FujiFilm GFX100 Bedienungsanleitung

New Features Guide

Version 3.00

Features added or changed as a result of rmware updates may no

longer match the descriptions in the documentation supplied with

this product. Visit our website for information on the updates avail-

able for dierent products:

https://fujifilm-x.com/support/download/firmware/

BL00005119-200 EN

Contents

GFX 100 rmware version 3.00 adds or updates the fea-

tures listed below. For the latest manuals, visit the follow-

ing website.

http://fujifilm-dsc.com/en/manual/

No. Description GFX 100

See

PVer.

The camera now oﬀers a“PIXEL SHIFT MULTI SHOT”option.

–1,

11 3.00

A COMPRESSED option has been added to

IMAGE

QUALITY SETTING > RAW RECORDING >

RECORDING TYPE in the shooting menu.

106 3 2.00

gCLASSIC Neg. and NETERNA BLEACH BYPASS

options have been added to HIMAGE QUALITY

SETTING > FILM SIMULATION in the shooting menu.

107 4 2.00

Separate ROUGHNESS and SIZE options are now

available for HIMAGE QUALITY SETTING > GRAIN

EFFECT in the shooting menu.

108 5 2.00

5A COLOR CHROME FX BLUE item has been added to

HIMAGE QUALITY SETTING in the shooting menu. 109 6 2.00

The ASHOOTING SETTING > FOCUS BKT item in

the shooting menu now oﬀers a choice of MANUAL

and AUTO focus bracketing options.

139 7 2.00

The BMOVIE SETTING > F-Log/HLG RECORDING

item in the shooting menu has been renamed

F-Log/HLG/RAW RECORDING and now supports

RAW output.

158 9 2.00

The procedure for rating pictures has changed. As a re-

sult, the content of the playback information displays

has changed and a RATING item has been added to the

playback menu.

172,

173,

187

11,

12,

2.00

Movie recording can now be controlled via a wider variety of ex-

ternal devices. As a result, the

CONNECTION SETTING >

PC CONNECTION MODE item in the setup menu has been

renamed CONNECTION MODE.

244 14 2.00

GFX 100 Owner’s Manual: P– Ver. 3.00

PIXEL SHIFT MULTI SHOT

The camera takes a series of 16 shots, using in-body image sta-

bilization to move the image sensor by half a pixel with each

shot and recording each frame in RAW format. Using specialized

computer software, the frames can then be combined to create a

high-resolution RAW picture.

1 Rotate the DRIVE mode dial to MULTI.

2 Press the DRIVE button to view drive mode options.

3 Select PIXEL SHIFT MULTI SHOT and choose a value for

INTERVAL.

• We recommend setting INTERVAL to SHORTEST.

• If you intend to use the ash with every shot, choose a val-

ue for INTERVAL long enough to allow the ash to charge

between shots.

4 Press the shutter button to start shooting.

• The shots are recorded to the memory card in RAW format.

•

To minimize vibration, use the self-timer or a remote release.

5 Combine the shots on a computer.

•

The shots can be combined using FUJIFILM Pixel Shift Combiner.

• To save high-resolution RAW pictures in other formats, use

Capture One Express Fujilm, Capture One Pro Fujilm, or

Capture One Pro, available from Capture One A/S. FUJIFILM

X RAW STUDIO and RAW FILE CONVERTER EX powered by

SILKYPIX cannot be used for this purpose.

Changes and Additions

Changes and additions are as follows.

• Visit the websites below to learn more about or download the follow-

ing computer software:

-FUJIFILM Pixel Shift Combiner:

https://fujifilm-x.com/products/software/pixel-shift-combiner/

-Capture One Express Fujilm:

https://www.captureone.com/products-plans/capture-one-express/fujifilm

-Capture One Pro Fujilm:

https://www.captureone.com/explore-features/fujifilm

-Capture One Pro:

https://www.captureone.com/explore-features

• Pixel-shift multi-shot photography can be performed via tethered

shooting. For this purpose, use FUJIFILM Pixel Shift Combiner.

• The ash will synchronize with the shutter at shutter speeds of ⁄s or

slower (14-bit RAW) or ½s or slower (16-bit RAW).

• The following limitations apply to the use of the pixel-shift multi-shot

option:

-Pixel-shift multi-shot photography can only be performed using the elec-

tronic shutter.

-Sensitivity is restricted to a maximum of ISO 1600. Choosing higher values

or a setting of AUTO results in a sensitivity of ISO 1600, while lower values

remain unchanged.

-The only option available for RAW RECORDING >RECORDING TYPE is

LOSSLESS.

-Pictures taken with C(AF-C) selected for focus mode will be shot in focus

mode S(AF-S). Pictures taken with A(AF-S) or M(manual) selected are shot

in the chosen focus mode.

-If the subject or camera moves during shooting, the desired results may

not be achieved when the shots are combined.

-A

SHOOTING SETTING > FLICKER REDUCTION is automatically set to OFF.

The value selected for exposure compensation applies to all 16 shots.

Playback

Pictures taken using the pixel-shift multi-shot

option are indicated by a pixel-shift multi-shot

icon in full-frame playback (P11).

GFX 100 Owner’s Manual: P106 Ver. 2.00

RAW RECORDING

Choose whether to compress RAW images.

RECORDING TYPE

Option

Description

UNCOMPRESSED RAW images are not compressed.

LOSSLESS

RAW images are compressed using a reversible algorithm

that reduces ﬁle size with no loss of image data. The im-

ages can be viewed in Capture One Express Fujiﬁlm, RAW

FILE CONVERTER EX powered by SILKYPIX, FUJIFILM X RAW

STUDIO, or other software that supports “lossless” RAW

compression. Quality is the same as UNCOMPRESSED,

but the resulting ﬁles are anywhere from about 30 to 90

percent (14-bit RAW) or 45 to 100 percent (16-bit RAW) of

their uncompressed size.

COMPRESSED

RAW images are compressed using a “lossy”, non-reversible

algorithm. Quality is about the same as UNCOMPRESSED,

but the resulting ﬁles are anywhere from about 25 to 35 per-

cent (14-bit RAW) or 30 to 40 percent (16-bit RAW) of their

uncompressed size.

OUTPUT DEPTH(bit)

Option

Description

16bit RAW pictures are recorded at a bit depth of 16 bits.

14bit RAW pictures are recorded at a bit depth of 14 bits.

When selected, 16bit only takes eect in single-frame drive mode.

GFX 100 Owner’s Manual: P107 Ver. 2.00

FILM SIMULATION

Simulate the eects of dierent kinds of lm, including black-

and-white (with or without color lters). Choose a palette ac-

cording to your subject and creative intent.

Option

Description

cPROVIA/STANDARD Standard color reproduction. Suited to a wide range of

subjects, from portraits to landscapes.

dVelvia/VIVID A high-contrast palette of saturated colors, suited to na-

ture photos.

eASTIA/SOFT

Enhances the range of hues available for skin tones in por-

traits while preserving the bright blues of daylight skies.

Recommended for outdoor portrait photography.

iCLASSIC CHROME Soft color and enhanced shadow contrast for a calm look.

gPRO Neg. Hi Oﬀers slightly more contrast than hPRO Neg. Std.

Recommended for outdoor portrait photography.

hPRO Neg. Std

A soft-toned palette. The range of hues available for skin

tones is enhanced, making this a good choice for studio

portrait photography.

gCLASSIC Neg. Enhanced color with hard tonality to increase image

depth.

XETERNA/CINEMA Film movies using a palette that features subdued colors

and deep shadows.

NETERNA BLEACH

BYPASS

Unique color with low saturation and high contrast. Suit-

able for still and movie.

aACROS* Take black-and-white photos with rich gradation and out-

standing sharpness.

bMONOCHROME* Take pictures in standard black and white.

fSEPIA Take pictures in sepia.

* Available with yellow (Ye), red (R), and green (G) ﬁlters, which deepen shades of

gray corresponding to hues complementary to the selected color. The yellow (Ye)

ﬁlter deepens purples and blues and the red (R) ﬁlter blues and greens. The green

(G) ﬁlter deepens reds and browns, including skin tones, making it a good choice

for portraits.

GFX 100 Owner’s Manual: P108 Ver. 2.00

GRAIN EFFECT

Add a lm grain eect.

ROUGHNESS

Option

Description

STRONG Choose for rougher grains.

WEAK Choose for smoother grains.

OFF Turn the eﬀect oﬀ.

SIZE

Option

Description

LARGE Choose for coarser grains.

SMALL Choose for ﬁner grains.

GFX 100 Owner’s Manual: P109 Ver. 2.00

COLOR CHROME FX BLUE

Increase the range of tones available for rendering blues.

Option

Description

STRONG Choose for a strong eﬀect.

WEAK Choose for a weak eﬀect.

OFF Turn the eﬀect oﬀ.

COLOR CHROME FX BLUE options have also been added to.

• HIMAGE QUALITY SETTING>EDIT/SAVE CUSTOM SETTING

(GFX 100 Owner’s Manual P118)

• CPLAY BACK MENU>RAW CONVERSION

(GFX 100 Owner’s Manual P179)

• DSCREEN SET-UP>REAR SUB MONITOR SETTING

(GFX 100 Owner’s Manual P218)

• DBUTTON/DIAL SETTING>EDIT/SAVE QUICK MENU

(GFX 100 Owner’s Manual P222, 255)

• DBUTTON/DIAL SETTING>FUNCTION (Fn) SETTING

(GFX 100 Owner’s Manual P223, 259)

GFX 100 Owner’s Manual: P139 Ver. 2.00

FOCUS BKT

Choose from AUTO and MANUAL focus bracketing modes.

• MANUAL: In MANUAL mode, you choose the following.

Option

Description

FRAMES Choose the number of shots.

STEP Choose the amount focus changes with each shot.

INTERVAL Choose the interval between shots.

Focus and FRAMES/STEP

The relation between focus and the options chosen for FRAMES and

STEP is shown in the illustration.

12345

Starting focus position

• Focus proceeds from the starting position toward inﬁnity.

• Small STEP values translate to small changes in focus, larger values to larger

changes.

• Regardless of the option chosen for FRAMES, shooting ends when focus

reaches inﬁnity.

Frames

Step

• AUTO: In AUTO mode, the camera calculates FRAMES and STEP

automatically.

1 Select ASHOOTING SETTING in the shooting menu, high-

light FOCUS BKT, and press MENU/OK.

2 Select AUTO and choose an INTERVAL.

The view through the lens will be displayed.

3 Focus on the nearest end of the

subject and press MENU/OK.

The selected focus distance ap-

pears as Aon the focus distance

indicator.

SETSET POINT B

SET POINT A

CONTROL THE FOCUS RING

FOCUS BKT SETTING

The same focus range can be chosen by focusing on the farthest

end of the subject rst.

4 Focus on the farthest end of the

subject and press DISP/BACK.

The selected focus distance (B) and

focus range (Ato B) appear on the

focus distance indicator.

SETSET POINT A

CONTROL THE FOCUS RING

SET POINT B

FOCUS BKT SETTING

Instead of pressing the DISP/BACK button, you can press MENU/OK

and select Aagain.

5 Take photographs.

The camera will calculate values for

FRAMES and STEP automatically.

The number of frames will appear

in the display.

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