PANAVISION HD900F Bedienungsanleitung
2
HD900F OPERATION MANUAL
COPYRIGHT 2002
VERSION 3.0
May 2004
Eric Erb
Andrew Young
Eric Erb
Andrew Young
written by
design, photos, and layout
photographs were shot using the Kodak Preview System with Primo lenses
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INTRODUCTION
In 1997, Panavision and Sony announced their
collaboration on the development of a 24P digital high
definition camera suitable for use by filmmakers to
create big screen motion picture image quality. We
knew, from 45 years of experience, that a complete
imaging system approach was the only way for
traditional film crews to make a seamless transition into
digital production. With this in mind, we made a number
of modifications to the Sony HDW-F900 24P camera. For
starters, the Panavised camera received a heavy duty
front plate and lens mount modified to work with our
specially designed Primo DigitalTM lenses. The system now
accommodates most of our standard film camera
accessories as well as new accessories designed
exclusively for digital cinematography.
In addition to the mechanical modifications to the
camera, a unique optical pre-filter gives you better color
matching with film emulsions and enhanced resolution
for blue screen effects cinematography. Last, but not
least, we designed the new ULTRAVIEWviewfinder for
studio and handheld cine-style use. It presents a 2
times larger image along with a greater diopter range.
Panavision is committed to continuously developing our
Digital Imaging system in close collaboration with our
clients, just as we have done with our film systems over
the last 45 years. Now your HD project will benefit from
the same dedication to customer service and superior
image quality that is the hallmark of Panavision.
INTRODUCTION
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TABLE OF CONTENTS
SECTION 1.0 GENERAL SPECIFICATIONS
1.1 CAMERA SPECIFICATIONS
1.2 CONNECTOR SPECIFICATIONS
1.3 FRAME RATES AND SHUTTER SPEEDS
1.4 CAMERA WEIGHTS
1.5 CAMERA MEASUREMENTS
1.6 SIDE CAMERA VIEWS
1.7 FRONT AND REAR CAMERA VIEWS
1.8 PROGRESSIVE VS. INTERLACE
1.9 GENERAL IMAGING CONSIDERATIONS
SECTION 2.0 PACKING AND SHIPPING
2.1 CAMERA BODY CASE
2.2 ACCESSORY CASE
SECTION 3.0 PRIMO DIGITAL™ LENSES
3.1 PRIMO DIGITAL™ LENS DESIGN
3.2 FILM / HD COMPARATIVE RESOLUTION
3.3 ASPHERICAL AND FISHEYE ATTACHMENTS
3.4 PRIMO DIGITAL™ LENS EXTENDERS
3.5 SETTING BACK FOCUS
SECTION 4.0 CAMERA ASSEMBLY
4.1 FRONT FACEPLATE AND FOLLOW FOCUS
4.2 VIEWFINDERS
4.3 ON-BOARD MONITORS AND BRACKET
4.4 LENS LIGHT
4.5 VOLTAGE UPCONVERTER
4.6 CARRY HANDLE
4.7 SIDE PANEL CONNECTORS
4.8 MIRANDA DOWNCONVERTER
4.9 REAR PANEL CONNECTORS
4.10 HD SDI ADAPTER
4.11 ON-BOARD BATTERIES
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TABLE OF CONTENTS
SECTION 5.0 CAMERA OPERATION
5.1 HDCAM CASSETTE
5.2 VTR CONTROLS
5.3VIEWFINDERCONTROLS
5.4REMOTECONTROL
5.5 FILTER WHEELS
5.6 MEMORY STICK
5.7 TIMECODE
5.7.1 TIMECODE SWITCHES AND BUTTONS
5.7.2 USING TIMECODE
5.8 MAIN CAMERA SWITCHES
5.9 MENUS
5.9.1 USER MENU
5.9.2 OPERATION MENU
5.9.3 PAINT MENU
5.9.4 SETTING THE FRAME RATE
5.10 VIEWFINDER FRAMELINE MARKINGS
5.10.1 TV 16X9 TRANS & 4X3 TRANS / SAFE
5.10.2 TV 16X9 TRANS & 1.85 THEATRICAL
5.10.3 TV 16X9 TRANS & 2.40 THEATRICAL
5.11 PREP ROUTINE
5.12 A.C. PRE-ROLL CHECKLIST
5.13 PRODUCTION CONSIDERATIONS
5.14 TROUBLESHOOTING
5.15 SMART LENS
5.16 METADATA
SECTION 6.0 MONITORS
6.1 MONITORS
6.2 9" HD SDI MONITOR
6.3 14" HD SDI MONITOR
6.4 20" & 24" HD SDI MONITOR
6.4.1 20" & 24" MONITOR CALIBRATION
6.4.2 20" & 24" MONITOR FRAMELINE SETTINGS
6.5 HD SDI WAVEFORM MONITORS
SECTION 7.0 INDEX
TABLE OF CONTENTS
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1.0 GENERAL SPECIFICATIONS
GENERAL SPECIFICATIONS
1.0
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1.1 CAMERA SPECIFICATIONS
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Imager RGB 2/3" CCDs
Effective Pixels 1920 (H) x 1080 (V) each
2.1 million pixels each, 6.3 million total
.378" x .212"
Power 12 v DC (range 11-17v)
Built-in Filters
ND Filters CC Filters
1: Clear A: 5600K
2: .6 - (2 Stops) B: 3200K
3: 1.2 - (4 Stops) C: 4300K
4: 1.8 - (6 Stops) D: 6300K
Lens Mount Panavision HD Mount (proprietary)
Baseplate Panavision Dovetail with 5/8" rods
Steadicam®Plates Bottom Dovetail Plate for Regular Mode
Top Handle Plate for Low Mode
Sensitivity Minimum ISO 320 tungsten
Cassette Tape HDCAM: BCT-22HD, BCT-32HD, or BCT-40HD
Running Times 22 min. @ 30 fps or 27.5 min. @ 24fps
32 min. @ 30 fps or 40.0 min @ 24fps
40 min. @ 30 fps or 50.0 min. @ 24fps
Audio Quality 20 bit, 48kHz Digital (up to 4 channels)
Preset Storage Sony Memory Stick
Eyepiece Panavision Ultraview®- 2 modes: Extension
and Intermediate / Hand-held or
Ultraview®Color Viewfinder
SMARTLENS™ High resolution digital encoders to record
Compatibility T-stop, focus, and zoom positions
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1.2 CONNECTOR SPECIFICATIONS
DC In XLR, 4 pin male 11-17 v
Pin 1 – ground (-)
Pin 4 – positive (+)
DC out Hirose, 12V DC, 4 pin (2 A max)
REM Lemo, 10 pin 1B
Pin 1 - VTR Start / Stop
Pin 6 - Ground
VTR, shutter, menu controls (HDRP)
Audio In 2 Channels – XLR, 3 pin female
Pin 1 – Ground
2 – Input (hi)
3 – Input (low)
2 additional channels with HDSDI adapter
(HDCAA)
Mic In 1 Channel – XLR, 3 pin female (+48v)
Pin 1 – Ground
2 – Input (hi)
3 – Input (low)
Audio Out 2 Channel on 1 – XLR, 5 pin male (E-E)
Pin 1 – Analog Ground (shield)
2 – Ch. 1 Output (hi)
3 – Ch. 1 Output (low)
4 – Ch. 2 Output (hi)
5 – Ch. 2 Output (low)
2 additional channels with HDSDI adapter
(HDCAA)
Genlock In BNC
Genlock Out BNC (using analog Y channel)
Timecode In BNC
Timecode Out BNC
Video Out Y, Pb, Pr Analog
HD SDI (with HDCA adapter)
Remote Control Hirose (special) – 8 pin
GENERAL SPECIFICATIONS 1.1/2 GENERAL & CONNECTOR SPECS
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1.3 FRAME RATES AND SHUTTER SPEEDS
Frame Rates (MAINTENANCE MENU page: M7)
Progressive Interlace
23.98 PsF 50i
24 PsF 59.94i
25 PsF 60i
29.97 PsF
30 PsF
Shutter Angles (PAINT MENU page: P12 or with the Remote
Control)
SHUTTER SPEED EQUIV. SHUTTER ANGLE
Shutter OFF = 1/24 sec 360.00 degree
1/32 270.00
1/48 180.00
1/96 90.00
1/125 69.12
1/250 34.56
1/500 17.28
1/1000 8.64
ECS - Extended Clear Scan 24 Hz - 2200 Hz @ 24fps
Used to set intermediate shutter speeds and / or shoot
practical monitors.
The equivalent shutter angle, for a film camera, is found by the
following formula: 360 * fps / Hz = shutter angle.
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Andere Handbücher für HD900F
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