Peavey SRC 421-16 Bedienungsanleitung

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OWNERS

MANUAL

SRC

421

16/24

SOUND

REINFORCEMENT

CONSOLE

WARNING;

TO

PREVENT

ELECTRICAL

SHOCK

OR

FIRE

HAZARD,

DO

NOT

EXPOSE

THIS

APPLIANCE

TO

RAIN

OR

MOISTURE.

BEFORE

USING

THIS

APPLIANCE,

READ

THE

OPERATINC

GUIDE

FOR

FURTHER

WARNINGS.

CHANNEL

SECTION.

There

wll

be

eliher

ie

charnels

on

Model

SRCT

421-16.

or

24

channels

cn

Model

SRC*

421*24.

QAIN

(1|

Vanee

the

^ein

the

channef

mpi/t

stage

to

allow

a

wide

input

dynamic

range.

Proper

adjustment

of

the

input

s^'n

la

aided

by

observance

of

the

LIMIT

LED.

HICH(2}

An

active

lone

conirol

(shelving

type,

±15

dB)

that

varies

the

high

frequercy

booet

or

cut,

MID/FnEQUENCY

(3}

The

(inner)

"MID*

is

an

active

control

capable

of

15

dB

of

txxjst

or

cut

at

the

center

frequency

selected

by

the

(cuter)

’FREQUENCY"

control.

Frequo,ncy

range

Is

variable

Tom

200

Hz

to

5

kHz

LOW

(4)

An

aclive

icrie

control

(shelving

type,

±15

OB)

that

varies

the

low

freguercv

boost

or

cut.

OPERATION

NOTE

Excessive

EQ

boost,

especially

of

the

low

frequencies,

rrcreases

the

possibtjity

of

speaker

damage,

and

sacrcfces

valuable

head¬

room

AUX.

CONTROL

and

PHE/POST

BUTTON

(5)

The

AUX.

control

regulates

the

amount

of

signal

routed

to

the

AUX.

Master

(xmtol

The

PREyPOST

button

will

choose

whether

the

AUX.

6<gnaJ

i

s

take

n

from

the

PR

E-

EQ

{button

up),

or

the

PO

ST-EQ

{button

down).

EFX.

SEND

A/B

(6)

Two

effects

sends

are

c^o^ed

in

aduaJ-concentric

control.

The

Imer

knob

is

EFX.

A;

the

outer

isEFX

S.

&ot\

sends

are

Post

(after)

EQ,

and

Post

Fader.

The’A*

send

supplies

tne

EFX

.A

master

conirol;

the

B'

send

supplies

the

EFX.

B

master

contrd.

PFL

(7)

Allows

cueing

of

any

channel

or

combination

of

channels

instantly

through

headphones

connected

to

the

headphone

lack

(master

section).

A

It

c^nan

nol

function

s

(except

fad

e

f)

may

be

monitored

v<

a

ins

channef

PFL

system

LIMIT

LED

(8)

Indicales

when

the

signal

level

in

the

channel

«

too

high.

It

Illuminates

when

the

channel

slgri^

reaches

approximately

+15

dBV,

OPERATION

NOTE

ItIumtnaJion

indicates

clipping

(dfsrortion)

m

the

channel.

Proper

channel

adjustment

wilt

allow

operation

without

lighting

the

LEO.

Adjust

the

Gam,

EQ

and

Level

so

that

the

LED

doas

not

flash

dunng

cperalion.

The

sampling

lot

status

inGication

istaken

at

three

onticaJ

points;

after

the

input

amp

and

Out/In

mserison

point,

equalization,

end

fine)

channel

gan

stage.

CHANNEL

LEVEL

FADER

(9)

Determines

the

level

of

the

channel.

Calibration

is

tn

dBand

level

is

variab

le

I

rom

-

i

nfini

ty

(off)

to

+10

d

8,

This

sh

ould

be

operated

near

me

“0

d8"

(unity

gan)

indicator

wherever

pceslble

to

assure

an

optimum

baJance

between

channel

noise

and

headroom.

OPERATION

NOTE

it

may

be

necessary

to

operate

the

Chanel

Level

Fadsr

at

other

man

ih©

optimum

setting.

Example-

If

me

channel

need

not

be

as

loud

as

the

other

channels,

the

Fader

may

bo

set

lower

than

0

dB,

This

yields

lower

noise

^d

a

visual

indicabon

of

the

channel's

refanve

level.

Should

rrcfs

level

be

needed,

ii

can

be

achieved

with

me

Fader,

prevenUng

re

adjustment

of

the

critical

input

gam,

which

would

also

affect

the

AUX,

Send.

PAN

(10)

For

stereo

operation

PAN

is

used

to

mix

iha

channel

output

to

lefL

rtg

h

I,

or

I

n

b

etwe

en

i

n

the'

s

tereo

imag

e*.

Fo

r

mo

no

or

submastori

ng

operation,

the

PAN

control

is

used

with

the

assignment

switches

to

pan

The

channel

output

between

Submasiers

1

or

2

when

ihe

1-2

b

utton

is

pressed,

Submaete

rs

3

or

4

when

me

3-4

b

utton

is

pressed,

and

direct

to

L

or

R

when

the

L-R

button

is

pressed.

ASSIGNMENT

SWITCH

L^R

(11)

Wher

depressed,

this

button

allov/s

the

channel

to

send

its

output

th

roug

n

the

PAN

c

ont

rol,

whi

ch

wi

l(

rtow

'

c

rosstade*

be

twee

n

Ou

tput

Masters

LefI

and

Right.

With

this

furtotion

engaged.

Pen

control

L

position

directs

output

to

the

L^t

Output

Master,

center

po&don

will

output

to

both

Masters

equally,

and

in

me

R

position

the

outotJt

will

be

sent

to

Ihe

Right

Ou

tout

Waste'.

ASSIGNMENT

SWITCH

1*2

(12)

When

depressed,

this

button

allows

the

channel

to

send

its

output

through

the

PAN

conirol,

which

will

now'crosslade'

between

Sub-

masters

1

and

2

With

this

tuncaon

engaged,

Pan

control

Lpesition

directs

output

to

Submaster

1,

center

position

wiP

output

to

both

submasters

equally,

and

in

the

R

position

the

output

will

be

sent

to

SubrriastDr

2,

ASSIGNMENT

SWITCH

3*4

[13)

When

depressed,

Thte

button

allowe

the

charnel

to

serid

rts

output

through

the

PAN

control,

which

will

now

‘crosslade’

between

Sub-

masters

3

and

4.

With

this

fuhCTlon

er^gaged,

Pan

conrroi

L

position

directs

output

to

Submasier

3.

center

position

will

cutout

to

both

Su

b

masters

eq

u

ally,

and

I

n

the

R

position

i

he

output

wi

11

be

sent

to

Submaster

4,

OPERATION

NOTE;

This

assignment

system

provides

4

Mono

Submasters

which

oar

ba

assigned

to

L

and

R

by

the

Sub

Pan

control.

For

2

Stereo

Sub

mas¬

ters,

group

Subs

1,

2

and

Subs

3,

4

together,

and

par

Sub

Pan

1

and

3

to

L,

and

Sub

Pan

2

and

4

to

R.

The

Channel

can

then

be

assignea

fo

the

1-2

stereo

Submaster

by

pressing

the

i

-2

button,

to

the

3-4

stereo

Submaster

by

pressing

the

3-4

button,

or

direct

lo

L

and

R

by

pressing

the

L-R

button.

The

channel

Pan

control

is

then

used

to

piacs

the

channel

tn

the

desired

position

wlihin

the

'stereo*

image.

MASTER

SECTION

EFFECTS

RETURN

SECTION

SUB

1/AUX

ARRAY

(14]

A

caliDraied,

switch*

59

ieciable

LED

array

is

provided

!o

visaalJy

d

icat©

th

©

ouTpjt

I

av

si

of

S

j

D

1

or

Au

x.

Switch

Ou

i

posi

Jior

sel

eels

Sub

1,

Switch

In

position

eeteote

Aux.

SUB

2/PFL

ARRAY

[15]

A

caliorated,

switch-selectable

LED

array

is

provided

to

visually

indicaieth

6

outpuilev

0

iO'fSjD

2

orPFL.

SwitenOOt

position

ssiecte

Sub

2;

Switch

In

position

selecis

PFL,

SUB

3/LEPT

ARRAY

(16)

A

calibrated,

switeh-seleotaoie

LED

array

is

provided

to

visually

indicate

the

output

®vel

of

Sub

3

or

Left

Mam.

Swteh

Out

position

selects

Sub

3;

Switch

In

posuion

selects

Left

Main.

SUB

4/niCKT

MAIN

ARRAY

|17)

A

caJibrated.

swiich-selacjabie

LED

Sfray

is

provided

lo

visually

indicate

the

output

level

of

Sub

4

or

Right.

Switch

Out

position

selects

Sub

4;

Switch

In

position

seleota

Right

Main.

EFFECTS

“A’*

RETURN

SECTION

NOTE:

This

has

an

tnle

m

ai

ly

pare

hed

Rave

rb

vrfnich

is

auro

malic

al

ly

removed

from

the

signal

path

when

a

plug

is

inserted

inW

the

EFX.

A

raium

|ack.

EFX.

A

TO

AUX.

(18)

Allows

the

'

A'

Efleci

id

be

assigned

to

the

Aux

Mix.

LEVEL/PAN

Lm

[18]

DuaJ

cortcentftc

control:

The

outer

knob

Is

a

stereo

Pan

control

for

Effects

’A’

return

assignment

loL

S

R

or

Subs

1,2,

3,

and

4.

Must

be

used

In

conjunction

with

assignment

switches

21

thru

23.

The

inner

knob

controls

\ha

level

of

the

Effects

"A"

Return

When

an

cutboard

effects

device

is

patched

into

the

Effects

"A*

patch

loop,

!^s

control

determines

rhe

level

ol

he

effect

that

is

routed

thru

the

Effects

"A*

Pan

control.

PPL

(20}

The

''Irt"

position

of

this

switch

assigns

the

Effects

'A*

Return

lo

PFL.

(See

19.)

L

•

R

ASSIGN

(21)

The

"In*

posictof^

of

this

switch

routes

the

Effects

"A*

Return

thru

Etecis

"A‘

Pan

comroi

directly

10

left,

right

or

both.

The

“Oui*

posiliem

removes

Effect

'A'

from

L

and

R.

1

.

2

(

22

)

The

"In*

position

of

this

switch

routes

the

Effects

“A"

Return

thru

Effects

"A'

Pan

comroi

to

Sub

1.

Sub

2.

or

beth.

The

"Out*

position

removes

Effect

“A"

from

Subs

1

and

2.

3

•

4

(23)

The

"In*

position

of

this

switch

routes

the

Effects

'‘A“

Return

thru

Effects

"A*

Pan

ccnlrol

to

Sub

3.

Sub

4.

or

both.

The

*Out*

posi^on

removes

Effect

"A“

from

Subs

3

and

4.

EFX.

B

TO

AUX.

(24)

Allows

the

"B"

Effect

lo

be

assigned

to

the

Aux

Mix.

LEVEUPAN

L/R

(26)

Du^

concentre

control:

The

outer

knob

is

a

stereo

Pan

cont'ol

for

Effecte

"8*

return

aes'gnmentto

L&

R,

orSubs

i,

2,

3,

and

4.

Must

be

used

in

conjunction

wth

assignment

swiches

27

thru

29.

The

inner

knob

controls

the

level

ol

Ihe

Effects

"0*

Return.

When

an

outboard

effects

device

is

patched

into

the

Effects

B*

petch

loop,

tiisconfroi

determines

the

level

of

theeffectfrietis

routed

thru

the

Effects

“B"

Pan

control.

PFL

(26)

Th©

"In*

pcenion

of

this

switch

assigns

th©

Effects

'B*

Return

to

PFL,

(See2&)

L

.

R

ASSIGN

(27)

The

"in"

position

of

this

ewiioh

route©

the

Effect©

*B‘

Return

thru

Effects

*B’

Pan

control

directly

to

left

nght

or

both.

The

“Out"

position

removes

Effect

*B*

frem

L

end

R,

1

•

2

(28)

The

‘In'

position

of

tNs

switch

routes

the

Ettecis

’B'

Return

thru

Effects

"B“

Pan

control

to

Sub

1,

Sub

2.

or

both.

Th©

"Out*

position

'©moves

Effect

‘B’

from

Subs

^

and

2

3

•

4

(29)

Th©

'In'

position

of

this

switch

routes

the

Effects

“B*

Return

thru

Effects

"B"

Pan

control

to

Sub

3,

Sub

4,

or

both.

The

‘Out*

posciori

removes

Effect

'B'

from

Subs

3

and

4

AUX.

MASTER

SUBSECTION

AUX.

MASTER

LEVEL

(30)

Cantroletheovdrali

Aux

Mix

level

appearing

atthe

Aux.

output

lack

AUX

PFL

(31)

Tne

"In"

position

of

tNs

switch

assigns

th©

Aux,

output

to

the

PFL.

EFX.

MASTER

SUBSECTION

EFX.

MASTER

(32)

These

are

Ihe

master

level

conirote

for

the

final

stages

of

effects

dnve.

T

hey

are

d

uaJ

c

0

ncentn

c

conto

Is

•

inner

i

s

the

EFX

A

master

levs)

con

trol,

outer

i

s

th

e

EFX.

B

m

aste

r

leve

I

control.

The

si

g

naJ

may

be

routed

to

PFL

by

pressing

in

Dutton

33

for

EFX.

‘A',

and

butten

34

for

EFX.

"S';

EFX.

A

Master

drives

Ihe

mternai

reverb

system.

PFL

A

(33)

The

"In"

position

of

thisswitch

assigns

Effects

"A"

oulpultoth©

PFL.

PFL

B

(34}

The'ln"

position

of

this

switch

assjgnsEffecis

"B’oulDutlothePFL.

SUBMASTER

SECTION

SUB

1

(35]

Thie

Fader

$etd

tha

lava*

ot

Submaeter

1.

PAN

(36)

For

sereo

operalion,

PAN

is

used

to

'cros5iade‘

the

Submaster

to

the

centef,

letter

rfghi

In

the

L-R'stereo

image*

For

monoepersuion.

PAN

assigne

ine

Submaster

output

to

the

1*

or’R'

Masters.

SUB

2

[37)

This

Fader

sets

the

level

of

Submaster

2.

PAN

(35)

For

etoreo

operahort,

PAN

is

used

to

'crossfade*

the

Submaster

to

tn

e

center.

I

eft

or

right

i

n

rh

e

L-R'

stereo

image'.

For

mon

o

eperetion,

PAN

assigns

the

Submaster

output

to

the

U

or

'R

Masters.

SUB

3

(39)

This

Fador

sets

the

level

of

Submaeter

3.

PAN

(40)

For

stereo

operation,

PAN

is

used

to

'crosslade'

the

Submaster

to

the

centerjettor

right

in

tfie

L*R'stereo

image*.

For

mono

operation,

PAN

as6igr>3

tr^e

Submaeter

output

to

the

'L'

or

'R'

Masters.

SUB

4(41)

This

Fader

sets

the

level

of

Submester

4,

PAN

(42)

For

stereo

operation,

PAN

is

used

to

'crossfade'

the

Sub

master

to

the

center,

left

cr

right

in

the

L-fl'stereo

mage'.

Far

mono

operation.

PAN

assign

5

the

Sub

master

output

to

the

'L*

or*R'

Masters.

MISCELLANEOUS

FUNCTIONS

LAMP

(44)

A

2-pin

XLR

lack

is

provided

for

conneciine

an

optional

gooseneck

mixer

lamp

(Model

ML-2)for

iHummtion

in

adverse

I

ghting

condi-

tiw^.

STEREO

OUT

(45)

Adjusts

the

Left

and

Right

sigr^l

level

lo

the

STEREO

OUT

jack

Sgnais

are

taken

before

<Pre)

the

LEFT

and

RIGHT

Main

Ccnirols

MASTER

(46)

Controls

the

overall

mix

level

when

the

mixer

isoperaled

m

the

rrcito

canffguration

(4x2x1).

MASTER

is

the

combi

nation

of

(he

Wain

LEFT

and

RIGHT

signals

and

the

MASTER

AUX.

In.

PFL

LEVEL

AND

PPL

LED

(47)

Control

s

ih

e

leve

I

fo

r

an

y

“

ore

fade

l

is

ten'

(PFL)

source.

se

lected

on

the

mixer,

and

sands

this

signal

to

the

headphones.

One

or

more

PFL

switch

es

must

be

e

ngag

ed

fc

ef

o

re

Ihts

centred

is

active.

PFL

LE

D

ndicaies

when

the

PFL

is

active.

NOTE:

When

the

PFL(S

active,

it

ove'rides

Stereo

in

the

headphones.

HEADPHONE

LEVEL

(48)

Ad]

usts

the

leve)

of

UR

$

i

gnais

at

th

s

HEADPHO

NE

jack,

u

n

less

the

PFL

signal

is

present.

HEADPHONE

JACK

(49^

This

stereo

jack

allows

signal

to

flow

to

both

scies

ot

any

stereo

headset.

Tip

■

Left,

Ring

■

Right

LEFT/RIQHT

(50)

These

ere

the

Master

Faders

for

all

channels

and

Subrnasters

and

determine

the

overall

main

or

'’housa*

mix

levels.

POWER

SWITCH

(43)

Depress

the

switch

tc

the

"On”

position.

The

red

pilot

light

(LED)

wll

illuminate

indicatsng

power

is

be^ng

supplied

lo

the

unit.

MASTER

PATCH

wksrrH

RkGWT

RIGHT

SECTION

RIGHT

AUX.

IN

(5i)

An

input

to

the

RIGHT

MASTER

for

patching

in

signals

^rom

external

devices

such

as

effects

processors,

or

adding

channels

from

a

second

mixer.

RIGHT

OUTPUT

(52)

An

output

from

the

RIGHT

MASTER

for

patchir>g

signals

out

to

external

devices

such

as

effects

processors,

graphic

equalizers,

power

amplifiers,

etc.

RIGHT

LINE

IN

(53)

A

line

level

input

lo

the

Right

Line

Amplifier

for

patching

in

signals

before

the

balanced

output.

This

input

jack

isewitching

and

may

be

used

for

"In

Line’'

loop

capability

in

conjunction

with

the

right

lin©

output

An

extern

al

signaJ

pate

h

ed

i

n

at

t

hi

s

po

ml

may

u

li

\\ze

ih

e

rig

ht

line

driver

stag©

and

the

XLR

balanced

outt^ut

NOTE:

The

insertion

of

a

1/4*

phone

plug

at

this

point

removes

the

Palarxoed

output

capability

from

the

right

main,

via

the

switching

jack.

RIGHT

BALANCED

OUT

(54)

A

balanced

line

output

containing

the

RIGHT

OUTPUT

signal.

The

signal

level

at

this

output

i3

conirolled

by

the

right

master

slider,

u

niess

th

e

'Rig

ht

Li

ne

Inpu

t*

swi

tching

j

ack

has

bee

n

activated.

This

balanced

output

may

be

used

to

balance

other

signals

which

may

Pe

patched

In

at

the

RIGHT

LINE

INPUT,

(See

Right

Line

In.

53.)

LEFT

SECTION

LEFT

AUX.

IN

(55)

An

input

to

the

LEFT

MASTER

for

patching

in

signals

from

external

devices

such

as

effects

processors,

or

adding

channels

frorn

a

second

mixer

LEFT

OUTPUT

(55)

An

output

from

the

LEFT

MASTER

for

patching

signals

outtoexternai

devices

such

as

effects

processors,

graphic

equalizers,

power

amplllierg,

etc.

LEFT

LINE

IN

(57)

A

lin©

level

input

to

the

Lett

Line

Amplifier

for

patching

in

signals

be

fore

th

e

b

alanced

outp

u

t.

Th

is

input

jack

is

swi

tc

hm

g

and

m

ay

be

used

lor

"In

Line'

loop

capability

in

conjunction

with

the

left

line

output.

An

external

signal

patched

in

al

this

point

may

utilize

the

left

I

i

ne

d

n

ver

stag

e

and

th

e

XLR

bal

a

r^ced

ou

iput,

NOT

E;

Th©

m

se

rtion

of

a

1/4*

phone

plug

al

this

point

r©moves

ihe

balanced

output

capability

from

the

left

mam,

via

the

switching

jack.

LEFT

BALANCED

OUT

(58)

A

balanced

line

output

containing

the

LEFT

OUTPUT

signal.

The

sig

n

all

eve

I

at

th

I

s

0

uiput

Is

contra

11

ed

by

the

I

eft

master

s

I

ide

r,

u

niess

the

"Left

Line

Input"

switching

jack

has

been

activaied.

This

bal¬

anced

output

may

be

used

to

balance

other

signals

which

may

be

patched

In

at

the

LEFT

LINE

INPUT.

(See

Left

Line

In,

57.)

AUX.

SECTION

AUX.

AUX.

IN

(59)

An

Input

for

patching

©xternaJ

signals

into

the

AUX

mixing

bus.

When

conneciing

more

than

one

mixer

for

additional

channels,

The

AUX.

orMonitor

output

from

theseconO

mixer

should

normally

paich

in

at

this

point

AUX.

OUTPUT

(60)

An

output

from

the

AUX,

mixing

bus

for

patching

signals

out

to

external

devices

such

as

power

amplifiers,

graphic

equalizers,

etc.

The

AUX.

Output

is

normally

used

for

a

separate

monitor

mix.

When

the

channel's

AUX.

sends

are

operated

m

'Pre’

position,

the

AUX.

Output

is

notalfected

by

channel

EQ.

The

“POST*

position

allows

channel

EO

to

become

operational

on

AUX,

output.

(See

AUX.

Control

and

Pre/Posi,

5.)

AUX.

LINE

IN

(61)

A

line

level

input

to

the

AUX.

Line

Amplifier

for

patching

in

signals

before

the

balanced

output.

This

input

jack

is

switching

and

may

be

used

for

"In

Line'

loop

capability

in

conjunction

with

the

AUX.

line

output

Any

external

signal

patched

in

at

this

pDinimay

utilize

the

AUX.

lin©

driver

stage

and

the

XLR

balanced

output.

NOTE'

The

insertion

of

a

1/4*

phone

plug

at

this

point

removes

the

balanced

output

capability

from

th©

AUX.

bus,

via

the

switching

jack.

AUX.

BAL.

OUT

(62)

A

balanced

line

otitpjt

ccntainirig

the

AUX,

output

eignal.

The

signal

level

at

this

q

utp

ut

is

control

led

by

I

he

AUX

rrasier

level.

un

less

th

e

''AUX

Line

Input'switcNHQ

jack

has

been

actvated

This

balanced

Q

utput

may

b

a

used

to

baJance

other

eig

nale

wh

ich

may

be

patched

in

^

the

AUX.

Line

Input.

(See

AUX

Line

In,

$1)

MASTER

SECTION

MASTER

AUX.

IN

(63)

An

i

n

put

lo

the

Master

for

patch

i

ng

in

si

g

nals

from

e

rte^nal

dev

ices

such

as

effects

processors

cf

aOding

channels

from

a

second

mixer.

MASTER

OUTPUT

(64)

Ths

oulput

is

a

"Mono'

combination

of

the

left

and

right

program

material.

The

signal

level

at

this

oulput

ts

determined

Dy

the

master

level

oontrcl.

May

be

used

to

drive

external

devices

such

as

power

amps,

graphic

eoualiiers.

effects

processors,

etc.

MASTER

LINE

IN

(65)

A

line

level

input

to

The

Master

I

me

amplifier

for

patching

In&gnals

before

the

balanceo

oulput.

This

input

lack

isswiiching

and

may

b©

used

for

Tn

Line'

loop

capability

in

cortjurtclion

with

master

line

output

Any

external

signal

patched

in

^

this

point

may

utilize

the

.Tester

line

dnvar

stage

and

the

XLR

batancea

oulput,

NOTE:

The

risenion

of

a

1/4'

phone

plug

at

this

point

removes

the

balanced

output

capab'My

from

the

master,

via

the

switching

jack.

MASTER

BAL.

OUT

(66)

A

balanced

ime

output

containing

the

Master

“mono’

output

eign^.

The

sig/Tal

level

at

this

output

is

determined

by

the

master

level

control,

unless

the

'MASTER

Line

Input’

switching

jack

has

been

activated-

This

balanced

output

may

be

used

to

balance

other

signals

which

may

be

patched

in

at

the

Master

Lin©

Input.

(Sea

MASTER

Line

In,

K)

SUBMASTER

SECTION

SUBMASTER

AUX.

INPUTS

(67)

Those

inputs

may

be

used

to

paten

an

external

signal

into

any

of

tne

four

submix

buses

Aix<.

inputs

are

normally

used

forconnectng

a

second

mixer

for

additional

chani*»el5.

SU6MASTER

SEND

6

(66)

These

sends

provide

outputs

from

all

tour

Submasiers

to

drive

ex'ernai

devices

such

as

etfecis

proceseora,

tape

recorder

inputs,

graphe

equalizers,

etc.

The

signs)

level

at

the

“Sub

Sends*

is

determined

by

the

Submaaiersliders,

1

friruA.

Submaslersendsare

normally

used

as

The

output

for

an

independent

effects

loop

on

a

particular

sub

group,

or

to

supply

an

unbalanced

output

To

tape

deck

inputs.

(See

SUB

Returns,

6$-)

SUB.

4,

3,

2

and

1

RETURN

(66)

The

sub

returns

a

re

switching

in

puts

and

rout©

signals

patched

mat

this

point

directly

to

the

Submasler

PAN

controls.

The

sub

returns

are

normaliv

used

to

corripiets

:he

effects

patch

loop

for

signal

p'oc

esei

ng

of

i

no

Mdu

al

S

ubmasters,

(See

SU

8

S

E

N

DS,

68.)

NOTE:

The

sub

return

patch

point

Is

“after*

the

Suomaster

slider

and

'before"

the

Submaster

pan

contrcL

EFX.

A

SECTION

EPX.ASEND

(70}

The

output

from

file

combinaiicn

of

EFX.

A

charmel

SENDS

and

the

EFX,

A

MASTER

Control.

This

effects

send

is

ncmially

i^ed

to

drive

external

effects

processors

controlled

by

the

A

Bus,

and

is

the

output

ocfiion

of

the

"A“

effects

loop.

(See

EFX,

A

Return.

71.)

EPX.

A

RETURN

(71)

A

81

gnal

pate

hed

into

the

E^.

A

Return

i

np

ut

i

s

routed

dire

ctly

to

th

e

EFX.

A

level

control,

compleling

the

"A*

effects

loop.

(See

EFX.

A

Send

7D)

file

EFX.

Return

jack

Is

normally

used

for

the

output

from

external

effects

devices

controlled

by

the

EFX.

A

bus.

NOTE'

The

E

FX.

jack

18

ewitc

h

rng

and

wh

en

a

1

/4'

phen

a

plug

is

pate

he

d

i

n

at

thie

point,

the

internal

reverb

eyatem

ia

disabled

EFX.

B

SECTION

EFX.

B

SEND

(72)

The

output

from

the

eombinaror

of

EFX

B

channel

SEND

and

the

EFX.

6

MASTER

Ccnlrol

This

effects

send

is

normally

used

to

drive

external

effects

processors

controlled

by

the

EFX.

Bus,

end

is

the

output

portion

of

the

*B*

effects

loop.

(See

EFX.

B

Return,

73.)

When

e

xte

rnal

effects

devices

are

not

em

ployed.

th

e

EFX.

B

Send

may

be

uaed

as

aeeparate

recording

mx,

or

to

drive

addtional

power

amp/

speaker

combinationd.

EFX.

D

RETURN

(73)

A

signal

pate

hed

i

nte

the

EFX

B

Return

i

nput

i

s

routed

dire

ctly

to

th

e

EFX.

B

level

cor\tfol.

completing

the

"B*

effects

loop.

(See

EFX.

6

Sen

d,

72.)

The

EFX.

Ratu

m

jack

i

s

normal

ly

used

for

the

o

utput

from

external

effects

devices

controlled

by

the

EFX,

B

bus.

STEREO

SECTION

STEREO

OUT

(74)

A

stereo

(L

and

R)

output

is

forovidea

fer

driving

externa)

devices

such

as

stereo

tape

recorders,

stereo

equalizers,

stereo

power

ampiifiefs,

etc.

The

signal

level

at

the

stereo

out

jack

is

determined

by

the

stereo

cut

level

control.

NOTE;

Stereo

1/4*

plugs

used

to

eccese

the

ST

E

REO

0

UT

sign

al

sh

ou

id

be

wi

red

Tip.«left

and

R

ing

»

right.

PFL

SECTION

PFL

AUX.

(75)

A

etereo

jack

for

patching

two

PFL

buses

together

from

mixer

to

mixer.

Tip

«

PFL

Audio

Signal

Ring

«

PFL

Switching

Control

Signal,

and

grounding

the

sleeve

actives

the

PFL

System.

PHANTOM

POWER

SECTION

PHANTOM

POWER

ON/OFF

(76)

This

switch

seiscte

43V

DC

phantom

power

for

all

channels.

In

the

'*Off"

position,

no

phantom

powering

ia

available

on

any

channels.

CHANNEL

PATCH

SECTION

NOTE

:

These

facIliOeB

are

QuDllcaled

on

every

channel.

PATCH

POST

(77)

A

posi-EQ.

post*Fader

send

and

return

patch

This

uses

a

stereo

jack

Tip

is

send,

and

ring

is

relum.

I

r%depen

dent

channel

output

may

be

accessso

oy

mono

jack

inserted

to

the

fjrst

“cItcK*

PATCH

PBE

(78)

A

pre-EQ

and

level

eend/returr^

patch.

Th<s

uses

a

stereo

jack.

Tip

IS

send,

and

nng

is

relum.

LOW

Z

IN

(79)

For

use

vvith

low

Impedance

microphones

or

low

level

sources

equipped

with

an

XLR

comector.

LINE

IN

(80)

Input

For

use

wih

I

Ins

level

sources

eq

u'

p

ped

wi

fri

an

1

lA*

connector,

SRC

SPECIFICATIONS

All

jfecliKadonsare

tyocal

unless

otherwise

rcied,

fti*)d

are

lefej^.nced

io

ncwiinal

output

l«vei

(OdBV)

unless

orhervriss

rtcAed.

rnea&urftnwnis

sre

widecano

2*3

Hz

x

20

kHz

unless

o;hervr<se

stand.

ooev

«1

Volt

OOBa-

.770

Vo!i

CHANNEL

equivalent

Input

Noise:

.

133

daV

{1

&0

Ohm,

C

,

SO

dB

Gain)

FraquwKy

Response;

S

2

dB

20-20.0CO

Hz

all

EQ

Flat

Distort

«n:

Lessdian

.05%

OdB

Output

80

dBOain

Typioel

003%

^

dB

CUtpul

30

dQ

Gan

jMic

inpui

10

L

cy

R

cuipuB.

EO

flat,

S^ddi^

aiO)

Cenmen

Mode

Rojeelion

Ratio

<ChiRR)

Greater

than

100

dB

typical

Input

Impedance

Mcs

3K

Ohms

Lins

.dOKOhms

Pte

Return

a

20K

onrrs

Post

Re:um

«

2K

Otsna

OOput

Impedance;

Pre

Send

»100

Ohrris

Pcsi

Sane

«100

Ohms

Hi^h

EQ:

e

15

dB

9

10 kHi

Kinmum

Cer

ter

Deism

fM(±2ad

Mid

EQ

xl6

dB

@

Selected

Frequervey

Mid

FreQuenoy:

200

Kz

k>

5

>Hz

adjustment

cl

Mi

d

FrequerKy

Low

EQ;

115

OB

@

50

Hz

Minimum

Center

Detent

Rat

£

2

eB

Uanmum

Preamp

Gen'

80

dB

Vtnimum

Unlmum

PreampGam;

2

dB

MaxIrrafTt

Channel

Gan:

70

dB

(Per

ai

L

or

R,

Stider^

M«,

EOflat)

Maafmurn

tnpm

Level:

Mom

•18d0V<6.5VRMS)

Llrve

•

•r3edBV{60

VRMS)

Pte

Datum

»

*18

dBV

(8

VRMS)

Post

Return

B

*

ifi

dBV

(d

VRM3)

Maximum

Output

Level;

Pre

Send

•

-18

dBV

(8

VSUSf

Post

Send

■

«>TB

dEV

(E

VRMS)

Nominal

hput

Level.

Mk:»

•20dQV(lOO

mV.-13dBu)

Line

»

0

eBV

{1

VRMS)

Pro

Return

sOOBVllCVRM$)

Post

ReluinsOdBV(1.0

VRMB)

Heasrooir;

NomlreU

iSdBV

Ded

LED.SdBV

Pan

Charaoenstics:

2

dB

Dovm

^

^Cd

Positer

LED

Level;

Red

a

«15

dBV

(S.SZVRUS)

MASTER*

LEO

Irteet

Csibration:

0.0

dBV

(1.0

VRMS)

Nominal

Output

Level

Unbalanced'

Master.

»

•0<BV

(iO

VRMS)

LAR.

^dBVIiOVRUS)

Aumery

»

.H3

daV(i

0

VRMS)

Erfeas

a

&

B

■

*0

QBV

(1.0

VRMS)

Nominal

Cupu:

Level

Bataneed:

Master

.

.8

dSV

(SO

VRU5)

L&R«*tO(eV{2.0VRMS)

Au^siiary.-tOdBV

(2.0

VRMS)

Nomine)

Headroom;

Master

a

19

06

iBaisnced

ana

UnCaiancedi

L

8

R

a

19

dB

(Balanced

and

Unbalarcec)

Auxiliay

e

19

dB

(Balanced

and

UribelEtr>ced)

ElfectsA&fiaiOdB

Max'fnurr

Cuipui

Level

Unpatanced.

Nfasier

»

••id.S

dBV

fd.5

VRMS.

>f2lJ

dSu)

L

&

R

-

9.5

dBV

(0.5

VRIu6,

*21

5

dBu)

Auiilay

»

«>19.S

oav

(9^

VRMS.

«21.5dBU}

ElfectaA

&

B»*iedBV

(dVRMS,

-SOdBu)

Ma»mum

Output

Levs!

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Vaster

.

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(IB

8

VRMS.

*275

d8u]

L

&

R

■

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VRMS,

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tfSu)

Au«»li9Y

.

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9

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dSul

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EfIecteAAB-

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Noise:

SRC

19

Residual

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dBV

(L

A

R

Sliders

Down)

Bus;

SidGV

(All

Channel

sbderscewn,

Elfeeie

Petun

Down,

all

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at

middiei

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91

dBV

(All

Channots

at

30

d9

Gain.

ISO

Ohrri

Input.

60

Flat.

Middle,

sliders

ai

0,

All

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L

9

R,

Ellecls

Returns

down)

SRC-24

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(LSD

Sliders

Dom)

BUSI-BSOBV

(All

Channel

stdera

Dovfn,

Effects

Petums

Dwm.

all

Pan

at

midoie)

Noiileal:-70d8V

(All

Channels

elSOdB

Cein,

150

Ohm

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EO

Fbt,

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M<i3le,

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ai

0.

Ait

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L

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R,

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down}

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A

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B

Reiurn

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A

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iMaster.L.

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Au:4

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1

V

RMS

Nomira;

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>

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PFL)

Headphone:

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lo

2CO

Ohm

NominaJ

Tip

a

Lalt.

Ring

s

Rgni.

Sleeve

s

Ground

aoonWTcQl

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