Casio TONEBANK CT-636 Bedienungsanleitung

Inhaltsverzeichnis

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CASIO.

OPERATION

MANUAL

MANUAL

DE

OPERACION

21

ToreBan

‘CT-636

ELECTRONIC

MUSICAL

INSTRUMENT

Introduction

Your

new

€¥:636

keyboard

is

a

state-of-the-art

musical

in-

strument

which

incorporates

the

latest

electronics

tech-

nology

to

make

its

operation

as

easy

as

possible.

Exceptional

sound

quality

backed

up

by

a

host

of

sophisti-

cated

features

and

functions

makes

this

keyboard

a

joy

to

play

for

everyone.

,

In

order

to

enjoy

the

features

and

functions

of

this

unit

to

their

fullest,

be

sure

to

carefully

read

this

manual

and

follow

the

instructions

contained

herein.

Contents

-

General

Guide

......

0...

cc

cece

eens

4

-

Power

Supply

.

.

General

Operation.

.

Preset

Tones

-

Tone

Bank

Sound

Combinations

.................

10

.

Auto-rhythms

.

Auto-accompaniment............

000.006

cece

Troubleshooting

................0

00.0

eee

ee

eee

Care

of

Your

Keyboard

SPECIFIC

ALIONS:

«

«i.a%

25 BS

PASE

nee

teens

iecaie’d

seo

as

essinne

SLOnAYAWNHe

=

Ais

Ef

General

Guide

4:

General

Ciutae

<Rear

panel>

PHONES’

ouTeuT

@

Output

jack

@AC

adaptor

jack

@

Built-in

stereo

speakers

@

TONE

BANK

button

2

@

POWER/CHORD

switch

@SYNCHRO/FILL-IN

button

;

Demonstration

Tune

@

MAIN

VOLUME

slider

@START/STOP

button

This

unit

features

a

preset

demonstration

tune

which

has

been

@

ACCOMP

VOLUME

slider

@INTRO/ENDING

button

carefully

programmed

to

showcase

all

the

features

and

benefits

@

TEMPO

contro!

buttons

@

RHYTHM

selectors

of

this

unit.

Simply

press

the

DEMO

button

@,

and

listento

©

@

210

SOUND

TONE

BANK

list

@

Rhythm

SELECT

button

the

GT-636

play!

@

TONE

selectors

@

AUTO

HARMONIZE

button

@

Tone

SELECT

button

@

DEMO

button

*

The

demonstration

tune

is

played

in

an

endless

loop.

Press

the

DEMO

button

again

to

stop

the

tune,

¢

The

keyboard

is

inoperable

while

playing

the

demonstration

tune.

A

—5—

B

Power

Supply

DC

‘Power:

*

Dry

batteries

This

unit

can

be

powered

by

six

D

size

(SUM-1/R20P)

manganese

dry

cell

batteries.

Weakened

batteries

will

result

in

lower

volume

or

poor

tonal

quality.

The

power

indicator

lamp

will

gradually

lose

its

brightness

when

battery

power

weakens.

At

this

time,

change

batteries

or

shift

to

one

of

the

alter-

nate

power

sources

mentioned

below.

©

Battery

replacement

@

Open

the

battery

compartment

cover

on

the

bottom

of

the

unit

and

take

out

used

batteries.

@)

Load

new

batteries

taking

care

that

polarity

is

correct.

*

it

is

advisable

to

replace

all

six

batteries

at

the

same

time

for

longer

battery

life.

*

Standard

battery

life

is

approximately

10

hours.

*

Car

battery

With

the

car

battery

adaptor

(CA-5,

optional),

DC

power

is

supplied

from

a

car

battery

through

the

cigarette

lighter

socket.

An

AC

adaptor

(AD-5,

optional)

is

required

when

using

household

current.

Use

only

a

genuine

CASIO

adaptor

with

the

same

voltage

rating

(100,

117,

220,

or

240)

as

the

power

supply

in

your

area

to

prevent

component

damage.

Plug

the

AC

adaptor

into

the

AC

outlet

and

the

cord

into

the

unit.

This

will

automatically

cut

off

the

battery

power

supply.

AC

outlet

AC

adaptor

AD-5

Ss

Sv

Cigarette

lighter

socket

AC

adaptor

jack

Car

battery

adaptor

CA-5

—~6—

2.

Power

Supply

a

rr

*

Use

only

genuine

CASIO

adaptors

to

avoid

risk

of

damage.

*

The

adaptor

may

become

warm

when

left

connected

to

an

outlet.

This

is

normal,

but the

adaptor

should

be

disconnected

when

not

in

use.

*

Auto

power

off

function

Power

is

automatically

cut

off

approximately

6

minutes

after

the

last

opera-

tion

of

the

unit.

Power

supply

can

be

restored

by

switching

power

OFF

and

then

ON

again.

PRECAUTIONS

Incorrectly

using

batteries

can

cause

leakage

or

bursts,

and

may

damage

your

product.

Note

the

following

precautions:

*

Be

sure

that

+

polarity

is

correct.

*

Do

not

mix

battery

types.

*

Do

not

mix

new

batteries

with

old

ones.

*

Never

leave

dead

batteries

in

battery

compartment

as

they

may

cause

mal-

functions.

*

Remove

batteries

when

not

using

the

product

for

extended

period.

*

Never

try

to

recharge

the

batteries

that

are

specified

for

the

power

supply

of

this

unit.

*

Do

not

expose

the

battery

to

direct

heat,

let

it

become

shorted

or

try

to

take

it

apart.

(if

a

battery

leaks,

clean

out

the

battery

compartment

of

the

product

im-

mediately,

taking

care

to

avoid

letting

the

battery

fluid

come

into

direct

contact

with

your

skin.)

General

Operation

*

Refer

to

the

general

guide

found

on

page

4-5

for

exact

locations

of

this

keyboard

controls

and

connections.

@

Set

the

POWER/CHORD

switch

to

ON.

@

Adjust

the

volume

level.

@

Select

one

of

30

preset

tones

(see

“Preset

Tones”,

page

8)

or

one

of

465

Tone

Bank

sounds

(see

“Tone

Bank

Sound

Combinations”,

page

10).

@®

Now,

start

playing.

Preset

Tones

*

Refer

to

the

general

guide

found

on

page

4-5

for

exact

locations

of

this

keyboard

controls

and

connections.

4.

Preset

Tones

*

Dual

bass

sounds

When

BASS

sound

is

selected

by

pressing

the

BASS

button

(one

of

the

tone

selectors),

two

different

bass

tones

can

be

played

on

the

keyboard

at

the

same

time.

The

WOOD

BASS

tone

sounds

on

the

lower

half

of

the

keyboard

(C2—B3),

while

the

SLAP

BASS

tone

sounds

on

the

upper

half

(C4—C7).

®

To

select

a

preset

tone

@

Press

the

tone

SELECT

button

to

switch

between

the

two

tones

assigned

to

each

TONE

selector.

When

the

SELECT

indicator

is

lit,

you

can

select

one

:

of

the

lower

tones

(16—30).

When

it

is

not

lit,

you

can

select

one

of

the

upper

tones

(1—15).

@

Press

a

TONE

selector

to

choose

a

preset

tone.

*

PIANO

tone

is

automatically

selected

whenever

you

switch

the

power

of

the

keyboard

ON.

©

To

select

percussion

sounds

When

PERCUSSION

sound

is

selected

by

the

tone

selector,

the

keyboard

keys

can

be

used

to

play

a

total

of

61

different

built-in

percussion

sounds.

|

i

These

sounds

aye

assigned

to

respective

keys

as

shown

below;

|

|

|

|

@

bass

drum

1/2/3

@

gated

snare

drum

@

snare

drum

1/2/3

@

synth.

snare

drum

@

rim

shot

1/2

@

closed

hihat

1/2

@

sample

percussion

1/2

©

open

hihat

1/2

@

synth.

cymbal

1/2/3

@

crash

cymbal

1/2/3/mixed

@

ride

cymbal

1/2

@

gong

1/2

®

@

tom

1/2/3/4/mixed

@

synth.

tom

1/2/3

@

cow

bell

1/2

@

triangle

open/mute

@

timbales;

high

mute/high/low/mixed

@

computer

game

sound

1/2/3

@

agogo;

high/low

@

scratch;

fast/slow

@

conga;

high

mute/high/middle/low/

mixed

@

brass

hit

1/2/3

@

clave

high/low

8

Eq

Tone

Bank

Sound

Combinations

*

Refer

to

the

general

guide

found

on

page

4-5

for

exact

locations

of

this

keyboard

controls

and

connections.

4

This

keyboard

features

Casio’s

innovative

“Tone

Bank”

feature,

which

lets

you

choose

from

an

amazing

total

of

465

different

sound

combinations.

To

create

these

layered

sounds,

the

Tone

Bank

function

actually

integrates

the

characteristics

of

the

30

preset

tones.

You

can

select

these

sound

combinations

through

the

following

procedure.

*

To

select

Tone

Bank

Sound

Combinations

@®

Select

any

of

the

30

preset

tones.

When

selecting

Tone

Bank

sounds,

the

tone

initially

selected

is

used

as

a

base,

or

“Primary”

sound.

*

When

the

Primary

sound

is

selected,

the

keyboard

features

10-note

polyphony.

@

Press

the

TONE

BANK

bution.

\

This

activates

the

Tone

Bank

function,

allowing

you

to

choose

a

Secondary

sound

to

integrate

with

the

Primary

sound

you

just

selected.

*

After

the

TONE

BANK

button

is

pressed,

the

keyboard

changes

to

5-note

polyphony.

1

i

i

@

Select

any

other

of

the

30

preset

tones.

The

characteristics

of

this

|

“Secondary”

sound

is

automatically

integrated

with

those

of

the

“Primary”

sound

already

selected.

H

®

To

select

a

different

secondary

sound

The

secondary

sound

can

be

changed

at

any

time,

as

long

as

the

Tone Bank

function

is

selected.

Simply

select

a

different

preset

tone—the

primary

sound

remains

the

same.

*

To

select

a

different

primary

sound

The

primary

sound

can

be

changed

by

first

turning

the

Tone

Bank

function

OFF

(press

TONE

BANK

button

so

that

indicator

goes

out),

selecting

any

other

preset

tone,

and

finally

turning

the

Tone

Bank

function

back

ON.

The

secon-

dary

tone

remains

the

same

in

this

case.

-O—

5.

Tone

Bank

Sound

Combinations

GY

<Example

of

Tone

Bank

Operation>

Look

at

the

465-SOUND

TONE

BANK

list

on

the

keyboard.

Here,

let

us

produce

the

TONE

BANK

sound

“4

6

BRASSH

ORGAN”.

The

two

numbers

to

the

left

of

the

TONE

BANK

sound

name

are

preset

tone

numbers.

The

number

4

represents

the

“Primary”

sound,

while

6

is

the

“Secondary”

sound.

Basically,

the

465-SOUND

TONE BANK

list

indicates

that

if

you

mix

preset

tone

“6

BRASS

ENS”

with

preset

tone

“4

JAZZ

ORGAN”,

you

will

get

BRASSH

ORGAN.

preset

tone

numbers

a

ARE

ORGAN

19

ORGAN

tone

selector

°

To

select

“4

6

BRASSH

ORGAN”

©

First,

select

preset

tone

4,

JAZZ

ORGAN.

This

first

selection

becomes

the

“Primary”

sound.

@

Press

the

TONE

BANK

button.

At

this

time,

the

TONE BANK

indicator

above

the

button

should

light.

@

Select

preset

tone

6,

BRASS

ENS.

This

selection

becomes

the

“Secondary”

sound.

BRASSH

ORGAN

is

now

selected,

The

following

is

a

summary

of

the

above

operation.

TONE

BANK

ve

oat

A

anew

Os

4

6

BRASSH

ORGAN

-

O:+°O

+

©

Auto-rhythms

*

Refer

to

the

general

guide

found

on

page

4-5

for

exact

locations

of

this

keyboard

controls

and

connections.

*

To

play

an

auto-rhythm

@)

Press

the

rhythm

SELECT

button

to

switch

between

the

two

rhythms

assigned

to

each

RHYTHM

selector.

When

the

SELECT

indicator

is

lit,

you

can

select

one

of

the

lower

rhythms

(ROCK

2,

8

BEAT

2,

etc.).

When

it

is

not

lit,

you

can

select

one

of

the

upper

rhythms

(ROCK

1,

8

BEAT

1,

etc.).

@

Press

a

RHYTHM

selector

to

choose

an

auto-rhythm.

*

ROCK

1

rhythm

is

automatically

selected

whenever

you

switch

the

power

of

the

keyboard

ON.

@

Press

START/STOP

button

to

start

the

rhythm.

@

Adjust

the

tempo

of

the

rhythm

by

using

the

TEMPO

control

buttons.

Press-

ing

the

<A>

button

will

increase

tempo,

while

pressing

the

<¥>

button

will

decrease

tempo.

*

Tempo

of

the

auto-rhythm

can

be

adjusted

between

40

and

256

beats

per

minute.

Pressing

both

tempo

keys

at

the

same

time

resets

the

tempo

to

132

beats

per

minute.

*

After

playing

the

demonstration

tune,

the

tempo

of

the

auto-rhythm

is

changed.

Adjust

the

tempo

of

the

auto-rhythm

if

you

need.

®

You

can

adjust

the

relative

volume

of

the

rhythm

by

using

the

ACCOMP

VOLUME

slider.

Press

START/STOP

button

once

again

to

stop

auto-rhythm

play.

¢

Using

SYNCHRO/FILL-IN

button

Press

to

enter

synchro

start

standby.

Rhythm

starts

when

an

accompaniment

keyboard

key

(lower

1.5

octave,

C

through

F)

is

pressed.

(See

page

14

to

use

synchro

start

in

the

auto-accompaniment

performance.)

When

pressed

during

auto-rhythm

and

accompaniment

performance,

an

appropriate

fill-

in

is

inserted

in

the

rhythm

pattern.

If

the

button

is

held

down,

the

fill-in

pattern

is

repeated

until

the

end

of

the

measure

during

which

the

button

is

released.

«

Using

INTRO/ENDING

button

If

you

press

the

INTRO/ENDING

button

instead

of

pressing

the

START/STOP

button

to

start

an

auto-rhythm,

the

selected

auto-rhythm

begins

after

a

one-

measure

intro

pattern.

This

can

be

an

effective

way

to

lead

into

auto-rhythm

performance.

If

pressed

during

auto-rhythm

and

accompaniment

perfor-

mance,

the

rhythm

stops

after

an

appropriate

ending

pattern.

%

Using

synchro

start

with

an

intro

pattern

Press

the

SYNCHRO/FILL-IN

button

to

enter

synchro

start

standby,

and

sub-

sequently

press

the

INTRO/ENDING

button.

Rhythm

starts

when

an

accom-

paniment

keyboard

key

is

pressed,

after

a

one-measure

intro

pattern.

a

be

kf

Auto-accompaniment

*

Refer

to

the

general

guide

found

on

page

4-5

for

exact

locations

of

this

keyboard

controls

and

connections.

*

POWER/CHORD

switch

Slide

to

switch

the

power

ON

and

to

select

one

of

the

Casio

Chord

functions.

For

normal

play

without

auto-accompaniment.

...For

auto-accompaniment

pressing

chords

as

usual.

For

auto-accompaniment

using

the

Casio

Chord

system.

¢

ACCOMP

VOLUME

slider

Adjust

the

volume

of

the

auto-accompaniment.

NOTES:

*

If

the

POWER/CHORD

switch

is

set

to

®

“FINGERED

(1

or

2)”

or

©

“ON”,

the

lower

15

octave

of

the

keyboard

become

accompaniment

keyboard

keys,

and

the

upper

part

of

the

keyboard

becomes

4-note

polyphonic.

Accompaniment

Melody

keyboard

(4-note

polyphonic)

———»|

keyboard

¢

During

auto-accompaniment

performance,

chord

played

on

the

accompani-

ment

keyboard

will

continue

to

sound

after

releasing

the

keys.

*

Auto-accompaniment

starts

with

rhythm,

the

moment

the

accompaniment

keyboard

key

is

pressed

if

synchro

start

is

in

standby

status.

7.

Auto-accompaniment

‘

The

Casio

Chord

system

has

been

developed

so

you

can

play

the

four

main

types

of

chords

more

easily.

Playing

of

the

chords

is

simplified

as

shown

below:

(mec

Chord

system

*

Pressing

one

of

the

accompaniment

keyboard

keys

produces

a

major

chord

corresponding

to

that

note.

¢

Simultaneously

pressing

any

key

to

the

right

(two

keys

at

the

same

time)

results

in

a

minor

chord.

*

Similarly,

pressing

one

more

key

to

the

right

(three

keys

in

all)

produces

a

seventh

chord,

and

pressing

the

fourth

key

to

the

right

(four

keys

in

all)

creates

a

minor

seventh

chord.

IC

IDE

|F

IG JA

|BIC

ID

<

Examples

>

C

(C

major

chord)—Press

@.

Cm

(C

minor

chord)—Press

@,

@

together.

©

C7(C

seventh

chord)—Press

@, @,

©

together.

Oe

ee

cccséidbent

Cw7

(C

minor

seventh

chord)—Press

@,

@,

@,

@

ao

together.

“Not

only

@

@,

and

@,

but

any

black

or

white

keys

can

be

used

as

long

as

they

are

to

the

right

of

@.

[1]

Auto-accompaniment

using

the

Casio

Chord

system

(One-finger

method)

@

Set

the

POWER/CHORD

switch

to

“ON”

(©

position).

@®

Select

one

of

the

auto-rhythms

and

press

the

SYNCHRO/FILL-IN

button.

*

Tempo

indicator

lights,

meaning

that

the

accompaniment

keyboard

keys

are

ready

for

play.

@

Play

on

the

accompaniment

keyboard

keys

according

to

the

Casio

Chord

system.

*

Adjust

the

tempo

and

accompaniment

volume

using

the

respective

controls.

[2}

Auto-accompaniment

play

using

standard

chord

fingering

@)

Set

the

POWER/CHORD

switch

to

“FINGERED

1”

or

“FINGERED

2”.

@

Select

one

of

the

auto-rhythms

and

press

the

SYNCHRO/FILLIN

button.

*

Tempo

indicator

lights,

meaning

that

the

accompaniment

keyboard

keys

are

ready

for

play.

@

Play

a

chord

on

the

accompaniment

keyboard

keys.

*

Adjust

the

tempo

and

accompaniment

volume

using

the

respective

controls.

*

This

unit

is

capable

of

recognizing

the

following

chords;

<M,

m,

—5,

+5,

dim,

sus4,

7,

M7,

m7,

mMZ

m7-5,

7sus4,

9,

m9>

—14—

7.

Auto-accompaniment

eS

<About

“FINGERED

1”

and

“FINGERED

2”>

This

keyboard

features

two

different

types

of

fingered

accompaniment

patterns.

You

can

select

which

type

you

want

by

selecting

either

the

FINGERED

1

mode,

or

the

FINGERED

2

mode.

Respective

accompaniment

patterns

and

characteris-

tics

are

as

listed

below.

FINGERED

1

Accompaniment

Accompaniment

consists

of

a

single

bass

line

and

two

different

backing

chord

patterns,

The

pattern

does

not

change

until

you

play

a

chord

consisting

of

at

least

3

notes.

FINGERED

2

Accompaniment

Accompaniment

consists

of

a

single

bass

line

and

a

single

backing

chord

pattern.

In

addition,

you

can

add

notes

manually

in

two-note

polyphony

on

the

“accompaniment

keyboard”

without

affecting

the

accompaniment

pattern.

The

pattern

does

not

change

until

you

play

a

chord

consisting

of

at

least

3

notes.

Fingered

2

accompaniment

also

allows

you

to

choose

the

way

the

chord

will

play

rhythmically.

!f

you

keep

repeating

your

chord

shape

in

any

rhythmic

pattern

you

choose

(quarter-notes,

eight-note

triplets

or

any

syncopation)

this

keyboard

will

play

that

chord

pattern

rhythm,

allowing

for

more

flexibility

in

your

accom-

paniment

patterns.

*

Auto-accompaniment

tones

are

preset

in

correspondence

to

each

auto-rhythm

type.

A

list

of

auto-thythms

and

corresponding

accompaniment

tones

is

provided

on

page

16

a

se

7.

Auto-accompaniment

E

;

5

Tro

ub

les.

ho

ot

ing

<About

the

tones

used

in

the

auto-accompaniment

>

always

check

battery

condition

first.

(see

page

6)

Each

auto-accompaniment

pattern

consists

of

one

bass

line

and

two

types

of

Sd

Rone

nr

uechen

ras

chord

lines

(chord

1

and

chord

2),

The

tones

of

these

elements

are

preset

s

x

é

corresponding

to

each

auto-rhythms

as

shown

below;

1.

Main

volume

turned

|

1.

Turn

up

main

down.

volume.

RHYTHMS.

CHORD

1

TONES

CHORD

2

TONES

BASS

TONES

H

2.

Headphones

con-

2.

Disconnect

head-

ROCK

1

FUNKY

CLAVI

HARPSICHORD

SLAP

BASS

j

nected.

phones.

8

BEAT

1

ELEC,

PIANO

VIBRAPHONE

WOOD

BASS

:

3.

Auto

power

off

has

|

3.

Turn

the

power

16

BEAT

1

JAZZ

ORGAN

SYNTH

CLAVI

SLAP

BASS

|

activated.

switch

off

and:then

DISCO

1

JAZZ

ORGAN

ORGAN

SLAP

BASS

\

éntaeatn

POPS

1

PIANO

VIBRAPHONE

WOOD

BASS

Bein.

SLOW ROCK

PIANO

HARPSICHORD

WOOD

BASS

i

A

Main

a .

:

SWING

PIANO

JAZZ

GUITAR

WOOD

BASS

oe

in

erage

at

Tura)

ee

and

SAMBA

‘JAZZ

GUITAR

HONKY

TONK

PIANO

WOOD

BASS

ment

volume

turne

accompaniment

volume.

BOSSA

NOVA

JAZZ

GUITAR

ELEC,

PIANO

WOOD

BASS

|

down.

WALTZ

JAZZ

ORGAN

ORGAN

WOOD

BASS

|

2 ‘

ROCK

2

HARPSICHORD

HARPSICHORD

SLAP BASS

i

Refrigerators,

washing

Use

outlet

as

far

away

8

BEAT

2

PIANO

HARPSICHORD

SLAP

BASS

#

machines

and

similar

|

as

possible

from

appli-

16

BEAT

2

BRASS

ENS.

HARPSICHORD

SLAP

BASS

electric

appliances.

ance

thought

to

be

the

DISCO

2

HARPSICHORD

HARPSICHORD

SLAP

BASS

cause

POPS

2

PIANO

ELEC,

PLANO

WOOD

BASS

:

BLUEGRASS

HARPSICHORD

HARPSICHORD

WOOD

BASS

1

i

3

REGGAE

HARPSICHORD

JAZZ

ORGAN

SLAP BASS

.

pha

Hh

yolumestumned)

|“:

So

upcmaln

TANGO

ACCORDION

HARPSICHORD

WOOD

BASS

Own:

:

volume:

BEGUINE

JAZZ

GUITAR

CHORUS

WOOD

BASS

2.

Defective

connection

|

2.

Replace

connection

MARCH

BRASS

ENS.

FLUTE

WOOD

BASS

cord,

cord.

©

Using

the

auto

harmonize

function

When

you’re

using

the

Casio

Chord

or

fingered

chord

function,

you

can

add

automatic

harmony

to

your

melodies

by

pressing

the

AUTO

HARMONIZE

button.

If

you

use

this

function

when

Tone

Bank

button

is

ON,

automatic

harmony

is

added

using

the

Secondary”

sound

(see

“Tone

Bank

Sound

Combinations”,

page

10),

and

“Primary”

sound

performance

becomes

F

monophonic.

*

When

you

select

this

function,

melody

keyboard

performance

becomes

monophonic

even

if

=z

no

accompaniment

keyboard

keys

are

pressed.

=16—

—17—

9

Care

of

Your

Keyboard

__.

1,

Avoid

heat,

humidity,

and

direct

sunlight.

10

Specifications

.

.

:

: ,

‘

Model:

"ET636-

Do

not

overexpose

the

unit

to

direct

sunlight,

place

it

near

a

heater,

or

in

i

:

-

~

any

area

subject

to

high

temperature.

Number

of

keys:

61

keys

Polyphonic:

10-note

polyphonic

.

Avoid

severe

impacts

and

do

not

drop.

Severe

impacts

can

result

in

malfunction.

When

carrying

or

transporting

the

unit,

protect

the

keyboard

and

keys

by

packing

with

soft

cloth.

.

Keep

the

unit

free

of

liquids,

dust,

particles,

etc.

Do

not

allow

foreign

matter

to

enter

between

the

keys.

Be

especially

careful

of

metallic

objects

such

as

hairpins,

sewing

needles

or

coins.

Also,

do

not

allow

the

unit

to

get

wet.

.

Never

attempt

to

modify

any

part

of

the

unit.

Your

keyboard

is

a

precision

musical

instrument

made

up

of

sophisticated

electronic

parts.

Any

modification

of,

or

tampering

with

internal

components

can

cause

trouble

or

malfunction.

-

Do

not

use

lacquer

thinner

or

similar

chemicals

for

cleaning.

Clean

the

keyboard

with

a

soft

cloth

dampened

with

a

mild

detergent

solu-

tion

and

squeeze

it

until

almost

dry.

Remove

batteries

before

extended

storage.

Batteries

left

in

the

unit

for

long

periods

can

leak

and

cause

damage

to

elec-

tronic

circuitry.

In

case

of

malfunction.

..

Check

whether

buttons

and

connections

are

set

correctly

as

indicated

in

the

troubleshootiong

chart.

If

the

unit

still

does

not

work

properly,

contact

the

original

retailer

or

a

nearby

dealer.

Never

attempt

to

repair

the

unit

your-

self,

This

can

result

in

serious

damage

of

the

components.

ast

Be

(Wo

GU

Preset

tones:

30;

Piano,

Harpsichord,

Vibraphone,

Jazz

organ,

Pipe

organ,

Brass-ens,

Strings

1,

Flute,

Chorus,

Jazz

guitar,

Bells,

Funky

clavi,

Metallic

sound,

Synth-ens,

Percussion,

Honky-tonk

piano,

Elec

piano,

Marimba,

Organ,

Accordion,

Trumpet,

Strings

2,

Oboe,

Synth-

reed,

Harp,

Synth-celesta,

Synth-clavi,

Fantasy,

Miracle,

Bass

(Wood

bass/Slap

bass)

Tone

bank

sounds:

465

Auto-rhythms:

Auto-accompaniment

function:

20;

Rock

1-2,

8

beat

1-2,

16

beat

1-2,

Disco

1-2,

Pops

1-2,

Slow

rock,

Bluegrass,

Swing,

Samba,

Bossa

nova,

Waltz,

Reggae,

Tango,

Beguine,

March

Casio

Chord

on/fingered

1/fingered

2

Effect:

Auto

harmonize

Terminals:

Output

jack

{output

impedance:

30,

output

voltage:

2.1

V

(RMS)

MAX],

AC

adaptor

jack

(DC

9

V)

Built-in

speakers:

cm

dia

x

2

(output:

11W+1.1W)

Auto

power

off

function:

Approximately

6

minutes

after

the

last

operation

Power

source:

3-way

AC/DC

power

source;

©

AC:

100,

117,

220,

240V

(+10

V),

50/60Hz,

with

optional

AD-5

AC

adaptor

¢

DC:

6

D

size

(SUM-1/R20P)

manganese

dry

batteries

Battery

life:

Approximately

10

hours

¢

Car

battery:

Requires

optional

CA-5

car

adaptor

Power

consumption:

4.5W

Dimensions:

935(W)

x

341(D)

x

93(H)

mm

36

13/16”

(W)

x

13

7/16”

(D)

x

3

11/16"

(H)

=~49.-