PRESONUS Quantum series Bedienungsanleitung

English

Quantum-series

Ultra-low latency Thunderbolt™Audio Interfaces

and Studio Command Centers

Owner’s Manual

www.presonus.com

Table of Contents

1 Overview — 1

1.1 Introduction — 1

1.2 Quantum-series Interface Hardware

Features — 1

1.3 UC Surface Features — 2

1.4 Studio One Artist Features — 2

1.5 What is in the Box — 2

2 Hookup — 3

2.1 Front Panel Connections and Controls — 3

2.2 Back Panel Connections — 5

2.3 Quantum Hookup Diagram — 8

2.4 Quantum 2 Hookup Diagram — 9

3 Connecting to a Computer — 10

3.1 Installation for Windows and macOS — 10

3.2 Using a Quantum Interface with Popular Audio

Applications — 10

3.3 Controlling Quantum Mic Preamps

with MIDI — 12

4 UC Surface Control Software — 13

4.1 UC Surface Launch Window — 14

4.2 Input Controls — 14

4.3 Main Knob Controls — 15

4.4 Main Output Controls — 15

4.5 Talkback (Quantum) — 15

4.6 Headphone Select — 16

4.7 MIDI Control — 16

4.8 RTA — 17

5 Aggregating Devices — 19

5.1 macOS — 19

5.2 Windows — 21

6 Studio One Artist Quick Start — 23

6.1 Installation and Authorization — 23

6.2 Setting Up Studio One — 24

6.2.1 Conﬁguring Audio Devices — 25

6.2.2 Conﬁguring MIDI Devices — 25

6.3 Creating a New Song — 29

6.3.1 Conﬁguring Your I/O — 30

6.3.2 Creating Audio and MIDI Tracks — 31

6.3.3 Recording an Audio Track — 32

6.3.4 Adding Virtual Instruments

and Eﬀects — 33

6.4 Integrated Quantum Controls — 35

6.4.1 Preamp Controls — 35

6.4.2 Talkback and Monitoring — 36

6.5 Monitor Mixing in Studio One — 36

6.5.1 Cue Mix Functions — 36

6.5.2 Punching In — 37

7 Technical Information — 39

7.1 Speciﬁcations — 39

8 Warranty Information — 41

8.1 How Consumer Law Relates

To This Warranty — 41

1 Overview

1.1 Introduction

Quantum-series

Owner’s Manual

1Overview

1.1 Introduction

Thank you for purchasing a PreSonus Quantum-series Thunderbolt Audio Interface

and Studio Command Center. PreSonus Audio Electronics has designed Quantum-

series interfaces utilizing high-grade components to ensure optimum performance

that will last a lifetime. Loaded with high-headroom, Class A, digitally controlled

XMAX™ microphone preampliﬁers; an ultra-low latency Thunderbolt recording

and playback engine; talkback; monitor functions; and more, Quantum interfaces

break new boundaries for musical performances and productions. All you need is a

computer with a Thunderbolt connection, a few microphones and cables, powered

speakers, and your creativity, and you’re ready to record, mix, and release your music.

We encourage you to contact us with questions or comments regarding your

PreSonus Quantum interface. PreSonus Audio Electronics is committed to

constant product improvement, and we highly value your suggestions. We

believe the best way to achieve our goal of constant product improvement

is by listening to the real experts: our valued customers. We appreciate

the support you have shown us through the purchase of this product

and are conﬁdent that you will enjoy your Quantum interface!

About this manual: We suggest that you use this manual to familiarize yourself with

the features, applications, and correct connection procedures for your Quantum

interface before trying to connect it to your computer. This will help you avoid

problems during installation and setup. This manual covers the operation of both

the Quantum and Quantum 2. Whenever a functional diﬀerence is described,

the Quantum’s features will be called out ﬁrst, followed by the Quantum 2.

Throughout this manual you will ﬁnd Power User Tips that can quickly make you a

Quantum-series interface expert. In addition to the Power User Tips, you will ﬁnd an

assortment of tutorials throughout this manual. These tutorials are designed to help

you get the most out of your Quantum interface and its suite of companion software.

1.2 Quantum-series Interface Hardware Features

•Pristine 24-bit audio up to 192 kHz

•Flawless analog signal path with top-quality 120 dB digital conversion

•8/4 digitally controlled XMAX microphone preamps

•Preamp control from Studio One or UC Surface

•Simultaneous I/O up to 26/22 inputs and 32/24 outputs (8x14 / 4x6 at 192 kHz)

•8/4 DC coupled balanced outputs for ﬂexible monitoring

•2/1 high-volume headphone amps with dedicated DACs

•Tight integration with Studio One version 3 for multitrack music production

•Compatible with most music software for Mac® and Windows®

•Stackable Thunderbolt Ports for clustering

1 Overview

1.3 UC Surface Features

Quantum-series

Owner’s Manual

1.3 UC Surface Features

UC Surface is a powerful monitor-mixing application that allows you to control your

Quantum preamps, talkback and monitoring functions.

•Remote control preamp level and 48V phantom power

•Remote control, talkback, dim, and mute

•Remote control over line input sensitivity

1.4 Studio One Artist Features

All PreSonus audio interfaces include PreSonus Studio One Artist recording software,

which comes with more than 4 GB of plug-ins, loops, and samples, giving you everything

you need for music recording and production. All monitor mixing and preamp control

functions for your Quantum-series interface are integrated into Studio One’s unique Cue

Mix feature. The Quick Start Guide in Section 6 of this manual will help you conﬁgure

your Quantum interface and provide you with a brief overview of Studio One’s features.

•Cue Mix provides complete integrated control over all Quantum functions

•Unlimited track count, inserts, and sends

•20 high-quality, Native Eﬀects™ plug-ins; amp modeling (Ampire XT), delay

(Analog Delay, Beat Delay), distortion (RedLightDist™), dynamics processing

(Channel Strip, Compressor, Gate, Expander, Fat Channel, Limiter, Tricomp™),

equalizer (Channel Strip, Fat Channel, Pro EQ), modulation (Autoﬁlter, Chorus,

Flage, Phaser, X-Trem), reverb (Mixverb™, Room Reverb), and utility (Binaural Pan,

Mixtool, Phase Meter, Spectrum Meter, Tuner)

•More than 4 GB of loops, samples, and instruments, featuring: Presence™

XT virtual sample player, Impact virtual drum machine, SampleOne™ virtual

sampler, Mai Tai virtual polyphonic analog modeling synth, Mojito virtual analog-

modeled subtractive synthesizer

•Innovative and intuitive MIDI mapping

•Powerful drag-and-drop functionality for faster workﬂow

•Available for macOS and Windows

1.5 What is in the Box

You Quantum-series interface package contains the following:

PreSonus Quantum or Quantum 2 Thunderbolt Audio Interface

and Studio Command Center

External power supply

Studio One Key Commands Guide

Product registration and software authorization card

PreSonus Health Safety and Compliance Guide

Power User Tip: All companion software and drivers for your PreSonus Quantum-series

interface are available for download from your My PreSonus user account. Simply

visit http://my.presonus.com and register your Quantum-series interface to receive

downloads and licenses.

2 Hookup

2.1 Front Panel Connections and Controls

Quantum-series

Owner’s Manual

2Hookup

2.1 Front Panel Connections and Controls

Microphone inputs. Your Quantum-series interface is equipped with 8/4 digitally

controlled PreSonus XMAX microphone preampliﬁers for use with all types of

microphones. The XMAX design provides a Class A input buﬀer, followed by a

dual-servo gain stage. This arrangement results in ultra-low noise and wide gain

control, allowing you to boost signals without increasing noise. The ¼-inch front

panel inputs on Quantum can be either line or instrument. By default, they are set to

line. These inputs are not switching on the Quantum 2.

Each analog input on the Quantum-series interface features a combo jack. This

convenient connector accepts either a ¼-inch phone plug or an XLR plug. Mic Inputs

3-8/4 are located on the rear of the unit. Each input on your Quantum-series interface

is also auto-sensing. When an XLR is connected, the signal is routed to the preamp.

When a TRS is connected, the preamp is bypassed and the input signal is sent directly

to the ADC. When nothing is connected, Channels 1 and 2 on Quantum will default

to line inputs, Channel 3-8 will default to mic. All analog inputs on the Quantum 2

default to mic.

Instrument inputs. The ¼-inch TS connectors on Channels 1 and 2 are for use with

instruments (guitar, bass, etc.). When an instrument is plugged into the instrument

input, the mic preamp is bypassed, and the signal is routed to the instrument

preampliﬁer stage. Quantum users must engage the Inst button to use the

Instrument inputs.

Please note: As with any audio input device, plugging in a microphone or an instrument,

or turning phantom power on or oﬀ, will create a momentary spike in the audio output of

your Quantum-series interface. Because of this, we highly recommend that you turn

down the channel trim before changing connections or turning phantom power on or

oﬀ. This simple step will add years to life of your audio equipment.

Preamp controls. These controls allow you to adjust the gain and enable phantom

power for every onboard microphone and instrument preamp.

•Preamp Gain: Use this control to adjust the level of microphone preamps

1-8/4 and instrument preamps 1 and 2. The display to the far right will show the

current trim level. This encoder is also used to change from +4dbu to -10dbv

when a line-level TRS jack is connected.

•Next / Prev: Use these buttons to select the microphone preamp you wish to

control. The display to the right of the trim control will show which preamp is

currently being controlled.

•48V: The Quantum-series interfaces provide 48V phantom power for each

microphone preamp. This feature can be individually enabled for each channel,

using this button. When 48V is active, the blue LED at the top of that channel’s

meters will illuminate.

Warning: Phantom power is only required for condenser microphones and

can severely damage dynamic mics, especially ribbon mics. Therefore, switch

phantom power oﬀ for all channels where it is not required.

XLR connector wiring for phantom power:

Pin 1 = GND Pin 2 = +48V Pin 3 = +48V

2 Hookup

2.1 Front Panel Connections and Controls

Quantum-series

Owner’s Manual

Talkback mic and controls (Quantum). Quantum features an onboard talkback

microphone. Press the Talk button to patch the signal to the selected mixes. To

control the level of the onboard Talkback mic, select the “c”(Comm) channel in the

preamp control section and use the encoder to adjust the level.

Power User Tip: Talkback routing for Quantum is handled inside your DAW. It will show

up as an input stream in your DAW I/O set-up.

Input meters. These eight-LED meters show the input level of the analog inputs on

your Quantum-series interface. The green LEDs will illuminate when the input signal

ranges from -50dBFS to -4dBFS. The yellow LEDs will illuminate when the input signal

reaches -2dBFS. The red Clip LED will illuminate when your input signal reaches

-0.5dBFS. At this level, the signal will begin to overload the analog-to-digital

converters and exhibit signs of clipping. Use the gain controls to keep the signal

below this level.

Main. The Main knob can control any or all of the outputs on the rear panel of your

Quantum and has a range of -80 dB to 0 dB. In addition to level control, the main

outputs have the following controls:

•Meters. These meters display the signal level received from Driver Returns 1 and

2 (Main Left/Right). These meters have the same range as the input meters (-50

dBFS to -0.5 dBFS) and are before the main output level.

•Dim / Mute (Quantum). This button controls both the Dim and Mute functions

for the Main Outputs. Press the button and release it to lower the outputs signal

by 20 dB. Press and hold the button to Mute the Main Output signal. The button

will illuminate yellow when Dim is active and red when Mute is active. These

functions are also available from within UC Surface and Studio One.

•Mono (Quantum). Press this button to sum the Main stereo output signal to

mono. The mono function is also available from within UC Surface and Studio One.

Power User Tip: Use the Mono feature to verify mono compatibility and to check for

phase cancellation in your stereo mixes.

Headphones. Your Quantum-series interface provides two/one headphone

output(s), each with its own level control. Each headphone output is provided with

its own unique output stream to route audio directly from your DAW (Quantum:

playback streams 11/12 and 13/14; Quantum 2: playback streams 5/6). These streams

are labeled as“Phones 1”and“Phones 2”in UC Surface. From UC Surface, any mix can

be routed to either headphone output. By default on Quantum, Headphone 1

mirrors the Main Output and Headphone 2 mirrors Output 1-2.

A/B (Quantum 2). The A/B button allows you to switch between two mixes. When

UC Surface is not accessed, this will toggle between the Headphone streams (5/6)

and the Main Mix streams (1/2). When UC Surface is active, you can choose the “B”

source from any mix pair.

Power button and Sync light. The lighted ring around the power button of your

Quantum is a clock source / sync indicator. It lets you know if you unit is receiving

word clock correctly.

•Blue. When this light is blue, your Quantum is correctly synced via Thunderbolt,

word clock, ADAT, or S/PDIF

•Flashing red and blue. Quantum is in the process of trying to sync to a received

clock signal.

2 Hookup

2.2 Back Panel Connections

Quantum-series

Owner’s Manual

•Red. Quantum is either not synced to your computer or its external clock source

is not present.

•Flashing purple. The identify button is active in UC Surface.

Power User Tip: Word clock is the timing signal with which digital devices sync frame

rates. Proper word clock sync prevents digital devices from having pops, clicks, and

distortion in the audio signal due to mismatched digital audio transmission. In

general, you will use your Quantum-series interface as the master clock in your

studio; it provides high-quality word clock for this purpose. However, if you would

like to use another device as the master clock, you can set the input source for

clocking in UC Surface. See Section 4.1 for details.

2.2 Back Panel Connections

Rear-panel Mic Inputs. As previously mentioned in Section 2.1, additional

microphone preamps are available on the rear of your Quantum interface.

Line Inputs. The ¼-inch TRS connectors on Channels 3-8/4 are for use with line-level

devices. These inputs are scaled to accept line-level signals up to +18 dBFS.

Power User Tip: When these inputs are engaged, the microphone preamp circuit is

bypassed completely, and no trim control is available. Typical examples of line-level

connections are synthesizer outputs, signal processors, and stand-alone mic preamps

and channel strips. Use the output level control on your line-level device to adjust its level.

Line Outputs. Quantum-series interfaces have 8/4 line balanced line outputs to

route to external devices, such as headphone amps, signal processors, and additional

monitors. Each output has an independent playback streams. Every line output is DC

coupled to provide control voltage to external analog equipment. This feature can be

used with any plug-in that supports it.

Power User Tip: The Main Level knob on the front of your Quantum-series interface can

be used to control any or all of these outputs. This is set from UC Surface. See Section 4.3

for more information.

Main Outs (Quantum). These are the main outputs for Quantum. The output level of

the Main Outputs is controlled by the Main level control on the front of the unit. Like

the eight line outputs, the main outputs have independent playback streams

(playback streams 1-2). Both Main Outputs are DC coupled to provide control voltage

to external analog equipment. This feature can be used with any pug-in that

supports it.

2 Hookup

2.2 Back Panel Connections

Quantum-series

Owner’s Manual

Clock In and Out. These BNC connections allow Quantum-series interfaces to

receive and transmit word clock to and from other digital audio devices.

Power User Tip: In UC Surface, when using the BNC Clock input, you will need to set “BNC”

as the Clock Source and set the sample rate to correspond to that of the external device.

See Section 4.1 for details. A 75Ω BNC word clock cable is required to achieve proper sync.

S/PDIF In and Out. The S/PDIF connections allow two channels of audio to be

transmitted and received at rates up to 24-bit, 96 kHz. The S/PDIF I/O also allows all

Quantum-series interfaces to send and receive word clock to external digital devices.

Power User Tip: In UC Surface, you will need to set “S/PDIF” as the Clock Source and the

sample rate to correspond to the external device when using an external S/PDIF device as

your master clock. See Section 4.1 for details.

ADAT – S/MUX In and Out. These are the ADAT – Dual S/MUX connections

for your external digital devices. When recording or playing back at 44.1

or 48 kHz, each ADAT I/O will provide 8 of the 16 available channels

consecutively, from left to right. When recording or playing back at 88.2 or

96 kHz, each connection will provide four of the available eight channels.

These inputs and outputs do not function at 176.4 or 192 kHz:

ADAT 1 Input ADAT 2 Input ADAT 1 Output ADAT 2 Output

44.1 / 48 kHz Channels 11-18 / 7-14 Channels 19-26 / 15-22 Channels 17-24 / 9-16 Channels 25-32 / 17-24

88.2 / 96 kHz Channels 11-14 / 7-10 Channels 15-18 / 11-14 Channels 17-20 / 9-12 Channels 21-24 / 13-16

When connecting a DigiMax DP88 to your Quantum interface, the ADAT

connections will also send and receive preamp control information for the DigiMax

DP88, so that it can be controlled directly from UC Surface or Studio One.

Power User Tip: In UC Surface, you will need to set “ADAT 1” as the Clock Source and the

sample rate to correspond to the external device when using an external ADAT device as

your master clock. See Section 4.1 for details. The ADAT 2 input cannot be used to receive

word clock.

Thunderbolt ports. Use these ports to connect your Quantum-series interface to

your computer. The second Thunderbolt port can be used to connect other

Thunderbolt devices to your computer.

Power User Tip: Your Quantum interface supports clustering over Thunderbolt. In

addition to allowing you to use your Quantum-series interface as a Thunderbolt hub, this

allows you to chain up to four Quantum interfaces, aggregated over Thunderbolt, for

higher I/O counts. See Section 5 for more information.

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