JVC GY-HM100U - Camcorder - 1080p Bedienungsanleitung

The JVC Camcorder

JVC GY-HM100U Edition

CommunityTelevisionNetwork

2805 S. Industrial Ste. 200

Ann Arbor, MI 48104

734-794-6150

www.a2gov.org/ctn

Revised 2/2012

III

Table of Contents

Field Production Step-By-Step ..........................................................................2

Lights...................................................................................................................3

Equipment.....................................................................................................3

Lighting Set-Up............................................................................................6

Tripod...................................................................................................................8

Equipment.....................................................................................................8

Tripod Set-Up............................................................................................ 10

Camera.............................................................................................................. 14

Equipment.................................................................................................. 14

Camera Set -Up......................................................................................... 24

Audio ................................................................................................................ 26

Equipment.................................................................................................. 26

Audio Set-Up............................................................................................. 31

Introduction

The JVC Camcorder class is designed to provide you with an understanding of field production,

as well as provide you with the operational skills necessary to participate in a production on

location as opposed to in a studio. We will cover the camcorder, other portable equipment and

how they relate to each other. Even if you only plan to use a camcorder, it’s important you have

some idea of what other equipment is available and how that relates to your production.

This training will be primarily of an operational nature with a quick sojourn into technique. You

will not emerge from this class an expert crew person, but you will know the care quality of

CTN’s equipment; Therefore having a foundation for the skills necessary to operate and

communicate as a member of a production crew. The best way for you to polish the techniques

learned would be to work on and volunteer for as many productions as you can.

Field Production Step-By-Step

Here is a list of the basic steps involved in producing a program utilizing the CTN equipment:

1) Plan your (pre) production. Decide on the who, what, where, why, when and

how.

2) Fill out and submit a CTN Production Proposal Form.

3) Decide when you want to begin your production work.

4) Fill out and submit a CTN Equipment Reservation Form.

5) Call CTN the next day (at the earliest) to see if your reservation was approved.

6) If necessary, arrange for crew. Get a list of certified volunteers from CTN.

7) Scout the location where you will be doing your production.

8) On the day of your reservation, arrive at CTN on time. During the equipment

check-out:

9) Check that you’re getting everything you asked for.

10) Set up and test any equipment you have not used before.

11) Ask questions about the equipment or your production.

12) Confirm the day and time you are expected to return the equipment.

13) Arrive at your production location early and get set up.

14) Rehearse everything that can be rehearsed.

15) Record your production.

16) When you’re done with recording, teardown the set and equipment.

17) Return the equipment to CTN on time. During check-in:

18) You are required to set up the equipment.

19) Notify staff of any equipment malfunctions, is broken or is missing pieces.

20) Notify staff of any problems you had during your production.

21) If more production work is necessary, go back to step 4.

22) If necessary, make arrangements to edit your production.

23) When your production work is done, submit your finished program for playback.

24) Begin planning your next production.

Lights

Where you are doing your production work will dictate whether or not you need to use additional

lighting. You will often find using one light, in addition to what already exists at the production

location, can greatly enhance the look of your program. This is why scouting a location before

hand is so important.

Equipment

The light kits come with three lights, associated cables and stands. There is also

diffusion material and gels available upon request.

Light Kit.

Lights

The three spot lights, in the kit, are identical and come with extension cables and

stands. Each light has barn doors which control the area over which the light covers.

Spot light.

The lights have a red power switch located on the back. When the switch is in the on

position, you can see a white mark along its edge. Make sure the light is off before

plugging it in to an outlet!

Spot light, power switch off & power switch on.

The spot lights also have a focus control located on the right side of the unit. In the

"spot" position, the light is more intense, has a sharper edge, and a narrower spill.

Spot light focus control dial.

Stands

The stands will allow you to position lights from 2ft. to 8ft. off the ground, however,

extreme care must be taken to be sure the light and stand do not fall over.

Lights on stands.

Diffusion/Gels

Diffusion material may be used to reduce or soften the intensity of a light. Sheets of

diffusion material can be clipped to the barn doors with clothespins or binder clips.

Gels can also be used to alter the color of a light and create lighting effects. They too,

may be clipped to the barn doors.

Spot light with diffusion, Gels.

Lighting Set-Up

First, figure out how many lights you need and where you will need them. Mapping out

your location so you know where existing windows, lights, and outlets are can help.

Location sketch.

1) Set up the light stands in the positions you need.

2) Make sure the stands are stable and will not fall over easily. If the stand will need

to be set up in a high position, wait until you put the light on the stand before

raising the stand up to the necessary height.

3) Then attach the lights to the stands.

4) Plug the lights in. Be careful in choosing appropriate electrical outlets to power

the lights, to be safe no more than two lights should be plugged in to one circuit.

5) Turn on one light.

6) Adjust the focus control to make the light as small a spot as it can be. This will

allow you to be sure the light is aimed at the area you want it to light.

7) Then adjust the light until it is pointing in the direction you need. The heads of

the lighting instruments may be panned left or right and tilted up or down.

Pan (lower) and tilt (upper) locks.

8) Re-adjust the intensity of light using the focus control. Turn the focus control to

flood the light, to cover the area needed.

9) If necessary, adjust the barn doors to control the area of the light spill.

10) Turn the light off and repeat steps 5-9 for the other lights.

11) After adjusting all of the lights, turn them all on and check for shadows, dark

areas or other distractions and make additional lighting adjustments as necessary.

12) When you are satisfied with your lighting, turn off all of the lights until you are

ready to begin taping.

Note: Always wear gloves when making adjustments to a light that is on or was just turned off, as the instruments can be very hot.

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