Shure Vagabond PE52 Bedienungsanleitung

CLOSE-TALKING

MICROPHONE

Slips out of swivel stand adapter

quickly and easily

for hand-held use.

Your new Shure Close-Talking Microphone is probably dif-

ferent from any other microphone you have ever used. Unlike

most uni- and omnidirectional microphones, the

PE52

is de-

signed for extremely close operation at

in.) from the performer under conditions of very high sound

levels. When properly used, the microphone will provide high-

quality vocal sound while canceling distant sounds such as

high-power musical instruments, stage monitor speakers, en-

thusiastic audiences, or other background noise. The result is

clear, distinct vocal reproduction with minimal pickup of

instruments, monitors or audience,

even when the performer

cannot hear himself!

Also, because the microphone is inherently directional and

discriminates against unwanted sounds arriving from a distance

in favor of sounds arriving from a near source, it helps con-

trol acoustic feedback (that very annoying loudspeaker screech

3r howl). In addition, the microphone has two special filters

which provide protection against wind, blast and "pop" (ex-

plosive breath sounds). This means that despite the micro-

phone's close working distance, these noises have virtually no

effect on microphone performance.

(See inside for information on how to use your

Shure Microphone most effectively.)

HOW TO CONTROL FEEDBACK

performer's number one enemy in using a microphone is

-'feedback." This is a harsh hum, howl or squeal which occurs

when the microphone picks up sound from the loudspeakers,

re-amplifies and rebroadcasts it over and over again.

The key factors in feedback prevention are loudspeaker posi-

tion in relation to the microphone, and working distance from

the microphone. Feedback occurs if the microphone picks up

sound from the loudspeakers. Keep the loudspeakers as far

to the sides

possible-so they do not point toward the mi-

crophone. Always keep the microphone pointed toward and

close to the performer and away from the loudspeakers. When

stage monitor loudspeakers are used, make sure they are posi-

tioned in front of the performers and face the rear of the

microphone.

In a room with hard walls, floor, and ceiling, loudspeaker

sound may bounce back into the microphone and create feed-

back. Solve this ~roblemby turning down the amplifier volume

control.

(Important Note: If you cannot solve the feedback problem

with your close-talking microphone, a Shure Feedback

Controller is suggested.)

BASIC POINTS FOR PROFESSIONAL

MICROPHONE TECHNIQUE

Proper microphone technique will add to the overall effec-

tiveness with which you project yourself to your audience.

Keep the following points in mind when using this micro-

phone:

Maintain the proper distance of

l/z

('/4

in.)

from the microphone. This close working distance allows

the microphone to cancel distant sounds and provide su-

perior output under noisy conditions. This microphone has

a strong proximity effect, that is, maximum bass output

is obtained when it is used close-talking (see Figure

1).

For reduced bass response, hold the microphone a little

farther away. For optimum noise rejection, do not work the

microphone at distances greater than

cm (2 in.).

2. Don't needlessly change your distance from the micro-

phone as this will affect both the level and bass output.

Remember that this is a close-talking, voice-range micro-

phone. It should not be used for musical instrument miking

or general microphone use.

Consider the microphone as an instrument and practice

your technique to enhance your performance.

YOUR SHURE MICROPHONE IS BUILT TO LAST!

Your Shure Microphone is ruggedly built and should give you

years of uninterrupted service: however, remember that it is

a sensitive electronic instrument. Avoid dropping the unit, or

subjecting it to unnecessarily rough treatment. Normal usage,

of course, will not impair performance of the unit. Use the

protective carrying case to prevent damage not only when

traveling, but also when storing the microphone.

WINDSCREEN

The external foam windscreen of your microphone should

be cleaned occasionally. Slide it up and over the grille, rinse

it in clean water, squeeze the water out, and allow it to dry

completely before replacing. Be sure to replace with tapered

end at top.

MICROPHONE CHECK-LIST

Check microphone impedance-is it correct for the am-

plifier input being used?

Check microphone cable connectors to microphone, mixer,

and amplifier-are they tightly plugged in?

Check microphone, amplifier and/or mixer.

a. Are they turned on?

Are volume controls turned up?

IF THE MICROPHONE DOES NOT WORK

Check the above list. If the microphone still does not appear

to be operating, check it on a spare cable. If microphone still

does not appear to be operating, have the microphone and

cable checked by your Shure Professional Entertainer Products

Dealer, or write Service Department, Shure Brothers, Inc.

PHASING

To test two microphones and/or their cables for proper phas-

ing, connect them to an amplifier and talk or sing into them

while holding them three or four inches apart. The sound from

the speakers should be the same when talking into either mi-

crophone or directly between them if they are in phase with

each other. If the sound drops drastically, or if a dead spot

is found when talking between the two microphones, one of

them or its cable (low impedance only) is out of phase. All

cables and microphones should be tested in this manner to

insure that they are in phase with each other.

To change the phase of a low-impedance microphone cable,

either use a Shure AlSPRS Phase Reverser or interchange the

wires connected to pins 2 and 3 of the connector. To change

the phase of a microphone, the microphone cartridge leads

must be interchanged (see Figure 2). This should be per-

formed by your dealer, the Shure Factory Service Department,

or other qualified service personnel.

IMPEDANCE

Your microphone as supplied is wired for high impedance for

connection into high-impedance nlicrophone inputs. Tochange

microphone wiring for connection into low-impedance (rated

to 300 ohms) microphone inputs, remove plug element,

disconnect two-terminal impedance selection socket from rear

of plug element, and reconnect two-terminal socket in reverse

position so that pin

of plug element is inserted in socket

terminal

"L."

USING MORE THAN ONE MICROPHONE

It is often desirable for a group to use a separate microphone

for each individual performer. In this case, the following

points should be remembered:

It is best if the microphones are individually controlled

for volume through a separate Shure microphone mixer.

this is not possible, it is desirable that each performer

use the same type and model of microphone so that the

group as a whole will be "balanced."

Check the placement of the microphones with relation to

loudspeakers (as mentioned before) so that feedback is

minimized.

As additional microphones are added the possibility of

feedback increases. Turn off, or down, unused micro-

phones to help solve this problem.

SHURE FEEDBACK CONTROLLER

Lets you "tune" your sound system to the acoustics of the

room. The result is more overall sound power

without

feed-

back. Eight linear-motion filter controls are infinitely variable

from

dB cut. Below

Hz and Above

kHz roll-off

switches attenuate low and high frequencies. Can be installed

between mixer or console and amplifier for total system con-

trol, or following each microphone as a single-channel pre-

amplifier with feedback control.

THE VITAL LINK

BETWEEN

YOU

AND

THE AUDIENCE

SHURE PROFESSIONAL ENTERTAINER

MICROPHONES

Impedance:

Case:

Switch:

MODEL

PE52 SPECIFICATIONS

Dynamic, Close-Talking (Differential)

100 to 8.000 Hz close-talked (see Figure

-*lo

g-,o

SIEOC*CI

lcml

FIGURE

Dual. High: Microphone impedance is "High" for

c~nnectionto high-impedance microphone ~uputs.

Low

Microphone rating impedance

is.

150 ohms (170

ohms actual) for connection to microphone inputs

rated at 19 to 300 ohms.

Wired for high impedance as supplied (see Page

Output Level

in., 1,000Hz)

Open Circuit -61 dB (.89 mV) (high impedance)

-81

dB (.09 mV) (low impedance)

(0dB

volt per microbar)

Power Level: -59 dB (low impedance)

(0 dB

milliwatt with 10 microbars)

High impedance: Positive pressure on diaphrag

produces positive voltage on Pin

(see Figure

2).

Low impedance: Positive pressure on diaphragm pro-

duces positive volt

CO~~"~I&~

Silver-finish die casting

Built-in On-Off switch with lockplate installed in un

locked posjtion. To lock switch In On position, move

to On poultion, loosen screw on lockplate and turn

lockplate 180". Retighten screw.

GUARANTEE

This Shure product is guaranteed

normal use to be free from

electrical

and

mechanical defects for a period of one year from date of purchase Please re-

lain

proof of purchase date. This guarantee Includes all parts and labor. Thls

guarantee is

lieu of any and all other guarantees or

warranties,

express or

impl~ed,and there shall be no recovery for any consequentlal or incidental

damages.

SHIPPING INSTRUCTIONS

Carefully repack the unit and return kt prepa~dto:

Shure Brothers Incorporated

Attention: Service Department

1501 West Shure Drive

Arlington Heights, Illinois 60004

outside the United States, return the

unit

to your dealer or

Authorized

Shure

Service Center lor repair. The

unit

will be returned to you prepad

MODEL

PE52

SPECIFICATIONS (Continued)

Connector:

Equipped with professional three-pin audio connect01

designed to mate with furnished cable or Cannon

series. Switchcraft A3

(Q.G.)

series or equivalent

connectors.

Swivel Adapter:

Adjustable through 90" from vertical to horizontal, to

fit %"-27 stand thread.

Cable:

Net Weight:

Packaged

Weight:

6.lm (20 ft),single conductor, shieldcd cable, equipped

with professional three-socket audio connector on

microphone end and

I;$

in. phone pl.ug designed to

mate with high-impedance amplifier lnputs.

355 grams (12% oz) less cable

1.26 kilograms (2 1b 12%

02)

FURNISHED ACCESSORIES

Swivel Adapter:

Model A25B

Carrying Case:

90A1413

OPTIONAL ACCESSORIES

Desk Stand

Disconnect

Adapter:

Models S33B, S37A. S39A, S40A

Model A45

Line

Transformer:

Model A95 Series

REPLACEMENT PARTS

Cartridge:

R92

Switch:

RK57S*

Grille Assembly:

RK180G

Plug Element:

RK169Pe

Windscreen:

49A42A

Case Assembly:

RK181C

Cable:

Model C5-X

'Included in Case Assembly RK181C.

AREA CODE 312/866-2200 CABLE SHUREMICRO

SOUND OF THE PROFESSIONALS@

SHURE BROTHERS

INC.

222

HARTREY AVENUE

EVANSTON, ILLINOIS 60204

U.S.A.

Shure Brothers Inc.

27A1702 (AK) Printed in U.S.A.

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