GFI System CLOCKWORK V3 Bedienungsanleitung

User Manual

CLOCKWORK V3

D E L A Y

TableofContents

1.Overview2‐4

2.Operation5‐8

4.AssigningParametersforExpressionControl10‐11

5.Modes/Algorithms12‐16

3.KillDryFunction9

6.AutoRegenSwell17‐18

7FactoryReset19

CHAPTER1‐Overview



What’snewinClockworkV3:



 ExpressionPedal/Tap‐Tempopedalinput

 Kill‐Dryfunction

 Presetsystemisnowdecoupledfromalgorithms,whichmeansit’snowpossibletostoreany

algorithmstoanypresetlocation.

 2newalgorithmsDualandDiffuse.

 Multi‐coloredLEDuniquelyidentifiesalgorithms.

 Tap‐Tempocannowbeinitiatedinstantly,thereisnoneedtotap4times.

 Newartwork.



SamecompactfootprintasClockworkV2.



BankindicatorLED

 Green‐Bank1

 Red‐Bank2

ModesindicatorLED

Tap‐Temposwitch

Engage/Bypassswitch

Mode/Editbutton

Illuminatedknobsindicatespatchnumber:1‐2‐3‐4

Patch‐1Patch‐2Patch‐3Patch‐4

LEDCOLORMODES

DIGITAL

ANALOG

DUAL

DIFFUSE

AMBEINT

MULTIHEAD‐3

MULTIHEAD‐4

MonoInput

usethisifusingonly1input

2.1mm

negative‐center

Stereocable(TRSplug)

monocable(TSplug)*

EXPRESSIONPEDAL

TAP‐TEMPOPEDAL

*Itisalsopossibletouseastereocable(TRS

plug)withtheTap‐Tempopedal,butyou

needtomakesurethefemalesocketjackon

thepedalisTRSbutwiredformonoconnec‐

tion(RingissolderedtoSleeve).

CHAPTER2‐Operation

Fromthispointonward:

 [Engage]willrefertotheEngagefootswitch,

 [Tap‐Tempo]willrefertotheTap‐Temposwitch,and

 [Mode/Edit]willrefertotheMode/Editpushbutton

Patch1Patch2Patch3Patch4Patch1Patch2Patch3Patch4

BANK1BANK2

PresetSystem

The8presetlocationsareorganizedin2banks,whereeachbankcontains4patches.

LOADPRESET

1.Hold[TapTempo]untiltheTempoindicatorLED(BankLED)stopsflashing.

2.Tap[TapTempo]asmanytimesasneededtoreachthedesiredpresetlocation.

3.Tap[Engage]oncetoloadtheselectedpreset.



Presetsareselectedbygoingthrougheachlocationinthe‘Up’direction(1,2,3,…),whilegoing

throughthesestepsthesounddoesnotgetupdateduntilselectionisconfirmedbypressing

[Engage].



Spillover:Reverbtailwillbepreservedwhenchangingpresetifandonlyifbothsourceand

destinationpresetcontainsthesamealgorithm.



LOADAPRESETINADIFFERENTBANK

1.Hold[TapTempo]untiltheTempoindicatorLED(BankLED)stopsflashing.

2.Press[Engage]and[TapTempo]togetheronce<—thistogglesthebank.

3.Tap[TapTempo]asmanytimesasneededtoreachthedesiredpresetlocation.

4.Tap[Engage]oncetoloadtheselectedpreset.

SAVEPRESET

1.Hold[TapTempo]untiltheTempoindicatorLED(BankLED)stopsflashing.

2.Tap[TapTempo]asmanytimesasneededtoreachthedesiredpresetlocation.

3.Hold[Engage]untilthePresetLEDflashes3x.



Note:Youcanskipstep1&2ifyouarealreadyatthedesiredpresetlocation.



SAVEAPRESETINADIFFERENTBANK

1.Hold[TapTempo]untiltheTempoindicatorLED(BankLED)stopsflashing.

2.Tap[Engage]and[TapTempo]togetheronce<—thistogglesthebank.

3.Tap[TapTempo]asmanytimesasneededtoreachthedesiredpresetlocation.

4.Hold[Engage]untilthePresetLEDflashes3x.

BYPASSORENGAGE

1.Tap[Engage]once.

SUBDIVISION

YoumaysetthesubdivisionusingtheTIMEknob.

TIME

Quarter‐note

8th‐note

8th‐noteTriplets

Dotted‐8th

MODES

1.Tap[Modes/Edit]tobrowsethroughthe7modes/algorithms.

CHAPTER3‐KillDryFunction



Kill‐DryfunctionisactivatedbyturningtheBLENDknoballthewaytomaximumvalue(clockwise

direction).

Kill‐Dryarea

Max

Note:Thisisnotapermanentkill‐dryfunction,itisactiveonlywhenthepedalisengaged‐the

drysignalwillbebackonwhenyoubypassthepedal

CHAPTER4‐AssigningParametersforExpressionControl



Youcanassignupto4parameterstobecontrolledbytheexpressionpedal,andtheseassignmentscanbe

specifiedonper‐presetbasis.YoucanmakechangestotheassignmentintheEDITmode.



EnteringEDITmode:Pressandhold[Mode/Edit].

WhentheModesLEDstartsblinkingthepedalhasenteredEDITmodewhereyoucanmakechanges

totheparameterassignment.



InEDITmodethefourknobsactlikeswitches,turningtheknobstoanywhereabovethe12o’clockdirec‐

tionassignsthatknobforexpressioncontrol,andturningtheknobstoanywherebelowthe12o’clock

directiondisablesexpressioncontrolonthatknob.

ParameterNOTassigned

toexpressioncontrol

Parameterassigned

toexpressioncontrol

forexampleyouwanttoassigntheexpressionpedaltocontroltheBlendandParamparameter:inEDIT

modeturntheBlendandParamknobstoanywhereabovethe12o’clockdirectionandturnalltheother

knobstoanywherebelowthe12o’clockdirection.

BLENDTIMEREPEATSPARAM

Changeswillimmediatelytakeeffectwhentheknobsareturnedsoyoucangoaheadandauditionthe

parametersassignmentthatsuitsyourneeds.Afteryouaresatisfiedwiththeassignmentyoucansaveit

intothecurrentpresetbyholding[ENGAGE]untilthepresetLEDflashes3x.Orifyoudecidenottosave

anychangesyoucansimplyexittheEDITmode,nochangeswillbesaved.



ExitingEDITmode:Pressandhold[Mode/Edit].

WhentheModesLEDstopsblinkingthepedalhasexitedEDITmodeandyoucanusethe

pedalnormallyagain.

ONONOFFOFF

IMPORTANT:Atpowerupthepedalwilldetectthepresence(orabsence)ofanexpressionpedalatthe

EXP/TAPinputjack.Ifitsensedthatnothingisconnecteditwilldisabletheexpressionfunctionforaslong

asthepowerstayson.Thismeansyoumustrecyclethepoweranytimeyouplugorunpluganexpression

pedalcableintotheEXP/TAPinputjack.

Digital

Thisisapristinedigitaldelaywithmodulation.Atouchoftone‐shapingisappliedtokeeptherepeats

frombeing‘sterilecold’,whileretainingclarityanddefinition.Delaytimerange:960ms.



PARAMknobcontrolsbothmodulationDepthandRate.The1sthalfoftheknobtravelgivesslowmodu‐

lationrate,andthelasthalfgivesafasterrate.ThemodulationDepthisfullyadjustablewithineach

region(modulationdepthincreasesastheknobisturnedclockwise).Thusyouhavemodulationwith

adjustabledepthandachoiceiftwodifferentrates.

Rate:MediumRate:Slow

minimumDepthPARAM

minimumDepth

maximumDepth

CHAPTER5‐Modes/Algorithms

Analog

Thismodehasaspecialvoicingthatmimicsthatofananalogdelay.Thewarmandlushrepeatswork

greattothickenyourguitarsoundwithoutgettinginthewayofthedrysound.Delaytimerange:960ms.



PARAMknobcontrolsbothmodulationDepthandRate.The1sthalfoftheknobtravelgivesslowmodu‐

lationrate,andthelasthalfgivesafasterrate.ThemodulationDepthisfullyadjustablewithineach

region(modulationdepthincreasesastheknobisturnedclockwise).Thusyouhavemodulationwith

adjustabledepthandachoiceiftwodifferentrates.

Rate:MediumRate:Slow

minimumDepthPARAM

minimumDepth

maximumDepth

Dual

Twoseparatedelaysinseries/parallelarrangement.OnedelayissettoQuarterNoteandtheotherto

Dotted8th,thesignaturestacked‐delaysoundforworshipmusic.Delaytimerange:800ms.

Diffuse

Delayandreverbcomboalgorithmwithrepeatsthatgetsmoreandmorediffusedateachiteration.

Delaytimerange:800ms.

PARAM

ParamknobcontrolstheStereoSpreadparameters.Asthisknob

isturneduphighertheechoesarespreadwideronthestereo

panorama.

ParamknobcontrolstheReverbparameters.Asthisknobis

turneduphigherthereverbintensityincreasesandtheechoes

diffusionrateincreases.

Ambient

Thisalgorithmmodeblursthelinebetweendelayandreverb.Repeatsgetmorediffusewitheachitera‐

tion,andasREGENknobisturneduptheechoeswashoutintoreverb‐likeambience.

PARAMknobcontrolsthetypeandlevelofasecondarypitch‐shiftedvoice.Thefirsthalfoftheknob

rangeconstitutesPerfect‐fifthpitchintervalandthesecondhalfconstitutesOctaveinterval.Thevoice

levelisadjustablewithineachregion(loudnessincreasesastheknobisturnedclockwise).

Perfect5th

softest

PARAM

softestloudest

loudest

Octave

Finally,therepeatsbouncebetweenthe

twooutputchannels(ping‐pong),resulting

inaverywidestereoimpression.Assuch,

thismodeworksbestinstereosetup.



Tosummarize,thisvariationmodeis

aboutreverb‐likeambience+pitch‐shifted

voices+stereorhythmicgroove.Thereare

lotsofwonderfulsoundtexturestobe

discovered.

H3(3‐headsdelay)

Thisisamodeloftapedelaywith3“playbackheads”.Eachinputsoundeventwillbeplayedbackthrice

atdifferentdelaytimes,andsignalsfromtheplaybackheadsarere‐injectedintothefeedbackloop,

creatinglayersofwarmandcomplexmulti‐tapechoes.4choicesofheadsmatrixconfigurations(tap

patterns)areaccessiblethroughthePARAMknob.

PARAM

HeadsMatrixconfiguration(tappatterns)

 A:PatternI

 B:PatternII

 C:PatternIII

 D:PatternIV

*AstheREGENknobisturneduphigher,atouchofreverb‐like

ambiencestartstoappear,andthestereospreadoftheechoes

increases.

H4(4‐headsdelay)

Sameasabove,butwith4playbackheads.

CHAPTER6‐AutoRegenSwell



WhenyouactivatethisfeaturethepedalautomaticallysweepstheRegenparametertothemaximum

value,holditthere,andsweepsitbacktothepreviouslysetvalue‐It’slikehavingsomeoneturnsthe

REPEATSknobwhileyou’replaying.Usedjudiciously,thisfeatureintroducesusefuldynamicelementsto

thedelaytexture.

Press and hold [Preset Select].

TheparametercontrolledbyINTENSITYknobgradu‐

allysweepstomaximumvalue(asifsomeoneslowly

turnstheIntensityknoballthewayup).

currentvalue‐

TAP‐TEMPOENGAGE

Aslongasyouholdthefootswitchdown,the

Regenparameterstaysatitsmaximumvalueand

bothLEDsflashcontinuously.

REPEATS

Thenwhenyoufinallyreleasethefoot‐

switch,theRegenparameterslowly

sweepsbacktothepreviouslysetvalue.

Trythisout:

1.ActivateAMBIENTmode.

2.SettheRepeatsknobtoalowsetting(about9o’clock).

3.SetBlend,Time,andParamasdesired.

4.Startplaying,thedelaywillhavefewveryrepeats

5.Executeautoregenswell.

Note:AutoRegenswellfunctioncanalsobedoneusinganexternalswitchboxconnected

totheExp/Tapinput.

TAP‐TEMPOENGAGE

CHAPTER7‐FactoryReset



FactoryResetwillrevertyourpedaltothefeactorysetting,alluserpresetswillbeerased.



Toperformfactoryreset:pressandholdbothfootswitcheswhileapplyingpowertothepedal.Keephold‐

inguntilPreset‐1andPreset‐4LEDsflashes4x.

hold

TAP‐TEMPOENGAGE

Specifications :

 Input impedance : 1 MOhm.

 Output impedance : 500 Ohm.

 Current consumption : ~ 100 mA.

 Weight : 0.5 Kg (1.0 lbs).

 Dimension : 12 (L) x 6.5 (W) x 3.6 (H) cm

 Powered by an external 9V DC Adaptor (not included).

This product is designed and

manufactured by :

Features :

 7 studio-grade delay algorithms

 8 presets.

 Expression pedal and Tap-Tempo input.

 Stereo input and output.

 Kill Dry capability.

 24-bits signal processing.

 Analog Dry-thru.

 Delay tails spillover when bypassed.

Email : info@gfisystem.com

[email protected]

Web : www.gfisystem.com

GFI System

Jakarta, Indonesia.

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