Types 41

24.1 Tremolo/AutoPan........................................ 42

24.2 EQ3Band ............................................ 42

24.3 Compressor............................................ 42

24.4 Limiter .............................................. 42

24.5 EarlyReﬂection ......................................... 42

24.6 Rotary .............................................. 42

24.7 DriveRotary........................................... 43

24.8 Enhancer ............................................. 43

24.9 CompressorEnhancer ...................................... 43

VII Setting Values and Send/ Receive Values 44

25 Setting Value Tables 44

25.1 Oﬀ/OnSettingValueTable................................... 44

25.2 Damper Pedal Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

25.3 Slow/Fast Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

25.4 Rotate/Brake Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

25.5 –64 - 0 - +63 Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

25.6 PanSettingValueTable..................................... 45

25.7 Master Fine Tuning Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

25.8 Reverb Type Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

25.9 Chorus Type Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

25.10 Equalizer Frequency Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

25.11 Brilliance Gain Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

25.12 DSP Equalizer Gain Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

VIII MIDI Implementation Notation 49

26 Value Notation 49

26.1 HexadecimalNotation ..................................... 49

26.2 BinaryNotation......................................... 49

Part I

MIDI Message Overview

1 Product Conﬁguration as a MIDI Device

As a MIDI device, the instrument consists of the System Section, Sound Generator Section, and Per-

formance Controller Section described below. Each of these sections sends and receives speciﬁc MIDI

Messages in accordance with its function.

•System Section

–Device settings

–Function status

•Sound Generator Section

–Common

∗Sound generator common section

∗System eﬀects

∗Brilliance adjustment function

∗Mixer master

–Parts

∗Sound generator instrument parts

∗DSP (insertion eﬀects)

∗Mixer channel

•Performance Controller Section

–Keyboard

–Pedal and other real-time controllers

–Auto play function

1.1 System Section

The System Section consists of a sound generator (sound source), a performance controller part (per-

formance), and functions that are not directly related to Instrument play. In addition to manipulating

Instrument setting parameters, this section is also used to exchange information.

1.2 Sound Generator Section

The Sound Generator Section consists of a common part that does not depend on the channel and a part

that is speciﬁc to each channel. Mainly it receives performance information and performs operations.

1.2.1 Sound generator common section

The common section consists of sound generator setting blocks that do not depend on the sound generator

part, such as system eﬀects, mixer master control, etc. These can be controlled by system exclusive

messages that are basically exclusive to this particular Instrument, but several parameters also can be

controlled by general universal system exclusive messages.

1.2.2 Parts

The settings of the sound generator parts can be changed using Instrument-speciﬁc system exclusive

messages. This Instrument consists of 32 parts. Of these, channel messages can be used to perform note

on operations and to change settings of only the B Group (B01 through B16). The relationships between

the channel message receive channel and part number are ﬁxed, as shown in ”1.2.3 Part Assignments”.

1.2.3 Part Assignments

Part Number Part Name MIDI Receive Ch MIDI Send Ch Assigned Function Description

00 A01 - 01(Note1) Keyboard Upper1(main)/(Right-

side keyboard in the

Duet Mode)

01 A02 - 02 Keyboard Upper2(Layer)

02 A03 - 03 Keyboard Lower1(Split)/(Left-

side keyboard in the

Duet Mode)

03 A04 - - -

04 A05 - 05 Recorder Play Track1 main

05 A06 - 06 Recorder Play Track1 layer

06 A07 - 07 Recorder Play Track1 split

07 A08 - - Metronome/Count

08 A09 - -

09 A10 - -

10 A11 - -

11 A12 - -

12 A13 - -

13 A14 - -

14 A15 - 04 Recorder Play Track2

15 A16 - – - -

16 B01 01 - MIDI/Song Play Ch.01

17 B02 02 - MIDI/Song Play Ch.02

18 B03 03 - MIDI/Song Play Ch.03 (Left hand

track)

19 B04 04 - MIDI/Song Play Ch.04 (Right hand

track)

20 B05 05 - MIDI/Song Play Ch.05

21 B06 06 - MIDI/Song Play Ch.06

22 B07 07 - MIDI/Song Play Ch.07

23 B08 08 - MIDI/Song Play Ch.08

24 B09 09 - MIDI/Song Play Ch.09

25 B10 10 - MIDI/Song Play Ch.10

26 B11 11 - MIDI/Song Play Ch.11

27 B12 12 - MIDI/Song Play Ch.12

28 B13 13 - MIDI/Song Play Ch.13

29 B14 14 - MIDI/Song Play Ch.14

30 B15 15 - MIDI/Song Play Ch.15

31 B16 16 - MIDI/Song Play Ch.16

Note1 :Can be changed by the Keyboard Channel setting.

1.3 Performance Controller Section

The Performance Controller Section consists of keyboard, pedal and other real-time controllers, as well

as blocks that generate auto performance, and other performance information. These messages are

transmitted to the sound generator in accordance with operations, while they are also being sent out

as MIDI messages. The channel number of the sent message is in accordance with Instrument s part

number.

1.3.1 Auto Performance MIDI Send

This document describes what operation causes the transmission of each message. However, since there

are so many kinds of messages sent by the SMF player (PX-860,AP-460), this function is not mentioned

here as the operations.

2 Conditions that Disable Message Send and Receive

The main conditions when MIDI message send and receive are disabled by the Instrument are those

described below.

•While storage is selected as the USB device mode(PX-760/PX-860/AP-260/AP-460/PX-160)

3 Timbre Type Speciﬁc Operation

The operation that is performed for a received message depends on the current Timbre Type setting (see

10.1 About Timbre Type ), which is the operation mode of each sound generator part. Applicable

information is provided in the explanations for each message.

Part II

Channel Message

4 Channel Message Overview

4.1 Send Channel

For information about the MIDI channels of the channel messages that are sent when this Instrument

is played, see 1.2.3 Part Assignments . Note, however, that the MIDI channel of the performance

information that corresponds to the keyboard main part can be changed by the Keyboard Channel

setting value.

4.2 Receive Channel

For information about the MIDI channel numbers of channel messages received by each part, see1.2.3

Part Assignments . The MIDI channel number of a channel message that changes DSP settings also

coincides with the MIDI channel of the part using the DSP. A channel message is not received by a part

that is turned oﬀ by the Part Enable Parameter value explained under19.6 Part Parameter .

4.3 Instrument Velocity Resolution

The upper seven bits of the 14-bit resolution correspond to the Note On/Oﬀ message, while the lower

seven bits correspond to the High Resolution Velocity Preﬁx message. (Note1)

Note On/Off High Resolution Velocity Prefix

Upper 7 bits Lower 7 bits

14bits

The initial default value for the lower 7 bits is 00H. Receipt of a High Resolution Preﬁx message

causes the lower seven bits to be set, but note on/oﬀ is not performed.

Receipt of a Note On/Oﬀ message causes the upper seven bits to be set with note on/oﬀ performed

with 14-bit resolution Velocity.

The High Resolution Velocity Preﬁx message corresponds the message immediately following the Note

On/Oﬀ message, and the lower seven bits are cleared to 00H immediately following note on/oﬀ by the

Note On/Oﬀ message. 7-bit resolution note on/oﬀ using only the Note On/Oﬀ message also continues

to be supported.

For details about each message, see ”5Note Oﬀ”, ”6Note On”, and ”8.17 High Resolution Velocity

Preﬁx”.

Note1 :The PX-760,AP-260,PX-160 do not support Note Oﬀ Velocity. For these models, Velocity for send Note Oﬀ

messages is a ﬁxed value (40H). Velocity for receive Note Oﬀ messages is ignored. The High Resolution Velocity Preﬁx message is

not sent or received for a Note Oﬀ message.

5 Note Oﬀ

Format

Message Format: 8nH kkH vvH

9nH kkH 00H(receive only)

n: MIDI Channel Number

kk: Key Number

vv: velocity

Send Sent when a key is released.(Note1)

The key number changes in accordance with on the Transpose function and Octave Shift function.

Note1 :The PX-760,AP-260,PX-160 do not support Note Oﬀ Velocity. For these models, Velocity for send Note Oﬀ

messages is a ﬁxed value (40H). The High Resolution Velocity Preﬁx message is not sent for a Note Oﬀ message.

Receive Receipt stops a note being sounded by a note on message. (Note1)

When a High Resolution Velocity Preﬁx message is received immediately prior to the Note Oﬀ message

and the lower seven bits of the 14-bit Velocity are set, the 14-bit resolution note oﬀ of the note being

sounded is performed.

For information about the relationship between the Note On/Oﬀ message and High Resolution Ve-

locity Preﬁx message, see ”4.3 Instrument Velocity Resolution”.

Note oﬀ by making the Note On Velocity 00H is identical to note oﬀ by the combination of High

Resolution Velocity preﬁx message 40H and Note Oﬀ Message 40H.

Note :This Instrument has a function that assumes connection of an external device that sends Note Oﬀ Velocity as a ﬁxed

value. Note Oﬀ Velocity 00H is replaced with 40H until a Note Oﬀ message with a Velocity value other than 00H is received. This

function is enabled when the Instrument is turned on, and disabled by receipt of a Note Oﬀ message with a Velocity value other

than 00H.

Note1 :The PX-760,AP-260,PX-160 do not support Note Oﬀ Velocity. Velocity for receive Note Oﬀ messages is ignored.

The High Resolution Velocity Preﬁx message is not received for a Note Oﬀ message.

6 Note On

Format

Message Format: 9nH kkH vvH

n: MIDI Channel Number

kk: Key Number

vv: Velocity

Send Sent when a key is pressed. The key number changes in accordance with on the Transpose

function and Octave Shift function.

Receive Receipt sounds a note of the corresponding part.

When a High Resolution Velocity Preﬁx message is received immediately prior to the Note On message

and the lower seven bits of the 14-bit Velocity are set, the 14-bit resolution note on is performed.

For information about the relationship between the Note On/Oﬀ message and High Resolution Ve-

locity Preﬁx message, see ”4.3 Instrument Velocity Resolution”.

7 Polyphonic Key Pressure

Format

Message Format: AnH kkH vvH

n: MIDI Channel Number

kk: Key Number

vv: Pressure Value

Send This message is not sent by this Instrument.

Receive This message is not received by this Instrument.

8 Control Change

Format

Message Format: BnH ccH vvH

n: MIDI Channel Number

cc: Control Number

vv: Value

Send Sent when the pedals or other controllers are operated, when the settings are changed, when

the tone is changed, when the auto performance is played back, or when other functions are operated.

Receive Receipt changes the controller and settings that correspond to the control number.

8.1 Bank Select (00H)

Format

Message Format: BnH 00H mmH (MSB)

BnH 20H llH (LSB)

n: MIDI Channel Number

mm: Value

ll: Send:00H, Receive:Ignored

Send Sent when a tone is selected. For information about numbers, see the Tone List in the User s

Guide.

Receive Receipt switches the tone bank number stored in Instrument memory. Note, however, that

the tone is not changed until a Program Change message is received.

For details, see 10 Program Change . For information about numbers, see the Tone List in the

User s Guide.

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