Panasonic Varicam AJ-HDC27H Bedienungsanleitung

AJ-HDC27H

Variable Frame-Rate HD Camera-Recorder

Panasonic continues to expand the boundaries of video

production with breakthrough digital image technologies that

put more expressive power in the hands of movie, TV

commercial, and episodic TV program cinematographers.

Introducing the AJ-HDC27H, the second-generation VariCam

HD camera-recorder that's suitable for producing all types of

image content.

The AJ-HDC27H combines variable frame rates that emulate

the speed effects of a film camera with cine gamma image

quality that offers the sufficient latitude to take full advantage

of the full dynamic range of film theater projection. No wonder

more and more production companies have turned to VariCam

as their HD camera with film sensitivity and a system capable

of dramatically reducing movie production costs.

The AJ-HDC27H inherits the basic design and features of its

predecessors while adding enhancements geared to today's

latest production needs. Everything from image quality to

functions and operating ease has been fine-tuned. Capturing

smooth, beautiful images, the new Varicam debuts as a

low-cost, high-quality solution to production of content from

movies and TV programs to commercials and music clips.

New AJ-HDC27H Functions and Specifications

•Newly developed 3CCD system

•12-bit A/D converter

•New high-resolution emulation mode

•Lens files can be written to an SD Memory Card

•Two individual HD-SDI outputs

•Frame rate switching can be assigned to a user button

VariCam Keeps Evolving

Digital Video with the Sensitivity of Film

Variable Frame Rate

The Panasonic VariCam is the world's first video camera

capable of emulating the "undercranking" and "overcranking"

technique of film cameras to slow down or speed up images.

By varying the frame rate from 4 to 60 fps and adjusting the

shutter speed from 0.8% to 97.2% (3deg to 350deg) of the

frame rate, you can create a wide range of cinematic effects.

And since the VTR section records at a constant 60 fps, you

can edit offline with a conventional DVCPRO HD VTR. This

lets you build a powerful 24p production system without a

huge investment in equipment.

4-fps 12-fps 24-fps 36-fps 48-fps 60-fps

6X 2X 1X 0.67X 0.5X 0.4X

NormalUndercranking Overcranking

Normal Speed

Recording

Playback

Quick Motion Slow Motion

VARIABLE FRAME RATE

Offers Advanced Speed Effects and

Produces All Types of Content –Only the VariCam

Normal shooting at 24 fps

Normal cinematic shooting is done at

24 fps, the same rate as in film

cameras. Discrete 720p images

and a specially developed film

gamma curve create images

with the same tonal

characteristics as film.

Lower-speed shooting at 4 to 23* fps

For example, shooting at 12 fps lets you attain a 2x fast-

motion effect with playback at the cinema speed of 24 fps.

This technique can be combined with zooming to create a

warp-speed effect, such as for giving special emphasis to

flowing water, fast-moving clouds, or a person standing still

amid a bustling crowd. Decrease the shutter speed for a

strobe effect, or increase it for a ghost effect. The expressive

possibilities are endless.

*When the standard speed is 24 fps. For a standard speed of 30 fps, anything under 29 fps

will be undercranked.

Higher-speed shooting at 25* to 60 fps

For example, shoot at 48 fps to attain a 1/2x slow-motion

effect with playback at the cinema speed of 24 fps. This is

especially effective for high-action scenes such as car chases

or spectacular crashes, or for scenes with great dramatic

impact. Unlike the slow motion captured at playback speed by

ordinary video cameras, the Varicam captures highly dense

frames to provide a smooth, naturally flowing slow-motion

effect with vivid picture quality.

*When the standard speed is 24 fps. For a standard speed of 30 fps, anything over 31 fps

will be overcranked.

Film Gamma Selectable

The extremely wide reproductive range of film is the key to its

lush expression. Panasonic's new gamma curves —

developed specifically to allow a CCD camera to produce the

tonal qualities of film —now bring film's natural shading and

rich coloration to the video camera.The Varicam also lets you

switch between video and film gamma modes. Film modes

include "Cine Gamma" for film using ARRI laser recorder and

"Tele Gamma" for monitor viewing and CRT base film

recorders. Select the mode that suits your production. The

ISO640-equivalent sensitivity combines with the Varicam's

brightness and superior picture quality to produce an

essentially "grainless, high-sensitivity film" effect.

CINE GAMMA

Video with the Same Latitude as Film –Only VariCam

0% 100% 200% 300% 400% 500% 600%

20%

40%

60%

80%

100%

Input

Output

Video

Tele (V. Rec)

Cine (F. Rec)

Ganmma Curve

Video Ganmma Image Film Ganmma Image

Film User Menu Screen

Three Gamma Curves

•Video gamma: The conventional gamma curve

used for broadcast video cameras. Includes a

low setting for clipping.

•Cine gamma (V.REC): Designed for creating

film-like TV programs or videos, with virtually

the same recording style that you

currently use.

•Cine gamma (F.REC): Designed for movie-

making or creating film-like commercial or

episodic TV programs. Takes full advantage of

cine gamma capabilities to let you shoot in the

same way as when using a film camera.

Film User Menu

The AJ-HDC27H Varicam is like a film camera

not only in functions and performance, but in

operation as well. The settings you need are

conveniently grouped in a single-page menu.

Use the menu below to select or adjust gamma,

scan reverse ON/OFF, hardness/softness,

shadow gradation, and latitude. Just as with a

film camera, you can also select tungsten or

daylight type lighting.

The optional HD gamma corrector and frame rate converter

give you total operating ease with the Varicam's two key

features – the cine gamma curves and variable frame rate.

Add a DVCPRO HD VTR with the HD/SD multi-format function

and IEEE 1394 and HD-SDI digital interfaces, and a nonlinear

editing system that supports DVCPRO HD, and you're fully

equipped to use Varicam-recorded content in a wide variety of

productions – movies, HD theater, HD/SD TV broadcasts

and more.

VARICAM TOTAL SYSTEM

AJ-FRC27

HD Gamma Corrector

A Total VariCam System –For Producing All Types of Image Content

Speed Effects Achieved with Frame Rate Conversion

You can create a variety of speed effects by running sources recorded with the variable frame

rate function through the frame rate converter. The AJ-FRC27 Frame Rate Converter extracts the

effective frames from the input source, then outputs the data at the desired frame rate. It also

includes a built-in line conversion function for converting to 1080/24p images.

Gamma Corrector for Easier Recording and Editing

Images recorded in cine gamma (F.REC) mode are flat and low in contrast, similar to a direct

negative-to-positive reversal. This produces an excellent film-like quality, but it's difficult to

check the images on a TV monitor. The AJ-GBX27 HD Gamma Corrector greatly improves

acquisition and editing ease by giving F.REC images a telecine look for monitor use.

The AJ-GBX27 also makes it easier to produce TV broadcast clips from movie content.

Varicam Content for a Host of Uses

By freely combining the Varicam's 24/30-fps frame rate, gamma curves, and variable frame rate

functions, you can create virtually any type of image content.

•Movie film use: Post-edited images can be printed onto film for cinema viewing. The resulting

images have almost the same tonal quality and undercranking or overcranking speed effects as

footage from a film camera, but with higher sensitivity and lower cost.

•HD theater use: Varicam sources are ideal for use in HD theaters that use a high-brightness,

high-resolution HD projector. Because it does not use film, Varicam footage offers greater

flexibility in program changes and inserts. It also offers low-cost production and use.

•Commercial and music clip use: The combination of Varicam and a nonlinear editing system

offers many advantages, including film-like images, easy content changes, and low overall

costs.

•TV program use: The 30-fps frame rate and conventional video gamma curve also let you

create video-based TV programs.

AJ-GBX27

HD Gamma Corrector BT-LH1700W

BT-LH900P

HD/SD LCD Video Monitor

PT-D7700

PT-DW7000

Large-Venue DLP Projector

NLE HD Theater

Film Theater

HD TV

DVCPRO HD

Studio VTR

Frame Rate

Converter

Gamma

corrector

”Varicam“ System

Varicam

AJ-HD3700B

HD-D5 VTR

AJ-HD1700

AJ-HD1200A

DVCPRO HD VTR

Camera section: Captures a wide range of images

for use in cinematic or broadcast productions.

•Newly developed 3CCD system provide F12 (2,000-lux)

sensitivity, minimum illumination of 0.7 lux

•12-bit A/D converter improves gradation

•Selectable frame frequency (59.94/60.0 Hz)

•Same tungsten/daylight selection as in film cameras. Also

comes standard with two ND and CC optical filter wheels

•Picture-enhancing circuits: Auto knee, detailing, shading

compensation, 12-pole color correction, matrix

•New high-resolution emulation mode (switchable with normal

mode)

•Up to 10 gain values ranging from –3 dB (–6 dB in video

menu) to +30 dB; 3 values can be saved as presets. Super

Gain instantly increases gain to +36 dB.

•6 shutter speeds (1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000

sec), plus 0.8%-97.2% variable

•Auto Black Balance (ABB) and Auto White Balance (AWB).

AWB stores two values for each set of four CC filter

positions.

•“Y Get” makes spot meter function realized on EVF

•Digital setup for numeric image control. Easy jog dial and

menu-driven operation.

•Simple cinematic settings via the Film User Menu

AJ-HDC27H Camera-Recorder

Combining Advanced Digital Recording

and Cinema Know-How —Only VariCam

Side view

Side view Front view

Rear view

DVCPRO HD Casstte tape Extension control unit

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