Peavey XR 1000L Bedienungsanleitung

www.peavey.com

XR®1000L

1000-WATT, 8-Channel Powered Mixer

Operating

Manual

FCC Compliancy Statement

This device complies with Part 15 of the FCC rules. Operation is subject to the following two

conditions: (1) this device may not cause harmful interference, and (2) this device must accept any

interference received, that may cause undesired operation.

Warning: Changes or modications to the equipment not approved by Peavey Electronics Corp. can

void the user’s authority to use the equipment.

Note - This equipment has been tested and found to comply with the limits for a Class B digital device,

pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection

against harmful interference in a residential installation. This equipment generates, uses and can radiate

radio frequency energy and, if not installed and used in accordance with the instructions, may cause

harmful interference to radio communications. However, there is no guarantee that interference will not

occur in a particular installation. If this equipment does cause harmful interference to radio or television

reception, which can be determined by turning the equipment off and on, the user is encouraged to try

and correct the interference by one or more of the following measures.

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and receiver.

• Connect the equipment into an outlet on a circuit different from that to which the receiver is

connected.

• Consult the dealer or an experienced radio/TV technician for help.

Peavey Electronics Corporation • 5022 Hartley Peavey Drive • Meridian, MS • 39305

CAN ICES-3 B/NMB/3B

ENGLISH

XR®1000L

Powered Mixers

Congratulations on the purchase of your new XR 1000Lpowered mixer from Peavey®. The Peavey XR 1000Lis a revolutionary all

in one powered mixer. Everything a musician needs providing up to eight combination XLR and 1/4” inputs using Peavey’s

award winning mic preamps, and 500 watts per channel for crystal clear audio reproduction. The Peavey XR 1000Luses exclusive

and patented features like Mid Morph®to accurately help improve tone and clarity of vocals. Feedback is quickly and easily

identified and removed with Peavey’s 7-band graphic EQ combined with our patented and revolutionary FLS®Feedback

Locating System. The XR 1000Lis equipped with Peavey’s exclusive Kosmos®-C technology which drastically enhances both the

low and high end of the audio spectrum. Footswitchable built in 24-bit digital effect compliments the already feature packed

unit. Connect almost anything to this versatile mixer via the onboard 1/4”, RCA and 1/8” mini jacks.

Before you begin using your powered mixer it is very important to ensure that the product has the proper AC voltage

supplied. You can nd the proper voltage for your amp printed next to the IEC line (power) cord on the rear panel of the unit.

FEATURES:

• FLS Feedback Locating System

• Mid-Morph EQ

• Kosmos-C

• On-board 24- bit digital effects with mute button

• Digital effects parameter control

• Combination XLR and 1/4” input jacks

• Dual 7-Band Graphic EQ with FLS

• Master Mute for channels 1-7

• Footswitchable effects defeat

• Global Phantom Power

• RCA, 1/8” Media input

• Bluetooth® (XR 1000Lmodel)

• Selectable Main or Monitor dual power section

• RCA Record outputs

• LED Meter bridge

• Power amp sub-sonic filtering

• Clip light and signal present indicator

• Main line level 1/4” output

• DDT™Speaker protection circuit

VENTILATION: For proper ventilation, allow 6” (15.5 cm) clearance on all sides.

HIGH EQ

This High EQ shelving type of active tone control varies the treble

frequencies (+/- 15 dB at 12 kHz) and is designed to remove noise or

add brilliance to the signal, depending on the quality of the source.

MID-MORPH®EQ

Where most mid-range controls work at just one frequency, the

Mid-Morph works at two. When turned counterclockwise, it cuts at

250 Hz to reduce frequencies that muddy the sound. When turned

clockwise, it boosts at 4 kHz to add intelligibility to vocals. Either

way, improved vocal or instrument denition can be achieved.

LOW EQ

A shelving type of EQ that varies the bass frequency levels (+/-

15 dB at 80 Hz). Low EQ adds depth to thin-sounding signals or

cleans up the muddy ones. As with any EQ, use sparingly. Too

much of this EQ can give you a booming bottom end.

MONITOR SEND

The monitor send adjusts the level of the channel signal added to

the monitor send. Keep in mind the monitor send can be assigned

to one of two power ampliers and power an external monitor

speaker.

EFX - DIGITAL EFFECTS

This control adjusts the level of the channel signal added to the

eects mix. The signal is sent to the internal eects processor.

Turning the knob to the left (0) will turn o eects on the associ-

ated channel, while turning the knob to the right will increase the

amount of the selected eect.

LEVEL

This control sets the signal level sent to the main mix.

CLIP

When this LED turns or blinks red, is an indication that the signal

coming into the channel is too strong potentially causing distor-

tion. Turn down the Level control (6) until the Clip light is no longer

present. If you are having diculty getting a clean signal, try vary-

ing the output of the connected device.

SIG

When this LED is green, it is an indication the mixer is receiving

signal at the input of the channel. If you hare having trouble getting

sound out of the mixer and this LED is not on, check the micro-

phone, instrument or cable that is connected to the channel.

MIC/LINE INPUT

This combination input jack can accept either a 1/4” (balanced or

unbalanced) input or a XLR balanced, low-impedance connection.

The tip is positive on the 1/4”balanced input, and pin 2 is positive

on the XLR.

MIC/HI Z INPUT

Channel 7 line input is a Hi-Z unbalanced input for use with high

impedance microphones, acoustic/electric guitars or other high

impedance sources equipped with a 1/4" plug (TS).

Channel Strip

CHANNEL CONTROLS

Media Input

12a

12b

XLR BALANCED INPUT

Channel 8 is designed specically for pre-recorded (pro-

gram) music, but can also be used with a microphone.

This XLR input provides a balanced low impedance con-

nection.

MIC OR MEDIA SELECT BUTTON

This control selects between the low impedance XLR (9)

and the RCA / 1/8”, or Bluetooth® signal.

MEDIA INPUT

These inputs, both RCA and 1/8”accept a stereo input

from the output of an MP3 player, CD player, tape deck or

other similar device.

FLS®

When feedback occurs, the corresponding LED of the

frequency that is closest to the frequency that is feeding

back will illuminate over the slider to be adjusted. Slowly

bring the corresponding slider down until feedback is

gone. The LED will remain illuminated for a few seconds

after the feedback is gone.

GRAPHIC EQ

These 7-band EQs are designed for 12dB cut or boost.

These EQs are used to make minor adjustments to the

overall mix and should be used sparingly.

AMP LEVEL LED LADDER

These LEDs indicated the signal level going to the power

amplier. The top LED indicates LIMIT and activation

of our revolutionary DDT™speaker protection circuit.

Peavey’s award winning speaker protection circuit is

built into the XR 1000L and activated automatically to

maximize the power amplifier without fear of distortion.

POWER AMP INPUT SELECT

This control allows the user to select whether the 2nd

power amplier receives its signal from the Master Vol-

ume (18) or from the Monitor Volume (17) control. This

allows the user to run both power amps for mains, or use

power amp 1 for mains and power amp 2 for monitors.

MONITOR VOLUME

The master level control adjusts the level of the signal

coming out the Monitor send 1/4” jack. It can also be

assigned to feed the 2nd power amplier via selector

switch (16).

MASTER VOLUME

The master level control for the main mix and the overall

volume of the powered mixer.

12a

12b

15 16

Effects Section

KOSMOS®C

The Kosmos -C module uses special circuitry

to enrich the sound of your system. The

low control is not just a simple bass boost.

It provides ‘natural bass enhancement’ by

adding harmonically related bass signals that

track envelope of the original signal. The

Kosmos-C, High control can be used to add

clarity to dull signals.

MASTER MUTE LED

When the LED is ON it indicates the master

mute is activated.

MASTER MUTE

Depressing this button mutes channels one

through seven, preventing signal from pass-

ing to the power amplier. This button does

not aect channel 8.

EFFECTS TYPE TABLE

This table lists the type of eects available

and the abbreviation used for that eect in

the rst character of the LED display. The

chart also lists the parameter associated with

the eect that is controlled by turning en-

coder 24. A more detailed list of eects can

be found at the end of this manual.

EFX LED

This LED indicates the type of eect currently

selected. When turning encoder 27 the dis-

play will ash until the encoder is depressed,

selecting a new eect.

PARAMETER CONTROL

This encoder controls the parameter associ-

ated with the selected eect, listed both on

the mixer (23) and in this manual. The param-

eter control is used to make adjustments to

the sound of the eect.

CLIP LED

This LED blinks RED when the signal to the eects section is too hot and is causing distortion. Find the

source of the hot signal by reducing the EFX SEND (5) on each channel until the LED is no longer clipping

(blinking red).

EFX MUTE

When pushed this button bypasses the eects section, letting the user listen to the dry signal. When de-

pressed and muted, LED 23 displays two dashes “--”.

EFFECTS SELECT

Turn and push this encoder to select the desired eect.

25 26 27

Front Panel

PHANTOM POWER

This switch when depressed, applies +15 VDC to all input XLR connectors to power microphones that

require phantom power.

Caution: When phantom power is switched on‚ make sure that any channel you are plugging a micro-

phone into is turned down and the Master Main and Monitor controls are set to minimum. Otherwise‚

there will be a loud pop in the system. For best results, rst plug in all microphones into their respective

channels before phantom power is switched on. This reduces noise through the system and reduces the

chance of damage to the microphones. If phantom power is used‚ do not connect unbalanced‚ dynamic

microphones or other devices to the XLR inputs that cannot handle this voltage. (Some wireless receiv-

ers may be damaged. Consult their manuals.) The line input jacks are not connected to the phantom

supply and are safe for all inputs (balanced or unbalanced). An unbalanced to balanced impedance

converter such as the Peavey 5116 or a Peavey 1:1 Interface Adapter may also be used to isolate a micro-

phone from phantom voltage.

Bluetooth® Activation Button

Press and hold this button until the LED blinks 3 times, indicating the Bluetooth has been powered on or

off, then release. Once turned on, the Bluetooth will automatically enter pairing mode. You can pair any

Bluetooth-enabled device with the mixer using the PIN 7878. To clear the paired device memory, make

sure the Bluetooth is turned off and press and hold the button for at least 10 seconds. The LED will

initially blink 3 times but then should remain off. Once you have released the button after 10 seconds,

you can proceed by powering it on as normal, and the memory will be cleared.

BLUETOOTH® LED

Indicates that the XR 1000Lis receiving signal from a Bluetooth® device. LED blinks while finding a

signal and is solid once paired with the Bluetooth® device.

RECORD LEVEL

This knob adjusts the main signal level sent to the RCA record outs.

RCA RECORD OUT

This pair of RCA jacks provides a signal to the recording inputs of a CD recorder, stereo tape deck, or other

recording device.

NOTE: Do not connect a single device to the Media In (12a/12b) and Record Out (33). This improper

setup forms a loop, which can cause severe feedback. Use separate devices for recording and playback.

28 3231 33 34 35

29 30

33 FOOTSWITCH

This 1/4”TRS (tip ring sleeve) jack accepts a momentary 1/4”TRS dual button footswitch (Peavey part num-

ber 03014070) designed to defeat the eects on all channels and activate the MASTER MUTE switch (21).

This function is extremely useful for playing program music during breaks.

34 MONITOR OUT

This 1/4”jack provides a signal from the monitor mix (4) for an external power amplier. An external

power amplier, such as our IPR® series of ampliers, can then drive additional monitor speakers.

35 MAIN OUT

This 1/4”jack provides a signal from the main mix (after the graphic EQ) for an external power amplier.

An external power amp, such as our IPR series of ampliers, can then drive additional speakers.

USB/SD MP3 Player

MODE

If both, a memory stick and SD card are present, a short press of the MODE button will change between the

USB input and the SD card input. A long press of the MODE button will shut o the MP3 player. Another

long press is needed to turn it back on.

PLAY/PAUSE

A short press of the PLAY/PAUSE button causes the operation to change from PLAY to PAUSE or from PAUSE

back to PLAY. A long press of the PLAY/PAUSE button will put the player into navigation mode. When in

navigation mode the player can toggle between multiple folders on the memory device. The le folder num

is displayed at the top of the screen while the le folder name is at the bottom. The“track skip (42)” buttons

can be used to toggle between the folders on the memory device. Once the desired folder is found, press

“PLAY/PAUSE” to select the folder. The rst song in the folder will begin playing.

STOP

Press the STOP button to stop a le that is playing.

REPEAT

Pressing the REPEAT button toggles the function between ALL, RANDOM and SINGLE.

ALL: Repeats all songs.

RANDOM: Plays songs in random order.

SINGLE: Repeats a single song.

Note: The REPEAT functions only apply to the songs in the selected folder.

TRACK SKIP

In playback mode the TRACK SKIP buttons let you select the track to play.

A short press skips to the next track. A long press allows you to fast forward/rewind through a song. Hold

the button down until the desired playback point is found. Release the button and the song will start play-

ing. In navigation mode, the TRACK SKIP buttons are used to increment/decrement through the folders on

the memory device.

USB DRIVE SLOT

On the right side of the device is a USB drive slot where a USB memory stick can be connected. The player

will accept a memory stick up to 32Gb.

SD CARD SLOT

To connect the SD card, push the card completely in the slot until it clicks into place. The player will accept a

SD card up to 32Gb in size.

36 37 38 39 40 41

Back Panel

POWER SWITCH

This is the main power switch.

FUSE

This is the main safety fuse for the AC line voltage. Only

replace with a fuse of the exact type and rating. If the

fuse continues to open, do not over fuse. Take the unit

to an authorized Peavey service center.

NOTE: If the main AC voltage is changed, the fuse must

also be changed to one of the appropriate rating for

the voltage you are switching to.

AC POWER INLET

This is the receptacle for an IEC line cord, which provides

AC power to the unit. Connect the line cord to this

connector to provide power to the unit. Damage to the

equipment may result if improper line voltage is used.

(See line voltage marking on unit).

Never break o the ground pin on any equipment. It

is provided for your safety. If the outlet used does not

have a ground pin, a suitable grounding adapter should

be used and the third wire should be grounded proper-

ly. To prevent risk of shock or re hazard, always make

sure that the amplier and all associated equipment is

properly grounded.

NOTE: FOR UK ONLY

As the colors of the wires in the mains lead of this appa-

ratus may not correspond directly with the colored mark-

ings identifying the terminals in your plug, proceed as

follows: (1) The green and yellow wire must be connected

to the terminal which is marked with the letter E, or by

the earth symbol, or is colored green, or green and yel-

low. (2) The blue wire must be connected to the terminal

which is marked with the letter N, or the color black. (3)

The brown wire must be connected to the terminal which

is marked with the letter L, or the color red.

VOLTAGE SELECTOR SWITCH

This switch allows the user to select between 115VAC /

60Hz or 230VAC / 50Hz. To change the voltage selector,

you must first unscrew and remove the plastic cover that

protects the switch. After changing the voltage, please

replace the plastic cover to ensure the voltage level is

not inadvertently altered.

NOTE: The fuse MUST be changed to the appropriate

value to match the voltage you have selected. Please see

the note on the back of the mixer for the correct value.

MAIN / MONITOR SPEAKER OUTPUTS

A two-conductor 1/4" speaker output and Speakon jack

are assigned to each channel. Each amp is rated at 4

ohms minimum impedance. You may connect either

one 4-ohm, one 8-ohm or two 8-ohm speakers to

each output. Do not operate below rated minimum

impedance. For maximum power transfer, be sure to use

speaker cables and not instrument cables to connect to

the speakers. We recommend the use of 18-gauge or

larger speaker wire.

Effects (parameter)

PLATE TIME DESCRIPTION PREDELAY ROOM ROOM SIZE FRONT END HP BACK END LP MORE DESCRIPTIVE

DAMP FACTOR NAME

P1 Bright 35 ms

P2 Gentle LP 48 ms

P3 Med LP 62 ms

P4 Hard LP 78 ms

P5 Dark 95 ms

HALL TIME

H1 Vox Fox 35 ms Med Med Subtle Subtle Med Hall

H2 Vox Huge 42 ms Med Large Subtle Subtle Cathedral

H3 Vox Glow 10 ms Med Large Subtle Subtle Auditorium

H4 Strings 30 ms Med Med Subtle Subtle Concert Hall

H5 Brass Hall 35 ms High Med Subtle Moderate Concert Hall 2

ROOM TIME

R1 Vox Air 30 ms Low Small Aggressive Subtle Hard Walls

R2 Vox Club 35 ms High Small Subtle Moderate Club

R3 Snare Low 70 ms Low Small Moderate Subtle Bathroom

R4 AC GTR 42 ms Med Small Moderate Subtle Med Walls

R5 Brass Room 40 ms High Med Subtle Moderate Med Room Damped Walls

DELAY TIME

D1 Double

D2 Slapback

D3 Bright, Few Repeats

D4 Bright, More Repeats

D5 Bright, Most Repeats

D6 Dark, Few Repeats

D7 Dark, More Repeats

D8 Dark, Most Repeats

ENHANCE CUTOFF FREQ

E1 Light Harmonics

E2 Moderate Harmonics

E3 Heavy Harmonics

CHORUS RATE PREDELAY CHORUS TIME RATE MODULATION

C1 High Depth, Slow Rate 10 ms 20 ms 0.1 – 1 Hz Random Sine

C2 Mod Depth, Wide Rate 10 ms 5 ms 0.5 - 4 Hz Random Sine

C3 Short Depth, Wide Rate 10 ms 2 ms 0.5 - 6 Hz Sine

C4 Short Depth, Fast Rate 5 ms 1 ms 5 - 15 Hz Random Sine

C5 High Depth, Mod Rate 2 ms 20 ms 0.2 - 3 Hz Random Sine

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