Nakamichi 1000 Bedienungsanleitung

Inhaltsverzeichnis

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NAKA-00024

Nakamichi

TOOO

Operating

Instructions

Printed

by:

Schaltungsdienst

Lange,

Berlin

(GERMANY)

We

thank

you

very

much

for

your

purchase

of

the

Nakamichi

1000.

This

recorder

is

designed

especially

for

the

professional

use

and

is

adaptable

for

the

standard

19”

rack.

The

transport

mechanism,

heads

and

circuitry

of

the

Nakamichi

1000

are

the

outcome

of

the

highest

state

of

art

developed

by

Nakamichi

Research

Inc.

and

its

performance

is

comparable

to

the

professional

quality

3-head

reel-to-reel

recorders.

Before

using

this

recorder

please

read

this

instruction

manual

very

carefully

so

that

all

functions

and

features

will

fully

be

used

with

the

highest

performance.

CONTENTS:

Control

Functions..............

1

Connections.

............00005

3

Playback

Procedures

............

4

Before

Recording..............

5

Level

Calibration

..............

6

Recommended

Cassette

Tapes

and

Tape

Selector

Switch

.............

i

Record

Procedures

.............

8

Additional

Recording

and

Playback

Techniques............

9

Peak

Level

dB

Meter............

10

Cassette

Lid

Removal!

and

Lubrication

...................

10

Double

Noise

Reduction

System...

.11

Trouble

Shooting

Chart..........

12

Specifications

................

13

Optional

Accessories............

13

Control

Functions

SILAS

LETRAS

ALLER

AIT

SARE

TET

SAE

IE

NEI

STUN

IE

|

1

|

|

H

{

\

{

{

{

H

|

H

1

;

8

AERA

YRE

TG

SSI

I

|

4

|

@

Tape

Run

Indicator:

During

recording/playback,

a

green

lamp

moves

from

right

to

left

hand

side

showing

the

actual

tape

run.

@

Adjustment

Lid:

When

you

opened

this

lid,

you

will

find

functions

such

as

the

recording

head

azimuth

adjust,

test

tone,

and

pitch

control.

©

Cassette

Lid:

The

Lid

will

be

opened

when

the

EJECT

button

is

pushed.

©

Eject

Button

@

Tape

Counter

©

Pause

Button:

Used

to

momentarily

stop

the

tape

in

recording

or

playback

mode.

When

depressed

during

recording,

the

recording

circuits

remain

operative,

and

the

capstan

remains

in

motion

but

the

pinch

roller

is

retracted,

@

Record

Button:

Recording

will

be

commenced

when

pushed

simultaneously

with

the

Play

Button.

©

Fast

Forward

Button:

Serves

tape

to

move

rapidly

from

right

to

left

reel.

When

the

tape

reaches

the

end,

depress

the

Stop

Button

or

allow

auto-stop

to

function.

©

Rewind

Button:

Serves

tape

to

move

rapidly

from

left

to

right

reel.

Depress

the

Stop

Button

or

allow

auto-stop

to

function.

@

Stop

Button:

When

pushed,

the

entire

motions

will

stop.

@

Play

Button:

Tape

runs

at

the

standard

speed,

and

when

you

touch

the

Button,

playback

of

the

pre-recorded

tapes

will

commence.

@

Auto

Rewind

Switch:

If

you

set

the

Auto

Rewind

Switch

to

’’ON”,

the

tape

will

stop

at

the

tape-end

and

automatically

be

rewound

to

the

other

end.

@®

Headphone

Jack:

The

headphones

should

have

an

impedance

of

80hm.

®

Tape

Start

Memory

Switch:

If

you

set

the

tape

counter

to

“000”

at

the

start

of

each

recording

andset

the

Tape

Start

Memory

Switch

to

“ON”,

then

the

tape

will

be

rewound

at

the

touch

of

the

Rewind

Button

to

the

preset

pointamd

will

stop.

©

Output

(Line

Output

Level

Controls):

The

output

level

of

monitoring

sound

from

the

tape

or

sound

source

cam

be

controlled

either

in

recording

or

playback.

®

Line

Input

Level

Controls

®

Mic

Input

Level

Controls

®

Blend

Mic

Input:

These

controls

can

be

indeendently

adjusted.

The

Mic

Input

Lewel

Controls

do

not

function

unless

microphones

are

plugged

in.

During

recording

fromtine

line

input

the

Mic

Input

Controls

do

notaf

fect

S/N

Ratio.

®

Blend

Mic

Input

Jak

@®

Mic

Input

Jack

R

@

Mic

Input

Jack

L

VOLTAGE

SELECTOR

{

@

Dolby

NR

Switch:

Set

the

DOLBY

NR

Switch

to

“’IN’’

when

you

play

back

a

recorded

tape

made

under

the

DOLBY

System,

or

when

you

make

recording

under

it.

This

System

is

international,

and

recordings

made

under

it

can

be

reproduced

by

any

cassette

tape

deck

equipped

with

the

same

System,

regardless

of

its

make.

@

Monitor

Switch:

Source

The

input

signals

from

the

sound

source

can

be

directly

monitored

by

adjusting

the

sound

volume

with

the

Line

Input/Mic

Input

Controls.

Tape

To

play

back

a

recorded

tape,

set

the

Switch

to

“’Tape’’.

In

recording,

instantaneous

off-the-tape

monitoring

is

possible

so

that

it

will

permit

instant

comparison

of

the

recording

with

the

input

signal.

@

Power

Switch:

When

you

turn

the

Power

Switch

to

“ON”,

the

Level

Meters,

Tape

Run

Indicator

and

Stop

Button

will

illuminate

to

show

that

the

power

is

being

supplied

to

the

deck.

2

REMOTE

3

WEAD

CASSETTE

®

DNL

(Dynamic

Noise

Limiter)

Switch:

The

DNL

System

is

only

effective

in

playback.

By

using

it

in

combination

with

the

DOLBY

System,

further

improvement

in

noise

suppression

is

available.

The

DOLBY

System

does

not

reduce

high

frequency

noise

contained

in

input

signals.

The

DNL

on

the

other

hand

effectively

decreases

such

noise

if

it

is

used

in

playback

of

a

recorded

cassette

made

with

or

without

the

DOLBY

System.

@®

Limiter

Switch:

After

record

level

setting

has

been

made,

the

Peak

Limiter

prevents

distortion

from

sudden

transient

peaks

in

live

recording.

@®

Tape

Selector

Switch:

Set

to

“EX

for

high

output,

Nakamichi

EX,

EX

II

tapes,

and

to

,,SX”

for

Nakamichi

SX

tape.

Be

sure

of

using

tapes

having

proper

bias

level

and

equalization.

@

Peak

Level

Meter:

The

Meters

indicate

a

wide

range

from

-40dB

to

+5dB,

the

0dB

of

which

conforms

to

the

“DOLBY”

NR

Standard

Level.

®

Line

Input

Jacks

@

Line

Output

Jacks

@

19

KHz

MPX

Filter

Switch

@

Test

Tone

Level

Calibration

@

Record

Level

Calibration:

Enable

you

to

set

correct

Dolby

level

for

any

cassette

tape.

@

DIN

Mic

Input

Socket:

DIN

Connector

must

be

of

SM

type.

@®

DIN

IN/OUT

Socket:

To

be

connected

with

a

DIN

Cord.

@

AC

Power

Supply

Cord

@

Ground

Terminal

@

Voltage

Selector

Plug:

You

can

change

over

either

to

100V,

117V,

220V

or

240V.

@®

Remote

Control

Socket

®

Pitch

Control:

Standard

Tape

Speed

of

1-7/8

ips.

is

set

at

click

position

in

the

center.

@

Alignment

Beacon:

Enables

to

adjust

the

azimuth

alig

nment

of

a

recording

head

according

to

each

cassette

tape

(Refer

to

‘Before

Recording”’).

®

Test

Tone

Switch

®

Record

Head

Azimuth

Alignment

@®

Playback

Head

Azimuth

Alignment

Connections

rm

RECORD

CAL

=

Sx

e

©

fa

REMOTE

S5ETTE

SYSTEM

chi

TOO

RESEARCH

IMC

:

n

JAPAN

Connecting

the

Line

Output:

Connecting

the

DIN

Connector

Connection

to

Digital

T

imer:

Connect

to

the

Tape

Monitor

of

your

Stereo

Socket:

Set

the

socket

of

a

timer

to

“’Remote’’.

If

Amp

or

AUX

Jacks

from

the

Output

Jacks

tf

your

Stereo

Amp

is

equipped

witha

DIN

~—

you

use

a

Remote

Control,

connect

to

the

through

pin

cords.

Connector

Socket,

connect

with

a

DIN

Cord.

Remote

Socket

of

the

timer.

Connecting

the

Line

Input:

In

this

case,

please

do

not

use

pin

cords

Connect

to

the

Tape

Rec

Jacks

of

your

simultaneously.

Stereo

Amp

from

the

Input

Jacks

through

pin

cords.

BLEND

Os

Microphones

and

Headphone:

Please

use

the

microphones

having

’

Please

use

the

headphone

tawing

impedance

As

shown

in

the

above

Fig.,

both

of

the

impedance

of

600

ohms.

of

8

ohms.

;

right

and

left

Stereo

Microphones

and

the

Insert

the

Stereo

Headphones

into

the

Blend

Microphone

can

be

connected.

Headphone

Jack

as

shown

in

the

above

Fig.

Playback

Procedures

POWER

OUTPUT

OFF

@

Adjust

the

sound

volume

with

the

Output

Level

Controls.

@

Turn

on

the

Power

Switch.

The

level

meters

and

the

cassette

compartment

window

will

illuminate

to

indicate

power

supply

to

the

deck.

Also

the

“Stop’’

Button

will

light.

@

To

stop

the

tape,

touch

the

Stop

Button.

If

you

push

the

Eject

Button,

the

Cassette

:

Compartment

Lid

will

open

to

expose

the

@

Push

the

Eject

Button

and

load

a

cassette,

cassette

inside.

then

close

the

cassette

compartment

lid.

DAL

DOLBY

NR

MONITOR

.

tht

TAPE

SOURCE

©

Set

the

Monitor

Switch

to

“Tape”.

©

It

is

not

necessary

to

touch

the

STOP

Button

each time

you

rewind

or

fast

forward

the

tape

during

playback.

Also

you

can

change

to

the

playback

mode

directly

from

the

rewind

or

fast

forward

mode

without

causing

damage

to

the

tape.

TAPE

LIMITER

DNL

Sx

ON

IN

DOLBY

NR

LIMITER

~

DNL

DOLBYNR

MONITOR

ON

IN

iN

TAPE

EX

boge

aur

;

5

@)

@Set

the

Tape

Selector

Switch

to

“EX’’

or

“SX”

according

to

the

tape

in

use.

OFF

OUT

OuT

©

If

you

play

back

a

tape

recorded

under

the

“Dolby

System”,

be

sure

to

set

the

“Dolby

NR”

Switch

to

“IN”.

©

Touch

the

Play

Button

to

start

the

tape.

@

When

you

push

the

“PAUSE”

Button,

the

tape

run

will

stop

momentarily.

Pitch

Control

te

Standard

tape

speed

of

1-7/8

ipsis

set

at

click

position

in

the

center.

Any

speed

within

the

range

of

+

6%

(half

tone)

can

be

selected

by

turning

the

knob

to

“L”’

direction

for

lower

pitch

and

’’H”

direction

for

higher

pitch,

The

tape

speed

of

1-7/8

ips

will

be

always

maintained

in

recording, regardless

of

the

position

of

the

Pitch

Control

Knob.

Note:

*

The

Nakamichi

1000

is

so

designed

that

the

Lid

will

not

open,

even

if

you

push

the

“Eject”

Button

while

the

tape

is

running.

*

When

the

tape

reaches

its

end,

it

will

stop

automatically.

*

The

‘’Peak

Limiter”

Switch

has

no

effect

during

playback.

Before

Recording

Record

Head

Azimuth

Alignment

Screw

Tape

Erase

Head

Pinch

Roller

Head

Azimuth

Alignment

As

shown

in

the

above

Fig.

the

Nakamichi

1000

is

of

a

3-head

type

wherein

each

of

erase,

recording

and

playback

heads

is

individually

installed.

A

part

of

a

cassette

housing

in

which

a

tape

runs

serves

as

a

guide

for

tape

run.

As

a

case

may

be

according

to

each

plastic

moulding,

the

high

frequency

part

may

be

lowered

because

of

the

inaccurate

azimuth

alignment

of

head

slit

between

recording

and

playback

heads.

Accordingly,

it

is

recommended

that

you

perform

accurate

azimuth

alignment

when

you

change

a

tape

to

another.

Azimuth

Alignment

Procedures

Record

Head

@

Load

a

cassette

into

the

cassette

compartment.

@

Turn

the

Test

Tone

Switch

on.

©

Touch

the

RECORD

Button

and

then

the

Play

Button

to

start

the

tape.

©

Set

the

Monitor

Switch

to

“Tape”.

©

Adjust

the

Record

Head

Azimuth

Alignment

(RH)

Screw

so

that

the

both

Alignment

Beacons

flickers

alternately.

tf

only

the

left

Alignment

Beacon

flickers,

turn

the

RH

Screw

clockwise.

And

if

only

the

right

Alignment

Beacon

flickers,

turn

it

counter-clockwise.

Caution:

It

takes

about

0.3

second

until

the

Alignment

Beacon

responds

to

the

turning

of

the

RH

Screw.

It

is

necessary

to

turn

the

RH

Screw

little

by

little

with

a

reasonable

interval.

if

you

turn

it

to

the

wrong

direction,

the

Alignment

Beacon

will

not

flicker.

The

turning

direction

must

be

carefully

determined

according

to

the

above

instructions.

It

is

not

a

fault

of

the

deck!

Anti-Tape

Spill

Device:

The

Nakamichi

1000

is

equipped

with

the

tape

spill

sensing

system

which

stops

all

the

functions

of

the

unit

instantaneously

when

spill

of

the

tape

is

about

to

start.

In

case

the

functions

of

the

unit

stop

automatically,

please

check

the

cassette

tape

first.

The

tape

spill

usually

occurs

with

a

second

Class

cassette

tape

the

housing

of

which

is

being

moulded

with

less

precision,

and

physical

property

of

tape

itself

is

rather

poor.

Also

a

thinner

tape

such

as

C-120

cassette

often

causes

heavy

friction

inside

the

cassette

housing

which

will

also

be

sensed

by

the

said

device.

Heads

Maintenance

(1)

Playback

Head

No

Adjustment

is

necessary

with

respect

to

the

playback

head

azimuth,

since

it is

adjusted

prior

to

delivery

from

our

factory.

(2)

Head

Cleaning

All

parts

that

come

into

contact

with

the

tape

must

be

frequently

cleaned.

Even

the

best

tape

formulations

leave

a

deposit

of

oxide

sheddings

on

the

heads,

pinch

roller

and

capstan.

Failure

to

perform

a

periodic

cleaning

of

these

parts

can

result

in

signal

dropouts,

loss

of

high

frequencies

and

wow

and

flutter.

A

cleaning

kit

is

supplied

with

the

Nakamichi

1000,

but

some

Q-tips

and

isopropyl

alcoho!

(preferably

undiluted)

will

perform

quite

adequately.

sponamenoayecter

SP

TE

PETER

MMH

A

(3)

Demagnetizing

All

metal

parts

that

come

into

contact

with

the

tape

must

be

occasionally

demagnetized

to

prevent

the

build-up

of

residual

magnetism

that

can

add

hiss

to

and

partially

erase

the

high

frequencies

on

a

tape

being

played.

Although

the

heads

and

capstan

of

Nakamichi

catsette

decks

require

demagnetization

much

less

frequently

than

most

other

tape

decks,

it

should

nevertheless

be

performed

once

every

50

hours

of

use

to

be

on

the

safe

side.

A

Nakamichi

Demagnetizer

is

recommended

for

this

purpose

since

it

is

specialy

designed

for

ease

of

use

with

cassette

decks,

but

any

properly

designed

demagnetizer

will

do.

Remove

all

tapes

from

the

vicinity

of

the

tape

deck

before

proceeding.

Make

sure

the

tape

deck

is

“OFF."’

Turn

the

demagnetizer

on

and

slowly

bring

the

tip

as

close

as

possible

to

the

record/pliy

fheads

(it

is

not

necessary

to

demagnetize

the

erase

head).

Do

not

make

contact

wih

the

head

unless

the

tip

of

the

demagnetiter

is

covered

with

thin

vinyl

or

rubber

to

aroicd

scratching

the

surface

of

the

head

(a

pice

of

vinyl

tape

may

be

used

to

cover

th:

tip

if

it is

not

already

covered).

Move

the

demagnetizer

tip

slowly

in

a

random

pattern

about

the

surface

of

the

head

for

a

least

10

seconds

and

then

slowly

move

it

tovvard

the

capstan.

Repeat

with

thecapstan,

and

then

slowly

withdraw

the

demagrtetizer.

Turn

it

off

after

it

is

at

least

2

fet

from

the

deck.

Never

turn

the

demagnetzer

off

while

it

is

close

to

the

head

or

capsan

aS

this

may

semi-permanently

magneize

the

metal

part.

5

Level

Calibration

Dolby

NR

Level

Calibration

The

Dolby

NR

standard

level

(200

nW/m)

of

the

Nakamichi

1000

is

set

to

0

dB.

Particularly,

when

you

record

with

Dolby

NR

“In”

adjust

the

OdB

signal

of

the

built-in

400

Hz

Test

Tone

to

OdB

according

to

each

of

the

tapes

to

be

used.

‘

©

Set

the

position

of

the

Tape

Selector

Switch

according

to

the

type

of

the

tape

in

DRL

=

DOLBY

NR

MONITOR

aN

uN

TAPE

use.

Aeonioo

sen

DOLBYNR

MONITOR

iN

TAPE

Cy

iA

ouT

SOURCE

@

Set the

“Monitor

Switch”

to

‘Tape’.

@

If

away

from

OdB,

adjust

the

Tone

Cal

Level

to

obtain

the

accurate

OdB.

If

the

levels

are

not

within

1

4B

of

“O

dB”,

adjust

the

appropriate

Level

Calibration

Controls

(Left

or

Right,

EX

or

SX)

clockwise

or

counter-clockwise

(Fig.

A

or

Fig.

B)

to

obtain

a

O

dB

reading

on

both

meters.

Note:

The

recorder

must

be

in

the

record

mode

with

the

“Monitor”

switch

in

the

“Tape”

position

in

order

to

perform

this

calibration.

Recommended

Cassette

Tapes

and

Tape

Selector

Switch

The

tape

selector

switch

on

your

Nakamichi

cassette

deck

has

been

specially

designed

to

simultaneously

change

both

the

Bias.

and

Equalization.

Although

the

unit

has

been

factory

adjusted

for

Nakamichi

EX

{or

EX

Il)

tape

in

the

“EX”

position

and

for

Nakamichi

SX

tape

in

the

“SX’’

position,

certain

other

tapes

shown

in

the

recommendation

table

below

may

be

used

with

excellent

results.

The

““EX”’’

position

utilizes

the

standard

120

microsecond

equalization

and

a

“high”

bias

(approximately

10%

higher

than

normal)

compatible

with

a

variety

of

low-noise/high-

output/high-density

formulations.

The

“SX”

position

utilizes

the

‘high

resolution”

70

microsecond

equalization

and

a

special

bias

(approximately

45%

higher

than

normal)

which

allows

the

use

of

high

coercivity

tapes.

To

realize

the

full

potential

of

your

Nakamichi

cassette

deck,

it

is

recommended

that

you

use

one

of

the

‘following

cassette

tapes

(tapes

other

than

Nakamichi

are

listed

in

alphabetical

order):

Position

of

Tape

T

Mod

Nakamichi

TDK

Nakamichi

Nakamichi

Fuji

Maxell

Maxell

TDK

C-60,

C-90

C-60,

C-90

C-60,

C-90

C-60,

C-90

C-60,

C-90

C-60,

C-90

C-60,

C-90

C-60,

C-90

Record

Procedures

DOLBYNR

MONITOR

iN

TAPE

OFF

felons

OUT

en

Bs

“™

g

@

Set

the

Dolby

NR

Switch

to

“IN”

for

@

When

recording

from

FM

Stereo

recordings

free

from

hiss

noise.

Braodcasting,

set

the

MPX

Filter

at

the

rear

panel

to

“ON”.

LIMITER

ON

Note:

1.

The

DNL

is

effective

only

in

the

playback

mode.

2.

The

Monitor

Switch

can

be

switched

over

i

BU

ain

eal

to

“Tape”

or

Source”

at

any

time

during

@

Set

the

Tape

Selector

Switch

according

to

o

recording.

the

type

of

tape

in

use,

to

“SX”

for

a

@

Push

the

Reset

Button

to

reset

the

Tape

3.

To

prevent

an

accidental

erasure

of

a

Nakamichi

SX

tape

only

and

to

“EX”

for

Counter

to

‘000’.

recorded

cassette,

break

off

the

tabs

on

the

the

other

tapes

such

as

Nakamichi

EX,

side

opposite

to

that

exposing

the

bare

tape

EXI{

tapes.

with

a

screw

driver

or

the

likes.

i

A

cassette

has

‘’Tabs”’

on

the

side

opposite

to

that

exposing

the

bare

tape.

If

you

break

them

off

with

a

screwdriver

or

the

likes,

the

cassette

will

prevent

the

depression

of

the

@

Touch

the

Record

Button

and

then

touch

Record

Button,

thus

eliminating

the

the

PAUSE

Button

while

keeping

your

possibility

of

erasing

a

valuable

recorded

©

For

recordings

of

sound

with

wide

finger

tip

on

the

former.

The

red

lamp

will

cassette

by

mistake.

dynamic

range,

set

the

Limiter

Switch

to

light

to

show

that

the

deck

is

in

the

Take

advantage

of

this

feature

when

you

“On”

then

the

peak

limiter

prevents

recording

mode.

At

another

touch

on

the

wish

to

preserve

a

cassette

into

which

you

distortion

from

sudden

transient

peaks.

PLAY

Button,

the

tape

will

instantly

start

have

made

recordings.

If

you

wish

to

running

to

record.

preserve

the

recording

in

only

one

side,

RES

os

break

only

one

of

the

tabs.

eal

DGLEY

Ka

MONITOR

Touch

the

PAUSE

Button

whenever

you

y

ay

in

TAPE

want

to

stop

the

tape

without

cancelling

the

Se

CHS

recording

mode.

Cy

©

Touch

the

Stop

Button

to

release

the

recording

mode

and

then

the

tape

will

stop.

Our

OUT

SOURCE

@

Set

the

Monitor

Switch

to

“Source”

and

©

By

setting

the

Monitor

Switch

to

“Tape”

adjust

the

recording

volume

levels

with

instantaneous

off-the-tape

monitoring

during

Line

Input/Mic

Input

Level

Control.

recording

is

possible.

@®

If

you

set

the

tape

counter

to

“000”

at

Note:

the

start

of

each

recording,

and

set

the

Should

you

ever

want

to

make

arecording

Memory

Switch

to

““ON”’,

then

the

tape

will

into

a

cassette

with

such

tabs

already

be

rewound

to

preset

point

and

stop

at

the

broken,

seal

the

tab

openings

with

masking

touch

of

the

Rewind

Button.

tape

or

plug

it

with

an

erasure

rubber,

etc.