Roland SBX-1000 Bedienungsanleitung

The multi-eects feature 30 dierent kinds of eects.

Number Eect Name

00 THRU

01 SUPER FILTER

02 STEP FILTER

03 FILTER+DRIVE

04 AUTO WAH

05 COMPRESSOR

06 LO-FI COMPRESS

07 DISTORTION

08 OVERDRIVE

09 EQUALIZER

10 ISOLATOR

11 SLICER

12 RING MODULATOR

13 STEP RINGMOD

14 PITCH SHIFT

15 STEREO DELAY

16 3TAP PAN DELAY

17 REVERSE DELAY

18 TAPE ECHO

19 CHORUS

20 HEXA-CHORUS

21 SPACE-D

22 PHASER

23 STEP PHASER

24 INFINITE PHASER

25 FLANGER

26 STEP FLANGER

27 AUTO PAN

28 ROTARY

29 REVERB

30 LONG REVERB

About Note Values

Some eect parameters (such as Rate or Delay Time) can

be set by using note values.

Whenever the “BPM Sync” parameter is set to “ON,” settings

can be made in terms of a note value, so when the eect

is applied, it will be synchronized to the tempo set for the

Kit or Phrase.

note:

Dotted quarter note

Double-note triplet

Sixteenth-note triplet

Sixty-fourth note

Quarter-note triplet

Half-note triplet

Whole-note triplet

Eighth-note triplet

Dotted whole note

Dotted half note

Dotted thirty-second note

Thirty-second-note triplet

Dotted eighth note

Dotted sixteenth note

Double note

Whole note

Thirty-second note

Sixty-fourth-note triplet

Eighth note

Quarter note

Half note

Sixteenth note

When “BPM Sync” is set to “OFF,” a numerical value can be

set for the relevant items.

NOTE

If you set the delay time as a note value, slowing down

the tempo will not change the delay time beyond a

certain length. There is an upper limit for the delay

time so if it is set as a note value and you slow down

the tempo until this upper limit is reached, the delay

time cannot change any further. This upper limit is the

maximum value that can be specied when setting the

delay time as a numerical value.

About Knob Indications

When the icons shown below appear along with a

parameter in the FX-EDIT screen, it means that this FX

parameter can be controlled with the knobs in the FX

CONTROL screen. For each FX, the optimal parameters

have been assigned and made available for control.

Knob 1

Knob 2

Knob 3

OCTAPAD SPD-30 Eects List

CORPORATION.

1PS

00: THRU

The eect won’t be applied.

01: SUPER FILTER

This is a lter with an extremely sharp slope. The cuto frequency can be varied cyclically.

Knob Parameter Value Explanation

Filter Type LPF, BPF, HPF, NOTCH Filter type

Frequency range that will pass through each lter

LPF: Frequencies below the cuto

BPF: Frequencies in the region of the cuto

HPF: Frequencies above the cuto

NOTCH: Frequencies other than the region of the cuto

Slope -12 dB, -24 dB, -36 dB Filter slope (damping characteristics; amount of damping per octave)

-12 dB: gentle

-24 dB: steep

-36 dB: extremely steep

[Knob 3] Cuto 0–127 Cuto frequency of the lter

Increasing this value will raise the cuto frequency.

[Knob 2] Resonance 0–127 Filter resonance level

Increasing this value will emphasize the region near the cuto frequency.

Modulation Sw OFF, ON On/o switch for cyclic change

Modulation Wave TRI, SQR, SIN, SAW1,

SAW2

How the cuto frequency will be modulated

TRI: triangle wave

SQR: square wave

SIN: sine wave

SAW1: sawtooth wave (upward)

SAW2: sawtooth wave (downward)

Rate BPM Sync OFF, ON OFF: Rate specied as numerical value

ON: Rate specied as note value

Rate 0–127, note Rate of modulation

[Knob 1] Depth 0–127 Depth of modulation

Level 0–127 Output level

SAW1 SAW2

02: STEP FILTER

This is a lter whose cuto frequency can be modulated in steps. You can specify the pattern by which the cuto frequency will

change.

Knob Parameter Value Explanation

[Knob 3] Cuto Modify -64–+63 Increases/decreases value for all steps

Cuto Step 1-8 0–127 Cuto frequency at each step

Increasing this value will raise the cuto frequency.

Rate BPM Sync OFF, ON OFF: Rate specied as numerical value

ON: Rate specied as note value

[Knob 1] Rate 0–127, note Rate at which 8-step sequence is to be repeated

Attack 0–127 Speed at which the cuto frequency changes between steps

Filter Type LPF, BPF, HPF, NOTCH Filter type

Frequency range that will pass through each lter

LPF: frequencies below the cuto

BPF: frequencies in the region of the cuto

HPF: frequencies above the cuto

NOTCH: frequencies other than the region of the cuto

Slope -12 dB, -24 dB, -36 dB Filter slope (damping characteristics; amount of damping per octave)

-12 dB: gentle

-24 dB: steep

-36 dB: extremely steep

[Knob 2] Resonance 0–127 Filter resonance level

Increasing this value will emphasize the region near the cuto frequency.

Level 0–127 Output level

03: FILTER+DRIVE

This is a low-pass lter equipped with overdrive. It cuts the upper range and adds distortion.

Knob Parameter Value Explanation

[Knob 3] Cuto 0–127 Cuto frequency of the lter

Increasing this value will raise the cuto frequency.

[Knob 2] Resonance 0–127 Filter resonance level

Increasing this value will emphasize the region near the cuto frequency.

[Knob 1] Drive 0–127 Amount of distortion

04: AUTO WAH

Cyclically controls a lter to create cyclic change in timbre.

Knob Parameter Value Explanation

Filter Type LPF, BPF Type of lter

LPF: The wah eect will be applied over a wide frequency range.

BPF: The wah eect will be applied over a narrow frequency range.

[Knob 3] Manual 0–127 Adjusts the center frequency at which the eect is applied.

[Knob 1] Peak 0–127 Adjusts the amount of the wah eect that will occur in the range of the center

frequency.

Set a higher value for Q to narrow the range to be aected.

[Knob 2] Sensitivity 0–127 Adjusts the sensitivity with which the lter is controlled.

Polarity UP, DOWN Sets the direction in which the frequency will change when the auto-wah lter is

modulated.

UP: The lter will change toward a higher frequency.

DOWN: The lter will change toward a lower frequency.

Rate BPM Sync OFF, ON OFF: Rate specied as numerical value

ON: Rate specied as note value

Rate 0–127, note Frequency of modulation

Depth 0–127 Depth of modulation

Phase 0–180 deg Adjusts the degree of phase shift of the left and right sounds when the wah eect

is applied.

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Level 0–127 Output Level

05: COMPRESSOR

Flattens out high levels and boosts low levels, smoothing out uctuations in volume.

Knob Parameter Value Explanation

[Knob 1] Threshold -48–0 dB Adjusts the volume at which compression begins

Make Up 0–24 dB Adjusts the output gain

Ratio 2:1, 3:1, 4:1, 8:1, 100:1 Compression ratio

[Knob 2] Attack 0–100 Sets the time from when the input exceeds the Threshold until the volume starts

being compressed

[Knob 3] Release 0–99 Adjusts the time after the signal volume falls below the Threshold Level until

compression is no longer applied

Low Gain -15–+15 dB Gain of the low frequency range

High Gain -15–+15 dB Gain of the high frequency range

06: LO-FI COMPRESS

This is an eect that intentionally degrades the sound quality for creative purposes.

Knob Parameter Value Explanation

Pre Filter Type 1–3 Selects the type of lter applied to the sound before it passes through the Lo-Fi

eect.

Lo-Fi Type 1–9 Degrades the sound quality. The sound quality grows poorer as this value is

increased.

Post Filter Type OFF, LPF, HPF Type of lter after it passes through the Lo-Fi eect

OFF: no lter is used

LPF: cuts the frequency range above the Cuto

HPF: cuts the frequency range below the Cuto

Post Filter Cuto 200–8000 Hz Basic frequency of the Post Filter

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

[Knob 1] Level 0–127 Output level

07: DISTORTION

Intensely distorts the sound. The tone quality of the distorted sound is adjusted with a lter.

Knob Parameter Value Explanation

Pre HPF BYPASS, 16–1000 Hz Frequency of the lter that cuts the low-frequency content of the input sound

(BYPASS: no cut)

[Knob 1] Drive 0–127 Amount of distortion

Tone Sw OFF, ON Switches Tone on/o

Tone 0–127 Tone quality of distorted sound

[Knob 2] Distortion Level 0–127 Volume of distorted sound

[Knob 3] Dry Level 0–127 Volume of original sound

08: OVERDRIVE

Mildly distorts the sound. The tone quality of the distorted sound is adjusted with a lter.

Knob Parameter Value Explanation

Pre HPF BYPASS, 16–1000 Hz Frequency of the lter that cuts the low-frequency content of the input sound

(BYPASS: no cut)

[Knob 1] Drive 0–127 Amount of distortion

Tone 0–127 Tone quality of distorted sound

[Knob 2] Overdrive Level 0–127 Volume of distorted sound

[Knob 3] Dry Level 0–127 Volume of original sound

09: EQUALIZER

This is a four-band stereo equalizer (low, mid x 2, high).

Knob Parameter Value Explanation

Low Freq 200, 400 Hz Frequency of the low range

[Knob 1] Low Gain -15–+15 dB Gain of the low range

Mid1 Freq 200–8000 Hz Frequency of the middle range 1

Mid1 Gain -15–+15 dB Gain of the middle range 1

Mid1 Q 0.5, 1.0, 2.0, 4.0, 8.0 Width of the middle range 1

Set a higher value for Q to narrow the range to be aected.

Mid2 Freq 200–8000 Hz Frequency of the middle range 2

Mid2 Gain -15–+15 dB Gain of the middle range 2

Mid2 Q 0.5, 1.0, 2.0, 4.0, 8.0 Width of the middle range 2

Set a higher value for Q to narrow the range to be aected.

High Freq 2000, 4000, 8000 Hz Frequency of the high range

[Knob 2] High Gain -15–+15 dB Gain of the high range

[Knob 3] Level 0–127 Output Level

10: ISOLATOR

This is an equalizer which cuts the volume greatly, allowing you to add a special eect to the sound by cutting the volume in

varying ranges.

Knob Parameter Value Explanation

[Knob 1] Boost/Cut Low -64–+63 These boost and cut each of the Low frequency ranges.

At -64, the sound becomes inaudible. 0 is equivalent to the input level of the

sound.

[Knob 2] Boost/Cut Mid -64–+63 These boost and cut each of the Middle frequency ranges.

At -64, the sound becomes inaudible. 0 is equivalent to the input level of the

sound.

[Knob 3] Boost/Cut High -64–+63 These boost and cut each of the High frequency ranges.

At -64, the sound becomes inaudible. 0 is equivalent to the input level of the

sound.

Mode BOOST NORMAL,

BOOST HIGH

Maximum value of the boost

NORMAL: +4dB

HIGH: +12dB

11: SLICER

By applying successive cuts to the sound, this eect turns a conventional sound into a sound that appears to be played as a

backing phrase. This is especially eective when applied to sustain type sounds.

Knob Parameter Value Explanation

[Knob 3] Level Modify 0–127 Increases value for all steps

Level Step 1-8 0–127 Level at each step

Rate BPM Sync OFF, ON OFF: Rate specied as numerical value

ON: Rate specied as note value

[Knob 1] Rate 0–127, note Rate at which 8-step sequence is to be repeated

[Knob 2] Attack 0–127 Speed at which the level changes between steps

Input Sync Sw OFF, ON Species whether an input note will cause the sequence to resume from the rst

step of the sequence (ON) or not (OFF)

Input Sync

Threshold

0–127 Volume at which an input note will be detected

Mode LEGATO, SLASH Sets the manner in which the volume changes as one step progresses to the next.

LEGATO: The change in volume from one step’s level to the next remains

unaltered. If the level of a following step is the same as the one preceding it, there

is no change in volume.

SLASH: The level is momentarily set to 0 before progressing to the level of the

next step. This change in volume occurs even if the level of the following step is

the same as the preceding step.

Shue 0–127 Timing of volume changes in levels for even-numbered steps (step 2, step 4, step

6...).

The higher the value, the later the beat progresses.

Level 0–127 Output level

12: RING MODULATOR

This is an eect that applies amplitude modulation (AM) to the input signal, producing bell-like sounds. You can also change

the modulation frequency in response to changes in the volume of the sound sent into the eect.

Knob Parameter Value Explanation

Mode RING MOD, ENV OSC RING MOD: Applies amplitude modulation to the input signal

ENV OSC: Outputs oscillation corresponding to the input signal

[Knob 1] Frequency 0–127 Adjusts the frequency at which modulation is applied.

[Knob 2] Sensitivity 0–127 Adjusts the amount of frequency modulation applied.

Polarity UP, DOWN Determines whether the frequency modulation moves towards higher frequen-

cies (UP) or lower frequencies (DOWN).

Wet Low Gain -15–+15 dB Amount of boost/cut for the eect sound’s lower range

Wet High Gain -15–+15 dB Amount of boost/cut for the eect sound’s upper range

[Knob 3] Balance D100:0W–D0:100W Volume balance between the direct sound (D) and the eect sound (W)

Level 0–127 Output Level

13: STEP RINGMOD

This is a ring modulator that uses a 8-step sequence to vary the frequency at which modulation is applied.

Knob Parameter Value Explanation

[Knob 3] Freq Modify -64–63 Increases value for all steps

Freq Step 1-8 0–127 Frequency of ring modulation at each step

Rate BPM Sync OFF, ON OFF: Rate specied as numerical value

ON: Rate specied as note value

[Knob 1] Rate 0–127, note Rate at which 8-step sequence is to be repeated

Mode RING MOD, ENV OSC RING MOD: Applies amplitude modulation to the input signal

ENV OSC: Outputs oscillation corresponding to the input signal

[Knob 2] Attack 0–127 Speed at which the modulation frequency changes between steps

Wet Low Gain -15–+15 dB Amount of boost/cut for the eect sound’s lower range

Wet High Gain -15–+15 dB Amount of boost/cut for the eect sound’s upper range

Balance D100:0W–D0:100W Volume balance of the original sound (D) and eect sound (W)

Level 0–127 Output Level

14: PITCH SHIFT

Shifts the pitch of the original sound. This pitch shift can add two pitch shifted sounds to the original sound.

Knob Parameter Value Explanation

[Knob 1] Pitch 1 [semitone] -24–+12 semi Adjusts the pitch of Pitch Shift 1 in semitone steps.

[Knob 2] Pitch 2 [semitone] -24–+12 semi Adjusts the pitch of Pitch Shift 2 in semitone steps.

Pitch Delay BPM

Sync

OFF, ON OFF: Pitch Delay Time specied as numerical value

ON: Pitch Delay Time specied as note value

Pitch Delay Time 0–1300 msec, note Adjusts the delay time from the direct sound until the Pitch Shift sound is heard.

[Knob 3] Pitch Feedback -98–+98 % Adjusts the proportion of the pitch shifted sound that is fed back into the eect.

Negative (-) settings will invert the phase.

Pitch 1 Pan L64–63R Stereo location of the Pitch Shift 1 sound

Pitch 2 Pan L64–63R Stereo location of the Pitch Shift 2 sound

Pitch 1 Level 0–127 Volume of the Pitch Shift 1 sound

Pitch 2 Level 0–127 Volume of the Pitch Shift 2 sound

Wet Low Gain -15–+15 dB Amount of boost/cut for the eect sound’s lower range

Wet High Gain -15–+15 dB Amount of boost/cut for the eect sound’s upper range

Balance D100:0W–D0:100W Volume balance between the direct sound (D) and the pitch shifted sound (W)

Level 0–127 Output Level

15: STEREO DELAY

This is a stereo delay.

Knob Parameter Value Explanation

Left BPM Sync OFF, ON OFF: Left Time specied as numerical value

ON: Left Time specied as note value

Left Time 0–1300 msec, note Adjusts the time until the delay sound is heard.

Right BPM Sync OFF, ON OFF: Right Time specied as numerical value

ON: Right Time specied as note value

Right Time 0–1300 msec, note Adjusts the time until the delay sound is heard.

Phase Left NORMAL, INVERSE Phase of the delay sound

Phase Right NORMAL, INVERSE Phase of the delay sound

Feedback Mode NORMAL, CROSS Selects the way in which delay sound is fed back into the eect.

[Knob 1] Feedback -98–+98 % Adjusts the amount of the delay sound that’s fed back into the eect. Negative (-)

settings invert the phase.

HF Damp 200–8000 Hz, BYPASS Adjusts the frequency above which sound fed back to the eect is ltered out

(BYPASS:no cut).

Wet Low Gain -15–+15 dB Amount of boost/cut for the eect sound’s lower range

Wet High Gain -15–+15 dB Amount of boost/cut for the eect sound’s upper range

[Knob 2] Level 0–127 Output level

16: 3TAP PAN DELAY

Produces three delay sounds; center, left and right.

Knob Parameter Value Explanation

Delay BPM Sync OFF, ON OFF: Left/Center/Right Time specied as numerical value

ON: Left/Center/Right Time specied as note value

Left/Center/Right

Time

0–1300 msec, note Adjusts the time from the original sound until the left, right, and center delayed

sounds are heard

Center Feedback -98–+98 % Adjusts the amount of the delay sound that’s fed back into the eect. Negative (-)

settings invert the phase.

HF Damp 200–8000 Hz, BYPASS Adjusts the frequency above which sound fed back to the eect is ltered out

(BYPASS:no cut).

[Knob

1/2/3]

Left/Center/Right

Level

0–127 Volume of each delay

Wet Low Gain -15–+15 dB Amount of boost/cut for the eect sound’s lower range

Wet High Gain -15–+15 dB Amount of boost/cut for the eect sound’s upper range

Level 0–127 Output level

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