Laney LH50 Bedienungsanleitung

LH50

OPERATING INSTRUCTIONS - 1.1

LH50

BEFORE SWITCHING ON

LH50

SPECIFICATIONS

In order to reduce environmental damage, at the end of its useful life, this product must not be disposed of along with normal

household waste to landfill sites. It must be taken to an approved recycling centre according to the recommendations of the

WEEE (Waste Electrical and Electronic Equipment) directive applicable in your country.

Supply Voltage ~100V, ~120V, ~230V, ~240V 50/60Hz Factory Option

Mains Fuse (~220V>240V = T2A L 250V) (~100>120V = T5A L 250V)

HT Fuse T500mA L

Power Consumption 100W

Output Power Rating 50W

Loudspeaker outputs Extension speaker sockets 4, 8 & 16 Ohm (Use one at a time)

Features Pure Class A/B Valve tone

2 x EL34B-STR Power Tubes (Matched Set)

4 x 12AX7/ECC83 Preamp tubes

Hi & Lo Gain Inputs

FX Loop with Switchable Level & By-pass

Footswitchable Channel and Reverb (FS2 Optional)

Reverb Digital Reverb

EQ Passive Bass, Middle and Treble (Separate EQ for Clean and Drive)

Bright Switch

Modern Switch

Input Impedance 1MOhm/47pF

Size (H*W*D) 246*556*262 (Base)

Unit Weight 14Kg

This product conforms to the requirements of the following European Regulations, Directives & Rules:-

CE Mark (93/68/EEC), Low Voltage (72/23/EEC), EMC (2004/108/EEC),

RoHS (EU2002/95/EC), WEEE (EU2002/96/EC)

LH50

INTRODUCTION

LH50

The LH50’s 50W Class A/B output stage oozes classic, warm tube tones: The harder you drive it, the better it sounds. Plus

with enough gain for contemporary tones, it also has a mean, spiteful side to it as well – making it ideal for any style of playing.

Built for solid performance on stage, but also equally at home for studio and practice use, plugged into any of the extensive

range of Laney extension cabinets, the sound will blow you away.

Your LH50 should give you years of trouble-free amplification, however please take time to read this manual and familiarise

yourself with the controls as it will allow you to get the best from your amplifier. We hope you enjoy using your LH50 as

much as we enjoyed designing and making it.

Best wishes from all at Laney

LH50

FRONT PANEL CONTROLS

2 3 4 6

8 10 12 13 1495

11 1716

HI INPUT: ‘Hi’ stands for high gain. This input is designed for the connection of low output level guitars making it well

suited for guitars with single coiled or low gain humbucker type pickups. Use of high gain pickups in this input may drive the

preamp too hard causing a "mushy" sound. Only use good quality guitar cable.

LO INPUT: ‘Lo’ stands for low gain. This input is attenuated down approximately 50% from the Hi input and is designed for

high output level guitars. It is useful in obtaining output that is "tight" not "mushy" from high gain humbucker type pickups.

Only use good quality guitar cable.

GAIN: Sets the level of tube preamplifier Gain or how dirty your sound is. This control should be used in conjunction with

the Volume control, setting low levels of gain with high levels of volume will give the cleanest preamplifier sound with tube

output stage overdrive at high volume settings. Setting a medium gain level and medium volume will give a nice crisp tone

with just a little break up and warmth, again with the ability to drive the output stage at higher volume settings. Setting a high

level on the gain control and a low setting on the volume will give you a nice blues tone, with the ability to again drive the

output tubes at higher volume settings. Having set the gain and volume controls to your desired sound try backing off your

guitar volume and tone controls for lots of other cool sounds. Good tube amplifiers have the unique ability to produce a

wide range of sounds by using only your guitar controls, playing weight and style.

BRIGHT: Adds brightness and life to the treble frequencies of your guitar when on the clean channel. The switch has more

effect at low Gain Volume control settings. Use in conjunction with the Treble and Tone controls for optimum performance.

BASS, MIDDLE, TREBLE: These are a traditional set of passive tone controls for the clean channel. Passive controls have

the advantage of always sounding musical at any of their settings mainly due to their unique interactive nature. This gives

players a more natural set of tools to create their ideal sound. (Try them all set at midway (5) as a good starting point).

VOLUME: Sets how loud the clean channel is. Try cranking it up a little to drive the power tubes harder for that real retro

sound and feel that only a quality tube amplifier can deliver. Now use your guitar volume to control the amount of distortion.

LH50

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