Teac V-3000 Bedienungsanleitung

Inhaltsverzeichnis

Andere Teac Kassettenspieler Handbücher

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TEAC.

as

Stereo

Cassette

Deck

OWNER’S

MANUAL

Thanks

for

buying

a

TEAC.

Read

this

manual

carefully

to

get

the

best

performance

from

this

unit.

CAUTION:

TO

REDUCE

THE

RISK

OF

ELECTRIC

SHOCK,

DO

NOT

REMOVE

COVER

“AUT!

z

(OR

BACK).

NO

USER-SERVICEABLE

PARTS

INSIDE.

REFER

SERVICING

TO

sce

QUALIFIED

SERVICE

PERSONNEL.

to

the

presence

of

uninsulated

“dangerous

voltage”

within

the

product's

enclosure

that

may

be

of

p

The

lightning

flash

with

arrowhead

symbol,

within

an

equilateral

triangle,

is

intended

to

alert

the

user

sufficient

magnitude

to

constitute

a

risk

of

electric

shock

to

persons.

The

exclamation

point

within

an

equilateral

triangle

is

intended

to

alert

the

user

to

the

presence

of

A

important

operating

and

maintenance

(servicing)

instructions

in

the

literature

accompanying

the

appliance.

an

een

uel,

Pease

Ton

te.

de

WARNING:

TO

PREVENT

FIRE

OR

SHOCK

fa

fumber

and

retain

them

for

HAZARD,

DO

NOT

EXPOSE

THIS

Sel

nny

—_—______

APPLIANCE

TO

RAIN

OR

MOISTURE.

SAFETY

INSTRUCTIONS

CAUTION:

1.

10.

11.

12,

Read

all

of

these

instructions.

Save

these

instructions

for

later

use.

Follow

all

warnings

and

instructions

marked

on

the

audio

equipment.

Read

Instructions

—

All

the

safety

and

operating

instructions

should

be

read

before

the

appliance

is

operated.

.

Retain

Instructions

—

The

safety

and

operating

instructions

should

be

retained

for

future

reference.

Heed

Warnings

—

All

warnings

on

the

appliance

and

in

the

operating

instructions

should

be

adhered

to.

.

Follow

Instructions

—

All

operating

and

use

instructions

should

be

followed.

.

Water

and

Moisture

—

The

appliance

should

not

be

used

near

water

—

for

example,

near

a

bathtub,

washbowl,

kitchen

sink,

laundry

tub,

in

a

wet

basement,

or

near

a

swimming

pool,

etc,

Carts

and

Stands

—

The

appliance

should

be

used

only

with

a

cart

or

stand

that

is

recommended

by

the

manufacturer.

An

appliance

and

cart

combination

should

be

moved

with

care.

Quick

stops,

excessive

force,

and

uneven

surfaces

may

cause

the

appliance

and

cart

combination

to

overturn.

Wall

or

Ceiling

Mounting

—

The

appliance

should

be

mount-

ed

to

a

wall

or

ceiling

only

as

recommended

by

the

manu-

facturer.

.

Ventilation

—

The

appliance

should

be

situated

so

that

its

location

or

position

does

not

interfere

with

its

proper

venti-

lation.

For

example,

the

appliance

should

not

be

situated

on

a

bed,

sofa,

rug,

or

similar

surface

that

may

block

the

ventilation

openings;

or,

placed

in

a

built-in

installation,

such

as

a

bookcase

or

cabinet

that

may

impede

the

flow

of

air

through

the

ventilation

openings.

Heat

—

The

appliance

should

be

situated

away

from

heat

sources

such

as

radiators,

heat

registers,

stoves,

or

other

appliances

(including

amplifiers)

that

produce

heat.

Power

Sources

—

The

appliance

should

be

connected

to

a

power

supply

only

of

the

type

described

in

the

operating

in-

structions

or

as

marked

on

the

appliance.

Grounding

or

Polarization

—

The

precautions

that

should

be

taken

so

that

the

grounding

or

polarization

means

of

an

appliance

is

not

defeated,

Power-Cord

Protection

—

Power-supply

cords

should

be

routed

so

that

they

are

not

likely

to

be

walked

on

or

pinch-

ed

by

items

placed

upon

or

against

them,

paying

particular

attention

to

cords

at

plugs,

convenience

receptacles,

and

the

point

where

they

exit

from

the

appliance.

13.

Cleaning

—

The

appliance

should

be

cleaned

only

as

recom-

mended

by

the

manufacturer.

14.

Power

Lines

—

An

outdoor

antenna

should

be

located

away

from

power

lines.

15.

Outdoor

Antenna

Grounding

—

If

an

outside

antenna

is

connected

to

the

receiver,

be

sure

the

antenna

system

is

grounded

so

as

to

provide

some

protection

against

voltage

surges

and

built

up

static

charges.

Section

810

of

the

National

Electrical

Code,

ANSI/NFPA

No.

70

—

1984,

pro-

vides

information

with

respect

to

proper

grounding

of

the

mast

and

supporting

structure,

grounding

of

the

lead-in

wire

to

an

antenna

discharge

unit,

size

of

grounding

con-

ductors,

location

of

antenna-discharge

unit,

connection

to

grounding

electrodes,

and

requirements

for

the

grounding

electrode.

See

Figure

below.

EXAMPLE

OF

ANTENNA

GROUNDING

‘AS

PER

NATIONAL

ELECTRICAL

CODE,

ANTENNA

eA"

WRE

suena

BISEHARGE

UNIT

(hee

SECTION

10-20)

GROUNDING

CONOUCTORS

(Nec

"SectioN

810-21)

‘GROUND

CLAMPS

__——

Power

service

crounoina

ELECTRODE,

SYSTEM.

{hee

ART

250,

PART

4)

NEC

-

NATIONAL

ELECTRICAL

cOoE

16.

Nonuse

Periods

—

The

power

cord

of

the

appliance

should

be

unplugged

from

the

outlet

when

left

unused

for

a

long

period

of

time.

17,

Object

and

Liquid

Entry

—

Care

should

be

taken

so

that

objects

do

not

fall

and

liquids

are

not

spilled

into

the

en-

closure

through

openings.

18.

Damage

Requiring

Service

—

The

appliance

should

be

ser-

viced

by

qualified

service

personnel

when:

A.

The

power-supply

cord

or

the

plug

has

been

damaged;

or

B.

Objects

have

fallen,

or

liquid

has

been

spilled

into

the

appliance;

or

C.

The

appliance

has

been

exposed

to

rain;

or

D.

The

appliance

does

not

appear

to

operate

normally

or

exhibits

a

marked

change

in

performance;

or

E.

The

appliance

has

been

dropped,

or

the

enclosure

dam-

aged.

Servicing

—

The

user

should

not

attempt

to

service

the

appliance

beyond

that

described

in

the

operating

instruc-

tions,

All

other

servicing

should

be

referred

to

qualified

service

personnel.

19,

Reference

Illustrations

Fig.

1

Front

Panel

Saige

Rear

Panel

wexgree

[TBE

eos

Remote

Control

Unit

emote

Control

Uni

Fig,

2

Battery

Placement

‘BUEAA

OIsrLay

MONITOR

Within

7

m

oe

rT?

TE.

[acaba

neMOTE

conrmo.

unit

Fig.

4

Fig.5

Stereo

amplifier

fogcaci

tetetst

Bator

Tape

position

identification

holes.

Voltage

Conversion

Capstan

Pinch

Roller

Erase

Heard

Record/Playback

Head

Fig.

8

‘inctith

i

‘Spare

AC

outlet

mplifier

=

aa

=

—

Audio

timer

0

Precautions

Environment

Avoid

using

the

deck

in

the

following

cir-

cumstances:

eHigh

temperature

(such

as

heater,

direct

sunlight).

Extremely

low

temperature.

e

Excessive

humidity,

Dusty

atmosphere.

Where

power

line

voltage

fluctuation

is

severe

(the

use

of

a

voltage

regulator

may

be

advisable),

Be

aware

also

that

placing

other

units

or

any

objects

on

the

deck

can

leave

marks

depending

on

their

weight.

Cassette

Tape

(Fig.

5)

Tape

Selection:

For

the

automatic

tape

select

function

to

work

properly,

metal

and

chrome

(cobalt)

formula

tapes

must

have

tape

identification

holes,

C-120

cassette

tapes:

120-minute

tapes

are

very

thin,

they

tend

to

stretch

and

their

magnetic

layer

is

thin;

they

also

tend

to

introduce

wow

&

flutter,

For

these

reasons,

special

attention

is

required

when

using

them.

If

the

pinch

roller

or

capstan

is

dirty,

tape

might

become

wrapped

around

it

and

this

could

cause

serious

trouble,

For

this

reason,

it

is

re-

commended

that

you

do

not

use

C-120

tapes,

Tape

Handling:

Do

not

store

tape

in

the

following

places:

On

top

of

heaters,

in

direct

sunlight

or

in

any

other

high-temperature

areas,

e

Near

speakers,

on

TV

sets

or

amplifiers

or

near

any

strong

magnetic

fields,

¢

High-humidity

areas

or

dirty,

dusty

areas.

Avoid

dropping

or

subjecting

the

cassettes

to

excessive

shock,

Voltage

Conversion

(For

general

export

models)

(Fig.

6)

If

it

is

necessary

to

change

the

voltage

requirements

of

the

deck

to

match

your

area,

use

the

following

procedure:

1.

DISCONNECT

POWER

LINE

CORD.

2.

Using

a

screwdriver,

turn

the

selector

until

the

desired

voltage

marking

ap-

pears,

IMPORTANT

(for

U.K.

Customers)

The

wires

in

this

mains

lead

are

coloured

in

accordance

with

the

following

code:

BLUE:

NEUTRAL

BROWN:

LIVE

As

the

colours

of

the

wires

in

the

mains

lead

of

this

apparatus

may

not

corres-

pond

with

the

coloured

markings

identi-

fying

the

terminals

in

your

plug,

pro-

ceed

as

follows:

The

wire

which

is

coloured

BLUE

must

be

connected

to

the

terminal

which

is

marked

with

the

letter

N

or

coloured

BLACK.

The

wire

which

is

coloured

BROWN

must

be

connected

to

the

terminal

which

is

marked

with

the

letter

iL

or

coloured

RED.

fhe

UX,

ht

ish

it

AC

plug.

THE

APPLIANCE

CONFORMS

WITH

EEC

DIRECTIVE

87/308/EEC

RE-

GARDING

INTERFERENCE

SupP-

PRESSION

*

Dolby

noise

reduction

and

HX

Pro

head-

room

extension

manufactured

under

license

from

Dolby

Laboratories

Licens-

ing

Corporation.

HX

Pro

originated

by

Bang

&

Olufsen.

“DOLBY”,

the

double-

D

symbol

OO

and

“HX

PRO”

are

trade-

marks

of

Dolby

Laboratories

Licensing

Corporation.

Connections

(

Tum

off

power

for

all

equipment

before

making

connections.

Read

instructions

for

each

component

you

intend

to

use

with

the

deck.

Features

and

Controls

(Fiy.

1)

Front

Panel/Remote

Control

Unit

@POWER

Switch

Press

to

switch

the

deck

on.

The

display

window

will

be

illuminated.

Press

again

to

turn

the

deck

off.

Note:

Be

sure

to

wait

more

than

2

seconds

after

the

power

has

been

switched

off

before

switching

the

power

on

again.

@

<<

(Rewind)

Button/

>»

(Fast-

Forward)

Button

When

these

buttons

are

pressed,

the

tape

is

rewound

or

fast-forwarded,

@

REMOTE

SENSOR

(Remote

Con-

trol

Infrared

Signal

Receptor)

This

receives

signals

from

the

provided

RC-393

infrared

remote

control

unit.

QSTOP

Button

Press

to

stop

the

tape

travel

and

release

any

other

mode.

©

>

(Play)

Button

Pressing

this

button

starts

normal-speed

playback,

@

w

(Pause)

Button

Press

to

temporarily

stop

tape

travel

during

recording

or

playback.

In

the

pause

mode,

the

PAUSE

indicator

in

the

display

lights.

Press

the

®

button

or

W

button

again

to

restart

the

tape

(the

indicator

goes

out).

@

RECORD

Button

Press

the

RECORD

button

to

set

the

deck

to

the

record-pause

mode.

The

REC

and

PAUSE

indicators

will

light.

To

start

record-

ing,

press

the

»

button

or

##

button,

To

enter

the

record

mode

using

the

remote

control,

press

the

two

RECORD

buttons

simultaneously.

@

REC

MUTE

Button

Press

this

button

during

recording

to

leave

a

blank

section

between

tunes

(approx.

4

se-

conds).

The

deck

will

enter

the record-

pause

mode.

Press

the

®

button

or

W

button

to

start

recording

again.

(See

page

7.)

O

CLEAR

Button

Pressing

the

CLEAR

button

resets

the

multi-

counter

to

0000".

@

MODE

Button

When

this

button

is

pressed,

the

display

alternates

between

the

conventional

tape

counter

and

the

TRT

(tape-un-time)

counter,

@

RTZ

(Return

to

Zero)

Button

If

this

button

is

pressed,

the

tape

is

fast-

forwarded

or

rewound

until

a

tape

counter

reading

of

“0000”

is

reached,

then

the

deck

stops,

(See page

8.)

SS

®

Cassette

Holder

Load

the

cassette

here.

@®

AUTO

MONITOR

Button

This

button

allows

you

to

select

which

signal

is

to

be

monitored

with

its

level

displayed

on

the

meter.

When

power

is

applied

to

the

deck,

the

monitor

mode

is

set

to

TAPE,

showing

that

the

signal

recorded

on

the

tape

is

monitored

with

its

level

displayed

by

the

meter.

When

the

deck

enters

the

record-pause

mode,

the

monitor

mode

is

automatically

switched

to

SOURCE,

showing

the

signal

input

to

the

deck

(from

the

LINE

IN

jacks

on

the

rear

panel)

is

monitored

with

its

level

displayed.

And

when

the

record-pause

mode

is

released,

it

is

automatically

changed

to

TAPE.

To

manually

change

the

monitor

mode,

press

this

button.

@

MPx

FILTER

Switch

Press

this

switch

when

making

a

Dolby

NR

recording

of

an

FM

broadcast;

the

indicator

lights.

It

eliminates

the

pilot

tone

(19

kHz)

and sub

carrier

tone

(38

kHz)

of

the

FM

broadcast

which

could

affect

operation

of

the

Dolby

noise

reduction

system.

To

re-

lease

this

function,

press

the

MPX

FILTER

switch

again,

®

DOLBY

NR

Switch

OFF:

Set

to

this

position

when

you

do

not

want

to

use

any

noise

reduction

system,

OOB:

Set

to

this

position

when

making

a

recording

using

the

Dolby

B

noise

reduction

system,

or

playing

back

tapes

recorded

with

Dolby

B

NR.

OO

C:Set

to

this

position

when

making

a

recording

using

the

Dolby

C

noise

reduction

system,

or

playing

back

tapes

recorded

with

Dolby

C

NR.

©

TIMER

Switch

PLAY:

For

timer

playback

OFF:

Set

to

this

position

when

not

using

a

timer,

REC:

For

timer

recording

{See

page

8.)

@

EJECT

Button

Press

in

the

stop

mode

to

open

the

cassette

holder,

Do

not

press

this

button

when

the

deck

is

in

the

recording

or

playback

mode.

®

BIAS

FINE

Tuning

Control

This

control

allows

fine bias

level

setting

when

recording.

The

center

“click”

position

provides

a

standard

amount

of

bias

current

depending

on

the

type

of

tape.

Turning

the

control

toward

“+”

increases

the

amount

of

bias

and

thus

decreases

high

frequency

response,

Turning

the

control

toward

“’~"'

decreases

the

amount

of

bias

and

thus

increases

high

frequency

response.

Keep

this

control

in

the

center

position

when

the

function

is

not

being

used.

@®

BALANCE

Control

Adjust

the

balance

of

the

left

and

right

chanels

of

the

input

signals

to

be

recorded

on

tape.

@

REC

LEVEL

Control

When

recording,

turn

the

REC

LEVEL

control

clockwise

to

fade

the

input

sound

in

or

turn

it

counterclockwise

to

fade

the

sound

out,

for

smooth

tune-to-tune

transi-

tions,

@

PHONES

LEVEL

Control

Adjust

the

level

of

the

signals

output

from

the

PHONES

jack.

This

knob

does

not

affect

the

level

of

the

signals

output

from

the

OUTPUT

jacks

on

the

rear

panel

or

the

level

indicated

by

the

PEAK

LEVEL

METER.

@

PHONES

Jack

Connect

8

ohms

stereo

headphones

to

this

jack

for

private

listening

or

monitoring,

@

DISPLAY

Button

Press

this

button

to

switch

off

the

display.

Press

it

again

to

switch

it

on.

Display

Window

@®

Multi-Counter

Tape

Counter

Mode

In

this

mode,

the

counter

functions

as

a

conventional

tape

counter,

counting

up

when

the

tape

is

moving

forward

and

down

when

the

tape

is

being

rewound.

The

dis-

play

can

be

cleared

by

pressing

the

CLEAR

button,

which

resets

the

counter

index

to

“0000”.

TRT

(Tape-Run-Time)

Counter

Mode

In

this

mode,

tape

travel

is

measured

in

Minutes

and

seconds

up

to

a

maximum

of

99M59S

(99

minutes

59

seconds).

Since

this

counter

only

functions

in

the

play

and

re-

cord

modes,

it

will

be

interrupted

when

the

tape

is

fast-forwarded

or

rewound

(and,

of

course,

in

the

stop

mode);

counting

up

will

be

resumed

when

playback

or

recording

restarts.

The

display

can

be

cleared

by

pressing

the

CLEAR

button

which

resets

the

counter

index

to

“OOMO0S"

®

Transport

Mode

Indicators

REC:

Lights

when

the

deck

is

in

the

re-

cord

and

record-standby

modes,

and

flashes

during

record-muting.

PLAY:

Lights

when

the

deck

is

in

the

play-

back

and

record

modes,

PAUSE:

Lights

when

the

deck

is

standing

by

for

playback

or

recording.

©PEAK

LEVEL

METER

This

meter

shows

the

peak

level

of

the

input

or

playback

signal,

In

the

record

mode,

the

meter

indicates

the

level

of

the

source

signals

which

have

been

adjusted

with

the

REC

LEVEL

and

BALANCE

controls,

During

playback,

the

meter

indicates

the

level

of

signals

recorded

on

the

tape,

©

Tape

Type

Indicator

The

deck

automatically

detects

the

type

of

tape

which

has

been

loaded,

and

these

indicators

(NORMAL,

CrO,

and

METAL)

indicate

the

type

of

tape

being

used.

©

DOLBY

NR

[B]

[C]

Indicator

Lights

when

the

DOLBY

NR

switch

is

set

to

the

OO

B

or

OUC

position.

©

OO

HX

PRO

Indicator

Lights

when

the

deck

enters

the

record

mode,

showing

that

the

built-in

Dolby

HX

Pro

circuit

has

been

activated.

For

details,

refer

to

page

9.

@MPX

FILTER

Indicator

Lights

when

the

MPX

FILTER

switch

is

pressed

in

(

=

).

[>]

@

Auto

Monitor

Indicators

TAPE:

Lights

when

the

tape

signal

is

selected

either

in

playback

or

record.

SOURCE:

Lights

when

the

source

signal

is

selected.

The

Auto

Monitor

indicator

changes

auto-

matically

to

the

monitor

mode

so

that

the

SOURCE

indicator

lights

when

the

deck

enters

the

record-pause

mode,

When

record-

ing

starts,

the

SOURCE

indicator

auto-

matically

goes

out

and

the

TAPE

indicator

lights.

@

LINE

IN

Terminals

Connect

the

amplifiers

REC

OUT

jacks

to

these

jacks,

®

OUTPUT

Terminals

Connect

the

amplifier's

TAPE

PLAY

or

LINE

IN

jacks

to

these

jacks,

®

Voltage

Selector

(General

export

models

only)

;

See

“Voltage

Conversion”

on

page

5,

@

Power

Supply

Cord

Insert

into

an

AC

wall

outlet,

etc.

The

voltage

required

by

this unit

is

shown

on

the

rear

panel.

Operations

rr

Playback

and

Recording

Stereo

Playback

1,

Set

the

TIMER

switch

to

OFF.

2.

Press

the

POWER

switch

to

ON.

3.

Load

a

pre-recorded

cassette.

4,

Select

the

NR

system

with

the

DOLBY

NR

switch.

5.

Press

the

»

button

to

start

playback.

6,

Adjust

the

volume

with

the

amplifier’s

control,

Stereo

Recording

1.

Set the

TIMER

switch

to

OFF.

2.

Press

the

POWER

switch

to

ON,

3.

Load

a

recordable

cassette.

4,

Select

the

required

NR

system

with

the

DOLBY

NR

switch.

5.

Press

the

MPX

FILTER

switch

to

IN

when

making

a

Dolby

NR

recording

of

an

FM

broadcast.

6.

Press

the

RECORD

button

(both

the

REC

and

PAUSE

indicators

light).

This

enables

you

to

adjust

the

recording

level

without

actually

recording

on

the

tape.

7.

Adjust

the

REC

LEVEL

and

BALANCE

controls

so

that

the

loudest

peak

briefly

reaches

the

meter

reference

reading

for

the

type

of

tape

used

for

both

chan-

nels,

8.

Adjust

the

BIAS

FINE

tuning

control

described

in

‘Using

the

BIAS

FINE

Tuning

Control”.

9.

Press

the

®

button

or

WM

button

to

start

recording.

The

REC

and

PLAY

indicators

light.

The

Auto

Monitor

indicator

is

auto-

matically

changed

to

TAPE

and

the

signal

can

be

directly

monitored

im-

mediately

after

it

is

recorded.

To

com-

pare

the

recorded

sound

with

the

original

source,

press

the

AUTO

MONITOR

button

to

switch

the

signal

being

monitored

between

TAPE

and

SOURCE.

AUTO

MONITOR

$

=

TAPE

SOURCE

Notes:

To

stop

recording,

press

the

STOP

button.

To

momentarily

stop

recording,

press

the

™

button.

To

resume

recording,

press

the

>

button

or

«

button.

Note:

Recording

prerecorded

tapes,

records,

or

other

published

or

broadcast

material

may

infringe

copyright

laws.

Check

‘these

laws

before

recording.

Setting

the

Recording

Level

Setting

the

recording

level

correctly

is

es-

sential

if

you

want

to

make

top-quality

recordings.

If

the

level

is

too

low,

the

recording

will

be

noisy,

If

the

level

is

set

too

high,

‘the

recording

will

be

distorted.

Generally

speaking,

the

recording

level

should

be

set

so

that

the

loudest

peak

to

be

recorded

makes

the

meters

briefty

indicate

the

meter

reference

reading

for

the

type

of

tape

used.

If

the

meters

peak

over

the

reference

reading,

decrease

the

recording

level

by

turning

the

REC

LEVEL

control

counterclockwise.

However,

some

program

material

or

different

tape

formulations

may

require

higher

or

lower

recording

levels.

With

a

little

time

and

practice

you

will

be

able

to

select

the

critical

recording

level

that

gives

you

the

best

hi-fi

recordings.

The

optimum

setting

of

the

recording

level

will

differ

according

to

the

type

and

condition

of

the

tape,

as

well

as

the

type

of

music

you

are

recording.

Using

the

BIAS

FINE

Tuning

Control

The

center

position

provides

the

standard

amount

of

bias

current.

Turning

the

control

toward

“+”

increases

the

amount

of

bias

current;

a

slight

decrease

in

high-frequency

response

will

be

obtained.

Turning

it

toward

“"

decreases

the

amount

of

bias

current;

@

noticeable

increase

in

high-frequency

response

will

be

obtained.

1.

Set

the

deck

in

the

record

mode

and

begin

recording

by

using

a

disc

or

a

Prerecorded

tape

the

sound

quality

of

which

you

are

familiar

with,

2.

Set

the

AUTO

MONITOR

button

to

TAPE

to

monitor

the

reproduced

sound.

If

the

high

frequency

sound

seems

greater

than

the

original,

turn

the

BIAS

FINE

tuning

contro!

toward

“+”

to

ob-

tain

the

best

possible

sound.

On

the

other

hand,

if

the

high

frequency

sound

seems

low,

turn

the

control

toward

‘-"

until

the

appropriate

bias

current

is

ob-

tained.

3.

As

a

final

check,

alternately

set

the

AUTO

MONITOR

to

SOURCE

or

TAPE

to

confirm

the

correct

setting

of

the

BIAS

FINE

tuning

control

by

comparing

the

recorded

sound

with

the

original.

BIAS

FINE

High High

frequency frequency

rises

29 20

falls

Turn

toward

(-)

Less

bias

current

More

bias

current

Turn

toward

(+)

Output

level

(dB)

Frequency

(Hz)

A

previously

recorded

tape

will

be

auto-

matically

erased

when

you

make

a

new

recording

on

it.

Alternatively

it

can

be

erased

by

“recording”

on

it

with

the

REC

LEVEL

control

set

to

“eo”,

Record

Muting

Operation

—

The

ability

to

leave

blank

unrecorded

(erased)

portions

on

a

tape

during

recording

is

a

real

advantage

in

many

recording

situations,

For

instance,

you

may

want

to

eliminate

undesired

portions

of

an

FM

broadcast

that

you

are

recording,

such

as

commercials,

station

breaks

or

announce-

ments.

You

may

want

to

record

a

complete

program

with

controlled

spacing

between

each

song.

Such

blank

portions

on

a

tape

can

be

easily

left

using

the

REC

MUTE

function.

1,

Automatic

Spacing

operation

—

for

a

4-secand

blank

—

(during

recording

or

record-pause

mode)

Press

the

REC

MUTE

button

during

the

recording

or

record-pause

mode,

The

tape

continues

to

run,

and

a

blank

space

of

about

4

seconds

is

recorded

(the

REC

indicator

flashes).

The

deck

then

switches

automatically

to

the

record-pause

mode

(both

the

REC

and

PAUSE

indicators

light).

To

start

recording

the

next

tune,

press

the

>

button

or

M™

button

(both

the

REC

and

PLAY

indicators

light).

For

a

Blank

of

More

Than

4

Seconds

During

recording,

keep

the

REC

MUTE

button

pressed

for a

longer

blank

period,

Release

the

button

to

enter

the

record-

pause

mode.

To

begin

recording,

press

the

»

button

or

™

button.

Lad

SS

SS

SSS

SSS

3.

For

a

Blank

of

Less

Than

4

Seconds

After

pressing

the

REC

MUTE

button

during

recording,

press

the

"

button,

before

the

4-second

interval

has

elapsed,

to

cancel

the

muting

mode

and

engage

the

record-pause

Mode.

To

begin

record-

ing,

press

the

®

button

or

#

button.

Multi-Counter

Function

With

the

multi-counter

facilities

incorporat-

ed

in

the

unit,

there

are

two

different

dis-

play

modes

available,

depending

on

the

setting

of

the

MODE

button,

Tape

Counter

Mode:

The

counter

functions

as

a

conventional

tape

counter.

TRT

Counter

mode:

The

counter

functions

as

a

tape-run-time

counter,

measuring

tape

travel

in

minutes

and

seconds,

Using

as

a

Tape

Counter

Using

the

MODE

button,

call

up

the

tape

counter

mode;

a

4-digit

display

will

appear.

Its

function

is

identical

to

that

of

a

conven-

tional

tape

indexing

counter.

During

re-

cording

(including

record

muting),

playback

and

fast-forward,

the

counter

counts

up

as

the

tape

moves

from

left

to

right,

and

down

during

rewind

as

the

tape

moves

from

right

to

left,

The

indicated

numerals

are

not

related

to

elapsed

time

and

are

not

compatible

with

the

counter

readings

of

other

cassette

decks.

One

typical

example

of

using

this

display

in

the

conventional

tape

counter

mode

is:

First

load

a

cassette

and

before

recording,

press

the

CLEAR

button

to

reset

the

counter

to

"0000".

Then

note

the

counter

reading

at

the

begin-

ning

of

each

piece

of

music

to

facilitate

locating

that

particular

selection

when

you

wish

to

play

it

back.

Using

as

a

TRT

Counter

Using

the

MODE

button,

call

up

the

tape-

run-time

mode;

“M”

appears

between

the

2nd

and

3rd

digits

and

““S”

at

the

end

of

the

4th

digit.

In

this

mode,

tape

travel

is

measured

in

minutes

and

seconds

while

the

tape

is

running

at

normal

speed

during

recording

(including

record

muting)

and

playback.

Counting

stops

during

rewind

and

fast-forward.

This

function

can

be

used

to

measure

the

approximate

length

of

a

recorded

song

or

to

make

an

estimate

of

how

much

tape

is

left.

“Visible”

and

“Invisible”

Counters

Both

counter

modes

are

switchable

at

any

time,

with

the one

selected

appearing

on

the

display

and

the

other

functioning

in

memo-

ry,

For

example,

when

the

conventional

tape

counter

is

selected

with

the

MODE

button,

counting

of

the

tape-run-time

also

takes

place

and

its

reading

can

be

called

up

at

any

time

by

pressing

the

MODE

button.

Pressing

the

CLEAR

button

resets

only

the

counter

which

is

currently

display-

ed,

Both

counters,

“visible”

and

“‘invisible’*

are

reset

when

power

is

switched

off.

RTZ

(Return

To

Zero)

Function

To

locate

the

position

on

the

tape

corres-

ponding

to

a

tape

counter

reading

of

“0000”,

press

the

RTZ

button.

The

fast-forward

or

rewind

of

the

tape

starts.

When

a

counter

reading

of

“0000”

is

detected,

the

deck

stops.

This

function

is

handy

to

locate

the

begin-

ning

of

tune

to

be

played

back.

Fast-

Rewind

:

fornacd

+

To

start

playback

from

“0000”:

While

the

tape

is

running

after

the

RTZ

button

is

pressed,

press

the

>

button.

The

deck

temporarily

stops

at

the

“0000"

counter

reading,

then

playback

starts.

To

release

the

RTZ

function:

Press

the

STOP

button,

If

the

<¢4

(rewind)

or

>

(fast-forward)

button

is

pressed

while

the

tape

is

running

after

the

RTZ

button

is

pressed,

the

RTZ

function

is

re-

leased,

and

the

deck

enters

the

normal

rewind

or

fast-forward

mode.

*The

RTZ

button

cannot

be

used

when

the

deck

is

in

the

recording

mode

or

near

the

“0000”

counter

reading.

Timer-Controlled

Operations

(Fig.8)

Timer-Controlled

Recording

1.

Connect

your

deck

and

stereo

system

to

@

commercially

available

audio

timer

as

shown

in

the

diagram.

2,

Make

all

the

preparations

as

for

normal

recording,

but

leave

the

deck

in

the

stop

mode.

3.

Set

the

audio

timer

to

the

required

start

(power

on)

and

stop

(power

off)

times.

4,

Set

the

TIMER

switch

on

the

deck

to

REC.

When

the

preset

start

time

is

reached,

power

will

be

supplied

and

recording

will

start.

Timer-Controlled

Playback

1.

Check

that

the

deck

is

correctly

con-

nected

to

the

amplifier

for

normal

playback

operation.

2.

Connect

the

deck

and

amplifier

to

an

audio

timer

as

for

‘timer-controlled

re-

cording

(above).

-8-

3.

Make

all

preparation

as

for

normal

play-

back,

but

leave

the

deck

in

the

stop

mode.

4.

Set

the

audio timer

to

the

required

start

(power

on)

and

stop

(power

off)

times,

5.

Set the

TIMER

switch

on

the

deck

to

PLAY.

When

the

preset

start

time

is

reached,

power

will

be

switched

on

and

playback

will

start.

Note:

Be

sure

to

set

the

TIMER

switch

to

OFF

after

timer-controlled

recording

or

playback

is

over.

Remote

Controlled

Operation

—

The

provided

RC-393

remote

control

unit

allows

the

V-3000

to

be

operated

from

a

distance.

The

control

buttons

on

the

remote

control

unit

function

in

almost

the

same

way

as

those

on

the

front

panel

of

the

V-3000,

but

they

have

slightly

different

names,

etc,

Precautions

on

Remote

Control

Operation

1.

Battery

Replacement

(Fig.2)

1.

Remove

the

lid.

2.

Insert

2

“AA”

type

dry

batteries.

Be

sure

that

the

batteries

are

inserted

with

their

negative

and

positive

terminals

positioned

correctly.

3.

Close

the

lid

until

it

clicks,

How

often

should

the

batteries

be

changed?

The

batteries

will

normally

last

about

six

months.

However

if

you

notice

that

the

distance

between

the

remote

control

unit

and

the

V-3000

required

for

operation

becomes

shorter,

the

batteries

should

be

changed.

Replace

the

batteries

with

two

new

ones.

Precautions

Regarding

Batteries

Be

sure

to

insert

the

batte

positive

(+)

and

negative

positioned

correctly.

Never

use

old

and

new

batteries

together.

«Replacement

batteries

should

be

of

the

same

type.

Never

use

batteries

of

different

types

together.

e

Rechargeable

and

non-rechargeable

batte-

ries

can

be

used.

Refer

to

their

precaution

labels.

Remove

the

batteries

from

the

remote

control

unit

when

it

will

not

be

used

for

a

long

period

of

time.

When

the

batteries

ara

weak,

replace

them

as

soon

as

possible.

Do

not

heat

or

disassemble

batteries

and

do

not

dispose

of

them

by

throwing

them

into

a

fire,

with

the

terminals

2.

Remote

Control

Unit

RC-393

When

operating

using

the

remote

control,

point

the

front

of

the

unit

at

the

remote

sensor

of

the

V-3000,

The

remote

control

unit

can

be

used

within

the

range

shown

in

Fig.

3.

Note

Even

if

the

remote

control

unit

is

operated

within

the

effective

range,

remote

control

operation

may

be

impossible

if

there

is

any

obstruction

between

the

V-3000

and

the

remote

control

unit.

elf

the

deck

is

operated

in

the

vicinity

of

other

appliances generating

infrared

rays,

or

if

other

remote

control devices

using

infrared

rays

are

used

near

the

V-3000,

the

deck

may

operate

incorrectly.

Con-

versely,

if

the

V-3000's

remote

control

unit

is

operated

in

the

vicinity

of

other

appliances

which

use

an

infrared

re-

mote

control

device,

the

other

appliance

may

operate

incorrectly,

When

the

unit

will

not

be

used

for

a

long

period

of

time

(more

than

one

month),

remove

the

batteries

to

prevent

them

from

leaking.

If

they

do

leak,

wipe

off

the

liquid

inside

the

battery

compartment

and

replace

the

batteries

with

new

ones.

Do

not

place

books

or

other

objects

on

the

remote

control

unit

as

they

could

press

the

buttons

and

discharge

the

batteries,

Maintenance

(Fig.

7)

The

heads

and

tape

path

should

be

cleaned

and

damagnetized

periodically.

Cleaning

Tape

Path

eApply

head

cleaning

fluid*

to

special

cotton

swabs

or

a

soft

cloth,

and

lightly

rub

the

heads,

capstans

and

all

metal

parts

in

the

tape

path,

Also

clean

the

pinch

rollers

using

rubber

cleaning

fluid*.

*Both

are

available

in

TEAC

HC-1

and

RC-1

in

the

U.S.A.

or

TEAC

12-261

Tape

Recorder

Cleaning

Kit

in

other

areas,

Demagnetizing

Heads

Be

sure

that

the

power

is

off,

then

demag-

netize

the

heads

using

a

TEAC

E-3

demay-

netizer

or

equivalent.

For

details

of

its

use,

read

its

instructions,

Troubleshooting

a

Basic

troubleshooting

of

a

cassette

tape

deck

is

similar

to

troubleshooting

any

other

electrical

or

electronic

equipment.

Always

check

the

most

obvious

possible

causes

first.

To

give

you

a

few

ideas

of

what

to

look

for,

check

the

following:

‘©

No

power:

Is

the

power

cord

connected?

Tape

begins

running

when

power

is

turned

on:

Is

the

TIMER

function

on?

DOLBY

HX

PRO

Dolby

HX

Pro

is

an

“active

bias"

technique

that

can

improve

the

quality

of

audio

tape

recordings.

High-level

high

frequencies

can

be

recorded

more

accurately,

without

sacrificing

signal-to-noise

ratio,

while

such

side

effects

of

tape

saturation

as

distortion

are

reduced,

What

Is

Bias?

Bias

is

a

very

high-frequency

signal

generat-

ed

within

a

tape

deck

and

recorded

on

the

tape

simultaneously

with

the

program

material.

This

inaudible

signal

allows

a

low

noise,

low

distortion

recording

and

flat

frequency

response.

Different

magnetic

tape

formulations

require

different

amounts

of

bias

for

optimum

performance.

If

the

bias

level

is

too

high,

high-frequency

Maximum

Output

Level

(MOL)

decreases.

The

Problem

of

Self-Bias

Unfortunately,

bias

level

is

often

influenced

by

the

signal

being

recorded.

The

high

fre-

quencies

contained

in

some

music

act

as

bias.

This

unpredictable

source

of

bias

is

added

to

the

existing

bias,

resulting

in

a loss

of

high-frequency

response.

As

the

high-

frequency

content

of

the

signal

increases,

eNo

audio

output.

Are

all

connections

properly

made?

Degraded

sound

quality:

Are

the

heads

dirty

or

magnetized?

Are

you

using

good

quality

tape?

Is

the

proper

NR

System

select

switch

on?

eUnable

to

select

record

mode:

Are

the

record

protection

tabs

on

the

tape

in

place?

the

ability

of

the

recorder

to

record

high

frequencies

(MOL)

decreases.

This

pheno-

menon

is

called

self-biasing.

How

Dolby

HX

Pro

Solution

The

Dolby

HX

Pro

monitors

the

high-

frequency

content

of

the

program

material

and

adjusts

the

recorder

bias

oscillator

to

maintain

a

constant

total

bias

level.

The

result

is

improved

high-frequency

response

and

lower

distortion.

Depending

on

the

type

of

tape,

the

improvement

in

headroom

can

be

6

dB

or

more.

The

Benefits

With

Dolby

HX

Pro,

it

is

easier

to

make

More

accurate

recordings

of

the

kind

of

music

which

contains

high-level

high

fre-

quencies.

The

improvement

is

similar

to

that

of

high-performance

tape

over

conven-

tional

tape,

so

regardless

of

the

type

of

tape

used,

the

results

will

sound

better.

Most

important

of

all,

Dolby

HX

Pro

requires

no

decoding

process.

Once

the

tape

is

recorded

with

it,

the

improvements

will

be

realized

when

playing

the

tape

back

on

any

machine.

+10,

a8

250nWb/m

T

HX

PRO

on

HX

PRO

off

-30

~

40)

20Hz

50

100

200

500

1k

2

5

10

20k

Example

of

improved

frequency

response

using

Dolby

HX

Pro

function

Specifications

Track

System

4-Track,

2-Channel

Stereo

Heads

3:

1

Erase,

1 Record

and

1

Playback

(Combination)

Tyne

of

Tape

Cassette

tape

C-60

and

C-90

(Philips

type)

Tape

Speed

4.8

cm/sec.

(1-7/8

ips)

e

Specifications

were

determined

using

metal

tape

except

as

noted.

¢

Improvements

may

result

in

specifications

or

features

changing

without

notice.

©

Photos

and

illustrations

may

differ

slightly

from

production

models.

Motors

2:

1

DC

Servo

motor

(for

capstan

drive)

1

DC

motor

(for

reel

drive)

Wow

and

Flutter

0.045

%

(W.

RMS)

Frequency

Response

(Overall)

-20

dB

15

—

21,000

Hz

+3

dB

Metal

Tape

16

—

20,000

Hz

3

dB

CrO,

Tape

15

—

18,000

Hz

+3

dB

Normal

Tape

Signal-to-Noise

Ratio

(Overall)

60

dB

(NR

OFF

3%

THD

Level,

Weighted)

70

dB

(Dolby

B

In,

over

5

kHz),

80

dB

(Dolby

C

In,

over

1

kHz),

Fast

Winding

Time

Approximately

85

seconds

for

C-60

Inputs

Line:

60

mV,

50k

ohms

Outputs

Line:

0.44

V

for

load

impedance

of

50k

ohms

or

more

Headphones:

2

mW/8

ohms

load

Power

Requirements

120/220/240

V

AC,

50/60

Hz

(General

export

models)

120

V

AC,

60

Hz

(U.S.A./Canada)

220

V

AC,

50

Hz

(Europe)

240

V

AC,

50

Hz

(U.K./Australia)

Power

Consumption

18

W

Dimensions

(W

x

H

x

D)

435

x

149

x

355

mm

(17-1/8"

x

5-7/8"

x

14")

Weight

6.9

kg

(15.3

Ibs.)

Standard

Accessories

Wireless

Remote

Control

Unit

RC-393,

Batteries

(SUM-3,

"AA",

“R6"

type)

x

2,

Input-output

con-

nection

cords

x

2

THIS

DIGITAL

APPARATUS

DOES

NOT

EXCEED

THE

CLASS

B

LIMITS

FOR

RADIO

NOISE

EMIS-

SIONS

FROM

DIGITAL

APPARATUS

AS

SET

OUT

IN

THE

RADIO

INTERFERENCE

REGULATIONS

OF

THE

CANADIAN

DEPARTMENT

OF

COM

MUNICATIONS.

LE

PRESENT

APPAREIL

NUMERIQUE

N’EMET

PAS

DE

BRUITS

RADIOELECTRIQUES

DEPAS-

SANT

LES

LIMITES

APPLICABLES

AUX

AP-

PAREILS

NUMERIQUES

DE

CLASSE

B

PRES-

CRITES

DANS

LE

REGLEMENT

SUR

LE

BROUIL-

LAGE

RADIOELECTRIQUE

EDICTE

PAR

LE

MINISTERE

DES

COMMUNICATIONS

DU

CANADA.

PRINTED

IN

JAPAN

1091U5-M-0404B