Rodgers Columbian 75 Bedienungsanleitung

Owners

Manual

RODG€RS

COLUMbiAN

.and

7-;

Jamestown

100-11

PART

#1905-212

RODGERS ORGAN COMPANY

1300

24TH

Avenue

Hillsboro,

Oregon

97124

RODGERS

COLUMBIA-75

RODGERS

'JAMESTOWN

100-11

The

design

the

Rodgers

Organ

skillful

blend

space-age

technology

with

the

centuries-old

art

organ

building.

From a

compact

and

reliable

solid-state

console

emanates

full

ensemble

pure

classic

voices

suited

the

interpretation

traditional

organ

literature

well

service

music

the

contemporary

church.

Incorporated

into

its

design

are

the

elements

necessary

for

practice

and

teaching,

making

the(

Organ

' - -

also

ideal

instrument

for

school

studio.

Because

this

organ

capable

such

broad

range

tonal

color

and

flexibility,

attempt

will

be made

completely

catalogue

the

many

possible

stop

combinations

available.

hoped,

however,

that

the

registration

suggestions

and

other

information

contained

here

will

serve

proper

introduction

the

musical

resources

your

new

Rodgers

Organ

organ's

sound

constructed

the

various

combinations

sounds

the

families

tone

found

the

organ.

The

uniqueness

different

sounds

organ

the

fact

that

they

are

found

different

pitch

levels

(octaves).

stop

that

engraved

with

sounds

the

same

pitch

level

piano.

When

you

play

middle

"C"

the

organ

with

stop

on,

you

hear

the

same

note

you

would

playing

middle

"C"

the

piano.

You

will

notice

that

other

stops

have

16',4',

2',

2-2/3',

and

1-3/5'

engraved

them.

These

numerals

show

the

pitch

relationship

the

8'.

The

larger

the

number,

the

lower

the

pitch.

Example:

the

stop

engraved

will

produce

sound

one

octave

higher

than

the

note

being

played.

you

are

playing

middle

"C",

the

sound

you

would

hearing

the

pitch

the

"C"

one

octave

above

middle

"C".

The

16'

would

give

you

one

octave

below,

and

the

will

produce

the

pitch

two

octaves

above

the

note

you

are

playing.

The

2-2/3'

and

1-3/5'

are

different

nature.

When

they

are

drawn,

they

produce

different

interval

other

than

the

octave

the

note

being

played.

The

2-2/3'

produces

note

one

octave

and

five

steps

above

the

note

that

being

played.

Example:

playing

middle

"C",

you

will

hear

the

"G"

above

the

octave

above

middle

"C".

The

Tierce

1-3/5'

speaks

two

octaves

and

third

above

the

pitch.

These

stops

are

called

mutations

and

are

used

for

coloring

purposes

only,

being

omitted

from

any

full

organ

combinations.

Use

these

stops

often

for

combinations

with

single

melody

line

and

experiment

with

them;

they

are

the

"salt

and

pepper"

the

organ

stops.

The

glorious

sound

that

organ

produces

comes

from

the

combination

similar

tone

qualities

different

pitch

levels,

with

the

upper

pitch

levels

adding

brilliance

and

the

lower

pitches

adding

fullness.

This

combination

voices

different

pitch

levels

produces

ensemble.

Ensemble

created

the

combination

voices

that

complement

each

other

adding

their

own

quality

the

total

sound

without

sticking

out

being

obtrusive

any

way.

hear

how

this

principle

works,

turn

the

Principal

the

(

Great.

Now,

while

holding

chord,

add

succession

the

Octave,

the

Fifteenth,

and

finally

the

Mixture

II.

Hear

how

the

tone

brightened

and

clarified

these

registers.

Now

add

succession

the

Bourdon

and

the

Flute.

This

"firms

up"

the

ensemble

and

gives

body.

The

use

these

stops

various

combinations

basic

the

art

registration.

Experiment

freely

with

the

sounds

the

organ;

experimentation

the

key

better

understanding

its

capabilities.

THE

CONSOLE

the

art

organ

building

has

evolved

over

the

centuries,

certain

features

the

instrument

have

become more

less

standard

organists,

process

elimination,

gradually

culled

out

"innovations"

that

served

practical

function

and

merely

got

the

way.

extreme

example

this

type

thing

the

old

"thunder

pedal"

some

the

early

European

organs.

This

pedal

when

depressed

would

cause

the

lowest

four

five

pipes

the

pedal

organ

sound

once,

giving

effective

"rumble"

thunder.

Such

devices,

happily,

are

extinct.

The

modern

organ

console

miracle

convenience

and

practi-

cality,

due

the

process

evolution

that

produced

it.

The

combination

two

6l-note

beveled

and

tilted

keyboards

and

the

32-note

concave

and

radiating

pedalboard

gives

the

organist

the

necessary

flexibility

perform

organ

music

written,

without

compromise.

addition,

the

various

tone

colors

are

conveniently

available,

distributed

into

divisions

according

their

traditional

functions

the

organ.

Incidentally,

all

Rodgers

Church

Organs

adhere

rigidly

the

specifications

for

console

standardization

laid

down

the

American

Guild

Organists.

may

well

this

point

give

short

description

the

tonal

"palette"

and

function

the

various

divisions

the

organ.

THE

GREAT

ORGAN

Lower

Keyboard

This

division

the

backbone

and

main

substance

the

organ.

characterized

the

unique

Principal

sound,

available

complete

range

pitches.

This

Principal

Chorus,

backed

up by a

chorus

softer

Flutes

and

crowned

the

Mixture,

consti-

tutes

the

principal

support

congregational

singing

the

church.

This

division

also

contains

the

soft

Celeste

voice,

enable

the

Great

funtion

accompanimental

division

well.

The

percussions

(Harp

and

Carillon)

are

located

this

division.

THE

SWELL

ORGAN

Upper

Keyboard

This

division

characteristically

contains

the

romantic

solo,

orchestral,

and

color

sounds.

Its

Principals

are

less

assertive

than

those

the

Great.

contains

Reed

voices,

well

the

mutations,

which

allow

for

the

synthesis

interesting

tone

colors.

The

Voix

Celeste

located

this

division

which

the

traditional

location

this

beautiful

stop.

THE

CHOIR

DIVISION

Organ

music

very

often

has

registrations

calling

for

the

third

manual,

the

Choir

manual.

This

division

gets

its

name

from

its

traditional

function

accompanying

the

church

choir.

this

end,

has

light

flutes

and

strings

provide

the

fabric

sound

against

which

voices

and

vocal

lines

may

placed.

The

light

Flutes

and

Mutations,

together

with

the

Chiff

(Baroque

Accent)

provide

the

light,

articulate

sounds

the

Positiv,

Baroque

Division.

The

percussions

(Harp

and

Carillon)

are

generally

this

division.

many two

manual

organs,

this

division

neglected.

your

Rodgers,

however,

the

characteristic

sounds

the

choir

are

distributed

among

the

two

manual

divisions.,

placed

with

eye

flexibility

that

solo

sounds

are

placed

against

accompanimental

sounds;

full

sounds

against

light

sounds.

Note,

for

instance,

that

the

Solo

Clarinet

the

Great

can

accompanied

the

Celeste

the

Swell.

The

Mutations

and

light

upper

flutes

the

Swell

make

ideal

contrapuntal

foil

the

Principal

Chorus

the

Great.

addition,

the

preset

tabs

the

Jamestown

100

give

much

the

flexibility

the

third

manual.

THE

PEDAL

ORGAN

Pedal

Keyboard

This

division,

consisting

Flue

Stops,

the

foundation

upon

which

the

tonal

mass

the

organ

rests.

Two

16'

Flutes

assure

the

proper

dynamic

strength

for

soft

full

playing.

The two

stops

differing

tone

quality

and

the

Principal

voice

give

the

necessary

definition

and

clarity

the

Pedal

Melodic

line,

with

the

Flutes

and

for

clear

pitch

definition

with

lighter

combinations.

The

Mixture

brightens

the

entire

pedal

division.

PERCUSSIONS,

TREMULANTS,

AND

OTHER

NON-SPEAKING

STOPS

PERCUSSIONS

Jamestown

lOa-II

ONLY

The

Carillon

derived

from

cluster

sustained

Partials,

assembled

about

given

pitch

suggest

the

harmonic

structure

tuned

bells.

The

Harp

another

sustained

voice,

suggestive

steel

bars

being

struck

small,

felt-padded

hammers.

The

Harp

most

effective

when

played

arpeggios.

CHIFF Jamestown 100-11

ONLY

The

Chiff

tablet

used

when

the

Baroque

accent

desired

the

Flutes.

When

depressed,

adds

thel9th

momentarily

each

note

keyed.

This

effect

simultaneously

added

all

Flutes.

TREMULANTGROUP

There

are

three

Tremulant

controls

the

Organ .The Main

Tremulant

places

light

tremulant

the

entire

organ.

This

adjustable

both

speed

and

depth.

The

other

two

controls

affect

the

operation

the

Leslie

speaker

unit.

The

Flute

Tremulant/Full

tab,

when

depressed,

engages

the

fast

speed

the

Leslie

unit.

The

Flute

Diapason

Chorus

Tab,

when

depressed

without

the

Flute

Tremulant/Full

tab,

channels

some

both

the

Diapason

(Principal)

and

Flute

sound

into

the

Leslie

slow

speed,

giving

warmth

ana-aepth

the

overall

organ

sound.

FLUTEFF

Often

need

arises

temporarily

change

the

basic

balance

the

Principals

and

Flutes

the

Organ

This

especially

true

when

the

Leslie

Flute

Tremulant

used

the

fast

speed,

music

the

Gospel

tradition.

Depressing

the

Flute

tab

will

cause

moderate

increase

all

Flute

voices

the

organ.

ADDITIONAL

DESIGN

ELEMENTS

THE

'RODGERS

ORGAN

CONSOLE

SPECIFICATIONS

has

previously

been

stated,

the

Rodgers

Organ

adheres

precisely

A.G.O.

specifications.

This

means

that

the

organist

can

move

from

these

organs

pipe

organs

and

other

A.G.O.

consoles

and

feel

immediately

home. The

order

the

stops

the

same,

the

placement

manuals,

stop

divisions,

and

expression

pedal.

Incidentally,

the

Pedal

Clavier

Rodgers

Organ

completely

removable

merely

lifting

each

side

and

pulling

the

Pedalboard

back

from

the

console.

This

makes

easy

clean

under

the

Pedalboard

cables,

contacts.

The

Organ

contains

locking

roll-top,

making

the

organ

tamper-proof.

LEVELING

GLIDES

()

assure

optimum

performance

and

life

the

moving

part,s

the

console,

should

always

kept

"square".

Uneven

floors

tend

distort

the

casework

over

period

time,

and

extreme

stresses

will

damage

the

casework

and

equipment.

Th~

leveling

glides

are

under

each

corner

the

console

and

bench,

and

are

mounted

heavy

threaded

pins.

These

may

adjusted

much

1-1/2"

(

compensate

for

irregularities

the

floor.

simple

spirit

level

can

assure

the

most

accurate

settings.

This

particularly

useful

schools

where

the

organ

may

have

moved

several

locations.

SPEAKER

SYSTEM

The

Jamestown

available

with

either

self-contained,

two-channel

speaker

system,

with

external

cabinets.

The

internal

speaker

system

consists

aMain

Channel

speakers)

and

built-in

Leslie

rotating

speaker

element.

The

typical

external

speaker

installation

would

include

full-range

Main

Cabinet,

plus

Leslie

rotating

speaker

system.

For

added

voice

separation,

many

three

cabinets

may

used

well

Echo

speaker

system,

give

adequate

power

and

spread

for

large

churches.

addition,

external

cabinets

may

added

self-contained

models

later

date,

desired.

Amplification

provided

within

each

Tone

Cabinet

using

high

performance

all-transistor

amplifiers.

THE

CARE

AND

MAINTENANCE

'OF

THE

RODGERS

ORGAN

any

fine

musical

instrument,

the

care

and

maintenance

your

Rodgers

receives

part

the

protection

your

investment.

Normally,

you

should

experience

difficulties

with

the

various

systems

the

organ.

has

been

carefully

designed,

and

only

the

very

finest

component

parts

have

been

used

its

manufacture.

Even

the

finest

equipment,

however,

subject

occasional

malfunctions

and

failures.

Your

Rodgers

Service

Representative

fully

equipped

and

qualified

handle

any

service

problems

which

may

arise.

Your

new

Rodgers

not

only

fine

musical

instrument,

also

fine

piece

custom

made

furniture,

finished

hold

its

attractiveness

through

generations

use.

Only

the

best

woods

are

used,

carefully

checked

for

uniformity

grain

and

intensity

figure,

and

carefully

hand

assembled.

each

finish

coat

applied,

thoroughly

dried

and

hand

rubbed

before

the

coat

applied.

This

hand

rubbing

results

finish

that

lasting

and

easy

keep

looking

beautiful.

Here

are

few

tips

caring

for

the

Rodgers.

CONSOLEANDPEDALBOARD

frequent

dusting

with

soft,

clean

cloth

usually

all

that

required.

small

amount

Johnson's

Cream

Polish

the

cloth

will

keep

the

organ

smudge-free

and

will

help

remove

fingerprints.

Waxes,

oils,

silicone

base

polishes

should

not

used.

Always

wipe

the

finished

surfaces

with

the

grain,

using

straight

and

even

strokes.

KEYBOARDS

AND

STOP

TABS

Keyboards

and

Stop

Tabs

should

cleaned

with

soft

cloth

dampened

with

water

and

mild

soap.

NOT

USE

SOLVENTS

(Alcohol,

gasoline,

carbon

tetrachloride,

etc.).

Since

extreme

cold,

heat,

exposure

sunlight

may

injure

the

finish

any

piece

fine

furniture,

the

organ

console

finished

speaker

cabinets

should

not

placed

over

heat

near

open

window.

THE

MUSICAL

RESOURCES

THE

RODGERS

ORGAN

The

Voice

Families

the

Organ

(Principals,

Flutes,

Strings,

and

Reeds)

THEPRINCIPALCDIAPASON)

FAMILY

The

sound

which

most

associate

with

the

organ

isthe

Principal.

Diapason

tone,

the

very

foundation

the

classic

organ.

The

importance

this

stop

emphasized

the

use

the

word

"Principal"

denote

it.

The

Principal

sound

non-imitative;

has

orchestral

counterpart.

is,

therefore,

unique

the

organ.

the

natural

sound

produced

open

metal

organ

pipes,

set

into

vibration

the

action

the

wind.

has

enough

foundational

tone

enable

blend

well

with,

and

add

strength

to,

the

whole

ensemble

the

organ.

the

same

time,

possesses

enough

harmonic

development

add

brilliance

and

character.

The

usefulness

this

type

tone

becomes

apparent

when

one

looks

the

stoplist

the

Organs

the

Great

Manual,

Principals

are

present

8',

4'~

pitch

level$.

There

also

mutation

Principal

pitch

(2-2/3'

Twelfth),

and

Mixture

stop

composed

Principal

partials,

designed

add

brilliance

the

Principal

Chorus

every

the

keyboard.

the

Swell

division,

Principals

are

present

and

pitches

aids

the

ensemble

that

manual.

The

Gemshorn

the

Swell

voiced

Principal/String

hybrid,

less

bold

than

the

Principal

the

Great.

the

Pedal

Organ,

Principals

are

present

and

pitches

provide

foundation

and

definition

for

that

division

plus

Mixture

further

accentuate

the

pedal

line.

THE

FLUTE

FAMILY

The

Flute

tones

the

organ

are

characterized

limited

harmonic

development,

and

such,

are

good

foundation

builders.

Here

have

sound

with

orchestral

counterpart,

and

can

used

valuable

solo

stop.

the

Great

division,

Flutes

complete

the

ensemble

and

give

fuller,

rounded

sound.

The

light

upper

Flutes

the

Swell

manual

enable

that

division

perform

Baroque

divison--

foil

the

Great

passages

involving

contrapuntal

textures.

The

mutation

(off-unison)

pitches

the

Swell

Flutes

enable

the

imaginative

organist

actually

synthesize

variety

interesting

solo

effects

(more

this

the

registration

section).

The

Baroque

"chiff"

accent

available

the

Flutes,

adding

sparkle

the

works

Bach

and

his

contemporaries.

The

Flutes

the

Rodgers

Organ

may

channeled

into

the

Leslie

Speaker

Unit,

through

the

use

the

Flute/Diapason

Chorus

and

Flute

(

Tremulant

Full

tabs.

This

gives

the

Flutes

the

deep,

vibrant

tremolo

the

Tibia

family

stops,

enabling

the

organist

play

the

music

the

Gospel

tr~dition,

well

theatrical

and

popular

style

music.

Dieses Handbuch passt für folgende Modelle

Inhaltsverzeichnis

Andere Rodgers Musikinstrument Handbücher

Rodgers

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Rodgers

Rodgers Trillium T967 Bedienungsanleitung

Rodgers

Rodgers Classic Organ 527 Bedienungsanleitung

Rodgers

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Rodgers

Rodgers 805C Bedienungsanleitung

Rodgers

Rodgers 795 Bedienungsanleitung

Rodgers

Rodgers OLYMPIC Bedienungsanleitung

Rodgers

Rodgers 751i/e Bedienungsanleitung

Rodgers

Rodgers OXFORD 940 Bedienungsanleitung

Rodgers

Rodgers Concord 745 Bedienungsanleitung

Rodgers

Rodgers 525 Bedienungsanleitung

Rodgers

Rodgers 790C Bedienungsanleitung

Rodgers

Rodgers Cambridge 735 Bedienungsanleitung

Rodgers

Rodgers Cambridge 730 Bedienungsanleitung

Rodgers

Rodgers 595 Bedienungsanleitung

Rodgers

Rodgers OXFORD 940 Bedienungsanleitung

Rodgers

Rodgers 32A Bedienungsanleitung

Rodgers

Rodgers 558 Bedienungsanleitung

Rodgers

Rodgers Insignia 537 Bedienungsanleitung

Rodgers

Rodgers 610 Bedienungsanleitung

Rodgers

Rodgers Essex 625 Bedienungsanleitung

Rodgers

Rodgers Trillium T797 Bedienungsanleitung

Rodgers

Rodgers Oxford 945 Bedienungsanleitung

Rodgers

Rodgers Theatre 360 Bedienungsanleitung

Beliebte Musikinstrument Handbücher anderer Marken

Kawai

Kawai CN17 Bedienungsanleitung

Yamaha

Yamaha PCY130 Bedienungsanleitung

Korg

Korg SP-170S Bedienungsanleitung

Roland

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