Technics SX-PR100 Bedienungsanleitung

Andere Handbücher für SX-PR100

1

Dieses Handbuch passt für folgende Modelle

2

Andere Technics Musikinstrument Handbücher

Technics

Technics SX-PR100 Bedienungsanleitung

Technics

Technics SX-4000R Bedienungsanleitung

Technics

Technics SX-GA1 Bedienungsanleitung

Technics

Technics SX-3500R Bedienungsanleitung

Technics

Technics SXP50 - ELECTRONIC PIANO Bedienungsanleitung

Technics

Technics SX-EX5L Bedienungsanleitung

Technics

Technics SX-PX552/M Bedienungsanleitung

Technics

Technics SX-F100 Bedienungsanleitung

Technics

Technics SX-KN200 Bedienungsanleitung

Technics

Technics SX-5000R Bedienungsanleitung

Technics

Technics SX-EX15(L) Bedienungsanleitung

Technics

Technics SX-GN3 Bedienungsanleitung

Technics

Technics SXPX226 - ELECTRONIC PIANO Bedienungsanleitung

Technics

Technics SX-5E Bedienungsanleitung

Technics

Technics SX-PX33V Bedienungsanleitung

Technics

Technics SX-GA1 Bedienungsanleitung

Technics

Technics SX-E55 Bedienungsanleitung

Technics

Technics sx-PR51 Bedienungsanleitung

Technics

Technics SX-PX107 Bedienungsanleitung

Technics

Technics SX-PR603 Bedienungsanleitung

Technics

Technics SXP30 - ELECTRONIC PIANO Bedienungsanleitung

Technics

Technics SX-PR54/M Bedienungsanleitung

Technics

Technics SX-G100C Bedienungsanleitung

Technics

Technics SX-PX662 Bedienungsanleitung

Beliebte Musikinstrument Handbücher anderer Marken

Kawai

Kawai CN17 Bedienungsanleitung

Yamaha

Yamaha PCY130 Bedienungsanleitung

Korg

Korg SP-170S Bedienungsanleitung

Roland

Roland ep-97 Bedienungsanleitung

Roland

Roland LX-15 Bedienungsanleitung

Johannus

Johannus Rembrandt 200 Bedienungsanleitung

Yamaha

Yamaha Clavinova CVP-709 Bedienungsanleitung

Yamaha

Yamaha YC-20 Bedienungsanleitung

Yamaha

Yamaha Clavinova CVP-609 Bedienungsanleitung

Casio

Casio celviano ap-700 Bedienungsanleitung

Yamaha

Yamaha PSR-E473 Bedienungsanleitung

Modulus

Modulus Quantum Series Bedienungsanleitung

Gear4music

Gear4music SDP-4 Bedienungsanleitung

HOMCOM

HOMCOM 390-006 Bedienungsanleitung

Xotic Guitars

Xotic Guitars ProVintage Series Bedienungsanleitung

Sadowsky

Sadowsky MetroLine Series Bedienungsanleitung

Bosendorfer

Bosendorfer CEUS Bedienungsanleitung

Gewa

Gewa UP 260 G Bedienungsanleitung

Technics

PCM

DIGITAL

PIANO

sxPR100

sxPR200

sx-PR300

+

a

.

e

had

-

t

ENGLISH

DEUTSCH

FRANCAIS

ESPANOL

NEDERLANDS

ITALIANO

—

'Technics—

OWNER’S

MANUAL

INSTRUCTIONS

D’EMPLOI

GEBRUIKSAANWIJZING

BEDIENUNGSANLEITUNG

INSTRUCCIONES

DE

MANEJO

ISTRUZIONI

PER

L’USO

Caution

Voltage

(except

North

America

and

Europe

[excluding

U.K.])

Be

sure

the

voltage

adjuster

(located

on

the

rear

panel)

is

in

accordance

with

local

voltage

in

your

area

before

using

this

unit.

Use

a

screwdriver

to

set

the

voltage

adjuster

to

the

local

voltage.

WARNING:

To

REDUCE

THE

RISK

OF

FIRE

OR

ELECTRICAL

SHOCK,

DO

NOT

EXPOSE

THIS

PRODUCT

TO

RAIN

OR

MOISTURE.

BEFORE

YOU

PLAY,

PLEASE

READ

THE

CAUTION-

ARY

COPY

APPEARING

ON

PAGE

21.

IMPORTANT

(for

UNITED

KINGDOM)

THE

WIRES

IN

THIS

MAINS

LEAD

ARE

COLOURED

IN

ACCORDANCE

WITH

THE

FOLLOWING

CODE:

BLUE

—

NEUTRAL

BROWN

—

LIVE

As

the

colours

of

the

wires

in

the

mains

lead

of

this unit

may

not

correspond

with

the

coloured

markings

identifying

the

terminals

in

your

plug,

proceed

as

follows.

The

wire

which

is

coloured

BLUE

must

be

connected

to

the

terminal

with

the

letter

N

or

coloured

BLACK.

The

wire

which

is

coloured

BROWN

must

be

connected

to

the

terminal

marked

with

the

letter

L

or

coloured

RED.

This

apparatus

was

produced

to

BS

800:

1977.

Vorsicht!

Netzspannung

(auBer

Nordamerika

und

Europa)

Versichern

Sie

sich,

daB

der

Spannungswahler

auf

der

Riickseite

mit

Ihrer

lokalen

Netzspannung

Ubereinstimmt,

bevor

Sie

das

Instrument

in

Betrieb

nehmen.

Ist

dies

nicht

der

Fall,

benutzen

Sie

einen

Minusschraubenzieher,

um

den

Spannungswahler

auf

die

Ortliche

Netzspannung

ein-

zustellen.

Bevor

Sie

anfangen

zu

spielen,

lesen

Sie

bitte

die

Vorsichtshinweise

auf

Seite

41

dieser

Anieitung.

Precaucion

Tensién

(excepto

América

del

Norte

y

Europa)

Cercidérese

de

que

el

ajustador

de

tension,

situado

en

el

panel

.

posterior,

esta

ajustado

al

valor

de

la

tensidn

de

su

residencia.

Efectue

esta

comprobacion

antes

de

utilizar

el

piano.

Paraajustar

la

tension

emplee

un

destornillador

para

posicionar

el

ajustador

de

tensién

al

valor

correspondiente.

Antes

de

empezar

a

tocar,

lea

las

precauciones

de

la

pagina

61.

Attenzione

Voltaggio

(eccetto

Nord

America

e

Europa)

Assicurarsi

che

il

cambio

tensione,

sul

pannello

posteriore,

concordi

la

tensione

con

il

voltaggio

della

tensione

di

rete.

Usate

nel

caso

un

cacciavite

per

adattare

la

tensione.

Prima

di

suonare

vi

consigliamo

di

leggere

le

indicazioni

della

pagina

121.

Bescheinigung

des

Herstellers/Importeurs

Hiermit

wird

bescheinigt,

da®

der/die/das

TECHNICS,

Model

No.

SX-PR100/SX-PR200/SX-PR300

(Gerat,

Typ,

Bezeichnung)

in

Ubereinstimmung

mit

den

Bestimmungen

der

Vig

1046

/

1984

(Amtsblattverfugung)

funk-entstort

ist.

Der

Deutschen

Bundespost

wurde

das

Inverkehrbringen

dieses

Gerates

angezeigt

und

die

Berechtigung

zur

Uberprtifung

der

Serie

auf

Einhaltung

der

Bestimmungen

eingeraumt.

PANASONIC

DEUTSCHLAND

GMBH

Name

des

Herstellers/importeurs

Attention

Tension

(al’exception

de

’

Amérique

du

nord

et

de

l'Europe)

Avant

de

mettre

cet

appareil

sous

tension

s’assurer

que

le

sélecteur

de

tension

situé

sur

le

panneau

arriére

est

réglé

sur

la

tension

locale.

Pour

régler

le

sélecteur

de

tension

utiliser

un

tournevis

plat (—).

Avant

toute

utilisation,

apparaissant

a

la

page

81.

Aitentie!

Netspanning

(behalve

voor

Noord

Amerika

en

Europa)

Let

er

op

dat

de

spanningscaroussel,

die

zich

op

het

achterpaneel

bevindt,

op

de

juiste

netspanning

staat

voor

de

piano

wordt

aangesloten.

Gebruik

een

kleine

schroeve-

draaier

om

de

spanningscaroussel

in

te

stellen.

Voordat

u

gaat

spelen,

lees

de

waarschuwings

punten

op

bladzijd

101

zorgvulding

en

goed

door.

priére

de

lire

l’avertissement

nUZrrumomZ

IM—--OzZzm

LOMWACMO

O-POZPInN

E

S

P

A

IN)

ie)

L

|

T

A

i

A

iN

o)

TMH-—-OzZzm

The

circled

numbers

on

the

separate

sheet

correspond

to

the

section

numbers

in

this

instruction

manual.

©

Playing

Your

Technics

is

Easy!

Let's

get

ready.

1.

Plug

the

power

cord

into

an

outlet.

2.

Turn

the

POWER

switch

on.

@

@

(a

POWER

ca

I

OFF

.

ON

Notes:

®

Open

and

close

the

cover

slowly.

©

To

move

the

unit

safely,

be

sure

to

first

close

AC

IN

the

cover.

Let's

set

the

standard

settings

<initial

mode>.

1.

Press

the

FSC

(FULLBAND

SETTING

COMPUTER)

button

to

-

ine

Ot

re

ate

ee

turn

iton.

SETTING

2.

Press

the

INITIAL

key

on

the

keyboard.

ee

e

When

set

to

the

initial

mode,

the

piano

returns

to

the

factory

preset

settings,

and

the

entire

keyboard

is

set

to

the

PIANO

1

tone.

Let's

play.

Rie

ark

Goucm

Now

let’s

play

a

song.

Adjust

the

MAIN

VOLUME

to

an

appropriate

level.

MAIN

VOLUME

MIN

.accounseeREUREEG

MAX

Changing

the

tones

You

can

choose

from

17

tones

on

the

PR100/PR200

or

from

21

tones

on

the

PR300.

RIGHT

saccome

TONE

—§

RIGHT

vaccome

TONE

fee

iANOB

rE

PIANO.

—-HARPSI-

JAZZ

-GEn-

cE

PIANO;

—_-HARPSI-

JAZZ

SYNTH

PERC

1

2

1

2

CHORD

GUITAR

GUITAR

HARP

VIBETONE

1

2

1

2

CHORD

GUITAR

GUITAR

HARP

VIBETONE

1

2

°

°

°

°

° ° ° ° °

° ° ° °

°

° °

° °

°

°

Be

Lees

ae

Hee

Ea

ea

sy

es).

Es

ee

oe

«a

ee)

fey

seed

Se

PIPE

=

JA2Z_—

STRING

TENOR

SUSTAIN

PIPE

JAZZ

STRING

VOCAL

TENOR

SYNTH

SUSTAIN

ORGAN

ORGAN

ensemae

BRASS

TRUMPET

SAX

CLARINET

FLUTE

PEDAL

ORGAN ORGAN

enseMaLe

ENSEMaLe

BRASS

TRUMPET

SAX

CLARINET

FLUTE

BRASS

PEDAL

°

° °

°

°

co)

°

°

°

°

co)

° °

ro)

° ° °

° °

°

(PR100/PR200)

(PR300)

Balance

————

BALANce

————

The

volumes

for the

RIGHT,

LEFT,

DRUMS,

ACCOMP

and

BASS

BASS

ACCOMP

DRUMS

LEFT

RIGHT

Parts

are

adjusted

with

the

respective

BALANCE

buttons.

—

soa

yas

ae

ae

®

Volume

will

increase

when

a

A

button

is

pressed

and

O-

O-

O-

Of

O-

decrease

when

a

Y

button

is

pressed.

No

sound

will

be

Produced

if

neither

indicator

is

lit.

DC

jaLjalqalljallja

Pia

ie

7

in

UJ

@

Playing

Modes

This

piano

has

two

playing’modes:

cancel

mode

and

AUTO

PLAY

CHORD

mode.

M@

Cancel

mode

This

mode

is

activated

when

the

both

the

ADVANCED

and

BASIC

buttons

are

off.

It

is

used

when

AUTO

PLAY

CHORD

is

not

required.

¢

Normally,

the

selected

tone

is

effective

for

the

entire

keyboard.

e

As

explained

later,

when

the

split

function

is

used,

the

keyboard

is

divided

into

left

and

right

sections

for

which

separate

tones

can

be

selected.

@

AUTO

PLAY

CHORD

mode

in

this

mode,

playing

any

chord

on

the

left

part

of

the

keyboard

will

automatically

give

you

the

BASS

and

ACCOMP

as

well.

There

are

two

levels

of

AUTO

PLAY

CHORD,

ADVANCED

and

BASIC.

©

For

details

on

AUTO

PLAY

CHORD,

refer

to

@).

@

Split

Function

The

keyboard

can

be

split

into

two

parts,

left

and

right,

which

can

be

independently

set

for

different

tones

and

effects.

Pressing

the

KEY

SPLIT

button

changes

the

location

of

the

split

in

this

sequence:

from

G2

up

~

C3

~

C4

—

OFF.

®

The

key

at

the

split

location

is

included

in

the

right

keyboard,

and

the

remaining

keys

comprise

the

left

keyboard.

¢

The

split

is

automatically

set

at

C3

when

an

AUTO

PLAY

CHORD

mode

is

selected.

The

split

function

is

turned

off

when

the

AUTO

PLAY

CHORD

buttons

are

turned

off.

@

Keyboard

and

split

location

Example:

C3

split

AUTO

PLAY

CHORD

ADVANCED

BASIC

fe)

°

LJ

CI

|

keyboard

=«———-

effective

for

entire

keyboard

————+

IM-C-OZM

left

keyboard

right

keyboard

left

keyboard

right

keyboard

<—-

chord

—_>«—___—-.

melody

—————>

assignment

KEY

SPLIT

ES

e

When

the

split

function

is

not

activated,

the

tones

and

effects

set

for

the

right

section

are

effective

for

the

entire

keyboard.

ope

Hy

2

LL

|

left

keyboard

-

right

keyboard

({-_]is

for

PR200/PR300)

@

Right/Accomp

Tone

The

RIGHT

TONE

biock

is

used

when

setting

the

tone

and

effects

for

the

right

part

of

a

split

keyboard

or

for

the

entire

keyboard

when

it

is

not

split.

®

These

tone

buttons

are

also

used

to

select

the

tone

when

storing

the

ACCOMP

part

of

the

PLAY

SEQUENCER

(explained

tater).

(Refer

to

@).)

Tones

17

kinds

of

tones

for

the

PR100/PR200,

or

21

kinds

of

tones

for

the

PR300,

can

be

selected

using

the

RIGHT

TONE

buttons.

®

The

tones

cannot

be

mixed.

e

Each

tone

features

Touch

Response,

which

increases

volume

when

the

keyboard

is

played

harder.

®

The

voice

produced

for

FLUTE

is

raised

by

one

octave,

and

those

for

PIPE

ORGAN,

TENOR

SAX

and

BRASS

are

lowered

by

one

octave.

@

The

voices

for

PIPE

ORGAN,

TENOR

SAX

and

BRASS

played

by

the

keys

in

the

lowest

part

of

the

keyboard

are

raised

by

one

octave.

With

the

FLUTE

tone

of

the

PR200/PR300,

the

rightmost

key

sounds

one

octave

lower.

When

OCT

SHIFT

or

TRANSPOSE

is

used,

the

range

of

the

keyboard

over

which

the

octave

is

raised

or

lowered

changes,

affecting

even

other

tones

at

the

outer

ranges

of

the

keyboard.

@

The

number

of

notes

which

can

be

produced

simulta-

neously

is

shown

below.

(When

the

keyboard

is

split,

the

total

number

of

notes

which

can

be

produced

is

the

sum

of

the

left

and

right

parts

of

the

keyboard.)

@

Cancel

mode

(when

both

the

ADVANCED

and

BASIC

buttons

are

off):

12

notes.

M

AUTO

PLAY

CHORD

mode

(when

the

ADVANCED

or

BASIC

button

is

on):

8

notes.

RIGHT

-accome

TONE

HARPSi-

JA

GE

22

S

1

2

CHORD

GUITAR GUITAR

HARP

VIBETONE

ae

°

°

° °

°

° °

°

°

O-1

ES}

Eau)

a

ea)

Es) (Ea

a).

te

=

PIPE

JAZZ

STRING

ORGAN

ORGAN

ensemste

BRASS

TRUMPET

OCT

SHIFT

cE

PIANO,

1

2

KEYBOARD

TENOA

SUSTAIN

SAX

CLARINET

FLUTE

PEDAL

PERCUSSION

°

°

° ° °

°

° °

°

°

(PR100/PR200)

RIGHT

vaccowe

TONE

OCT

SHIFT

ry.

rE

PIANOs

HARPSt

JAZZ

SYNTH

PERC

t

2

1

2

CHORD

GUITAR

GUITAR

HARP

VIBETONE

2

o-2

°

°

°

° ° ° °

°

°

° °

o-1

Ce

TD

ah

a,

as

ead,

ie

Ee

PIPE

JAZZ

STRING

VOCAL

TENOR

SYNTH

SUSTAIN

KEYBOARD

ORGAN

ORGAN

ENSEMBLE

ENSEMBLE

BRASS

TRUMPET

SAX

CLARINET

FLUTE

BRASS

PEDAL

PERCUSSION

°

°

oO

fe]

°

° °

Oo

°

3°

°

fel

GS)

Gey Gea

Ee

ESE

Ep

eh

os

“Eo

Ee

Ea)

(PR300)

The

sounds

generated

by

the

digital

piano

are

those

of

real

instruments.

However,

the

range

of

notes

that

can

be

produced

is

wider

than

that

of

the

actual

instruments.

Especially

in

the

bass

range,

the

tones

start

up

slowly.

Therefore,

for

fast-tempo

pieces

use

the

treble

range

for

the

most

effective

performance.

Effects

BH

SUSTAIN

PEDAL

Press

the

SUSTAIN

PEDAL

button

on

to

activate

the

sustain

nedal.

When

the

SUSTAIN

PEDAL

button

is

off,

the

sustain

pedal

does

not

function.

(Refer

to

©.)

@

OCT

SHIFT

The

notes

of

the

keyboard

can

be

changed

by

two

octaves.

Each

push

of

the

OCT

SHIFT

button

shifts

the

octave

as

follows:

—1

octave

—

—2

octaves

—

OFF.

©

When

OCT

SHIFT

is

used,

depending

on

the

selected

tone,

some

keys

at

the

outer

ranges

of

the

keyboard

may

produce

notes

in

the

next

higher

or

lower

octave.

e

When

the

mode

is

changed

to

an

AUTO

PLAY

CHORD

mode,

the

keyboard

is

automatically

set

to

—1

octave.

When

the

AUTOPLAY

CHORD

is

turned

off,

OCT

SHIFT

also

turns

off.

@

CHORUS

Turn

on

this

button

for

a

wide, ethereal

chorus

effect.

@

The

CHORUS

effect

functions

for

both

the

LEFT

and

RIGHT

parts

simultaneously.

CHORUS

3°

ie

©

Left/Bass

Tone

LEFT

seass

TONE

OCT

SHIFT

PIANO

HARPSI-

JAZZ

0

#

1

2

E

PIANO

CHORD

CLAVi

GUITAR GUITAR

HARP

fe)

°

° °

°

o

°

°

oO

+l

JAZZ

STRING

SYNTH

BASS

SUSTAIN

ORGAN

ensempte

BRASS

PERC

ACOUSTIC

ELECTRIC

CHOPPER

SYNTH

PEDAL

fe)

°

°

fe)

° °

°

° °

Pale

Jest.

Et

eas

Eee

Ce

EN Hy

C]

MIN

PIANO

©

MEDLEY

=

NORMALT

«NORMAL?

~—-PRO

RANGE

TUNING

I

neg

(PR100/PR200)

The

LEFT

TONE

block

is

used

when

setting

the

tone

and

effects

for

the

left

part

of

a

spiit

keyboard.

®

These

tone

buttons

are

also

used

to

select

the

tone

when

storing

the

BASS

part

of

the

PLAY

SEQUENCER

(explained

later).

(Refer

to

@).)

Tones

You

can

choose

from

16

tones

on the

PR100/PR200

or

from

18

tones

on

the

PR300.

®

Only

one

TONE

selection

can

be

made

for

the

left

keyboard;

tones

cannot

be

mixed.

©

Pedals

Sustain

pedal

The

right

pedal

allows

you

to

turn

sustain

on

and

off.

When

a

key

is

released

while

this

pedal

is

depressed,

the

sound

is

sustained

so

that

it

lingers

and

slowly

fades

out.

©

This

pedal

is

a

four-stage

pedal,

and

the

length

of

the

sustain

is

controlled

by

the

degree

to

which

the

pedal

is

depressed.

Soft

pedal

The

left

pedal

can

be

used

as

a

soft

pedal.

When

the

pedal

is

depressed,

the

sound

is

softer

and

the

volume

is

lower.

LEFT

sass

TONE

OCT

SHIFT

PIANOA

HARPSI-

JAZZ

SYNTH

gay

1

2

EPIANO

CHORD

CLAW!

GUITAR

GUITAR

HARP

PERC

°

°

ro)

°

° °

°

° °

orl

Fa

YR

at

OE

a

OR

eel

A

UA

a

Vs

a,

PIPE

JAZZ

STRING

=VOCAL

BASS

SUSTAIN

ORGAN

ORGAN

ensempic ENSEMBLE

BRASS

ACOUSTIC ELECTRIC

CHOPPER

SYNTH

PEDAL

°

°°

°

°

3° °o

°

fo) fo)

°

ya

Oe

a

I

a

0

A

MIN

PIANO

MEDLEY

NORMAL}

=

=NORMALZ

PAO

RANGE

TUNING

annem

FD

(PR300)

Effects

@

SUSTAIN

PEDAL

Press

the

SUSTAIN

PEDAL

button

on

to

activate

the

sustain

pedal

for

the

left

part.

When

the

SUSTAIN

PEDAL

button

is

off,

the

sustain

pedal

does

not

function.

(Refer

to

®.)

@

OCT

SHIFT

Each

press

of

the

OCT

SHIFT

button

changes

the

octave

as

follows:

+1

octave

—

+2

octaves

—

OFF.

When

an

AUTO

PLAY

CHORD

mode

is

selected,

the

left

keyboard

is

automatically

set

to

+1

octave.

———_

Sustain

pedal

Sostenuto

pedal

(PR300)

Soft

pedal

Sostenuto

pedal

(PR300

only)

The

middle

pedal

is

used

as

a

sostenuto

pedal.

If

the

pedal

is

pressed

while

the

keys

are

pressed,

a

sustain

effect

is

applied

to

those

notes

only.

@

Forcontinuous-type

tones,

such

as

PIPE

ORGAN,

the

notes

sound

as

long

as

the

pedal

is

pressed.

Pedal

select

With

the

PEDAL

SELECT

bution,

the

left

pedal

and

middle

pedal

(PR300)

can

be

used

to

activate

other

functions.

¢

Refer

to®

for

details

regarding

START/STOP

and

FILLIN

&

INTRO

functions.

@

PR100/PR200

@

PR300

PEDAL

PEDAL

SELECT

SELECT

LEFT

CENTER

©

FILLIN&

INTRO

FILL

IN

&

INTRO

©

START/STOP

©

SOSTENUTO

SOFT

©

START/STOP

©

[SOFT]

SOFT}

©

[SOSTENUTO|

4

=

@

Transpose

Suppose

you

learn

to

play

a

song—in

the

key

of

C,

for

example—and

decide

you

want

to

sing

it,

only

to

find

it’s

either

too

high

or

too

low

for

your

voice.

Your

choice

is

to

either

learn

the

song

all

over

again,

in

a

different

key,

or

to

use

the

TRANSPOSE

feature.

Adjust

the

key

with

the

UP

and

DOWN

buttons.

®

If

the

two

buttons

are

pressed

at

the

same

time,

the

key

returns

to

C.

®

When

a

TRANSPOSE

buiton

is

pressed,

the

transposed

key

is

shown

on

the

MUSICAL

DISPLAY.

Asharpis

indicated

by

“anda

flat

by

4.

B

and

D

are

displayed

as

hand

a

faspectively:

@

When

TRANSPOSE

is

used,

depending

on

the

selected

tones,

the

sound

produced

by

some

keys

in

the

outer

ranges

may

be

raised

or

lowered

by

one

octave.

Digital

Reverb

(PR300)

TRANSPOSE

DOWN

UP

°o

fe}

ees

ee

—

DIGITAL

REVERB—

DIGITAL

REVERB

applies

a

reverberation

effect

to

the

sound.

au

ae

Select

from

four

echo

types—ROOM,

HALL

1,

HALL

2

and

Oo

6

6

PEDAL

REVERB.

e

When

the

PEDAL

REVERB

button

is

on,

a

slight

reverb

effect

is

active.

If

the

sustain

pedal

is

pressed

when

the

PEDAL

SUSTAIN

PEDAL

button

in

the

RIGHT/ACCOMP

TONE

ae

section

is

on,

the

reverb

effect

is

stronger.

re

fee

ame

SWING

SiECHAIRN

ME

TANGO

rr

BOSSA

NOVA

Oo~«

LC]

MUSICAL

DISPLAY

SHUFFLE

BALLAD

|

8

BEAT

|

16

BEAT}

DISCO

11

DISCO

2

ISWING

ROCKIFUNK

ROCK]

SAMBA

Oo

<i

[|

|

“|

7

fe} fe}

oO

°

{

a

!

/

re,

oie

io

LJ

=

=

cy

=

co

“SiaaT

ae

alias

FILL

IN

&

INTRO

ONE

TOUCH

PLAY

METRONOME

- }

S

.

EAT

°

SLOW

TEMPO

FAST

ca

oo

oo

Tt

ea

The

rhythm

unit

consists

of

rhythm

selector

buttons,

start/stop

devices,

beat

indicators,

and

volume

and

speed

controls.

The

rhythm

is

selected

by

pressing

the

2

buttons

on

the

right

and

the

9

buttons

across

the

bottom

of

the

matrix.

*

Forsomerhythms,

a

different

pattern

is

produced

with

the

BASS

&

ACCOMP

1

(or

2)

and

3

(or

4)

buttons.

The

START/STOP

button

instantly

starts

and

stops

the

drum

rhythm.

The

rhythm

always

starts

on

the

first

beat

of

a

measure.

The

BEAT

indicators

light

to

indicate

the

beat.

This

helps

you

relate

the

drum

rhythms

to

the

music

and

helps

you

keep

track

of

“where

you

are”

while

playing.

SYNCHRO

START

starts

the

drum

rhythm

you've

chosen

only

when

a

key

on

the

left

part

is

pressed

(keys

to

the

left

of

F2

#

if

the

keyboard

has

not

been

split).

The

DRUMS

buttons

in

the

BALANCE

section

allow

you

to

adjust

the

loudness

of

the

drums

to

be

in

perfect

balance

with

the

piano

voices.

TEMPO

adjusts

how

fast

or

siow

the

rhythm

is

played.

@

The

tempo

is

shown

on

the

MUSICAL

DISPLAY.

When

the

METRONOME

button

is

turned

on,

the

metronome

sound

can

be

used

instead

of

a

drum

rhythm.

Use

the

START/

STOP

button

to

turn

the

metronome

sound

on

and

off.

Turn

the

METRONOME

button

off

when

using

a

drum

rhythm.

©

Fora

3-beat

rhythm,

select

WALTZ

or

JAZZ

WALTZ.

FILL

IN

&

INTRO

This

feature

lets

you

use

a

one-measure

drum

solo

(or

“fill”)

as

an

introduction

to

a

song,

or

to

connect

different

sections

of

asong.

Using

the

8

BEAT

rhythm,

let’s

see

how

this

works.

As

an

intro

(introduction):

1.

Press

8

BEAT.

2.

Press

FILL

IN

&

INTRO—

indicator

lights

up.

3.

Start

the

rhythm

(press

START/STOP).

You'll

hear

the

drums

start

with

the

intro

and

continue

on

to

the

8

BEAT.

After

the

intro,

the

indicator

light

goes

out.

Start

INTRO

8

BEAT

be

As

a

fill-in:

1.

Press

8

BEAT.

2.

Start

the

rhythm.

NIC

roe

3.

Whenever

you

want

the

“drummer”

to

“fill-in”,

press

FILL

IN

&

INTRO—the

fill-in

is

immediately

played

for

one

measure,

after

which

the

8

BEAT

rhythm

resumes.

i

1

measure

8

BEAT

FILL

IN

i

8

pear

|

Press

FILL

IN

&

INTRO.

lf

this

button

is

pressed

at

the

end

of

a

rhythm

tune,

one

measure

of

the

ending

pattern

will

sound,

and

then

the

rhythm

will

stop.

®

The

ending

patterns

for

the

bass

and

chords

of

the

AUTO

PLAY

CHORD

(explained

later)

are

also

produced

by

pressing

this

button.

ONE

TOUCH

PLAY

If

this

button

is

pressed,

the

appropriate

tone

and

effect

registration

for

the

rhythm

chosen

are

automatically

set.

Therefore,

immediate

play

is

possible

if

a

rhythm

is

selected

and

this

button

is

pressed

for

several

seconds

until

the

indicator

stops

flashing.

e

tf

the

AUTO

PLAY

CHORD

has

not

been

selected,

the

mode

is

automatically

set

to

the

ADVANCED

mode

when

ONE

TOUCH

PLAY

is

pressed

on.

Keyboard

Percussion

Press

on

the

KEYBOARD

PERCUSSION

button,

in

the

RIGHT

TONE

block,

to

turn

your

keyboard

into

a

whole

band

of

percussive

instruments

and

other

special

sounds.

¢

When

KEYBOARD

PERCUSSION

is

turned

on,

the

tones

selected

by

the

RIGHT

TONE

and

LEFT

TONE

buttons

are

not

available.

To

return

the

keys

to

the

normal

sound,

press

one

of

the

tone

buttons

in

the

RIGHT

TONE

block.

®

The

volume

of

the

KEYBOARD

PERCUSSION

section

is

controlled

by

the

RIGHT

buttons

of

the

BALANCE

section.

KEYBOARD

PERCUSSION

io)

ea

°

’

«0

INITIAL

£2,

eS

eweatMe

re

Me

SF

oer

aoe

BF

&

Hh

HB

x

Fk

a

a

LY

2

hmm

ss

IM—-OzZzm

IMm-C-Ozm

@)

Auto

Play

Chord

Simply

by

playing

a

chord

on

the

keyboard,

the

AUTO

PLAY

AUCHORD

CHORD

function

automatically

plays

the

chord

(ACCOMP)

ADVANCED

BASIC

and

bass

voices

(BASS)

matched

to

the

rhythm.

° °

This

function

features

two

modes,

BASIC

and

ADVANCED.

coca

a

|

The

keyboard

is

automatically

split;

the

left

keyboard

is

used

RAS?

&

eee

to

specify

the

chords,

and

the

right

keyboard

is

used

to

play

o o o o

the

melody.

fea]

est

ee ed

Bm

BASIC

mode

®

With

rhythm

stopped:

The

ACCOMP

and

BASS

of

the

®

With

rhythm

started:

The

ACCOMP

and

BASS

of

the

specified

chord

sound.

specified

chord

become

the

automatic

accompanimentin

The

tones

become

those

selected

when

storing

the

tones

matching

the

rhythm.

ACCOMP

and

BASS

parts

of

the

PLAY

SEQUENCER

(explained

later).

Chords

can

be

formed

with

either

the

“one-finger”

mode

or

“fingered”

mode.

When

only

one

key

on

the

left

section

of

the

When

a

chord

is

played

on

the

left

keyboard,

keyboard

is

pressed,

the

major

chord

and

the

chord

and

its

bass

note

become

the

bass

note

of

the

depressed

root

note

sound

automatic

accompaniment.

as

the

automatic

accompaniment.

@

With

the

one-finger

mode,

when

one

key

is

pressed,

the

major

chord

sounds.

However,

minor,

seventh

and

minor

seventh

chords

can

also

be

produced.

minor chord

seventh

chord

minor

seventh

chord

Play

the

chord

key

plus

a

Play

the

chord

key

plus

a

Play

the

chord

key

plus

one

black

key

to

the

left

of

it.

white

key

to

the

left

of

it.

black

key

and

one

white

key

to

the

left

of

it

(within

five

notes

of

the

chord

key).

Example:

Cm

Example:

C7

Example:

Cm7

:

to

'

a

|

within

5

keys

tt

a

PO)

EN

else

®

With

the

rhythm

on,

the

BASS

and

ACCOMP

continue

to

@

The

LEFT

TONE

button

is

automatically

turned

off

when

sound

in

the

specified

chord

until

another

chord

is

played.

the

BASIC

mode

is

selected.

You

can

then

select

a

LEFT

TONE;

but

if

you

do,

the

one-finger

chord

function

will

not

work.

®

Touch

response

does

not

function

on

the

left

section

of

the

keyboard.

M

ADVANCED

mode

@

Pattern

and

volume

With

rhythm

stopped:

As

when

the

AUTO

PLAY

CHORD

is

off,

Four

different

accompanying

patterns

can

be

selected

with

BASS

and

ACCOMP

voices

are

not

produced.

the

BASS

&

ACCOMP

buttons.

With

rhythm

started:

The

specified

chord’s

BASS

voice

and

Adjust

the

BASS

and

ACCOMP

volumes

with

their

resp

ective

chord

(ACCOMP)

are

played

automatically

in

voices

matched

BALANCE

buttons.

to

the

rhythm.

©

The

1

and

3

buttons

produce

rhythmic

patterns,

and

the

2

¢

Play

chords

with

at

least

three

keys.

If

the

piano

cannot

and

4

buttons

produce

melodic

patterns.

determine

the

chord,

the

BASS

and

ACCOMP

will

sound

in

e

For

the

MARCH/COUNTRY

rhythm,

buttons

1

and

2

the

previously

determined

chord

until

a

new

chord

is

produce

march

patterns,

and

buttons

3

and

4

produce

determined.

This

means

that

the

melody

can

be

played

on

country

patterns.

the

left

keyboard

without

changing

the

chord

if

no

more

than

two

keys

are

pressed

simultaneously.

©

When

keys

on

the

left

part

of

the

keyboard

are

pressed,

the

Corresponding

notes

are

played.

However,

these

notes

may

be

turned

off

so

that

only

the

ACCOMP

and

BASS

notes

are

played.

Simply

press

the

LEFT

TONE

button.

C,

C7,

CM7,

(Caug),

Caug7,

C

ae

cr

),

Cm,

Cm7,

(Cdim7),

Cm'5

,

Cm7*®

,

CmM7,

(Csus4),

C7sus4

@

Chords

that

can

be

determined

For

each

note,

the

following

chords

can

be

determined.

¢

Chords

in

brackets

may

have

different

root

notes

depending

on

the

inversion.

ns

@

Program

Chord

Computer

PROGRAM

CHORD

COMPUTER

is

a

function

which

can

be

used

to

preset

chord

progressions,

rhythm

sequences,

fill

in

&

intros

and

ending

for

automatic

playing

whenever

required.

This

enables

you

to

fully

focus

your

concentration

on

playing

the

melody

with

both

hands

while

the

computer

*

adds

all

accompaniments

and

rhythms.

In

addition

to

the

PCC

and

RECORD

buttons,

nine

keys

on

the

.

right

part

of

the

keyboard

may

also

be

used.

NOTE:

A

total

of

170

chord

entries

may

be

made

before

the

built-in.

computer

memory

is

full.

A

quarter-measure

(

FR+-H

)

or

D.S.

key

is

counted

as

two

chords.

When

the

computer

memory

is

full,

short

beeps

will

sound.

The

PCC

button

prepares

the

computer

for

the

storage

of

the

chords

of

your

choice

(after

RECORD

is

pressed).

The

nine

keys

are

used

for

the

actual

process

of

storing

chords

in

the

computer.

Here

is

what

they

do:

K—1_

stores

a

chord

for

an

entire

measure

(one

chord

per

measure).

fe+H

stores

a

chord

for

a

half-measure

(two

chords

per

measure).

FH-+H4

(pressing

two

keys

at

a

time)

stores

a

chord

for

a

quarter-measure

(four

chords

per

measure).

Amend

keys

(

>

~@@

)

are

used

to

correct

individual

chords

in

a

sequence,

or

to

change

chords

already

in

the

memory

bank.

it's

possibie

to

store

these

types

of

chords:

Minor

Diminished

Minor

Seventh

Major

PCC

PROGRAM

CHORD

COMPUTER

RECORD

eo)

4

A

ai

-

HO

<

DS

—#

a

mH

re

CHORD

COMPOSER

Chord

assignment

keys

(>

1e—

can

be

pressed

when

you

wish

to

start

programming

over

from

the

beginning.

—H{

(end)

is

pressed

when

the

entire

chord

sequence

is

stored.

>

(pressing

two

keys

at

one

time)

completes

storage

so

that

performances

can

be

automatically

repeated.

+

te

allows

you

to

input

a

pause

at

any

time

during

the

recording.

This

pause

is

reproduced

when

the

recording

is

played

back.

The

use

of

the

&

and

D.S.

keys

allows

you

to

store

chords

according

to

the

music,

making

storage

operation

easy.

This

is

explained

later

in

detail.

Seventh

Minor

Suspended

rMH-r-Ozm

Seventh

CN7

or

Cmaj7

Major

Minor

Seventh Seventh

Augmenied

Seventh

Fiat

Fifth

Cc

cm

C7

Cm7

Caug

C°7

or

C*%

or

Cdim7

Cm7

$5

Major

Seventh

Fourth

CmM7

C7sus4

e

If

you

try

to

store

a

chord

not

shown

above,

it

will

be

converted

to

the

storable

chord

which

sounds

the

closest.

Storing

chords

in

the

computer

@

For

practice,

try

storing

the

following

chord

progression.