Epiphone Firefly 30 DSP Bedienungsanleitung

performance is our passion

goth les paul®

studio

Our classic LP Studio

profile finished in Satin

Black with all-black

hardware and some

crazy, hot open coil

humbuckers. Definitely

a“dark” vibe!

goth ‘58

flying V™

Our classic symmetrical

design finished in Satin

Black with all-black

hardware and some

crazy, hot open coil

humbuckers. Only for

flyin’ at night!

goth ‘58

explorer™

Our classic

“modernistic” EXP™

design finished in Satin

Black with all-black

hardware and some

crazy, hot open coil

humbuckers. Explore

the dark side!

‘58 korina

explorer™

Based on Gibson’s

space age EXP™

design introduced in

1958, this breathtaking

guitar was way ahead

of its time. Featuring

two Humbuckers and

Gold hardware, this axe

looks as good as it

sounds. Take one with

you when you go

exploring your

musical universe!

‘58 korina flying V™

Based on the Gibson ‘58 Flying

V, its symmetrical “modernistic”

design changed the look of rock

and roll forever. The ultra-fast

neck and upper fret access,

offers any guitarist with fast

hands and a flair for showman-

ship a must-have axe. Often imi-

tated, but never duplicated...

until now!

“worn”

firebird™

studio

The FirebirdStudio

combines the “reverse-

body” style with our

traditional set-neck

design and full-size

Alnico Classic

humbuckers. To top it

off we’ve added

Steinberger 40:1 direct

drive, gearless tuners,

maintaining the “banjo”

tuner look and a

vintage “worn” finish.

Fly high!

In 1957 Epiphone was sold to

Gibson, Inc. Gibson was initially

interested in the big “doghouse”

bass line, which Gibson presi-

dent, Ted McCarty thought was

an excellent bass. But he got

the whole thing for $20,000.

with the stipulation that a

portrait of “Epi” be hung

wherever Epiphone guitars were

made. It still hangs, side by

side, with the portrait of

Orville Gibson at Gibson

headquarters today.

Epiphone employees “

celebrated” the sale to Gibson

with a bonfire of Epiphone guitar

parts, according to this 1958

internal memo from Gibson

Sales Rep Howard Kelley.

The memo begins, “Now I’ve

heard everything.

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the place for a bass is epiphone.

jack casady

signature bass

Finally! A long-scale, semi-acoustic electric

bass with tone so “pure” that we dareyou to

compareit to any other bass! At the heartof

this break-through design is the new, low

impedance JCB-1 pickup capable of

producing a “natural” bass tone that cannot

be achieved using normal high-impedance

pickups and active electronics.

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performance is our passion

EB-0™bass

Like the one-pickup

original at a price you

gotta love! Plus... the

short-scale and narrow

neck make it soooo

easy to play!

EB-3™bass

Like the SG guitar, the Gibson SG

bass has defined rock music with its

ultra-thin body, lightning fast neck and

distinctive double cutaway shape.

One Sidewinder humbucker and one

Mini-Humbucker combine to give you

all the necessary tones while the set

neck gives you the sustain you need.

viola™bass

From the golden age of

British music comes

the bass that looks as

good as it sounds!

thunderbird™IV

bass

Gibson’s most

distinctive bass

features the “reverse”

body styling and dual

humbuckers!

les paul®

special bass

This classic Les Paul shaped bass

features a Mahogany body with a set

Maple neck, and two specially

designed Alnico bass humbuckers

with separate volume and one master

tone control. With its great balance

and tone, you won’t find a better

performing bass anywhere!

Epiphone was one of the most

respected names in bass violas.

This is the cover of the

1961 catalog.

An early 60s catalog page

showing two solid body electric

basses. The Embassy Deluxe

and the Newport.

Note the too cool “batwing”

headstock.

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allen woody

allen woody rumblekat bass

Legendary bassist with the Allman Brothers and Gov’t

Mule, Allen Woody designed this bass embodying the

spirit of some of his favorite classic instruments of the

1960s. Allen combined a short-scale (30”) for playing

comfort with two Mini bass humbuckers in the neck and

middle positions to give it that “signature” Woody rum-

bling, warm tone. Proceeds from the sale of this “Limited

Edition” instrument supportthe Savannah Woody

Education Fund.

embassy special-IV

4-string, laminated body;

22frets,

chrome-plated

hardware and covered

machine heads.

rolling thunder.

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performance is our passion

epiphone embassy basses

Epiphone’s Embassy basses combine classic features and

modern design with such perfection that we’ve named them after

Epi’s top-of-the-line solidbody bass from the 1960s - the Embassy.

A34-inch scale and 4-on-a-side tuner configuration harken back to

the years when the Embassy was made in the Gibson factory in

Kalamazoo. The new Embassy’s contoured double-cutaway body

ensures the perfect balance and playing comfort that modern bass

players expect from a high-quality instrument. All of the Embassy

basses have a contoured body and Thunderbird-style headstock

with straight string-pull.

el segundo

Asthe name implies, this is the “El Segundo”

(the second) acoustic/electric bass in the

Epiphone line-up of hits. Like the best-selling El

Capitan, it features great acoustic tone and

the Shadow Classic P-4 multi-band preamp,

only from Epiphone. But... at a price that is

sure to turn your head!

el capitan-4C

With its J-200 size body,Maple

top, back and sides and oval

sound hole it’s no wonder this

acoustic/electric bass sets the

standard for all to follow. With

the Shadow Classic P-4 multi-

band preamp, available only from

Epiphone, you’ll get powerful

tones “unplugged” or “plugged.”

embassy standard

IV & V

4and 5 string, solid

Swamp Ash body,

24 frets, die-cast

machine heads;

black hardware.

Epiphone string basses have

long been a respected name in

that instrument category. Here

the bass line is debuted in this

1940 Metronome ad.

Allen Woody holds a rare, yellow

Epiphone Newportbass.

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Triggerman 60 DSP

60W, Featuring E-Valve Tube Tone Circuitry.

16 DSP Selections plus Separate DSP Reverb,

2channels with Separate 3 Band EQ each, FX

Loop with Level Control, XLR Direct Out,

Headphone Out, Aux In/Out with Level Control

1X12” Special Design Speaker.

epiphone valve a

retro, solid, made to perform.

Triggerman 100H DSP

Solid State. Digital Signal Processing. Each one of

our E Series amps is features an uncompromised

level of performance at a price point that makes the

rock and roll stack a whole new business. Finally,

every guitar slingin’ rock monster in waiting doesn’t

have to wait any longer for rock star tone. 100W

Head, Featuring E-Valve Tube Tone Circuitry, 16 DSP

Selections plus Separate DSP Reverb, 2

channels with Separate 3 Band EQ each,

FX Loop with Level Control, XLR Direct Out,

Headphone Out, Aux In/Out with Level Control.

Trigger Cab

Special design 4 x 12” speakers, 280 watt

handling with Stereo/Mono.

So-Cal 50 Head

Adual power 50W/25W, Class AB Hi-gain boutique

quality amplifier that smokes heads costing twice as

much. DC powered filaments, Dual Mode EQ for

Max Tweak Options, EL34’s and remarkable attention

to detail all make the So-Cal 50H a value beyond

compare.

So-Cal 412SL Cab

Whether for use with the high-gain So-Cal 50H or

as an add-on to another amp rig, the So-Cal 412SL

offers rugged design, the best components and great

stage presence. Crafted using Birch plywood for

superior “tight” response when matched with the 4 x

12” Lady Luck by Eminence speakers. 280 watt.

Valve Junior Head

The same best selling low-watt, vintage tone of the Valve Junior in head

form. We’ve also added more

speaker outputs to

accommodate the most

popular extension cabinet

configurations and a snazzy

two-tone ebony and red

tolex scheme. For about

the price of a good pedal,

anybody can have real vintage

tube tone.

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performance is our passion

Valve Series Special

Same great amp as the Junior,

With 16 DSP Selections and

separate DSP Reverb. 10”

Speaker plus an extra 12AX7

to run its additional tone stack

for added gain control.

The Zephyr Dreadnaught

amplifier,circa 1940. This

elegent maple-veneer cabinet

resembled the bandstand music

holders popular at the time.

The stylized “E” stands

for Electar.

The earliest “Electar” amplifiers,

introduced in 1935 were

housed in a box resembling a

suitcase. No doubt because

these werepurchased from a

suitcase manufacturer. Both the

front and back came with a

detachable, hinged cover to

protect the inner workings.

Firefly 30 DSP

Cleverly designed to be guitar player friendly,easy-to use and appointed with just

enough technology to enhance great tone. 30W, 1X10” Special Design Speaker,

E-Valve Tube Tone Circuit with 16 DSP Selections plus Separate DSP Reverb, 2

Channels and 1 x 10” Special Design Speaker,Headphone Out.

Valve Series Junior

Single-Ended, Class A in a slick retro

cabinet with a special design 8” speaker.

Boutique amplifiers just became the

domain of everyguitar player out there.

Take a listen and you’re jaw will drop.

5 Watts, Class A. Single-Ended drive

true, low watt vintage tone.

Valve Series Standard

The tone is pure vintage and the quality

is pure boutique. 15W Class A (3 x

12AX7, 2 x EL84)Push-Pull. 16 DSP

Selections plus Separate DSP Reverb.

Gutsy, Musical Preamp Section with

Master Volume and 3 Band EQ.

12” Special Design Speaker.

amplifiers,

rsolid, made to perform.

Blues Custom

With 2 x 12” Lady Luck by Eminence Speakers, Two EQ Modes and style pouring

out of every inch, the Blues Custom is the best value in high-end amplification.

This is quite simply the most significant amplifier in Epiphone’s long history. Dual

Power Mode 30W Class AB OR 15W Class A, 5AR4 Tube Rectifier, Dual Mode

EQ Operation, Spring Reverb, 2 Channels, DC Powered Filaments all housed in a

rugged, multi-ply birch cabinet.

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EF-500M

With its combination of Solid

Mahogany body and Sitka

Spruce top the EF-500M has

great projection and clarity.

EF-500RA

Ajoy to play and to behold,

the EF-500RA features Solid

Rosewood back and sides, Solid

Sitka Spruce top and hundreds

of individually hand-fitted Abalone

binding strips.

(Also available in Natural Satin)

john rich

masterbilt solid-wood acoustics... unique vintage.

W1531 TextEpiphone1 3/23/06 12:39 PM Page 28

performance is our passion

1930s wide-X bracing and deep

scarfing on solid-top tone woods

are the beginning of these

exquisite guitars.

Quality continues with individually

fitted trim and solid tops, backs

and sides. Finished in natural or

vintage satin to allow the

guitars to breathe.

Old-style, tapered headstock

and vintage-style open end

tuning keys make for tuning

precision and a fantastic look.

DR-500R

The ultimate marriage of

tone woods. A Solid Sitka

Spruce top and premium-

grade Rosewood back and

sides produce the

classic dreadnought

sound. The DR-500R

makes a player feel just

like it sounds - rich and

powerful.

DR-500P

Crystal clear tone. Premium-

grade, Solid Maple back

and sides add an extra level of

brilliance to the sweet

tone of a Solid Sitka Spruce top.

The DR-500P cuts through

like no traditional

dreadnought ever.

DR-500M

The quintessential flat-top

guitar. Premium-grade,

Solid Mahogany back and

sides, matched with

aSolid Sitka Spruce top,

produce the perfect guitar

tone. The DR-500M can

handle everything from

power-rock rhythms to

bluegrass leads.

(Also available with

electronics -

DR-500ME)

EF-500R

The matching of a Solid

Rosewood body with a Solid

Sitka Spruce top gives the EF-

500R the warmth and

projection so highly sought by

performing musicians.

EF-500RCCE

This new “fingerstyle” guitar

features 1.75” string spacing.

The Solid Cedar top and

Rosewood back and sides give it

arich, warm tone. And the

generous cutaway allows for

improved upper-fret access.

Included is an L.R. Baggs

acoustic/electric Piezo pickup

with electronics.

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AJ-500R

The classic Jumbo shape of

the AJ-500R is the preferred

guitar of modern music

legends.With gracefully sloping

shoulders, solid Rosewood

back and sides, and a solid

Sitka Spruce top, the AJ-500R

blankets a room with deep,

rich and rounded tones.

(Also available with

electronics - AJ-500RE)

Masterbilt AJ-500RC/

12th fret

Wehave taken the AJ-500R and

totally redefined it with a vintage

V-shape neck, slotted peghead,

and a neck that joins the body at

the 12 fret. This gives you the

look and feel of performing on

the finest old dreadnoughts of

the 20s and 30s.

gretchen wilson

beautiful sounding solid tone woods.

W1531 TextEpiphone1 3/23/06 12:39 PM Page 30

Andere Handbücher für Firefly 30 DSP

Dieses Handbuch passt für folgende Modelle

Andere Epiphone Gitarre Handbücher

Epiphone

Epiphone AJ-500ME Masterbilt Bedienungsanleitung

Epiphone

Epiphone TONY IOMMI G-400 Bedienungsanleitung

Epiphone

Epiphone Prophecy Futura Custom FX Bedienungsanleitung

Epiphone

Epiphone Prophecy Les Paul Custom GX Bedienungsanleitung

Epiphone

Epiphone Tobias guitars Bedienungsanleitung

Epiphone

Epiphone Goth Les Paul Studio Bedienungsanleitung

Beliebte Gitarre Handbücher anderer Marken

Squier

Squier Affinity Jazz Bass V Bedienungsanleitung

Fender

Fender 72 Telecaster Bedienungsanleitung

Gibson

Gibson Firebird X Bedienungsanleitung

CARVIN

CARVIN P-SERIES Bedienungsanleitung

Fender

Fender HEARTFIELD - FOR GUITARS AND BASSES Bedienungsanleitung

Peavey

Peavey Acoustic Guitar Series Bedienungsanleitung

Fender

Fender CY Bedienungsanleitung

Zon

Zon Mosaic BB5 Bedienungsanleitung

Warwick

Warwick RockBass Streamer LX Bedienungsanleitung

Fender

Fender Deluxe Active Bedienungsanleitung

Peavey

Peavey Spectrum Bass Bedienungsanleitung

Warwick

Warwick Streamer LX Bedienungsanleitung

Peavey

Peavey Nitro I Bedienungsanleitung

Squier

Squier Frank Bello J Bass Bedienungsanleitung

Fender

Fender Ritchie Blackmore Stratocaster Bedienungsanleitung

Steinberger

Steinberger ZT3 TransTrem Bedienungsanleitung

Yamaha

Yamaha Electric Acoustic Guitar Bedienungsanleitung

Peavey

Peavey T-45 Bedienungsanleitung