Roland Turbostart GR-1 Bedienungsanleitung

Andere Handbücher für Turbostart GR-1

1

Andere Roland Synthesizer Handbücher

Roland

Roland JP-8 Bedienungsanleitung

Roland

Roland VP-770 Installations- und Betriebsanleitung

Roland

Roland E-35 Bedienungsanleitung

Roland

Roland JUNO-DS Bedienungsanleitung

Roland

Roland GR-300 Bedienungsanleitung

Roland

Roland GR-20 Bedienungsanleitung

Roland

Roland E-66 Bedienungsanleitung

Roland

Roland SH-5 Bedienungs- und Wartungshandbuch

Roland

Roland E-09 Bedienungsanleitung

Roland

Roland RS-5 Bedienungsanleitung

Roland

Roland JP-8080 Bedienungsanleitung

Roland

Roland CG-8 Bedienungsanleitung

Roland

Roland XV-2020 Bedienungsanleitung

Roland

Roland JP-8 Bedienungs- und Wartungshandbuch

Roland

Roland HP -6 Bedienungsanleitung

Roland

Roland V-Synth Bedienungsanleitung

Roland

Roland JV-50 Bedienungsanleitung

Roland

Roland JD-800 Bedienungsanleitung

Roland

Roland GR-33B Bedienungsanleitung

Roland

Roland RS-09 Bedienungsanleitung

Roland

Roland Gaia SH-01 Bedienungsanleitung

Roland

Roland SH-1000 Bedienungsanleitung

Roland

Roland SH-101 Bedienungs- und Wartungshandbuch

Roland

Roland V-Synth GT Bedienungs- und Wartungshandbuch

Beliebte Synthesizer Handbücher anderer Marken

Joranalogue

Joranalogue Contour 1 Bedienungsanleitung

Full Bucket Music

Full Bucket Music Mono/Fury Bedienungsanleitung

Kawai

Kawai PH50 Bedienungsanleitung

IK Multimedia

IK Multimedia UNO Synth PRO X Bedienungsanleitung

Kawai

Kawai MP7 Technisches Handbuch

Behringer

Behringer DEEPMIND 12 Bedienungsanleitung

Gotharman

Gotharman Gotharman's anAmoNo-box Bedienungsanleitung

Yamaha

Yamaha DX21 Bedienungsanleitung

QuStream

QuStream HDFS-550 Bedienungsanleitung

Modal Electronics

Modal Electronics ARGON8 Bedienungsanleitung

Octave

Octave Cat SRM Bedienungsanleitung

Dreadbox

Dreadbox Murmux Initiate Bedienungsanleitung

neutral labs

neutral labs ELMYRA 2 Bedienungsanleitung

Waldorf

Waldorf KYRA Bedienungsanleitung

Tubbutec

Tubbutec Juno-66 Bedienungsanleitung

EFM

EFM VCADSR - 3510 Bedienungsanleitung

Yamaha

Yamaha MOTIF XF Bedienungsanleitung

Korg

Korg Poly-800 Bedienungsanleitung

Roland

GUITAR

SYNTHESIZER

^

OWNER'S

MANUAL

Roland

GR

-

1

GUITAR

SYNTHESIZER

17

See

al

EEEE

M

PST

(vem

VA

JC

JE

TUNER

For

the

U.K.

IMPORTANT:

THE

WIRES

IN

THIS

MAINS

LEAD

ARE

COLOURED

IN

ACCORDANCE

WITH

THE

FOLLOWING

CODE.

BLUE

:

NEUTRAL

BROWN

:

LIVE

As

the

colours

of

the

wires

in

the

mains

lead

of

this

apparatus

may

not

correspond

with

the

coloured

markings

identitying

the

terminals

in

your

plug

proceed

as

follows:

The

wire

which

is

coloured

BLUE

must

be

connected

to

the

terminal

which

is

marked

with

ihe

letter

N

or

coloured

BLACK.

The

wire

which

is

coloured

BROWN

must

be

connected

to

the

terminal

which

is

marked

with

ihe

letter

L

or

coloured

RED.

For

Germany

Bescheinigung

des

Herstellers/Importeurs

Hiermit

wird

bescheinigt,

daß

der/die/das

in

Übereinstimmung

mit

den

Bestimmungen

der

Roland

GUITAR

SYNTHESIZER

GR-1

—

Amtsbl.

Vig

1046/1984

(Gerat.:Typ.

Bezeichnung)

E

(Amtsblattverfügung)

funk-entstórt

ist.

Der

Deutschen

Bundespost

wurde

das

Inverkehrbringen

dieses

Gerätes

angezeigt

und

die

Berechtigung

zur

Überprüfung

der

Serie

auf

Einhaltung

der

Bestimmungen

eingeráumt.

Roland

Corporation

Osaka/Japan

Name

des

Herstellers/Importeurs

For

the

USA

RADIO

AND

TELEVISION

INTERFERENCE

WARNING

—

`

This

equipment

has

been

verified

to

comply

with

the

limits

for

a

Class

B

computing

device;

pursuant

to

Subpart

J,

of

Part

15,

of

FCC

ruies.

Operation

with

non-certified

or

non-verified

equipment

is

likely

to

result

in

interference

to

radio

and

TV

reception.

The

equipment

described

in

this

manual

generates

and

uses

radio

frequency

energy.

If

it

is

not

installed

and

used

Property.

that

is,

in

strict

accordance

with

our

instructions,

it

may

causa

interference

with

radio

and

television reception.

This

equipment

has

been

tested

and

found

to

comply

with

the

limits

for

a

Class

B

computing

device

in

accordance

with

the

specifications

in

Subpart

J,

of

Part

+5,

of

FCC

Rules.

These

rules

are

designed

to

provide

reasonabie

protection

against

such

a

interference

in

a

rasidential

installation.

However,

there

is

no

guarantee

that

the

interference

will

not

occur

in

a

particular

installation.

If

this

equipment

does

cause

interference

to

radio

or

television

reception,

which

can

be

determined

by

tuming

the

equipment

on

and

off,

the

user

is

encouraged

to

try

to

correct

the

interference

by

the

following

measure:

^.

©

Disconnect

other.

devices

and

their

inpuVoutput

cables

one

at

a

time:

If

the

interference

Stops,

it

is

caused

by

either

the

other

device

or

its

VO

cable.

‘These

devices

usually

require

Actand

designated

shielded

VO

cables.

For

Roland

devices.

you

can

obiain

the

proper

shielded

cable

from

your

dealer.

For

non

Roland

devices,

contact

the

manufacturer

or

dealer

for

assistance.

I

your

equipment

does

cause

interference

to

radio

or

television

reception,

you

can

try

to

correct

the

interierence

by

using

one

or

more

of

the

following

measures.

Turn

the

TV

or

radio

antenna

until

the

interference

stops.

s

Move

the

equipment

to

one

side

or

the

other

of

the

TV

cr

radio.

Move

the

equipment

farther

away

from

the

TV

or

radio.

Plug

the

equipment

into

an

outlet

that

is

on

a

different

circuit

than

the

TV

or

radio.

(That

is,

make

certain

the

equipment

and

the

radio

or

television

set

are

on

circuits

con-

‘rolled

by

different

circuit

breakers

or

fuses.)

Consider

installing

a

rooftop

television

antenna

with

coaxial

cable

lead-in

between

the

antenna

and

TV.

if

necessary,

you

should

consult

your

dealer

or

an

experienced

fadioftelevision

technician

for

additional

suggestions.

You

may

find

helpful

the

following

booklet

prepared

by

tha

Federal

Communications

Commission:

“How

tc

identity

and

Resolve

Radio

—

TV

Interference

Problems”

This

booklet

is

available

from

the

U.S.

Goverment

Printing

Office,

Washington,

D.C.,

20492.

Stock

No.

004-000-00345-4.

eee

For

Canada

CLASS

B

-

NOTICE

This

digital

apparatus

does

not

exceed

the

Class

B

limits

for

radio

noise

emissions

set

out

in

the

Radio

Interference

Regu

€

7]

CLASSE

B

Cet

appareil

numéri

dans

le

Réglement

Roland

GR-1

GUITAR

SYNTHESIZER

Owner's

Manual

Before

You

Begin...

We'd

like

to

take

this

opportunity

to

thank

you

for

purchasing

the

GR

-

1

guitar

synthesizer.

Even

if

you're

a

guitarist

who

has

never

messed

around

much

with

electronic

instruments,

in

no

time

you'll

be

accessing

the

many

incredible

built-in

sounds

using

‘the

stomp-boxy

foot-pedal

controls.

There

is

also

a

multi-timbral

sound

module

and

built-in

Recorder

that

will

let

you

play

along

with

an

entire

ensemble!

Please

iake

the

time

to

look

through

this

manual

carefully

so

that

you

will

tully

understand

all

the

great

features

and

get

years

of

enjoyment

from

your

purchase.

And

if

you

find

that

the

GR-

1

has

become

your

favorite

"sound

tool"

wherever

you

go,

on

stage

or

in

studio,

well,

there's

nothing

would

please

us

more

here

at

Roland.

Copyright

©

1992

by

ROLAND

CORPORATION

Ali

rights

reserved.

No

part

of

this

publication

may

be

reproduced

in

any

form

without

the

permission

of

ROLAND

CORPORATION.

|

Features

CNS

IRS

NOE

(€

——————————

MERE

Based

on

a

custom

LSI

expressly

d

use

and

a

new

pitch

extractor

LSI

design.

This

greatly

speeds

up

the

pich

extraction

proce

iving

you

incredibly

fast

picking

response

@Analog

pitch

extraction

circuitry

hus

also

been

improved.

tn

give

you

more

natural

tracking.

Designed

to

Look

and

Feel

ound

module,

guitar

MIDI

interface

and

pedals

combined

into

one

unit.

so

you

can

make

senings

more

quickly

and

avoid

the

tangle

of

cables.

And

thanks

to

the

portable

design,

you

can

take

the

GR

-

1

with

you

wherever

you

go,

stage

or

studio.

Gin

addition

to

switching

tones

with

the

pedals,

vou

can

also

use

them

tọ

contro!

a

number

of

effects

such

as

Hold

or

smooth

Pitch

Beading.

@Large

fluorescent

display

makes

it

easy

to

see

and

check

on

settings.

even

on

a

dark

sti

@Seven

knobs

on

the

panel

for

quick

and

easy

editing

operations.

@Easy

to

use, so

you

can

start

making

your

own

synthesizer

sounds

right

away,

even

if

you've

never

done

anything

with

electronic

instruments

Jike

this

before.

oaded

with

the

Lat

flAccess

200

high-quality

Original

Tones

and

a

wide

variety

of

Variation

sounds

using

the

latest

ia

sound

module

technology

And

you

can

add

even

more

expressive

power

to

the

sounds

using

built-in

digital

filters.

@With

the

Wave

Expansion

Kit

(SR-GRI-01,

sold

separately).

you

can

expand

this

to

400

Original

Tones

(tripling

the

capacity).

9—4

Gi

Built-in

d-track

Recorder

(in

fact.

use

the

Recorder

for

a

variety

of

things,

such

as

giving

1

simple

sequencer),

You

can

Du

intros

when

playing

on

5

:companiment

for

demo

tapes.

with

ong

dai

s

Recorder

can

be

stored

in

memory

along

the

patch

du

@The

Recorder

is

directly

hooked

up

to

a

built-in

muiti-timbral

sound

module

(three

Parts

plus

a

rhythm

Part)

which

can

be

d

by

an

external

keyboard

or

full-fledged

sequencer

pl

M

ALDI

expansion

module.

SBuilt-in

digital

reverb

and

chorus

for

use

as

effects

with

the

synthesizer

sounds,

including

multitap

delay

and

flanger

settings

arameters

like

Reverb

Level

and

Chorus

Depth

can

be

directly

adjusted

and

casily

switched

on

and

off

with

the

front

panel

knobs

and

buttons,

SEquipped

with

stereo

return

jacks

for

use

with

the

guitar,

This

w

y.

you

can

play

the

guitar

sound

and

the

synth

sound

together

on

the

same

amp.

with

other

external

effects

applied

only

to

the

guitar.

@Also

equipped

with

two

jacks

for

external

pedals: one

for

volume

and

one

for

other

use,

This

way,

you

can

use

one

pedal

as

a

wah-like

tone

controller

and

another

just

as

a

volume

pedal.

Bl

Using

This

Manual

TR

d

The

manual

includes

the

following

sections.

When

necessary,

read

the

secite

you

need

to,

as

far

as

you

need

to.

Section

1

Preliminaries

“Getting

Your

Guitar

to

Work

With

the

GR-1"

Section

2

Section

3

Section

4

Section

5

Section

6

Section

7

Section

8

Section

9

[About

Explains

how

to

get

your

guitar

set

up

10

play

the

sounds

on

the

GR

-

i

Getting

the

Basic

Idea

"How

the

GR-1

is

Set

Up"

Basic

ideas

and

concepts

about

the

GR

-

1

itself

and

how

its

laid

out.

Making

Sounds

"Patch

Editing

and

Creating

New

Sounds"

Easy

patch

editing

on

the

GR

-

|

guitar synth.

Creating

More

Advanced

Patches

"Let's

Try

Some

More

In-Depth

Editing

on

Your

Patches"

res

outlined

in

Section

3

Adding

even

more

details

and

fine-tuning

of

the

patch

editing

procedi

Recording

"Using

the

On-Board

Recorder

and

Multi-Timbral

Sounds"

How

to

use

the

built-in

recorder.

Expanding

"Linking

Up

with

Other

MIDI

Devices"

Explains

how

to

combine

the

GR

-

1

with

other

MIDI

devices.

and

about

the

expandability

afforded

by

MIDI.

Some

Handy

Functions

"Miscellaneous

Settings

and

Functions"

How

to

save

data,

using

the

pedals.

and

other

handy

features.

Advanced

applications

“Ideas

for

Getting

the

Most

out

of

Your

GR-1”

Reference

Some

ideas

and

instructions

are

given

for

different

ways

to

use the

GR

-

1.

Miscellaneous

settings

and

reference

materials

are

found

here.

the

Symbols

in

the

Text]

To

make

the

explanations

in

this

book

easier

to

folluw,

we

use

the

following

symbols.

Hf

you

run

across

one

vou

don't

understand.

refer

to

this

page

to

recall

what

it

means.

Q

Words

surrounded

by

a

box

indicate

a

button

on

the

panel.

For

example,

|

ENTER/YES

|

refers

to

the

"Enter/Yes"

buton

itself.

@Two

buttons

next

to

one

another,

such

as

PARAMETER

|

PREVIOUS

|

NEXT

jor

VALUE

INC

C

{means

you

can

press

either

button.

BThe

*

at

the

start

of

a

sentence

indicates

an

especially

important

note

oi

arning.

Q

c7

P.**)

means

you

should

refer

to

the

indicated

page

number

for

more

information

about

the

topic

being

discussed.

Uep

important

Notes

au

nero

@

Be

sure

to

use

only

the

adaptor

supplied

with

the

unit.

Use

of

any

other

power

adaptor

could

result

in

dama

or

electric

shock.

[Power

Supply]

When

making

any

connection

h

other

dev

@

Do

not

use

this

unit

on

the

same

power

that

will

crate

fine

noise,

such

system.

@

The

pos

e.

Ensure

that

unit

is

shown

om

its

T

supply

required

for

namepla

ge

of

your

installation

mests

this

requirement.

Avoid

damaging

the

power

cord:

do

not

step

on

it,

pla

ging

Pp

F

objecis

on

it

$8

When

disconnecting

the

AC

adaptor

from

the

outlet,

grasp

the

E

F

grasp

plug

itself:

never

pall

on

the

cord.

@

If

the

unit

is to

remain unused

for

a

long

period

of

time.

unplug

the

power

card.

[Placement]

@

Do

not

subject

the

unit

to

temperature

extremes

(eg.

direct

sunlight

in

an

enclosed

vehicle).

Avoid

using

or

storing

the

unit

in

dusty

or

humid

areas

or

areas

that

are

subject

t0

high

vibration

levels

eu

containing

large

transformers

may

induce

bum.

ng

the

unit

near

power

amplifiers

(or

other

equipment

@

This

unit

may

interfere

with

radio

and

tefevision

reception.

Do

not

use

this

unit

in

the

vicinity

of

such

rece

6

not

expose

this

un

temperature

sunlight

in

an

enctose

icle

can

defi

or

discolor

the

unit?

or

install

it

near

devices

that

radiate

heat.

[Maintenance]

@

For

every

2

soft.

dry

cloth

(or

'

cleaning

wipe

the

unit

one

that

has

been

slightly

dampened

stubborn

dirt,

use

a

mild

neutral

10

wipe

@

Never

use

benzene,

thinners.

aleohol

or

solvents

avoid

the

risk

of

discoloration

und/or

deformation.

SS

ESTEE

SAREE

malfunctic

[Additional

Precautions]

er

it

from

strang

e

T

m E

npact

@

Do

not

allow

objects

or

liquids

of

any

kind

te

penetrate

the

unit

In

the

eve

zh

ap

occurrence.

discontinue

use

immediately,

Contact

qualified.

service

personnel

as

soon

as

possible.

@

Should

a

malfunction

occur

(or

if

you

suspect

there

fs

u

problem)

discontinue

use

immediat

Contaci

qualtfied

service

personnel

as

soon

as

possible

@

To

prevent

the

risk

of

electric

shor!

do

not

open

the

unit

or

its

AC

adaptor.

[Memory

Backup]

@

The

unit

contains

a

banery

which

maintains

the

contents.

of

memory

while

the

main

power

is

off.

The

expected

life

of

this

5

years

or

moi

Howev

battery

to

avoid

the

unexpected

loss

of

memory

data.

it

i

strongly

recommended

that

you

change

the

battery

every

3

years.

@

When

the

banery

becomes

weak,

the

following

message

will

nn

as

soon

as

possible

io

avoid

the

loss

of

memory

data.

appear

in

the

display

Please

change

battery

@

Please

he

aware

that

the

contents

of

memory

may

at

times

he

losi;

when

the

unit

is

sent

for

repairs

or

when

by

some

chance

a

malfunction

bas

occurred.

Important

data

should

be

stored

on

à

M

emory

card

or

in

another

MIDI

device

(eg.

a

sequencer).

or

written

down

on

paper.

During

repairs,

due

care

is

taken

to

avoid

the

foss

of

data.

However,

in

certain

cases,

(such

as

when

circuit

lated

to

memory

itself

is

out

of

order)

we

regret

that

it

may

be

impossible

to

restore

the

data.

Contents

METEO

AOR

Features

Using

This

Manual

{About

the

Symbols

in

the

Text]

BB

Important

Notes

Ei

Contents

e

&

Panel

Descriptions:

E

Before

Turning

the

Power

On

eeen

0.14

1.

Installing

the

GK-2--nen6m

1-2

2.

Making

the

Connections:

GK-2,

GR-1,

Amp

3.

Turning

On

and

Tuning

Up-

(i

Turning

On

the

Power

L]Tuning

the

Guitar

4.

Adjusting

the

Pickup

Sensitivity

for

Indi

Strings:

Adjusting

Divided

Pickup

Sensitiv

5.

Playing

the

Internal

Synth

Sounds

with

Your

[eni

1-8

6.

Press

the

Pedals

to

Listen

to

Some

of

the

Patches

—————Á—À

1-9

ity

-6

Switching

Paiche:

7.

Using

the

Pedals

for

Performance

Effects

(Hold,

etc.)

1-12

©

Before

Trying

Out

the

Pedal

Functions

DESI

©

Description

of

the

Pedal

Functio

t-13

TUNER

-13

PITCH

SHIFT

A^

-13

PITCH

SHIFT

B

--

Spala

P

/@

(Starv/Stop)

1-14

FAT/MOD

-

1-44

HOLD

l

[Checklist

for

Section

1]

menn

1-18

A

More

Complex

Set

Up

~v

Expanding

the

Set

Ups

3.Changing

the

Master

Tune

E

4.

Switching

Patches

in

Numerical

Order-

-T

5.

Returning

to

the

Initial

Patch

Settings

-9

[Checklist

for

Section

2}

19

"Patch"

and

a

2,

Patch

Editing

Using

the

Knobs

{1}

Before

You

Start

Editing,

...

{2)

Try

Changing

the

Tone

with the

Knobs

3s

4.

Selecting

a

New

Original

Tone

5.

Editing:

Turning

Reverb

and

Chorus

Onan

(1)

Turning

Reverb

and

Chorus

On/Off

--

(2)

Changing

the

Effects

Using

the

Knobs

D

Adjusting

the

Reverb

«eem

C

Adjusting

the

Chorus

~

6.

Miscellaneous

Editing

3

7.

Naming

a

Patches

3.13

8.

Patch

Write

[Checklist

for

Section

3]

Section

4

Creating

More

Advanced

Patches

wN

.

Transposing

How

to:

Note

Shift

the

ist

Tone

or

How

to:

Set

a

Different

Pitch

for

How

to:

Note

Shift

the

2nd

Tone

i

3.

Reverb/Chorus

Editing

in

More

Detail

-

How

to:

Make

Reverb

Effect

Settin

How

to:

Make

Chorus

Effect

Settings

4.

A

Little

More

Detail

About

Editing.

1st/2nd

Tone

Settings-

.

Other

Patch

Editing

5

un

Swapping

the

ist

and

2nd

Tones

iCopy

One

Tone

to

Another

(Tone

Copy

Function)

[Checklist

for

Section

4]

v1

d

dns

to

the

Demo

Song

B

Contents

s

and

Multi-Timbral

Paris

D

Guitar

Section

(1

Par)-

Making

the

Connection:

Keyboard

ee

How

to

Initialize

the

Song

in

the

Recorder

---

Calling

Up

the

Demo

Song

How

to:

Record

Parts

1,

2

and

3

Changing

V

b

and

Chorus

Vol

Loop

Recording

Tightening

Up

Drum

Parts

(Quantize

3.

Entering

the

Drum

Part

—

Loop

Recording

12

How

to:

Record

a

Drum

Part

(with

Loop

Recording

seem

3-12

Changing

the

Volume,

Reverh

Volume

and Pan

for

Percussion

Instrument

:-

D

Copy

5.19

Cl

Erase-

5.22

(1

Delete

-24

5.

The

Recorder:

Miscellaneous

Settings-

6.

Switching

Tones

and

Recording

During

a

Perforinance

«0er

Eben

eraece

tates

5.28

7.

Preventing

“Voice

Stealing”

—

Voice

Reserve

---

30

8.

Switching

How

Yon

Playback

a

Song

(GREP

oF

Card)

ciui

eerte

Ades

5.32

[Checklist

for

this

Section

5]

«e

5.34

Section

6

Expanding

Guitar-

Making

the

Connection

5

faType

A:

Multi-Timbrai

Sound

Modules

with

Six

or

More

Parts

LL

6-2

B

Type

B:

Multi-Timbral

Sound

Modules

with Five

or

Less

Parts;

or,

You

Just

Want

to

Cut

Down

on

the

Number

of

Paris

and

Channels

Used

«e

6-4

ii

Type

C:

Mono-Timbral

Sound

Modules

in

Mono

Mode

--

Using

the

GR-1

Pedals

to

$

Sound

Module

How

to:

Assign

a

Different

Transmined

Program

Change

Number

to

a

Patch

Changes

ee

6-7?

O-8

for

Each

“4-8

by

the

GR-1

How

to:

Transm

String

TIMIDI

Messages

Sent

to

External

Modules

ropping

the

Pitch

of

Devices

by

One

Octave

2.

Using

the

GR-1

as

an

Expansion

Module

for

an

External

MIDI

Device

6-12

m

laying

the

GR-1

Muiti-Timbral

Sound

Module

=

6

-

12

es

on

the

GR-I.

Multi-Timbral

Sound

witching

Ton

Module

--

13

CiChanging

Things

Like

Volume

and

Channel

for

Each

Part-

6-15

3.

Teaming

Up

with

an

External

MIDI

Sequence

19

Recording

Data

with

the

Guitar

(GR-1)

for

Playback

on

a

Keyboard

or

External

Sound

Module

eee

6.19

Hooking

Up

the

GR-1

and

a

Sequencer

620

if

You

Want

to

Tum

Local

On

and

Off

During

Performance

«eene

iere

retten

esta

tanen

6-22

4.

Transferring

Songs

from

a

Sequencer

to

the

Recorder

5.

MIDI

Control

of

External

Effec

6-27

6.

Exchanging

Patches

and

Recorded

Songs

with

External

Devices

Via

MIDI-

630

|

Data

Transfer-

6-30

i

i

Device

ID

"6-33

[Checklist

for

This

Section

6]

«e

6-34

Section

7

Some

Handy

Functions

1.

Changing

the

Pitch

Shift

and

Hold

Effects-

2.

Using

the

EV-5

and

DP-2

Pedals

3.

Switching

the

Effect

of

the

FAT/MOD

Pedal

4.

Using

Memory

Cards

5.

Changing

the

Patch

Switching

Methode-

7.20

6.

How

to:

Initialize

System

Data,

Patch

Data

and

Song

Data

in

the

Recorder

7.

Expansion

Board

[Checklist

for

Section

7]

Ax

'

Point

1...

wo

da

dà

ynthesizer

Sound

Heard

Later--

contents

C^

Multiple

guitar

effects

iememtnten

d

Sounding

the

Synthi

Played

Hard-

[Tips

for

Synthe

Point

2...

`}

Using

Delays

Tips

for

using

chorus

effects

Overused

Effects

o

ction

9

Reference

BRGK-2:

Part

Names

and

Functions

(As

They

Relate

to

the

GR-1)

@

Topic

Index

E

What

to

Do

If

You

Think

There's

a

Problem...

©

Error

Message

©

Troubleshooting

E

Default

Setting

Bi

Original

Tone

List

Bl

Parameter

List

@

Blank

Chart

Roland

Exclusive

Messages

MIDI

Implemeniation

MIDI

Implementation

Chart

@

Specifications

Bl

Index

0-—9

Panel

Descriptions:

anaana

——————

(Front.

Panel?

p

SC]

c

———

Roland

GR

-

1

GUITAR

SYNTHESIZER

(1)

Master

VOLUME

Controls

the

overall

output

of

the

GR

-

E

ivin

the

€

Also

controls

headphone

volume

*Does

not

affect

the

volume

of

the

guitar

sound

output

through

the

GUITAR

OUT

jack.

12)

Edit

Knobs

Control

tone,

reverb,

ar

chorus

in

the

Play

mode

(7

P.

]

44,

0

-—10

(3)

VALUE

Knob

Controls

Vibrato

Raw

or

Chorus

Ri

E

ein

the

Play

mode.

fn

the

t

mode.

it

can

be

used

to

set

parameter

values

knob

get

for

settings

made

with

the

(4)

TARGE

Swit

the

t

i

knobs

(3)

Number

Pedz

Bank|

UP

/

DOWN

|

Pedals

Depress

these

pedals

to

$

ütches

fer

PLEO},