Pyle PDC21 Bedienungsanleitung

OWNE

’S MANUAL

www.pyleaudio.co

1. INPUT – 1/4” input connector.

2. PARA OUT – It’s parallel output 1/4” jack for passing the input

signal through to a stage amplifier or monitor system.

3. ATT Switch – input attenuation, switchable(0dB,-20dB,-40dB)

4. BALANCED OUTPUT – Male XLR connector.

5. GROUND – When engaged, the ground from the PDC21 chassis

detaches from the XLR jack.

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-1-

A direct box, or DI box, provides the facility for the direct insertion of an

audio signal into a mixer or recorder. The PDC21 offers a variety of DI

solutions for live sound and recording applications. You can connect all

kinds of audio signals like guitars, keyboards, outboard signal processors

and even the high-powered speaker output from an amplifier. The

PDC21 enables you to tap off the signal from a guitar or bass guitar and

pass the signal from the PARA OUTPUT to the on stage amplifier without

affecting the original sound. This can eliminate the need for mixing the

guitar amplifier, which in many cases is preferable, especially with bass

guitar. The PDC21 is also very useful for connecting unbalanced signals

from sources like signals DJ and sub-mixers, effects processors and

keyboards to a main PA or recording mixer. The PDC21 balanced output

provides a clean signal at a low level so long runs of cable are possible.

Another benefit from a balanced connection is common mode rejection.,

which provides cancellation of the bad sounds(hums and buzzes) while

leaving the original signal pure.

One of the most common applications for using a DI box is getting the

signal of a bass guitar into the PA system. Simply put, the low

frequencies produced by bass are difficult to mic, so use of a DI box is

almost always preferable. In addition, the signal going to PA system can

be tweaked by the FOH(front of house) engineer, without affecting the

sound the musician dials up on stage. You can use PDC21 to plug a

guitar directly into the PA system as well. Especially acoustic guitars with

pickups and when using electronic guitar processors and modelers.

Follow the diagram and steps below to connect a guitar to a PA mixer.

·Connect the output of the guitar or bass to the PDC21 INPUT

·Connect PDC21’s PARAOUT to the input of the guitar or bass amplifier.

·Connect PDC21’s BALANCED OUTPUT to the input of main PAmixer.

Direct insertion of an Instrument into a PAs

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the PDC21

-2-

NOTE: TO avoid annoying pops and clicks be sure to mute

(or turn down the volume control) of your mixer’s output

while connecting the PDC21.

The PDC21 provides the capability of tapping off the signals from

amplifiers, such as the output or guitar amp or power amplifier. You can

even use PDC21 to connect to the speaker output of a consumer stereo

system or boom box, for example, if you want to sample some old

records or cassette tapes.

NOTE: Be sure that the ATT switch is set to (-20db or -40db)position

before connecting the signal from the output of any amplifier.

Follow the diagram and steps below to connect a powered output of a

guitar amplifier to a PA mixer.

·connect the output of the guitar or bass to the guitar amp input.

·Set theATT switch to the -20db or -40db

·Using unshielded speaker cable, connect the guitar amp’s speaker

output to the PDC21’s INPUT

·Using another unshielded speaker cable, connect PDC21’s PARA OUT

to the input of the guitar amplifiers speaker

·Connect PDC21’s BALANCED OUTPUT to the input of main PA mixer.

Connecting to High Power Signals

NOTE: This example may appear to be the same as the

previous, however in this example, the PDC21 is tapping the

sound of the instruments and amp, as opposed to just the

instrument itself.

Convertin

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ut of Unbalanced Devices

-4-

The PDC21 can be quite useful on stage or in the studio for connecting

unbalanced devices, particularly key boards. The output levels of many

keyboards are low. So their signals can benefit greatly by connecting

their unbalanced outputs to the PDC21 by doing so the signal can be

sent cleanly for long distances while benefiting from the low noise and

common mode rejection provided by PDC21’s balanced low-level output.

The diagram following shows a typical hook-up for a stereo keyboard

connected to a stereo stage monitor system and the main PA mixer.

FrequencyResponse 5-35KHz,-3dB

Noise Level(22-22KHz, Input Shorted) -104dBu

THD + N(10Hz-22KHz) 0.013% typ. @ 1 VRMS, 1KHz

InputImpedance 50KOhm

Max. Input Level (1% THD) +8.1 dBu (9V. Batt)

+11.3dBu(48V.Phantom)

Instrument Input 1/4” Phone Jack, unbalanced

Parallel (link) out 1/4” Phone Jack, unbalanced

BALANCEDOUTPUT XLRConnector,balanced

Dimensions: 4.72”x2.95”x1.57”

ecifications:

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