Roland Ep-95 Bedienungsanleitung

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Roland

e095

e0:85

e0-/5

DIGITAL

PIANOS

Owner's

Manual

CAUTION

RISK

OF

ELECTRIC

SHOCK

DO

NOT

OPEN

ATTENTION:

risque

ve

choc

ELeCTHIQUE

NE

PAS

QUURIR

CAUTION:

TO

REDUCE

THE

RISK

OF

ELECTRIC

SHOCK,

DO

NOT

REMOVE

COVER

(OR

BACK).

NO

USER-SERVICEABLE

PARTS

INSIDE.

REFER

SERVICING

TO

QUALIFIED

SERVICE

PERSONNEL.

The

lightning

flash

with

arrowhead

symbol,

within

an

equilateral

triangle,

is

intended

to

alert

the

user

to

the

presence

of

uninsulated

“dangerous

voltage”

within

the

Product's

enciosure

that

may

be

of

sufficient

magnitude

to

constitute

a

risk

of

electric

shock

to

persons.

A

The

exclamation

point

within

an

equilaterat

triangie

is

intended

to

alert

the

user

to

the

presence

of

important

operating

and

maintenance

(servicing)

instructions

in

the

fiterature

accompanying

the

product.

IMPORTANT

SAFETY

INSTRUCTIONS

SAVE

THESE

INSTRUCTIONS

WARNING

-

When

using

electric

products,

basic

precautions should

always

be

followed,

including

the

following:

1,

Read

all

the

instructions

before

using

the

product.

.

Do

not

use

this

product

near

water

—

for

example,

near

a

bathtub,

washbowl,

kitchen

sink,

in

a

wet

basement,

or

near

a

swimming

pool,

or

the

like.

3.

This

product

should

be

used

only

with

a

cart

or

stand

that

is

recommended

by

the

manufacturer.

.

This

product,

either

alone

or

in

combination

with

an

amplifier

and

headphones

or

speakers,

may

be

capable

of

producing

sound

levels

that

could

cause

permanent

hearing

loss.

Do

not

operate

for

a

long

period

of

time

at

a

high

volume

level

or

at

a

level

that

is

uncomfortable.

If

you

experience

any

hearing

loss

or

ringing

in

the

ears,

you

should

consult

an

audiologist.

§.

The

product

should

be

located

so

that

its

location

or

position

does

not

interfere

with

its

proper

ventilation.

.

The

product

should

be

located

away

from

heat

sources

such

as

radiators,

heat

registers,

or

other

products

that

produce

heat.

.

The

product

should

be

connected

to

a

power

supply

only

of

the

type

described

in

the

operating

instructions

or

as

marked

on

the

product.

nN

»

co

~

purpose

of

the

plug.

For

Polarized

Line

Piug

CAUTION:

BLUE:

NEUTRAL

BROWN:

LIVE

the

terminals

in

your

plug,

proceed

as

follows:

TO

PREVENT

ELECTRIC

SHOCK,

MATCH

WIDE

BLADE

OF

PLUG

TO

WIDE

SLOT,

FULLY

INSERT.

ATENTION:

pour

Eviter

LES

CHOCS

ELECTRIQUES,

INTRODUIRE

LA

LAME

LA

PLUS

LARGE

DE

LA

FICHE

DANS

LA

BORNE

CORRESPONDANTE

DE

LA

PRISE

ET

POUSSER

JUSQU’

AU

FOND,

Na

One

FOF

tHE

U.K.

IMPORTANT:

THE

WIRES

IN

THIS

MAINS

LEAD

ARE

COLOURED

IN

ACCORDANCE

WITH

THE

FOLLOWING

CODE.

As

the

colours

of

the

wires

in

the

mains

lead

of

this

apparatus

may

not

correspond

with

the

coloured

markings

identifying

The

wire

which

is

coloured

BLUE

must

be

connected

to

the

termina!

which

is

marked

with

the

letter

N

or

coloured

BLACK.

The

wire

which

is

coloured

BROWN

must

be

connected

to

the

terminal

which

is

marked

with

the

letter

L

or

cotoured

RED.

J)

8.

The

power-supply

cord

of

the

product

should

be

unplugged

from

the

outlet

when

left

unused

for

a

long

period

of

time.

9.

Care

should

be

taken

so

that

objects

do

not

fall

and

liquids

are

not

spilled

into

the

enclosure

through

openings.

10.The

product

should

be

serviced

by

qualified

service

personnei

when:

A.

The

power-supply

cord

or

the

plug

has

been

damaged;

or

B.

Objects

have

fallen,

or

liquid

has

been

spilled

onto

the

product;

or

C.

The

product

has

been

exposed

to

rain;

or

D.

The

product

does

not

appear

to

operate

normally

or

exhibits

a

marked

change

in

performance;

or

E.

The

product

has

been

dropped,

or

the

enclosure

damaged.

11.Do

not

attempt

to

service

the

product

beyond

that

described

in

the

user-maintenance

instructions.

All

other

servicing

should

be

referred

to

qualified

service

personnel.

For

the

USA

This

product

may

be

equipped

with

a

polarized

line

plug

(one

blade

wider

than

the

other)

.

This

is

a

safety

feature.

If

you

are

unable

to

insert

the

plug

into

the

outlet,

contact

an

electrician

to

replace

your

obsolete

outlet.

Do

not

defeat

ihe

safety

For

Canada

7

Roland

e095

e0:85

e075

SIGITAL

PIANOS

Owner's

Manual

Thank

you,

and

congratulations

on

your

choice

of

the

Roland

ep-95

/ep-85/ep-75

Digital

Piano.

Designed

to

make

it

easier

for

more

people

to

have

fun

with

music,

the

ep-95/ep-85/ep-75

has

firm

roots

in

the

same

leading-edge

technology

and

manufacturing

know-how

that

has

made

Roland

a

leader

in

electronic

musical

instrament

development.

The

ep-95/ep-85/ep-75

provides

8

sounds

and

an

accompa-

niment

section

(called

Pianist)

with

11

inspiring

patterns

for

you

to

have

fun

with.

When

controlled

by

an

external

sequencer

or

computer

with

sequencing

software,

the

ep-95/ep-85/ep-75

can

be

used

as

mullti-

timbral

sound

module

that

conform

to

the

GS

format

(241

sounds,

9

Drum

Sets).

The

ep-95/ep-85/ep-75

also

provides

additional

features,

including

a

convenient

recording

function.

This

manual

explains

how

to

use

the

ep-95

and

ep-85/ep-75.

Aspects

that

are

only

available

on

the

ep-95

will

be

clearly

marked

as

such.

Please

read

this

manual

in

its

entirety

before

starting

out.

Have

fun!

In

addition

to

the

items

listed

under

“IMPOR-

TANT

SAFETY

INSTRUCTIONS”

and

“USING

THE

UNIT

SAFELY”,

please

read

and

observe

the

following:

(

Power

Supply

¢

Do

not

use

this

instrument

on

the

same

power

circuit

with

devices

that

will

generate

line

noise

(such

as

an

electric

motor

or

variable

lighting

system).

*

Before

connecting

the

ep-95/ep-85/ep-75

to

other

devices,

turn

off

the

power

to

all

units.

This

will

help

prevent

malfunctions

and/or

damage

to

speakers

or

other

devices.

[3

Placement

¢

This

instrument

may

interfere

with

radio

and

television

reception.

Do

not

use

it

in

the

vicinity

of

such

receivers.

Do

not

place

the

instrument

near

devices

that

produce

a

strong

magnetic

field

(e.g.,

loudspeak-

ers).

Install

the

ep-85/ep-75

on

a

solid,

level

surface

and

mount

the

ep-95

on

its

stand.

*

Do

not

expose

the

ep-95/ep-85/ep-75

to

direct

sunlight,

place

it

near

devices

that

radiate

heat,

leave

it

inside

an

enclosed

vehicle,

or

otherwise

subject

it

to

temperature

extremes.

Excessive

heat

can

deform

or

discolor

the

unit.

°

Q

Maintenance

For

everyday

cleaning

wipe

the

instrument

with

a

soft,

dry

cloth

or

one

that

has

been

slightly

dampened

with

water.

To

remove

stubborn

dirt,

use

a

mild,

non-abrasive

detergent.

Afterwards,

be

sure

to

wipe

the

instrument

thoroughly

with

a

soft,

dry

cloth.

e

Never

use

benzene,

thinners,

alcohol

or

solvents

of

any

kind,

to

avoid

the

possibility

of

discol-

oration

and/or

deformation.

&

Repairs

and

data

backup

*

Please

be

aware

that

all

data

contained

in

the

ep-95/ep-85/ep-75’s

memory

may

be

lost

when

the

instrument

is

sent

for

repairs.

During

repairs,

due

care

is

taken

to

avoid

the

loss

of

data.

How-

ever,

in

certain

cases

(such

as

when

circuitry

related

to

memory

itself

is

out

of

order),

we

regret

that

it

may

not

be

possible

to

restore

the

data.

Roland

assumes

no

liability

concerning

such

loss

of

data.

Additional

precautions

¢

Please

be

aware

that

the

contents

of

memory

can

be

irretrievably

lost

as

a

result

of

a

malfunction,

or

the

improper

operation

of

the

instrument.

*

Use

a

reasonable

amount

of

care

when

using

the

instruments’s

buttons,

sliders

other

controls.

Rough

handling

can

lead

to

malfunctions.

¢

When

connecting

/

disconnecting

all

cables,

grasp

the

connector

itself

—

never

pull

on

the

cable.

This

way

you

will

avoid

causing

shorts,

or

dam-

age

to

the

cable

wires.

¢

A

small

amount

of

heat

will

radiate

from

the

instrument

during

normal

operation.

¢

To

avoid

disturbing

your

neighbors,

try

to

keep

the

instrument’s

volume

at

a

reasonable

level.

At

times,

it

may

be

preferable

to

use

headphones.

¢

When

you

need

to

transport

the

ep-95/ep-85/ep-

75,

package

it

in

the

box

(including

padding)

that

it

came

in

or

use

a

hard

or

soft

case.

Before

making

any

connections,

make

sure

you

have

the

power

on

your

instrument

turned

off.

(ep-95)

MIDI

PEDAL

Damper/Soft

pedal

(part

of

the

KS-95/135

stand)

—

(ep-85/ep-75)

ior

our

PEDAL

nN

DAMPER

SOFT

TUNEL,

or

poseonss

DP-2/DP-6

(or

Boss

FS-5U)

footswitches

From

output

of

CD

player.

a

sound

module,

etc.

a

NPUT

ac

12

66000

Lsreneoo

From

output

|

of

CD

player.

a

sound

module,

etc.

Connect

the

supplied

power

cord

here

To

AUX/LINE

IN

of

stereo

set,

powered

speakers,

etc.

POWER

CJ

17000

USE

ROAND

MONO

AGJIASA

ADAPTOR

ONLY

ogo

Lererzod

Connect

the

supplied

adaptor

here

To

AUX/LINE

IN

of

stereo

set,

powered

speakers,

etc.

Connect

the

supplied

power

cord

(ep-95)

or

AC

adaptor

(ep-85/ep-75)

and

the

damper/soft

pedal

cable

of

the

KS-135

stand

(ep-95),

or

the

supplied

DP-6

pedal

(ep-85)

or

DP-2

pedal

(ep-75)

to

the

ep-95/ep-85/ep-75.

If

you

wish

to

use

headphones,

insert

the

plug

into

the

PHONES

jack

on

the

front

of

the

instru-

ment

(left

side

of

the

keyboard).

Once

headphones

are

connected

to

this

jack,

sound

is

no

longer

output

from

the

speakers.

This

makes

it

ideal

for

times

when

you

wish

to

play

without

disturbing

your

neighbors

or

family

(late

at

night,

for

example).

The

ep-85/ep-75

can

accomodate

two

sets

of

headphones.

BRILLIANCE

Dianist

BALLAD

POP.

@

®

SLSWING

SWING

SO0SSAN

ROCKN

eS

VOLUME

8

Csnuret

ist

sock

JL

cain

bs

wartz/

banc

nme!

STEM

si

VOLUME

:

Liev

transpose

SRE

|

|

METRONOME

—INTRO/

ENDING

emt

ekroe

@

®

©

@

®

4.

BRILLIANCE

slider

(ep-95

only)

Move

this

slider

towards

the

right

(BRIGHT)

to

make

the

overall

sound

brighter.

Move

it

to

the

left

if

you

prefer

a

mellower

tone.

Set

it

to

its

cen-

tral

position

to

apply

no

tone

correction

(flat).

2.

VOLUME

slider

Use

this

slider

to

set

the

global

volume

of

your

ep-95/ep-85/ep-75.

The

more

you

move

it

to

the

right

(towards

MAX),

the

louder

the

ep-95/ep-

85/ep-75

will

sound.

When

connecting

head-

phones,

we

suggest

you

first

set

the

[VOLUME]

slider

to

the

MIN

position

and

then

gradually

increase

the

volume.

Please

bear

in

mind

that

lis-

tening

at

excessive

volumes

for

an

extended

peri-

od

of

time

may

cause

lasting

damage

to

your

hearing.

3.

VOLUME

A/V

buttons

These

buttons

allow

you

to

set

the

Pianist’s

level

(see

below)

relative

that

of

the

sound

assigned

to

the

keyboard.

You

can

also

use

them

to

establish

the

desired

balance

between

the

two

sounds

you

assigned

to

the

keyboard

(using

two

sounds

simultaneously

is

called

layering).

Press

the

&

button

to

increase

the

volume

of

the

accompani-

ment

or

layered

sound,

or

the

¥

button

to

decrease

it.

4.

Style

selection

buttons

These

buttons

allow

you

to

select

the

desired

accompaniment.

To

select

a

Style

whose

name

appears

below

these

buttons,

you

need

to

press

two

buttons

simultaneously.

.

TEMPO

indicators

These

indicators

flash

to

indicate

the

time

signa-

ture

and

tempo

of

the

selected

Style.

The

red

indicator

flashes

on

every

downbeat

of

a

mea-

sure.

Depending

on

the

Style

you

selected,

not

all

indicators

may

be

used.

If

you

select

the

SL

WALTZ

Style,

for

instance,

only

the

first

three

indicators

will

flash

(3/4).

.

METRONOME

button

Press

this

button

to

switch

the

metronome

on

(indicator

lights)

and

off

(indicator

goes

dark).

7.

INTRO/ENDING

button

Press

this

button

to

start

Style

playback

with

an

introduction,

or

to

finish

with

a

suitable

ending.

8.

KEY

START/STOP

button

Press

this

button

(indicator

lights)

whenever

you

want

to

use

the

ep-95/ep-85

/ep-75’s

Pianist.

Doing

so

will

split

the

keyboard

at

middle

C3

(C4

for

ep-75)

and

start

playback

of

the

Pianist

{either

with

or

without

an

introduction,

see

above)

the

moment

you

play

a

note

or

chord

in

the

left

half

of

the

keyboard.

9,

TEMPO/KEY TRANSPOSE

a/¥

buttons

These

buttons

allow

you

set

the

tempo

of

the

ep-95/ep-85/ep-75’s

Pianist

and

metronome.

Press

&

to

increase

the

tempo

and

¥

to

decrease

it.

You

can

also

use

these

buttons

to

transpose

the

keyboard.

PIANO

1

PIANO

2

E.PIANO

VIBRAPHONE

HARPSICHORD

ORGAN

__

STRINGS

CHOIR

|

©

®O

10.

REC

button

Press

this

button

if

you

want

to

record

your

per-

formance

using

the

ep-95/ep-85/ep-75's

Recorder.

You

can

record

either

with

or

without

accompaniment.

®

11.

PLAY/DEMO

button

Use

this

button

to

start

playback

of

your

own

song

or

of

the

demonstration

songs.

12.

Tone

selection

buttons

Press

one

(or

two)

of

these

buttons

to

select

the

sound(s)

you

wish

to

play

on

the

keyboard.

2 4

g

&

a

22

id

Ge

|

|

6g

@

13,

CHORUS

button

Press

this

button

to

switch

the

digital

Chorus

effect

on

(indicator

lights)

or

off

(indicator

goes

dark).

If

you

press

and

hold

this

button,

you

switch

on/off

the

MIDI

synchronization

function.

14,

REVERB

button

Press

this

button

to

switch

the

digital

Reverb

effect

on

(indicator

lights)

or

off

(indicator

goes

dark).

KEY

TOUCH

UGHT

HEAVY

®

15.

KEY

TOUCH

(Only

EP-95)

These

buttons

allow

you

to

change

the

ep-95’s

response

to

your

playing

dynamics.

See

“Key

Touch:

velocity

sensitivity”

for

details.

The

ep-95/ep-85/ep-75

comes

with

seven

songs

that

demonstrate

the

quality

of

its

Tones

and

Styles.

Note:

See

the

explanation

under

step

(2)

of

“First

steps”

if

the

demo

function

doesn’t

seem

to

work.

1,

Connect

all

supplied

accessories

(see

“Connections/pow-

ering

up").

2.

Hold

down

the

[PLAY]

button

and

press

one

of

the

follow-

ing

Tone

select

buttons

to

start

playback

of

the

corre-

sponding

song,

PIANO

1

emer,

Educational

demo

1

Educational

demo

2

Classic

demo

1

VIBRAPHONE

Ged

«=

Classic

demo

2

PLAY

HABPSICHORD

ce

af

‘am

Jazz

demo

QEMO

Tone

demo

uscd

Wis)

Pianist

demo

All

demo

songs

All

demo

songs:

KEY.

START/STOP

(The

indicator

of

the

[PLAY]

button

lights,

while

the

indicator

of

the

Tone

select

button

you

pressed

flashes.)

To

listen

to

all

demo

songs

in

sequence,

hold

down

[KEY

START/STOP]

while

pressing

[PLAY].

3.

Press

the

[PLAY]

or

[KEY

START/STOP]

button

to

stop

playback

of

the

demo

song{s).

Note:

You

cannot

play

on

the

keyboard

while

a

demo

song

is

played

back,

If

you

want

to

start

playing

again,

stop

the

demo

song(s).

Demo

songs

and

composers

Fducational

1M,

Clementi

-

Sonatina

Op36

n°1,

J.5.

Bach

-

Minuetto

«

Minuetio

Educational

2

LVan

Beethoven

-

Sonatina

in

Sol,

W.A.

Mozart

+

Sonata

K.545

Classic

1

F.

Chopin

-

Studio

Op.

10

n°4

Classic

2

M,

Ravel

-

Valse

Noble

et

Sentimentales

n’

3

Jor

Massimiliano

Coclite

-

Flower

Tones

Various

Composers

Pianist

Styles

demo

Profile

of

the

demo

songs

Arranger

Massimiliano

Coclite

i

Massimiliano

Cociite

graduated

in

piano

with

excellent

marks.

After

getting

his

degree

with

Maestro

Marvulli

at

the

Pescara

Academy

of

Music,

he

decided

to

pertect

his

skills

by

attending

a

three-vear

specialization

course,

A

concert

pianist

and

composer,

Massimiliano

plays

recitals

and

performs

with

chamber

orchestras.

On

an

international

level,

he

has

performed

in

Germany

with

such

famous

artists

as

M.

Strauss,

5.

Collot,

8.

Tudorache

as

weil

as

with

the

fntemational

French

Orchestra,

At

home,

Massimiliano

has

played

in

all

major

Kalian

cities,

including

solo

performances

with

the

Bari

and

Pescara

Symphony

Orchestras.

Massimitiano

has

just

recorded

2

CD

of

his

own

work

with

a

tio.

The

winner

of

sev-

eral

national

and

intemational

competitions,

he

has

been

working

for

Roland

as

musical

adviser

since

1992.

‘:etneemeeveneeunn

nn

Soo

el

RACEHORSE

CSN

The

first

time

you

switch

on

your

ep-95/ep-85/ep-

75,

it

will

automatically

select

the

Pianist

mode.

See

step

(2)

under

“First

steps”

if

you

have

selected

the

piano

mode.

Note

that

the

ep-95/ep-85

/

ep-75

can

be

used

as

a

“real”

piano

in

Pianist

mode

(i.e.

with-

out

accompaniment).

Just

don’t

press

the

[KEY

START/STOP]

button...

But

do

have

a

listen

at

the

Pianist

just

the

same.

1,

Connect

all

supplied

accessories

(see

“Connections/pow-

ering

up”).

2.

Press

the

[KEY

START/STOP]

button

(indicator

lights).

The

Pianist

is

an

automatic

accompaniment

func-

tion

that

provides

a

piano

accompaniment

for

your

melodies

based

on

the

chords

you

play

with

your

left

hand.

Unlike

the

normal

piano

mode

(see

page

10),

the

ep-95/ep-85

/ep-75's

Pianist

splits

the

keyboard

into

two

halves.

Let’s

agree

to

call

the

left

half

of

the

keyboard

the

Lower

zone,

and

to

refer

to

the

right

half

as

the

Upper

zone.

The

split

point

is

lo-

cated

at

C3

(C4

on

ep-75):the

third

C

from

the

left.

~

~

——

C3

(ep-95/85)

C4

(@p-75)

Lower

zone:

Upper

zone:

Pianist

Melody

You

are

free

to

select

whichever

Tone

you

like

for

the

Upper

zone.

See

page

10

for

how

to

select

Tones.

Chord

Intelligence

3.

Play

a

C

to

the

left

of

the

Split

Point.

The

ep-95/ep-85/75

now

assumes

that

you

want-

ed

to

play

a

C

major

chord

and

starts

an

accom-

paniment

in

C

major.

The

function

that

allows

the

ep-95/ep-85

/ep-75

to

make

that

assumption

is

called

Chord

Intelligence.

Chord

Intelligence

simplifies

chord

fingering

to

a

degree

that

even

newcomers

wiil

have

little

trou-

ble

playing

great

music.

Let’s

have

a

look

at

how

Chord

Intelligence

works.

Look

at

the

following

examples

of

C

chords

and

try

out

the

fingering

you

see

in

the

right

illustrations.

(For

your

reference,

we

also

included

the

correct

fingering

of

these

chords.

You

may

need

them

for

playing

piano,

organ,

etc.,

music.)

Note:

By

playing

your

first

chord,

you

will

start

the

Pianist.

If

you

want

to

stop

it,

press

[REY

START/

STOP].

@

C

major:

UH

i

|

He

ischial

fel

fel

jet

LL

Chord

Intelligence

Normal

HC

minor

(m):

tli

of

El

te

Chord

intelligence

Normal

C7:

t

‘a

i

|

|

I

LT

l

It

lf

Chord

Intelligence

Normal

@

C

minor

seventh

(m7):

Chord

Intelligence

Normal

Note:

You

can

also

play

chords

the

usual

way.

Note:

See

the

end

of

this

manual

for

additional

chords

(also

in

other

keys).

Pianist:

musical

accompaniments

But

why

do

you

need

chords?

That

is

because

the

Pianist

uses

the

selected

Style

and

transposes

it

to

the

key

you

specify

by

playing

(intelligent)

chords.

Try

this

out

now:

first

play

a

C

in

the

Lower

zone,

wait

until

the

end

of

the

first

bar,

then

play

a

G,

and

go

back

to

C

again.

Once

you’ve

mastered

that,

try

improvising

a

melody

to

the

accompaniment

with

your

right

hand.

Selecting

Styles

The

built-in

accompaniments

of

your

ep-95/

ep-

85/ep-75

are

called

Styles

(just

look

at

the

names,

such

as

ROCK’N,

to

understand

why

they're

called

that

way).

Here

is

how

to

select

the

desired

Style:

4,

Press

one

Style

select

button

to

call

up

a

Style

whose

name

appears

above

these

buttons:

BALLAD

POP

SLSWING

SWING

B8OSSAN

ROCK'N

Ushurrte+Ust

rock]

ann

Es:

wattz/

bras

nme!

The

indicator

of

the

button

you

pressed

lights.

5.

Simultaneously

press

two

buttons

to

select

a

Style

whose

name

appears

below

the

Style

select

button.

To

select

a

Style

of

the

upper

row

again,

just

press

its

button,

Note:

Watch

the

front

panel

for

the

pairs

that

can

be

pressed

simultaneously.

It is

not

possible,

for

instance,

to

hold

down

[BALLAD]

while

pressing

[BOSSA

N].

Pianist

volume

If

the

accompaniment

is

too

loud with

respect

to

your

melody,

you

can

lower

the

its

volume

with

the

VOLUME

&/Y¥

buttons.

Note:

You

can

hold

down

these

butions

to

quickly

select

significantly

lower

or

higher

values.

To

return

to

the

preset

balance,

press

both

but-

tons

simultaneously.

Style

tempo

On

page

10,

you

will

find

an

illustration

that

contains

the

time

signature

and

preset

tempo

val-

ues

of

each

Style.

If

you

think,

a

Style

is

too

slow,

press

TEMPO

&

to

increase

the

tempo.

You

can

set

any

value

between

J

=

20~250.

If

you

feel

more

comfortable

at

a

slightly

slower

tempo,

press

TEMPO

¥

instead.

Note:

You

can

hold

down

these

buttons

to

quickly

select

significantly

lower

or

higher

values.

To

return

to

the

preset

tempo,

press

both

buttons

simultaneously.

Stopping

the

Pianist

To

stop

playback

of

the

current

Style,

press

[KEY

START/STOP].

Please

bear

in

mind

that

doing

so

will

switch

off

the

Pianist

function,

so

that

the

keyboard

is

no

longer

split.

You

need

to

press

[KEY

START/STOP]

again

to

switch

the

Pianist

back

on

again.

Intro/Ending

The

[INTRO/ENDING]

button

serves

two

func-

tions:

If

you

press

it

while

the

Pianist

is

not

playing,

you

select

an

introduction

for

the

current

Style.

As

soon

as

you

play

a

note

or

chord

in

the

Lower

zone,

Style

playback

will

begin

with

an

introduc-

fon.

Note:

You

can

also

activate

the

Pianist

by

pressing

this

button,

In

that

case,

there

is

no

need

to

press

[KEY

START/STOP]

(both

indicators

will

light).

INTRO

ING

KEY

START/STOP

*

If

you

press

{INTRO/ENDING]

while

the

Pianist

is

playing,

Style

playback

will

stop

after

playing

an

ending

(coda).

The

Ending

always

starts

on

the

next

downbeat.

Note:

The

[INTRO/ENDING]

button

doesn't

work

when.

the

Pianist

mode

is

switched

off

(see

next

page).

Changing

the

split

point

As

you

know,

the

preset

split

point

between

the

Upper

section

and

the

Pianist

is

set

at

C3

(C4

on

ep-75).

There

may

be

times

when

that

is

just

at

little

too

far

to

the

left

or

right.

The

ep-95/ep-85

allows

you

to

change

the

split

point

to

any

key

between

C2

and

the

C4

(C3-C5

on

ep-75)

that

is,

one

octave

up

or

down

with

respect

to

the

preset

value.

Here

is

how

to

change

it:

1.

Press

and

hold

down

any

Style

select

button

until

its

indi-

cator

starts

flashing.

2.

Press

the

key

on

the

keyboard

is

to

become

the

new

split

point.

This

split

point

is

memorized

when

you

switch

off

your

ep-95/ep-85/ep-75.

Be

aware,

however,

that

the

ep-95/ep-83/ep-75

will

revert

to

C3

(C4

on

ep-75)

when

you

recall

the

factory

settings.

0

Let

us

now

look

at

how

to

operate

the

ep-95/

ep-

85/ep-75

to

play

piano,

organ,

etc.

music

without

accompaniment.

First

steps

.

Connect

all

supplied

accessories

(see

“Connections/pow-

ering

up”).

.

Hold

down

[KEY

START/STOP]

and

switch

on

the

ep-95/

ep-85/ep-75.

This

is

only

necessary

if

you

want

to

disable

the

Pianist

(piano

teachers

may

want

to

do

this).

Note:

Please

bear

in

mind

that

by

selecting

the

piano-

only

mode,

you

will

also

disable

the

demo

function

and

the

[INTRO/ENDING}]

button.

See

“Initializing

the

ep-95/ep-85/ep-75”

for

how

to

activate

the

Pianist

again.

.

Press

the

Tone

selection

button

assigned

to

the

sound

you

wish

to

use,

Eight

of

the

241

sounds

(let’s

agree

to

call

them

Tones)

are

assigned

to

front-panel

buttons.

These

are

the

Tones

you

can

select

on

the

ep-95/ep-

85/ep-75

itself.

The

remaining

Tones

(and

Drum

Sets)

can

only

be

selected

via

MIDI.

The

Tones

you

can

select

are:

PIANO

1

A

realistic

Grand

Piano

sound

PIANO

2

A

bright

piano

sound

E,

PIANO

An

electric

piano

VIBRAPHONE

A

refreshing

vibraphone

sound

HARPSICHORD

A

brilliant

harpsichord

sound

ORGAN

The

sublime

sound

of

a

pipe

organ

STRINGS

The

sound

of

a

string

ensem-

ble

CHOIR

The

rich

sound

of

a

mixed

choir

.

Use

the

[VOLUME]

slider

to

set

the

desired

volume.

Adding

effects

.

Press

the

[CHORUS]

and/or

[REVERB]

button

to

add

the

corresponding

effect

{indicator

lights).

CHORUS

REVERB

The

Chorus

effect

gives

the

impression

that

sever-

al

instruments

(slightly

out

of

tune)

are

playing

the

same

part

in

unison.

This

effect

creates

a

broad

stereo

image

and

is

especially

suitable

for

the

E.PIANO,

VIBRAPHONE,

or

STRINGS

Tones.

The

Reverb

effect

creates

the

same

echo-like

effect

you

hear

in

a

church,

in

a

large

hall,

etc.

Use

it

to

add

depth

to

your

music.

2.

Press

the

[CHORUS]

and/or

[REVERB]

button

again

to

1

switch

off

the

effect

(indicator

goes

dark).

Using

the

metronome

Your

ep-95/ep-85/ep-75

features

a

metronome

you

may

want

to

use

for

practising

purposes.

Here

is

how

to

operate

it:

.

Press

the

Style

select

button

that

corresponds

to

the

time

signature

you

need:

BALLAD

POP

SLSWING

SWING

BOSSAN

ROCK'!N

Usuuerue+Usi

rock

tL

canny

J

bs

waurz/

beac

timed

|

2

j=180|

|

|

4

J=092

g

3

gJ=120]

|F

Use

the

preset

tempo

of

the

Style

in

question

as

a

starting

point

but

keep

in

mind

that

you

can

change

the

tempo

with

TEMPO

&/¥.

eS

Es)

.

Press

the

[METRONOME]

button

{indicator

lights).

You

can

also

change

the

volume

of

the

metronome:

.

Hold

down

the

[METRONOME]

button

until

its

indicator

starts

flashing.

.

Use

the

VOLUME

A/¥

buttons

to

set

the

metronome

vol-

ume.

.

Release

the

[METRONOME]

button.

To

switch

the

metronome

off

again,

press

[METRONOME]

one

more

time.

Recalling

the

default

metronome

Volume

To

restore

the

metronome

default

volume,

press

both

VOLUME

4/¥

buttons.

Layering

two

sounds

You

can

also

press

two

Tone

selection

buttons

simultaneously.

(Alternatively,

hold

down

one

button

while

pressing

another

one.)

an