Yamaha MX400 Bedienungsanleitung

MIXING CONSOLE

CONSOLES DE MIXAGE

MISCHPULTE

CONSOLA DE MEZCLA

User’s Guide

Manuel d’utilisation

Bedienungsanleitung

Manual de uso

20dB

GAIN

–16 –60

HIGH

–15 +15

MID FREQ

250

MID

–15 +15

LOW

–15 +15

AUX 1

010

AUX 2

010

AUX 3

010

AUX 4

010

AUX 5

010

PAN

ODD R

EVEN

∞

PFL

3–4

1–2

PRE

PEAK

SIGNAL

20dB

GAIN

–16 –60

HIGH

–15 +15

MID FREQ

250

MID

–15 +15

LOW

–15 +15

AUX 1

010

AUX 2

010

AUX 3

010

AUX 4

010

AUX 5

010

PAN

ODD R

EVEN

∞

PFL

3–4

1–2

PRE

PEAK

SIGNAL

20dB

GAIN

–16 –60

HIGH

–15 +15

MID FREQ

250

MID

–15 +15

LOW

–15 +15

AUX 1

010

AUX 2

010

AUX 3

010

AUX 4

010

AUX 5

010

PAN

ODD R

EVEN

∞

PFL

3–4

1–2

PRE

PEAK

SIGNAL

20dB

GAIN

–16 –60

HIGH

–15 +15

MID FREQ

250

MID

–15 +15

LOW

–15 +15

AUX 1

010

AUX 2

010

AUX 3

010

AUX 4

010

AUX 5

010

PAN

ODD R

EVEN

∞

PFL

3–4

1–2

PRE

PEAK

SIGNAL

20dB

GAIN

–16 –60

HIGH

–15 +15

MID FREQ

250

MID

–15 +15

LOW

–15 +15

AUX 1

010

AUX 2

010

AUX 3

010

AUX 4

010

AUX 5

010

PAN

ODD R

EVEN

∞

PFL

3–4

1–2

PRE

PEAK

SIGNAL

20dB

GAIN

–16 –60

HIGH

–15 +15

MID FREQ

250

MID

–15 +15

LOW

–15 +15

AUX 1

010

AUX 2

010

AUX 3

010

AUX 4

010

AUX 5

010

PAN

ODD R

EVEN

∞

PFL

3–4

1–2

PRE

PEAK

SIGNAL

20dB

GAIN

–16 –60

HIGH

–15 +15

MID FREQ

250

MID

–15 +15

LOW

–15 +15

AUX 1

010

AUX 2

010

AUX 3

010

AUX 4

010

AUX 5

010

PAN

ODD R

EVEN

∞

PFL

3–4

1–2

PRE

PEAK

SIGNAL

20dB

GAIN

–16 –60

HIGH

–15 +15

MID FREQ

250

MID

–15 +15

LOW

–15 +15

AUX 1

010

AUX 2

010

AUX 3

010

AUX 4

010

AUX 5

010

PAN

ODD R

EVEN

∞

PFL

3–4

1–2

PRE

PEAK

SIGNAL

ST IN 1/3

-10

PEAK

SIGNAL

HIGH

–15 +15

LOW

–15 +15

AUX 2

1–2

3–4

AUX 1

BAL/PAN

ODD R

EVEN

LEVEL

010

PFL

-10

PEAK

SIGNAL

HIGH

–15 +15

LOW

–15 +15

AUX 4

1–2

3–4

AUX 3

BAL/PAN

ODD R

EVEN

LEVEL

010

PFL

ST IN 1/3

ODD R

EVEN

ST IN 2/4

-10

PEAK

SIGNAL

HIGH

–15 +15

LOW

–15 +15

AUX 2

1–2

3–4

AUX 1

BAL/PAN

ODD R

EVEN

LEVEL

010

PFL

-10

PEAK

SIGNAL

HIGH

–15 +15

LOW

–15 +15

AUX 4

1–2

3–4

AUX 3

BAL/PAN

LEVEL

010

PFL

ST IN 2/4

GROUP 1 GROUP 2 GROUP 3 GROUP 4

LRST2/MONITOR

LRSTEREO 1

METER SELECT

MIXING CONSOLE

23222120191817

20dB

GAIN

–16 –60

HIGH

–15 +15

MID FREQ

250

MID

–15 +15

LOW

–15 +15

AUX 1

010

AUX 2

010

AUX 3

010

AUX 4

010

AUX 5

010

PAN

ODD R

EVEN

∞

PFL

3–4

1–2

PRE

PEAK

SIGNAL

20dB

GAIN

–16 –60

HIGH

–15 +15

MID FREQ

250

MID

–15 +15

LOW

–15 +15

AUX 1

010

AUX 2

010

AUX 3

010

AUX 4

010

AUX 5

010

PAN

ODD R

EVEN

∞

PFL

3–4

1–2

PRE

PEAK

SIGNAL

20dB

GAIN

–16 –60

HIGH

–15 +15

MID FREQ

250

MID

–15 +15

LOW

–15 +15

AUX 1

010

AUX 2

010

AUX 3

010

AUX 4

010

AUX 5

010

PAN

ODD R

EVEN

∞

PFL

3–4

1–2

PRE

PEAK

SIGNAL

20dB

GAIN

–16 –60

HIGH

–15 +15

MID FREQ

250

MID

–15 +15

LOW

–15 +15

AUX 1

010

AUX 2

010

AUX 3

010

AUX 4

010

AUX 5

010

PAN

ODD R

EVEN

∞

PFL

3–4

1–2

PRE

PEAK

SIGNAL

20dB

GAIN

–16 –60

HIGH

–15 +15

MID FREQ

250

MID

–15 +15

LOW

–15 +15

AUX 1

010

AUX 2

010

AUX 3

010

AUX 4

010

AUX 5

010

PAN

ODD R

EVEN

∞

PFL

3–4

1–2

PRE

PEAK

SIGNAL

20dB

GAIN

–16 –60

HIGH

–15 +15

MID FREQ

250

MID

–15 +15

LOW

–15 +15

AUX 1

010

AUX 2

010

AUX 3

010

AUX 4

010

AUX 5

010

PAN

ODD R

EVEN

∞

PFL

3–4

1–2

PRE

PEAK

SIGNAL

20dB

GAIN

–16 –60

HIGH

–15 +15

MID FREQ

250

MID

–15 +15

LOW

–15 +15

AUX 1

010

AUX 2

010

AUX 3

010

AUX 4

010

AUX 5

010

PAN

ODD R

EVEN

∞

PFL

3–4

1–2

PRE

PEAK

SIGNAL

20dB

GAIN

–16 –60

HIGH

–15 +15

MID FREQ

250

MID

–15 +15

LOW

–15 +15

AUX 1

010

AUX 2

010

AUX 3

010

AUX 4

010

AUX 5

010

PAN

ODD R

EVEN

∞

PFL

3–4

1–2

PRE

PEAK

SIGNAL

20dB

GAIN

–16 –60

HIGH

–15 +15

MID FREQ

250

MID

–15 +15

LOW

–15 +15

AUX 1

010

AUX 2

010

AUX 3

010

AUX 4

010

AUX 5

010

PAN

ODD R

EVEN

∞

PFL

3–4

1–2

PRE

PEAK

SIGNAL

20dB

GAIN

–16 –60

HIGH

–15 +15

MID FREQ

250

MID

–15 +15

LOW

–15 +15

AUX 1

010

AUX 2

010

AUX 3

010

AUX 4

010

AUX 5

010

PAN

ODD R

EVEN

∞

PFL

3–4

1–2

PRE

PEAK

SIGNAL

20dB

GAIN

–16 –60

HIGH

–15 +15

MID FREQ

250

MID

–15 +15

LOW

–15 +15

AUX 1

010

AUX 2

010

AUX 3

010

AUX 4

010

AUX 5

010

PAN

ODD R

EVEN

∞

PFL

3–4

1–2

PRE

PEAK

SIGNAL

20dB

GAIN

–16 –60

HIGH

–15 +15

MID FREQ

250

MID

–15 +15

LOW

–15 +15

AUX 1

010

AUX 2

010

AUX 3

010

AUX 4

010

AUX 5

010

PAN

ODD R

EVEN

∞

PFL

3–4

1–2

PRE

PEAK

SIGNAL

20dB

GAIN

–16 –60

HIGH

–15 +15

MID FREQ

250

MID

–15 +15

LOW

–15 +15

AUX 1

010

AUX 2

010

AUX 3

010

AUX 4

010

AUX 5

010

PAN

ODD R

EVEN

∞

PFL

3–4

1–2

PRE

PEAK

SIGNAL

20dB

GAIN

–16 –60

HIGH

–15 +15

MID FREQ

250

MID

–15 +15

LOW

–15 +15

AUX 1

010

AUX 2

010

AUX 3

010

AUX 4

010

AUX 5

010

PAN

ODD R

EVEN

∞

PFL

3–4

1–2

PRE

PEAK

SIGNAL

20dB

GAIN

–16 –60

HIGH

–15 +15

MID FREQ

250

MID

–15 +15

LOW

–15 +15

AUX 1

010

AUX 2

010

AUX 3

010

AUX 4

010

AUX 5

010

PAN

ODD R

EVEN

∞

PFL

3–4

1–2

PRE

PEAK

SIGNAL

20dB

GAIN

–16 –60

HIGH

–15 +15

MID FREQ

250

MID

–15 +15

LOW

–15 +15

AUX 1

010

AUX 2

010

AUX 3

010

AUX 4

010

AUX 5

010

PAN

ODD R

EVEN

∞

PFL

3–4

1–2

PRE

PEAK

SIGNAL

L —ST 1 —R

∞

REC OUT

010

TAPE IN

010

LEVEL

010

PHONES

010

AUX 1–4

GRP 1–4

TALKBACK IN

POWER

PHANTOM

PEAK

–2

–4

–7

–10

–15

–20

PEAK

–2

–4

–7

–10

–15

–20

PEAK

–2

–4

–7

–10

–15

–20

GROUP 1

∞

AFL

PEAK

–20

AUX SEND 1

∞

PAN

AFL

TO ST

GROUP 2

∞

PAN

AFL

TO ST

∞

AFL

PEAK

–20

AUX SEND 2

GROUP 3

∞

PAN

AFL

TO ST

∞

AFL

PEAK

–20

AUX SEND 3

GROUP 4

∞

PAN

AFL

TO ST

∞

AFL

PEAK

–20

AUX SEND 4

ST2/MONITOR

∞

PFL

L+R

2TR IN

MONI

ST2

∞

AFL

PEAK

–20

AUX SEND 5

IMPORTANT NOTICE FOR

THE UNITED KINGDOM

Connecting the Plug and Cord

IMPORTANT: The wires in this mains lead are coloured in accordance

with the following code:

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may not

correspond with the coloured markings identifying the terminals in your

plug proceed as follows:

The wire which is coloured BLUE must be connected to the terminal

which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the terminal

which is marked with the letter L or coloured RED.

Making sure that neither core is connected to the earth terminal of the

three pin plug.

* This applies only to products distributed by YAMAHA - KEMBLE

MUSIC (U.K.) LTD. 5-2 BS2 01 2/5

Contents

MX400 User’s Guide

Contents

1 Introduction . . . . . . . . . . . . . . . . . . . 1

Features of the MX400 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

2 Front and rear panels . . . . . . . . . . . . 2

Input modules . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

Stereo module . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

AUX SEND module . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

GROUP module . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

ST2/MONITOR module . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Master module (L-ST1-R) . . . . . . . . . . . . . . . . . . . . . . . . . 9

Meters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

3 Rear panel . . . . . . . . . . . . . . . . . . . . 11

4 Appendix . . . . . . . . . . . . . . . . . . . . . 14

General specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

Input Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Output Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

IMPORTANT NOTICE FOR

THE UNITED KINGDOM

Connecting the Plug and Cord

IMPORTANT: The wires in this mains lead are coloured in accordance

with the following code:

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may not

correspond with the coloured markings identifying the terminals in your

plug proceed as follows:

The wire which is coloured BLUE must be connected to the terminal

which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the terminal

which is marked with the letter L or coloured RED.

Making sure that neither core is connected to the earth terminal of the

three pin plug.

* This applies only to products distributed by YAMAHA - KEMBLE

MUSIC (U.K.) LTD. 5-2 BS2 01 2/5

Precautions

MX400 User’s Guide

Precautions

1. Location

Keep the unit away from locations where it is likely to be exposed to high tem-

peratures or humidity — such as near radiators,stoves,etc.Also avoid locations

which are subject to excessive dust accumulation or vibration which could

cause mechanical damage and locations subject to strong electromagnetic

ﬁelds, such as close to broadcast equipment.

2. Ventilation

The unit has ventilation slots on the bottom panel. Do not block these vents.

3. Avoid Physical Shocks

Strong physical shocks to the unit can cause damage. Handle it with care.

4. Do Not Open the Case or Attempt Repairs or Modiﬁcations Yourself

This product contains no user-serviceable parts. Refer all maintenance to qual-

iﬁed Yamaha service personnel. Opening the case and/or tampering with the

internal circuitry voids the warranty.

5. Always power off before making connections

Always turn the power OFF before connecting or disconnecting cables. This is

important to prevent damage to the unit itself as well as other connected equip-

ment.

6. Handle Cables Carefully

Always plug and unplug cables — including the AC power cord — by gripping

the connector, not the cord.

7. Clean With a Soft Dry Cloth

Never use solvents such as benzine or thinner to clean the unit.Wipe clean with

a soft, dry cloth.

8. Always Use the Correct Power Supply

Make sure that the power supply voltage speciﬁed on the rear panel matches

your local AC mains supply. Also make sure that the AC mains supply can

deliver more than enough current to handle all equipment used in your system.

Introduction

MX400 User’s Guide

Introduction

Thank you for purchasing the Yamaha MX400. The MX400 series is designed

for easy operation and versatility in a wide range of applications, including PA

and installed systems. The MX400 series includes three models; 8 channel, 12

channel, 16 channel, and 24 channel mixers.

In order to take full advantage of the MX400’s functionality, please read this

manual carefully.

Features of the MX400

Each of the mono input channels provides the following functions.

• XLR/phone input jacks

• 20dB pad switch / continuously variable gain control

• 3 band EQ (with variable mid-range frequency) / EQ on/off switch / high

pass ﬁlter switch

• TRS insert jack / direct output

• A total of 5 AUX SEND systems (pre

2, post/pre

2 (switchable), post

• ODD/EVEN group and stereo assign switch / pan control

• Channel ON switch

• PFL switch

• Level meter for accurate level control

In addition to the mono input channels, 4 sets of stereo input channels are pro-

vided, with the following functions.

• Four stereo inputs with 2 band EQ

• GROUP/AUX/STEREO assign switches

• Balance/pan control

• TRS 1/4” phone jack and RCA input jack select switch (only for stereo

input 1/2)

The master section provides the following features.

• Five fader-style AUX SEND controls

• Independent 3 point level meter for each AUX SEND control

• TO ST switch and pan control for each GROUP

• GROUP ON switch, AFL switch, and 100 mm fader for each GROUP

• The MONI/ST2 switch allows the ST2/MONI OUT output signal to be

switched in the following two ways;

1) One of the signals from an external source input to the stereo bus, the

PFL bus, or the 2TR IN.

2) The same signal as the ST1 OUT output signal.

• ON switch, L+R switch,and fader are provided for the ST2/MONI OUT

output signal.

In addition, the following functions are provided.

• XLR mic inputs

• Talkback level control

• Assign switch

The TAPE IN jacks and REC OUT jacks have level controls, for convenience

when you need additional margin for monitoring or recording. The level

meters with peak indicators allow accurate monitoring.

Front and rear panels

MX400 User’s Guide

Front and rear panels

Input modules

A/B switch

This switch selects the signal source of the input module.

Select INPUT A (XLR type) or INPUT B (1/4” phone type).

20dB pad switch

This is a 20dB input pad (attenuator) that affects INPUT A and INPUT B.

If the level of the input signal is too high for adjustments to be made using

the GAIN control alone,use the pad to attenuate the signal to an appropriate

level. The pad is on when this switch is pressed in.

GAIN control

This controls the gain of the preamp for INPUT A and INPUT B. Gain is

variable to a maximum of 44dB.

The GAIN control is always used in conjunction with the SIGNAL indicator

and the PEAK indicator. Adjust the GAIN control so that the SIGNAL indi-

cator is always lit when an input signal is present, and the PEAK indicator

lights occasionally. If the PEAK indicator lights frequently, lower the GAIN

control to prevent the signal from distorting.The following table shows

usual settings for the GAIN control.

SIGNAL indicator and PEAK indicator

When the post EQ signal level (nominal level 0dB) reaches –10dB, the SIG-

NAL indicator will light. This indicator indicates that a signal is being input.

When the post EQ signal level reaches 3dB before clipping level, the PEAK

indicator will light. This indicator indicates that the signal has approached

clipping level. Set the signal level based on the status of the PEAK indicator.

For the procedure, see the explanation for

GAIN control.

Signal source GAIN control position 20dB pad switch

Dynamic mic (low level) –60 ~ –50 off

Condenser mic (high level) –35 off

Audio device, electronic musical in-

strument (low level) –20 off

Audio device, electronic musical in-

strument (high level) +4 on

20dB

GAIN

–16 –60

HIGH

–15 +15

MID FREQ

250 5K

MID

–15 +15

LOW

–15 +15

AUX 1

010

AUX 2

010

AUX 3

010

AUX 4

010

AUX 5

010

PRE

PEAK

SIGNAL

–16 –60

GAIN

–16 –60

GAIN

–16 –60

GAIN

–16 –60

GAIN

Input modules

MX400 User’s Guide

high pass ﬁlter switch

This switch cuts the input signal below 80 Hz at 12dB/octave. The ﬁlter is

turned on when the switch is pressed in.

By using the high pass ﬁlter, you can reduce or eliminate wind noise, mic

pop noise, and power supply hum etc.

EQ controls (HIGH, MID FREQ, MID, LOW)

This is a 3-band equalizer with center frequencies, range,and type as shown

below.

HIGH: 12 kHz +/–15dB shelving type

MID: 250 Hz ~ 5 kHz (variable) +/–15dB peaking type

LOW: 80 Hz +/–15dB shelving type

The frequency response is ﬂat when the knob is in the center position.

EQ switch

This switch turns the EQ on/off. When the switch is pressed in the EQ is on.

In addition to bypassing the EQ when it is not being used, this switch pro-

vides a convenient way to compare the equalized and unequalized signals.

AUX 1 / AUX 2 controls

These adjust the signal level that is sent to each output AUX SEND 1 and

AUX SEND 2. These signals are pre-fader (i.e., they are taken from before

the fader adjustment). Nominal level is at 3 o’clock position.

AUX 3 / AUX 4 / AUX 5 controls

These adjust the signal level that is sent to each output AUX SEND 3, AUX

SEND 4 and AUX SEND 5.

The signals controlled by AUX 3 and AUX 4 will depend on the setting of

the PRE switch.

•

When the PRE switch is not pressed

They control the post-fader signal.

•

When the PRE switch is pressed

They control the pre-fader signal.

AUX 5 controls the post-fader signal.

Nominal level is at 3 o’clock position.

10k 20k1k10020

–20

–10

Frequency (Hz)

Signal Level (dB)

50 5k2k500200 50k

MID FREQ

250 5k

Front and rear panels

MX400 User’s Guide

Assign switches (1-2, 3-4, ST)

These switches assign the signal of the input module to the group outputs

and the ST output. The PAN control located below adjusts the stereo posi-

tion of the signal between the odd (ODD) group and left (L) outputs and

the even (EVEN) group and right (R) outputs.

PAN control

This knob adjusts the stereo position of the signal between the stereo L and

R, and between the odd/even groups. For example if this knob is turned all

the way to the left,the signal will be sent only to the L and odd (ODD) groups

whose assign switches are pressed. If it is turned all the way to the right, the

signal will be sent only to the R and even (EVEN) groups. If the knob is set

to the center position, the same amount of signal will be sent to the stereo

L and R, and the odd/even groups.

ON switch

This switch turns the input module on/off. When the switch is pressed in

the input module is on. Be sure to turn off input modules that are not in

use. Even when a module is off, the SIGNAL and PEAK indicators will light

if a signal is being input.You can also use the PFL switch to monitor the sig-

nal even if a module is off.

PFL switch

PFL is an acronym for Pre-Fader Listen. This switch allows you to monitor

the signal of the input module regardless of the fader position, the settings

of the ON switch, the group assign switches, or the AUX settings. As the

name suggests, the signal is taken pre-fader (post EQ).You may listen to an

individual module, or to two or more modules simultaneously. The PFL

indicator located at the top of the STEREO module will light when a PFL

switch is on.

Fader

This adjusts the signal level that is sent to the various outputs. Faders are

used individually or in conjunction with the faders of the other input mod-

ules to create the desired mix balance. A position at the zero (0) marking is

the nominal level. Raising the fader above 0 provides up to 10dB of gain.

PAN

ODD R

EVEN

∞

PFL

3–4

1–2

Stereo module

MX400 User’s Guide

Stereo module

A/B switch

This switch selects the signal source for the stereo module.

Select either ST INPUT A (unbalanced 1/4” phone type) or ST INPUT B

(RCA pin) input. This switch is not provided for [ST3] or [ST4].

Sensitivity select (+4/–10) switch

This switch selects the gain appropriate for the input signal level. The sen-

sitivity is –10dB when the switch is pressed in, and +4dB when the switch

is not pressed in.

SIGNAL and PEAK indicators

When the post EQ signal level (nominal level 0dB) reaches –20dB, the SIG-

NAL indicator will light. This indicator indicates that a signal is being input.

When the post EQ signal level reaches 3dB before clipping level, the PEAK

indicator will light. This indicator indicates that the signal has approached

clipping level. Set the signal level based on the status of the PEAK indicator.

EQ controls (HIGH, LOW)

This is a 2-band equalizer with center frequencies, range,and type as shown

below.

HIGH: 12 kHz +/–15dB shelving type

LOW: 80 Hz +/–15dB shelving type

The frequency response is ﬂat when the knob is in the center position.

AUX 1 / AUX 2 / AUX 3 / AUX 4 switches

These switches send the mono signal to the AUX buses. They are on when

pressed in.

[ST1] and [ST2] select the AUX 1 and AUX 2 buses.

[ST3] and [ST4] select the AUX 3 and AUX 4 buses.

Assign switches (1-2, 3-4, ST)

These switches assign the signal of the stereo module to the group outputs

and the ST output. The PAN control located below adjusts the stereo posi-

tion of the signal between the odd (ODD) group and left (L) outputs and

the even (EVEN) group and right (R) outputs.

BAL/PAN control

The BAL/PAN knob adjusts the balance or the L/R position of the stereo

module signal. For example if this knob is turned all the way to the left, the

signal will be sent only to the L and odd (ODD) groups whose assign

switches are pressed. If it is turned all the way to the right, the signal will be

sent only to the R and even (EVEN) groups. If the knob is set to the center

position, the same amount of signal will be sent to the stereo L and R, and

the odd/even groups.

LEVEL control

This adjusts the output level of the stereo module.

-10

PEAK

SIGNAL

HIGH

–15 +15

LOW

–15 +15

AUX 2

1–2

3–4

AUX 1

BAL/PAN

ODD R

EVEN

LEVEL

010

PFL

-10

PEAK

SIGNAL

AUX 4

AUX 3

Front and rear panels

MX400 User’s Guide

ON switch

This switch turns the stereo module on/off. When the switch is pressed the

stereo module is on. Be sure to turn off input modules that are not in use.

Even when a module is off, the SIGNAL and PEAK indicators will light if a

signal is being input. You can also use the PFL switch to monitor the signal

even if a module is off.

PFL switch

PFL is an acronym for Pre-Fader Listen. This switch allows you to monitor

the signal of the stereo module regardless of the fader position, the settings

of the ON switch, the group assign switches, or the AUX settings. As the

name suggests, the signal is taken pre-fader (post EQ).You may listen to an

individual module, or to two or more modules simultaneously.

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