Yamaha Electone CSY-1 Bedienungsanleitung

GUIDE

YOUR

YAMAHA

ELECTONE

ORGAN

csv.

with

SOLO

SYNTHESIZER

Congratulations

your

selection

Yamaha

Electone

Organ

Model

CSY-1

with

Solo

Synthesizer.

It's

the

world's

most

advanced

and

newest

musical

instrument,

carefully

designed

and

built

provide

lifetime

musical

enjoyment.

addition

the

familiar

Electone

voices,

realistic

instrumental

voices

апа

one

creative

sound

effect,

"Funny";

are

available.

make

sure

you

get

the

most

from

its

many

features

and

electronic

circuitry,

please

read

this

manual

thoroughly

before

attempting

play

your

Yamaha

CSY-1.

ШШ

THIS

YOUR

YAMAHA

ELECTONE

ORGAN

CSY-1

WITH

SOLO

SYNTHESIZER

........

KEYBOARDS»

«5

veas

OCA

TUNING

rita

ads

esca

ТА

Dies

SYNTHESIZER

ЅЕСТІОМ................

PRESET

TONE

LEVERS

аа

VARIABLE

EFFECT

CONTROLS

........

FILTER

зула

ты

bri

ENVELOPE

ovi

eateries

ҮІВВАТО..........

EENE

ATTACK

ВЕК

НЫ

PORTAMENTO

......................

TOUCH

CONTROL

255

oxi

cag

oct

tote

SYNTHESIZER

МОГОМЕ...............

ELECTONE

БЕСТІОМ...................

TONE

LEVERS

ааыа)

EFFECT

LEVERS

.....................

EFFECT

CONTROLS

«center

SOUND-IN-MOTION

TREMOLO

..........

AUTO

RHYTHM

SECTION

..............

STARTING

RHYTHM

WITH

THE

FOOT

SWITCH

duce

dauid

AUTO

BASS/CHORD

ЅЕСТІОМ...........

FULLY

ENJOY

YOUR

CSY-1.........

CARE

YOUR

CSY-T

korr

reds

NOT

ВЕ

ALARMED

IF..............

SPECIFICATIONS

eins

eorr

one

vai

TTL

Tuning

Control

Portamento

Control

Attack

Bend

Levers

Vibrato

Controls

Envelope

Controls

Filter

Controls

Preset

Tone

Levers

Transposition

Levers

Touch

Controls

Keyboard

Selector

Lever

Electone

Selector

Lever

Synthesizer

Selector.

Lever

Synthesizer

Volume

Control

Auto

Rhythm

Section

Lower

Manual

Tone

Levers

Effect

Levers

Upper

Manual

Tone

Levers

Power

Switch

Auto

Bass/Chord

Lever

Bass

Variation

Buttons

Pedal

Tone

Levers

Effect

Controls

Pedals

Lower

Manual

Rhythm

Foot

Switch

Expression

Pedai

Upper

Manual

Tremolo

Selectors

Tremolo

Speed

Controi

eoccoocoooec

eeoccocecce

@8S666e88

NOTE:

The

circled

numbers

refer

explanatory

sections

the

text

follow.

The

CSY-1

has

three

keyboards.

The

upper

two

are

called

"manuals"

and

the

lower

one,

played

with

the

feet,

“pedals.”

They

have

keys

and

octaves

follows:

Upper

Manual

keys

(3%

octaves)

Lower

Manual

keys

octaves)

Pedals

keys

octave)

The

CSY-1

designed

permit

playing

the

melody

the

upper

manual

with

the

right

hand,

the

chords

One

octave

UPPER

MANUAL

ІТІГІГІЛІГІГІГ

the

lower

manua!

with

the

left

hand,

and

bass

notes

the

pedals

with

the

left

right

foot.

All

keys

are

arranged

the

traditional

keyboard

method:

two

black

keys,

three

black

keys.

Each

white

key

has

name

(from

G),

and

the

blacks

are

sharps

flats.

“С”

always

the

white

key

just

below

the

left

black

key

the

two-black-key

group.

Any

complete

set

seven

white

keys

and

five

black

keys

called

"octave:'

LOWER

MANUAL

PEDALS

You

can

play

synthesizer

voices

either

the

upper

manual

the

pedals.

Many

combinations

can

made

combining

the

positions

the

three

levers

the

right

the

panel:

Keyboard

Ф).

Electone

@,and

Synthesizer

Selector

levers.

When

you

use

the

CSY-1

Electone

organ:

Unless

the

synthesizer

selector

lever

de-

pressed,

you

hear

synthesized

voices

regard-

less

the

positions

the

other

two

levers.

(000

SYNTHE

When

you

want

play

the

synthesized

voices,

but

not

the

Electone

voices,

the

upper

manual:

When

you

want

play

both

the

synthesized

and

the

Electone

voices

the

upper

manual:

КЕҮ-

ELEC.

2EISYNTHES

Соога.

-SIZER:

When

you

want

play

the

synthesized

voices,

but

not

the

Electone

voices,

the

pedals:

When

you

want

play

both

the

synthesized

and

the

Electone

voices

the

pedals:

the

front

panel,

the

right

the

preset

tone

levers,

there

are

four

transposition

levers

These

levers

shift

the

synthesized

voices

one

two

octaves,

down

one

octave,

When

you

depress

two

transposition

levers

the

same

time,

you

hear

only

the

one

furthest

the

right

the

panel,

When

transposition

lever

depressed,

you

hear

the

keyboard

the

"normal"

transposition

lever

was

depressed.

The

Solo

Synthesizer

section

the

CSY-1

designed.

to.

sound

one

note

time;

you

depress

than

one

key

the

same

time,

you

will

always

hear

the

highest

note.

The.

volume

the

synthesized

voices

affected

the

expression

pedal

tune

the

Solo

Synthesizer

section

the

CSY-1

with

the

Electone

another

instrument,

wait

about

one

minute

after

turned

on.

Then

push

down

the

Flute

preset

tone

lever

and

the

vibrato.

lever

the

“control”

position,

and

slide

the

vibrato

depth

control

the

“minimum”

posi-

tion

eliminate

the

vibrato.

Slide

the

“tuning

control"

(at

the

extreme

left

the

panel)

the

left

(flat)

right

(sharp)

until

you

obtain

the

right

pitch;

the.

pitch.

can

increased

lowered

about

100

cents

(one

semitone)

relation

the

standard

pitch.

Surat

mmm)

Your

CSY-1

has

preset

tone

levers

the

front

panel

When

you.

depress

one

the

levers

and

push

note,

you

hear

the

sound

the

instrument

voice

identified

name

the

lever

panel.

designed

create

the

sound

GLASS

майана

TRUMPE

only

one

instrument

time.

you

depress

than

one

preset

tone

lever

the

same

time,

you

hear

only

the

instrument

selected

the

lever

furthest

the

right

the

panel.

When

levers

are

depressed,

you

hear

synthesized

voices.

sessment

RPSL

ORUM

SAXOPHONE

DBOE

VIOLIN

PIANO

HARPSICHORD

BASS

TUBA

The

synthesizer

your

CSY-1

has

number

variable

effect

controls

permit

you

vary

the

effects

the

preset

synthesizer

voices

and

create

new

world

musical

expression.

introduce

them,

depress

the

corresponding

effect

lever

down

the

"control"

position;

this

cancels

the

preset

amount

that

particular

effect.

FILTER

Simply

stated,

filter

alters

the

harmonics

con-

tained

note

change

its

color

timbre.

Each

the

preset

tones

has

design

feature

the

characteristic

harmonic

structure

and

resonant

points

that

identify

particular

instrument.

Switch

the

filter

manual

control

putting

the

filter

lever

the

"control"

position

(down).

You

can

now

control

the

filter

characteristics

(from

lowpass

highpass,

and

degree

reso-

nance)

with

the

cutoff

frequency

and

resonance

controls.

The

closer

the

cutoff

frequency

control

the

high

position,

the

harmonics

are

allowed

pass

through

the

filter

resulting

very

brilliant

sound.

When

you

slide

the

cutoff

fre-

quency

control

from

the

"low"

“high”

while

holding

key

down,

the

sound

you

hear

changes

from

soft

and

muted

bright

and

crisp.

the

meantime,

the

closer

the

resonance

control

the

maximum

position,

the

nasal

the

sound

becomes,

emphasizing

the

frequency

just

before

cutoff.

When

you

set

the

resonance

control

its

center

position,

you

can

create

wah-wah

effect

sliding

the

cutoff

frequency

control

left

and

right.

€

P——

Ó!

ENVELOPE

The

term

“envelope”

may

seem

strange,

however,

every

sound

event

has

envelope.

you

draw

heavy

line

connecting

the

peaks

the

sound's

waveform,

you

would

have

the

event,

"en-

velope"

waveform.

Synthesizers

employ

separate

envelope

generators

with.

varying

number

controls

adjust

the

different

portions

the

envelope

wave

shape.

The

Yamaha

CSY-1

preset

voices

all

have

preset

attack

and

sustain

envelope

patterns.

the

preset

position,

the

"attack"

(the

time

required

for

note

reach

full

volume)

and

the

length

time

the

note

sounds

(sustain

and

release)

are

adjusted

for

you

advance.

placing

the

envelope

lever

the

control

position,

the

preset

envelope

cancelled

and

the

variable

attack

and

sustain

controls

are

now

functional.

When

the

attack

control

set

“slow”,

long

rise

time

results.

When

the

sustain

control

set

'long"

the

tone

will

continue.

sound

for

quite

some

time

after

the

key

released.

Con-

versely,

when

the

controls

are

set

fast

and

short,

staccato

tone

will

result.

MÀ

ENVELOPE

VIBRATO

The

effect

called

“vibrato”

familiar

one

almost

every

one

involved

music.

The

term

actually

indicates

change

frequency,

both

above

and

below

the

normal

pitch

the

note.

This

change

quite

small

and

not

confused

with

other

effects.

The

vibrato

lever

(section

cancels

the

preset

vibrato

included

some

the

preset

voices,

i.e.,

flute,

trumpet,

oboe,

etc.,

and

enables

the

performer

adjust

the

rate

(speed)

and

depth

their

own

taste.

There

are

controls

for

speed

(right-hand

slide

causes

faster

vibrato

rate)

and

for

depth

(right-hand

slide

increases

the

amount

change

pitch).

Note:

The

rate

“wah-wah”

included

the

tone

“funny”

preset

part

the

voice,

can

altered

using

the

vibrato

controls.

Place

the

vibrato

lever

"control"

position,

set

the

vibrato

depth

control

the

minimum

(extreme

left)

position.

You

can

now

adjust

the

vibrato

speed

contro!

obtain

the

desired

rate

wah

without

introducing

vibrato

effect.

ATTACK

BEND

Attack

bend

has

two

levers:

the

pitch

bend

that

lowers

note

little

pitch

the

moment

pressed

and

the

tone

bend

that

changes

the

timbre.

With

the

pitch

bend

lever

depressed,

note

will

lower

about

100

cents

(one

semitone)

pitch

the

moment

key

depressed,

then

return

the

normal

pitch

gradually.

The

tone

bend

lever

alters

timbre

adjusting

the

extent

which

note

changes

tone

sound

its

intended

sound

after

the

key

pressed.

Since

the

levers

are

independent,

you

can

introduce

pitch

bend

tone

bend,

both

any

time.

PORTAMENTO

The

term

""Portamento"

latin

musical

notation

used

indicate

sound

gliding

continuously

from

some

selected

note

(frequency)

second

selectable

point,

sounding

all

the

intermediate

frequencies.

This

effect

designed

function

between

any

two

keys

played

sequence,

either

higher

ór

lower.

The

time

required

for

the

pitch

shift

from

the

first

note

played

the

second

(oscillator

slew

rate)

controlled

the

porta-

mento

control.

Sliding

the

control

the

right

increases

the

time

required

for

the

pitch

reach

the

normal

pitch

the

second

key

played.

Conversely,

sliding

the

left

results

very

short

period

(fast

slew

rate).

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