Yamaha DM 2000 Version 2 Bedienungsanleitung

Yamaha DM2000 Digital Production Console

Orientation Guide

What You Need To Know At Startup:

Control Surface Layout

* System Setup

* Input Patching

* Input Channel Naming

* Effects Input Patching

* Output Patching

* Output Channel Naming

Input Channel Setup

Output Channel Setup

Assigning Subgroups

Storing & Recalling Scenes

* Once done, these are used infrequently unless system is modified.

Other important topics you will want to become familiar with:

— Automation Computer

— Machine Control

— Aux Send Mode Change

— Metering, Levels & G.R.

— Block Diagram (Signal Flow)

— Monitoring & Talkback / Oscillator

— Copying Parameters

— Pairing Inputs or Outputs

— DAW Control

— Pre / Post Sends

— Diamond Buttons

— Preferences (your custom settings)

— Effects Processors

— Rotary Encoders

— Fader & Mute Groups

— Sixteen Ch. Card Use – v1.14 or later

— Fader Recall Safe

— SmartMedia™Card Backup

— GPI

— Stereo Inputs & Outputs

— Graphic Equalizers

— Studio Manager Software

— Grouping Parameters

— Surround Sound – v1.1 or later

— Initializing Console

— Time Fades

— I/O Patch Linking – v1.1 or later

— Updating the Operating System

— Libraries

— User Defined Keys

NOTE: Many signal path and function edits can be done more than one way

(hardware keys or via software). Choose your preference for each.

DM2000 Control Surface Layout

≠System Setup

1. Press DISPLAY ACCESS / [DIO].

2. Keep pressing this button to locate “Word Clock Select” page.

3a. Set internal sampling rate as needed* OR…

3b. Select word clock input as needed.

4. Verify Fs box indicates “48KHz” and does not flash “UNLOCK”.

5. Press DISPLAY ACCESS / [SETUP].

6. Keep pressing this button to locate “Remote Port Setup” page.

7. Place cursor over AD824 box.

8. Press [ENTER].

NOTE: *48KHz is recommended for sound reinforcement (analog I/O).

≠Input Patching – Channel

1. Press DISPLAY ACCESS / [INPUT PATCH].

2. Keep pressing this button to locate “Input Channel Patch” page.

3. Select the channel.

4. Using the data edit wheel select the input.

5. Press [ENTER].

NOTE: For internal effects returns, also patch effects processor outputs to

available input channels in this fashion.

≠Input Channel Names

1. Press DISPLAY ACCESS / [INPUT PATCH].

2. Keep pressing this button to locate “Input Channel Name” page.

3. Edit long and/or short channel names as needed.

4. Press [ENTER].

NOTE: Turn check box “Name Input Auto Copy” on/off as needed.

≠Input Patching – Effects

1. Press DISPLAY ACCESS / [INPUT PATCH].

2. Keep pressing this button to locate “Effects 3-8 Input Patch” page.

3. Using the data edit wheel select the processor input – usually a post

fader aux send.

4. Press [ENTER].

≠Output Channel Patching

1. Press LAYER / [MASTER].

2. Press DISPLAY ACCESS / [OUTPUT PATCH].

3. Keep pressing this button to locate “Slot Output Patch” or “OMNI

Output Patch” page as needed.

4. Select the bus fader to patch.

5. Using the data edit wheel assign bus to output connector.

6. Press [ENTER].

≠Output Channel Names

1. Press LAYER / [MASTER].

2. Press DISPLAY ACCESS / [OUTPUT PATCH].

3. Keep pressing this button to locate “Output Channel Name” page.

4. Select output channel to name.

5. Edit long and/or short output channel names as needed.

6. Press [ENTER].

NOTE: Turn check box “Name Input Auto Copy” on/off as needed.

≠Input Channel Setup

NOTE: Assume the input patch is completed.

Select the Channel

1. Press LAYER key as needed.

2. Select the channel on that layer by touching the fader.

3. If fader touch sensitivity is turned off, press [SEL].

Set Internal Mic Preamp Gain Trim & Phantom Power

1. Press MONITOR / [DISPLAY] to locate “Solo Setup” page.

2. Set SOLO=ENABLE/MODE=RECORDING/LISTEN=PREFADER/

SEL MODE=LAST.

3. Set +48v on/off as needed for condenser microphones.

4. Press DISPLAY ACCESS / [METER] & locate “Channel 1-24” page.

5. Set metering point and peak hold as needed.

6. Press [SOLO] on channel(s) if needed.

7. Adjust channel(s) gain trim for peak input level of about –6dB.

Monitor quality with headphones.

8. With channel(s) [SOLO] off, meter level at fader ‘0’ is as before.

9. Use channel(s) pad only if peak light is on with trim at minimum.

10. Repeat 3 – 9 as needed for 24 inputs.

Set AD824 Remote Mic Preamp Gain Trim & Phantom Power

1. On SELECTED CHANNEL: PHASE/INSERT, press [DISPLAY].

2. Keep pressing this button to locate “AD824 Gain/Phantom” page.

3. Select preamp and channel with cursor.

4. Adjust gain trim as needed with Data Wheel.

5. Set phantom power as needed by pressing [ENTER]

NOTE: This page is hidden if system setup is not done.

Assign Channel to Bus Output

1. Select the channel.

2. On SELECTED CHANNEL / ROUTING, press bus assignments as

needed.

Assign Channel to Aux Output

1. Select the channel

2. On SELECTED CHANNEL / AUX/MATRIX, press [ON] switches

as needed.

3. Adjust send [LEVEL] rotary encoder (pot) as needed.

4. Press [BANK] as needed to select other sends.

Set Channel Pan Position

1. Select the channel.

2. On SELECTED CHANNEL / PANSURROUND, adjust [PAN] knob

as needed.

Set Input Delay

1. Select the channel

2. On SELECTED CHANNEL / DELAY, press [ON] button if unlit.

3. Adjust [TIME] knob as needed.

Set Input Gate

1. Select the channel.

2. On SELECTED CHANNEL / DYNAMICS, press [GATE ON] button

if unlit.

3. On SELECTED CHANNEL / DYNAMICS, press [DISPLAY].

4. Keep pressing this button to locate “Gate Library” page.

5. Recall program desired and edit if needed…

OR…

1. Select the channel

2. On SELECTED CHANNEL / DYNAMICS, press [GATE ON] button

if unlit.

3. Press [GATE/COMP] to light [GATE] indicator.

4. Adjust [THRESHOLD] [RANGE] [ATTACK] [DECAY] [HOLD] as

needed.

Set Input Compressor

1. Select the channel

2. On SELECTED CHANNEL / DYNAMICS, press [COMP ON] button

if unlit.

3. On SELECTED CHANNEL / DYNAMICS, press [DISPLAY].

4. Keep pressing this button to locate “Compressor Library” page.

5. Recall program desired and edit if needed…

OR…

1. Select the channel.

2. On SELECTED CHANNEL / DYNAMICS, press [COMP ON] button

if unlit.

3. Press [GATE/COMP] to light [COMP] indicator.

4. Adjust [THRESHOLD] [RATIO] [ATTACK] [RELEASE] [GAIN] as

needed.

Set Input Equalization

1. Select the channel.

2. On SELECTED CHANNEL / EQUALIZER, press [EQ ON] button

if unlit.

3. On SELECTED CHANNEL / EQUALIZER, press [DISPLAY].

4. Keep pressing this button to locate “Equalizer Library” page.

5. Recall program desired and edit if needed…

OR…

1. Select the channel.

2. On SELECTED CHANNEL / EQUALIZER, press [EQ ON] button

if unlit.

3. Adjust [FREQUENCY] [Q] [GAIN] for each band as needed.

NOTE: [FREQUENCY] & [Q] toggle on same control by pushing the knob.

≠Output Channel Setup

NOTE: Assume the output patch is completed.

Select the Output Channel

1. Press LAYER / [MASTER].

2. Select the output channel (bus master) by touching the fader.

3. If fader touch sensitivity is turned off, press [SEL].

Set Output Delay

1. Select the output channel.

2. On SELECTED CHANNEL / DELAY, press [ON] button if unlit.

3. Adjust [TIME] knob as needed.

Set Output Compressor

1. Select the output channel.

2. On SELECTED CHANNEL / DYNAMICS, press [COMP ON] button

if unlit.

3. On SELECTED CHANNEL / DYNAMICS, press [DISPLAY].

4. Keep pressing this button to locate “Compressor Library” page.

5. Recall program desired and edit if needed…

OR…

1. Select the output channel.

2. On SELECTED CHANNEL / DYNAMICS, press [COMP ON] button

if unlit.

3. Press [GATE/COMP] to light [COMP] indicator.

4. Adjust [THRESHOLD] [RATIO] [ATTACK] [RELEASE] [GAIN] as

needed.

Set Output Equalization

1. Select the output channel.

2. On SELECTED CHANNEL / EQUALIZER, press [EQ ON] button

if unlit.

3. On SELECTED CHANNEL / EQUALIZER, press [DISPLAY].

4. Keep pressing this button to locate “Equalizer Library” page.

5. Recall program desired and edit if needed…

OR…

1. Select the output channel.

2. On SELECTED CHANNEL / EQUALIZER, press [EQ ON] button

if unlit.

3. Adjust [FREQUENCY] [Q] [GAIN] for each band as needed.

NOTE: [FREQUENCY] & [Q] toggle on same control by pushing the knob.

≠Subgroups

Assign Subgroups (Bus) to Matrix

1. Press LAYER / [MASTER].

2. Press FADER MODE [AUX/MTRX].

3. Press MATRIX SELECT key to select Matrix.

4. Adjust faders 1-20 as needed.

Assign Subgroups (Bus) to Stereo

1. Select any channel.

2. On SELECTED CHANNEL / ROUTING, press [DISPLAY].

3. Keep pressing this button to locate “Bus to Stereo” page.

4. Use cursor and data wheel as needed.

≠Storing & Recalling Scenes

Storing

1. Press SCENE MEMORY [_]or [_] to locate a vacant scene.

2. Press SCENE MEMORY [STORE].

3. Name the scene in the title edit window.

4. Press “OK” in the title edit window.

Recalling

1. Press SCENE MEMORY [_]or [_] to locate a stored scene.

2. Press SCENE MEMORY [RECALL].

Important Comment on Digital Mixer System Operation:

If your DM2000 is in a configuration with more than 24 microphone inputs, the

remote microphone inputs are probably connected to the DM2000 with a digital

signal connection; other components may also have digital signal connection

with DM2000. This type of connection usually requires a separate word clock

synchronizing signal. Systems with word clock connections should not be

operated either partially disconnected or with individual units powered off. This

can interrupt the word clock. You may then experience either spurious noises or

distortion at random intervals or the DM2000 may display a word clock error

message.

Yamaha recommends the mixer and all other digitally connected components be

powered on and off together and that you do not make system changes without

qualified assistance. If one of these components must be disconnected for any

reason, the word clock signal integrity must be maintained for continued proper

system operation.

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