Toshiba E-studio281c Bedienungsanleitung

Andere Handbücher für e-studio281c

3

Dieses Handbuch passt für folgende Modelle

2

Inhaltsverzeichnis

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MULTIFUNCTIONAL DIGITAL COLOUR SYSTEMS

Colour Guide

PREFACE

Thank you for purchasing the Multifunctional Digital Colour Systems e-STUDIO281c/

351c/451c. This colour guidebook explains simply the functions of the e-STUDIO281c/

351c/451c such as “copy density adjustment”, “colour adjustment”, and “image quality

adjustment” in colour. To ensure effective use of the e-STUDIO281c/351c/451c, be

sure to read the Operator’s Manual for Basic Function as well.

Storage of Colour Copies

- The copies should be kept in a place which is not exposed to light to prevent fading when they

are kept for a long time.

- If copies are kept with pressure applied between plastics made of chloroethylene for a long

time, the toner may melt and stick to the plastic. Keep them in polyethylene binders, etc.

- When a colour copy is strongly folded, the toner at the fold can become separated.

- The toner on the copies may melt if it touches solvent or ink which is not dried completely.

Keep copies away from solvent.

- When copies are kept near an extremely high temperature source such as a heater, the toner

may melt. Keep them at room temperature without much variation.

©2005 TOSHIBA TEC CORPORATION All rights reserved

Under the copyright laws, this manual cannot be reproduced in any form without prior written permission of

TOSHIBA TEC CORPORATION. No patent liability is assumed, however, with respect to the use of the

information contained herein.

1

Lighter Darker Not Adjusted

Adjusted to have

a lightened

background

Front Back

Original

e-STUDIO281c/351c/451c

INTRODUCTION OF FUNCTIONS

You can select functions by lightly touching the icons on the touch panel. The

functions (1) to (8) are explained here.

COPY DENSITY ADJUSTMENT BACKGROUND ADJUSTMENT

2

0

0

0

0

0

0

0

TEXT/PHOTO

PHOTO

TEXT PRINTED IMAGE

MAP IMAGE

SMOOTHING

YELLOW(Y) MAGENTA(M)

CYAN(C) BLACK(K)

RED(R) GREEN(G)

BLUE(B)

ORIGINAL MODE

COLOUR BALANCE RGB ADJUSTMENT

* Black mode only

3

00

ONE-TOUCH ADJUSTMENT SHARPNESS ADJUSTMENT

TWIN COLOUR COPY

WARM COOL

VIVID CLEAR SOFT SHARP

RED & BLACKTWIN COLOUR SELECTABLE

ex.) [CHANGE BLACK TO] BLUE

[SECOND COLOUR] MAGENTA

4

G

B

R

WC

M

Y

Y

M

C

KR

B

G

The 3 primary colours of light represent red, green and blue light. The more the colours

are mixed, the brighter the resultant colour becomes. Equal mixing of these three colours

produces a colourless and transparent light (white light). Mixing these colours to make

another colour is called “additive colour mixing”.

The colours of the cathode-ray tube of a TV and PC displays are produced by this method.

The 3 primary colours of colour materials such as paints or colour toners represent Yellow

(Y), Magenta (M) and Cyan (C). The more the colours are overlaid, the darker the tone

becomes. Mixing these three colours equally produces a black. Mixing these colours to

make another colour is called “subtractive colour mixing”.

The colours of printed matter such as posters and brochures are produced by this

subtractive colour process.

3 PRIMARY COLOURS OF LIGHT AND ADDITIVE COLOUR MIXING

3 PRIMARY COLOURS OF COLOUR AND SUBTRACTIVE COLOUR MIXING

Printed in China

FC-281C/351C/451C

OME050065A0

2005 TOSHIBA TEC CORPORATION All rights reserved

MULTIFUNCTIONAL DIGITAL COLOUR SYSTEMS

Colour Guide

2-17-2, HIGASHIGOTANDA, SHINAGAWA-KU, TOKYO, 141-8664, JAPAN

6LE48538102

R05022085601-TTEC

Ver01 2006-06