Casio VZ-10M Bedienungsanleitung

CASIO

DIGITAL

SYNTHESIZER

OPERATION

MANUAL

---------:

MANUAL

OPERACION.--

“168

Seu

Dou

[Ne

FATEZ=S5

CASIO

“10M

DIGITAL

SYNTHESIZER

‘Thank

you

for

purchasing

the

Casio

VZ-10M

Digital

Synthesizer

Module,

The

VZ-10M

highly

innovative

digital

"Synthesizer

which

features

Casio's

newly-developed

“IPD”

(Interactive

Phase

Distortion)

Modular

Sound

Source

sys-

tem,

obtain

optimum

performance

and

assure

long-term

reliability

from

your

new

VZ-10M,

sure

read

this

‘manual

earefully

and

store

safe

place

you

ean

refer

often.

emo

/'\

CAUTION:

REDUCE

THE

RISK

ELECTRIC

SHOCK,

NOT

REMOVE

COVER

(OR

BACK).

USER-SERVICEABLE

PARTS

INSIDE.

REFER

SERVICING

QUALIFIED

SERVICE

PERSONNEL.

The

lightning

flash

with

arrowhead

symbol,

within

equilateral

triangle,

intended

alert

the

user

the

presence

unin-

sulated

"dangerous

voltage"

within

the

product's

enclosure

that

may

sufficient

magnitude

constitute

risk

electric

shock

persons.

The

exclamation

point

within

equilateral

triangle

intended

alert

the

user

the

presence

important operating

and

maintenance

(servicing)

instructions

the

literature

accom-

panying

the

product.

CONTENTS

Main

Features

About

this

Manual

VZ-10M

Important

Terms

VZ-10M

Theory:

Flow

Operations

VZ-10M

Theory:

IPD

Modular

Sound

System

Operating

System

Controls

Menus

and

Functions

About

Function

Indexes

Function

Index

Practice

Exercise

VZ-10M

Graphic

Editing

Graphic

Editing

Examples

Function

Index

Performance/Editing

the

Normal

Mode

Performance/Editing

the

Combination

Mode

Performance/Editing

the

Operation

Memory

Mode

Performance/Editing

the

Multi

Channel

Mode

MIDI-Musical

Instrument

Digital

Interface

Initializing

the

VZ-10M_

VZ-10M

Sound

Seminar:

The

elements

sound

syn-

thesis

106

Care

Your

Unit

107

Features

and

Functions

111

Specifications

Main

Features

Armazing

Synthesis

Versatility

Thanks

Casio's

All-new

iPD

Sound

Source

Casio's all-new

“Interactive

Phase

Distortion”

(iPD)

sound

source

system

actually

consists

independent

“mod-

ules”

(MI

M8).

Each

these

modules

contains

DCO

and

DCA,

and

capable

generating

independent

waveforms.

the

iPD

system,

the

wave

generated

any

module

can

used

either

two

ways;

produce

audible

sounds

modify

waves

generated

other

modules.

The

iPD

sound

source

modules

work

associated

pairs

that

are

called

“Internal

Lines,”

simply

“lines.”

There

‘are

internal

lines

and

‘The

waveforms

generated

both

modules

any

line

can

used

together

three

different

ways.

They

can

mixed,

‘or

one

the

waveforms

can

used

modulate

the

other

for

RING

modulation

the

PHASE

suoceeding

line,

instant

Recall

256

Sounds

and

256

Operation

Memories

(64

presets

give

you

wide

range

vocal

versatility.

And

with

the

use

standard

ROM

card,

the

VZ-10M

you

incredible

tonal

expansion

potential

128

patches

and

128

keyboard

setups

are

literally

your

fingertips,

‘What's

more,

you

can

store

sounds

and

operation

memories

on an

optional

RAM

card,

for

even

greater

freedom

timbral

expression.

“Player-friendly”

Menus

and

Functions

Virtually

all

the

VZ-10M’s

editing

and

programming

operations

are

organized

into

three basic

sub-modes

and

that

feature

variety

“functions.”

Each

these

functions

further

broken

down

into

“parameters,”

which

are

constants

that

have

changeable

values

setings.

alter

VZ-10M

sounds

programming,

you

simply

alter

the

value

these

parameters

using

value

slider

value

keys.

Wie

Bacisit

LCD

Graphic

Display

‘The

VZ-10M's

wide

graphic

LCD

features

hierarchical,

“player

friendly”

structure,

which

allows

speedy

and

‘accurate

operations.

Sound

source

configuration,

patch

editing,

multi-patch

setup

creation,

output

channel

and

MIDI

specifications

fact,

virtually

all

VZ-10M

operations

are

controlled

interacting

with

various

functions

that

are

found

the

three

VZ-IOM

menus.

And

number

VZ-10M

functions

feature

“graphic

editing”

capabilites.

combination

Mode

Provides

Layered

and

Split

Voicing

‘The

VZ-10M's

“Combination”

mode

lets

you

mix

together

different

patches

any

different

patch

mix

‘or

patch

split

configurations.

You

can

set

effect

and

amp

levels

independently

for

each

patch,

and

output

them

together

through

the

MIX

OUT

channel.

output

the

patches

through

the

VZ-0M's

L/R

LINE

OUT

channels.

Muttichannet

MuDI

Performance

‘The

VZ-10M

features

Casio’s

exclusive

multi-channel

mode

which

can

timbres

from

separate

MIDI

sound

sources.

These

can

then

divided

into

constituent

polyphonics

and

ensembled

any

format

you

desire.

Multi-

timbral

MIDI

expansion,

monophonic

MIDI

performance,

total

16-note

MIDI

polyphony

can

selected,

Velocity

Split

Positional

Cross

Fade

‘VZ-10M

puts

powerful

mult-voice

performance

your

hands,

with

advanced

features

such

velocity

split

and

tional

cross

fade.

Set

multi-layered

voices

with

split

points,

and

“fade”

the

voices

into

one

another

there's

audible

“split

point”

with

the

cross

fade

function,

control

multiple

voices

through

keyboard

velocity

spit.

Optional

RAM

Card

(RA-500)

optional

RA-S00

RAM

card

for

expanded

sound

storage

and

recall

capabilities.

Each

RAM

card

holds

VZ-10M

patches

and

VZ-10M

operation

memories.

About

this

Manual

While

you

may

not

realize

quite

yet,

the

VZ-10M

incredibly

complex

digital

synthesizer

that

has

lot

common

with

personal

computer

than

does

“electronic”

musical

instrument.

This

manual

intended

only

reference

provide

instructions

the

most

basic

VZ-10M

operations,

‘When

you

take

the

VZ-10M

out

its

box

for

the

first

time,

you'll

probably

Want

connect

extemal

keyboard,

guitar

horn

equipped

with

MIDI

and

plug

immediately

see

how

sounds.

‘Once

you're

ready

begin

studying

the

true

power

the

VZ-10M,

you'll

need

have

basic

knowledge

its

{PD

modular

sound

source

system.

Read

the

section

beginning

page

thoroughly

~if

you're

not

familiar

with

basic

sound

synthesis

terms

and

theory,

sure

study

the

VZ-10M

Sound

Seminar

page

well.

Next,

you

should

familiarize

yourself

with

the

VZ-10M’s

operating

system

con-

trols

the

keys,

selectors

and

sliders

found

the

VZ-10M

front

panel.

Read

through

the

section

found

page

for

introduction

these

controls.

When

you're

ready

start

using

the

VZ-I0M's

advanced

editing

and

sound.

data

storage

capabilities,

you'll

need

learn

how

use

the

“FUNCTION

INDEXES"

beginning

page

20.

sure

work

through

the

practice

exer-

cise

pages

20~24,

well

the

GRAPHIC

EDITING

examples.

These

will

give

you

fairly

solid

understanding

basic

VZ-10M

synthesis

operations.

‘The

FUNCTION

INDEXES

will

invaluable

aid

all

VZ-10M

editing

‘operations.

For

this

reason,

sure

keep

this

manual

handy

whenever

edit-

ing

sounds

Most

importantly,

remember

that

this

manual

meant

reference

only

you'll

only

able

realize

the

true

power

the

VZ-10M

you

apply

your

own

musical

performance.

nughout

this

manual

you

will

encounter

terms

(words)

which

you

may

may not

familiar

with.

Before

jumping

into

VZ-10M

operations,

it’s

important

make

sure

that

understand

the

basic usage

these

terms

this

manual.

Take

few

moments

read

ugh

these

words

and

become

familiar

with

them

you'll

find

will

enhance

your

overall

standing

the

VZ-10M.

‘A

displayed

list

the

various

FUNCTIONS

you

can

select

perform

the

\VZ-10M.

The

VZ-10M

features

three basic

Menus,

Any

the

items

listed

the

VZ-10M

menus.

Each

Function

contains

variety

‘of

PARAMETERS,

and

identified

two-digit

number.

For

example,

Func-

tion

contains

parameters

detuning.

‘A

constant

control

which

features

variable

levels.

These

parameters

control

not

only

data

that

affects

the

various

components

sound,

but

also

aspects

the

overall

setup.

The

level

setting

assigned

individual

parameter.

‘The

VZ-10M’s

iPD

sound

source

features

independent

“modules.”

These

can

thought

independent

but

interrelated

oscillators

with

controls.

IRNAL

LINE.

Sound

source

MODULES

work

together

“pairs.”

These

pairs

form

what

known

INTERNAL

LINE,

simply

“line.”

For

example,

Module

and

Module

(MI

and

M2)

form

Internal

Line

known

this

manual

LINE

and

Mé

form

LINE

etc.

‘TERNAL

PHASE

addition

using

the

output

any

LINE

create

audible

sound,

the

VZ-10M_

lets

you

utilize

the

output

any

LINE

modulate

the

succeeding

line.

For

exam-

ple,

the

output

LINE

can

used

modulate

LINE

This

configuration

known

“External

Phase.”

With

analog

synthesizers,

“patch”

literally

referred

the

way

which

various

synthesizer

blocks

modules

were

hard-wired

(hooked

up).

With

digital

synthesizers,

this

term

has

come

refer

completed

sound

data

which

can

output

the

synthesizer.

this

manual,

you

can

think

“patch”

referring

any

complet-

sound

data

coming

from

modules

through

‘TION

MEMORY

operation

memory

literally

full

setup,

including

specifications

for

multiple

patches

(when

desired),

keyboard

and

velocity

spit,

MIDI

specifications,

etc.

The

‘VZ-10M

features

operation

memories

which

allow

onboard

storage

different

multi-patch

setups.

‘A

voltage

which

changes

function

time.

Envelopes

are

generally

triggered.

bby

controllers,

and

are

used

shape

the

amplitude

(volume)

and

pitch

note.

VZ-10M

Theory:

Flow

Operations____/

Although

the

VZ-10M

features

extremely

complex

operating

system,

has

been

designed

that

actual

operations

are

quite

simple

after

few

hours

you'll

amazed

how

simple

the

VZ-10M

operate,

and

hhow

versatile

itis,

order

appreciate

the

beauty

the

VZ-10M,

its

insportant

have

€

clear

initial

understanding

its

basic

“flow

operations”

other

words

the

basic

order

operations

you

will

probably

want

make

the

most

the

VZ-10M.

‘Simply

speaking,

VZ-10M

operations

can

divided

imo

four

different

“modes”

which,

you

might

expect,

correspond

the

four

modes

listed

‘on

the

front

panel

the

VZ-10M

the

NORMAL

mode,

the

COMBI-

NATION

mode,

the

OPERATION

MEMORY

mode,

and

the

MULTI

CHANNEL

mode,

You

can

select

MODE

pressing

the

corresponding

mode

key,

and

then

select

any

(or

the

PLAY

sub-mode)

with

the

keys

(or

PLAY

key).

For

clear

understanding

each,

take

few

moments

read

through

the

following

text.

NORMAL

MODE,

‘The

NORMAL

mode

what

you

might

think

you've

used

“nor-

mal”

single-patch

synthesizer

that

does

not

feature

the

extensive

sound.

layering

and

memory

capabilities

the

VZ-10M

‘The

NORMAL

mode

can

further

broken

down

into

1Wo

sub-modes

the

PLAY

mode

and

mode.

The

PLAY

mode

selected

for

nor-

ral

performance,

while

the

eode(s

select

for

Curther

editing

‘of

sound

and

effect

data.

the

PLAY

sub-mode,

you

can

freely

choose

any

one

the

VZ-10M’s

preset

sounds

RAM

card

sounds,

edit

it,

and

use

performance.

‘The

NORMAL

mode

isthe

basic

performance

mode,

where

“patches”

created

through

the

VZ-1OM's

modular

sound

source

system

can

selected

and

output

individually

for

L-patch

performance.

You

can

make

use

the

wide

range

VZ-10M

sound

effects

this

mode,

for

expanded

per-

formance

versatility.

‘You

can

also

use

the

NORMAL

mode

create

new

patches

altering

values

for

existing

patches

and

writing

them

either

the

internal

card

‘memory.

create

entirely

new

sounds

initializing

memory

area

and

programming

values

from

“scratch”

(initialized

data).

‘Once

you've

created

sounds

you

want

save,

you

can

write

them

one

internal

memory

areas

the

NORMAL

mode,

optional

RAM

card

which

holds

many

128

sounds,

‘One

importam

thing

remember

when

you

select

the

NORMAL

mode

that

you're

working

with

only

patch

time

you

can

recall

one

patch

time,

edit

one

patch

time,

perform

with

one

patch

time,

and

write

individual

patch

memory.

MOO)

WERDD

SOMBINATION

MODE

COMBINATION

mode

“buffer”

(for

those

with

computer

ex-

“work

area”

where

you

can

“combine”

the

patches

you've

the

NORMAL

mode

make

detailed,

multi-simbral

setups

ing

keyboard

split

point,

velocity

split

specifications,

and

individu

fications

for

each

patch

the

setup.

COMBINATION

mode

can

further

broken

down

into

two

sub-

the

PLAY

sub-mode

and

sub-modes.

PLAY

sub-mode

selected

for

normal

performance,

while

the

jodes

are

selected

for

further

editing

sound,

effect,

and

multi-

setup

data.

work

area,

you

can

select

different

patches

created

the

‘mode

(preset,

those

you've

created),

and

arrange

them

freely

VZ-10M

functions

can

used

determine

keyboard

split

well

velocity

split

for

each

patch

the

sound.

‘can

also

set

individually

for

each

patch

this

mode.

What's

Felative

amplitude

levels

can

set

for

each

patch,

allowing

total

“balance”

within

the

multi-patch

sound.

:VZ-10M

designed

that

you can

quickly

and

conveniently

arrange

you

use

the

multi-patch

sound

you

don't

what

you

can

choose

replacement

patch

delete

from

the

sound

al-

‘important

thing

remember

when

you

select

the

COMBINATION

that

you're

working

with

patches

time.

Another

im-

point

that

the

COMBINATION

mode

only

“work

area,’

you

can

“work”

one

“combined”

(multi-patch)

sound

ata

ERATION

MEMORY

MODE

{you've

created

sound

you

want

save

individual

patch

ORMAL

mode

(in

internal

card

memory)

combined

sound

COMBINATION

mode,

you

can

write

them

one

built-in

tion

Memories.

OPERATION

MEMORY

mode

used

memorize

and

recall

not

the

individual

patches

and

combined

sounds

created

the

first

two

also

holds

sound-related

details

effect

and

control

pane!

set-

This

where

you

“store”

the

multi-patch

setups

and

patches

you've

gated,

for

instant

recall

during

performance.

smode

actually

used

concurrence

with

the

NORMAL

and

COM-

‘TION

modes,

stores

and

recalls

data

which

have been

created

OPERATION

MEMORY

mode

can

further

broken

down

into

sub-

the

PLAY

sub-mode

and

sub-modes.

The

PLAY

mode

for

normal

performance,

while

the

modes

are

selected

further

editing

sound

and

effect

data

the

selected

operation

SINTERNAL

A-1

INTERNAL

C-3

HCARDCL)

O-4

Bune

cer

Bape

INTERNAL

F-8¥

NEM

RAGE

£4)

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