Yamaha TX-216 Bedienungsanleitung

YAMAHA

-

X

NE

GENERATOR

SYSTEM

=

-

О

PERFORMANCE

NOTES

This

performance

notebook

lists

all

the

information

necessary

for

utilizing

the

maximum

са-

pabilities

of

the

data

included

for

use

with

the

TX216.

Please

use

this

notebook

as

reference

when

performing

on

the

TX216.

1.

2.

ACOUSTIC

РАМО

HIGH

STRINGS

Pitch

Bend

effect

is

only

on

A

side.

By

detuning

A

and

B,

sound

becomes

richer.

By

detuning

A

and

B,

sound

becomes

richer.

Vibrato

can

be

added

by

using

After

Touch

or

Modulation

Wheel,

and

volume

can

be

changed

by

Foot

Control.

3.

10.

11.

TRUMPETS

MALE

&

FEMALE

CHOIR

ELECTRIC

PIANO

ELECTRIC

ORGAN

POWER

SYNTHESIZER

FAT

SYNTHESIZER

GUITARS

CELLO

ENSEMBLE

AFRICAN

MALLET

ELECTRIC

PIANO

&

BREATH

CONTROL

BRASS

Some

type

of

sound

on

both

sides,

however,

function

of

LFO

is

changed

to

obtain

a

stereo

effect.

Initial

Touch

gives

ex-

pression

to

tone,

and

After

Touch

produces

vibrato

on

side

A

only.

Also,

if

key

is

pressed

down

for

a

long

time,

sound

will

only

remain

on

side

B.

Vibrato

produced

by

After

Touch

or

Modulation

Wheel

is

stronger

for

male

choir

than

for

female

choir.

Same

sounds

on

both

sides.

Initial

Touch

gives

expression

to

the

tone,

and

vibrato

can

be

added

by

using

Modulation

Wheel.

|

Same

type

of

sound

on

both

sides,

however,

as

function

of

LFO

is

different,

stereo

effect

can

be

produced

by

Modulation

Wheel.

By

detuning

А

and

B,

the

sound

becomes

richer,

and

Initial

Touch

gives

expression

to

the

tone.

As

the

name

indicates,

producing

same

note

on

both

sides

will

widen

the

sound.

Vibrato

can

be

produced

by

using

Mo-

dutation

Wheel.

This

mixes

two

sounds,

jazz

guitar

on

side

A,

and

spanish

guitar

on

side

B.

By

using

keyboard

level

scaling,

tone

variation

can

be

enjoyed

through

keyboard

range.

Initial

Touch

gives

expression

to

the

tone,

and

by

using

Mod-

ulation

Wheel

to

produce

vibrato,

sound

can

be

expanded

even

further.

Detuning

same

type

of

sound

produces

rich

string

sound.

Modulation

Wheel

produces

vibrato,

and

Initial

Touch

can

be

used

for

bow

like

effect.

Pitch

Bend

and

Vibrato

by

Modulation

Wheel

are

only

produced

on

side

A,

while

vibrato

by

After

Touch

is

only

produced

on

side

B.

Tone

can

be

varied

by

Initial

Touch.

For

electric

piano,

tone

can

be

varied

by

Initial

Touch,

and

if

Breath

Control

is

used,

brass

sound

comes

flowing

out.

Mod-

ulation

Wheel

and

After

Touch

give

expression,

and

ensemble

music

can

be

enjoyed.

As

the

effect

is

stronger

on

side

A

than

on

side

В,

stereo

effect

can

also

be

enjoyed.

——

—''Y-————

س󰾯

dHá—————Á—

13.

PIPE

ORGAN

By

Initial

Touch,

volume

difference

between

A

and

B

can

be

enjoyed,

and

sound

image

moves

from

left

to

right

(and

vice

versa).

14.

SYN-RISE

Pitch

EG

moves

musical

interval

from

A

to

B,

and

stereo

effect

can

be

enjoyed.

15.

CLAV.

By

detuning

A

and

B,

stereo

effect

is

produced.

Vibrato

is

produced

by

Modulation

Wheel.

16.

TINE

ELECTRIC

PIANO

&

STRINGS

After

an

intimate

electric

piano

introduction,

gradually

pressing

down

foot

pedal

will

produce

a

grandiose

string

sound.

Use

effectively

different

Pitch

Bends

for

A

and

B.

————————

———

HH

—

бал

-

„А

Е

YU

а

обоа

кл

Ра

17.

BREATH

CONTROL

FLUTE

Use

Breath

Control

for

flute

solo,

and

Foot

Control

for

string

&

STRING

BELLS

accompaniment.

a

eee

18.

HORNS

Initial

Touch

allows

you

to

enjoy

brass

ensemble.

Use

Modu-

lation

Wheel

for

vibrato.

a

„==

ЛИ

=

==

1

19.

DOUBLE

HARP

This

sound

reproduces

very

subtle

differences

in

attack.

Initial

Touch

varies

the

tone.

„==

=

ыы

ы

==

ee

рока

20.

ELECTRIC

GUITAR

Use

Initial

Touch,

Modulation

Wheel

and

Pitch

Bend

to

re-

produce

a

variety

of

electric

guitar

and

bass

sounds.

21.

ELECTRIC

BASS

Combining

same

type

of

sound

produces

a

rich

bass

sound,

and

using

Initial

Touch

produces

skiliful

plucking

effect.

22.

HARPSICHORD

By

detuning

A

and

B,

you

can

enjoy

stereo

effect.

23.

VIBRAPHONE

Same

type

of

sound

on

both

sides,

however,

different

vibrato

speed

widens

the

sound.

ae

>

مش

ا󰾯

„е

е.

24.

BREATH

CONTROL

SAX

This

is

a

brass

(trombone-like)

and

Sax

duet.

Use

Foot

Control

&

BRASS

HORNS

for

trombone,

and

Breath

Control

to

control

sax.

Also,

use

Modulation

Wheel

for

vibrato.

——

ш

эсш

=

Р

ула

аа

ee

RR

25.

FM

PIANO

By

detuning

A

and

B,

you

can

enjoy

stereo

effect.

Initial

Touch

gives

expression

to

the

tone.

==

Ó'nSÁ

оо

=

26.

MODULATION

WHEEL

TIMPAN!

Add

timpani

to

orchestra

by

using

Modulation

Wheel,

and

use

&

ORCHESTRA

different

Pitch

Bends

for

A

and

B

effectively.

27.

TIME

WARP

&

BELL

VOICE

Use

Modulation

Wheel

to

produce

futuristic

time

warp

sound.

нн

Noc

c

Los

UY

deir

пина

ИД

Да

MM

ан

M

MADRE

28.

TUBERISE

Use

Modulation

Wheel

to

add

effect

to

chime

sound

and

enjoy

stereo

effect.

Also

enjoy

reverberations

after

releasing

keys.

З

ode

mt

MD

d

<

29.

VIOLIN

ENSEMBLE

By

using

Modulation

Wheel

to

produce

vibrato,

a

lousy

en-

semble

becomes

professional.

Е

rr

ла

Баа

ЕЕ.

Басанти

аа

зс

ы,

30.

KARIMBA

This

sounds

like

a

folk

instrument.

Produce

fun

sounds

by

using

Modulation

Wheel

and

Initial

Touch.

31.

HARMOSYNTH

This

is

a

synthesizer

sound

like

harmonica.

Use

Modulation

Wheel

for

vibrato.

32.

ORCHESTRA

&

TRUMPET

Play

softly

for

orchestra

and

strongly

for

trumpet

solo.

Use

Modulation

Wheel

for

vibrato

and

tremolo.

Use

different

Pitch

Bends

for

A

and

B

effectively.

Ж

Connect

ЕС-ЗА

or

FC-7

Foot

Controller

to

Foot

Modulation

terminal

on

rear

panel

of

the

DX7.

DATA

TABLES

1.

These

data

tables

give

in

table

form

ideas

for

utilizing

to

their

maximum

the

functions

of

your

TX216.

Each

page

includes

data

іп

an

upper

row

(A

group)

and

iower

row

(В

group),

which

together

make

up

the

data

for

one

type

of

performance.

Before

shipping

from

the

factory,

the

data

for

the

A

group

are

loaded

into

the

first

of

the

TX216

and

the

data

for

the

B

group

are

loaded

into

the

second

TF1

module.

2.

Since

the

data

introduced

here

are

produced

Тог

a

ОХ?

which

is

to

be

connected

as

а

MIDI

keyboard,

some

of

the

function

of

voice

are

not

available

without

using

a

Foot

controller

(FC3A

or

FC7)

or

a

Breath

Controiler

(BC1).

It

is

recommended

to

connect

a

Foot

Controller

(FC3A

or

FC7)

to

the

MODULATION

terminal

in

the

FOOT

CONTROL

section,

a

Breath

Controller

(BC1)

to

the

BREATH

CONTROL

terminal.

3.

For

the

functions

of

each

voice

in

these

data

tables,

the

range

values

for

the

Modulation

Wheel,

Foot

Control,

Breath

Control

and

After

Touch

are

from

0

~

99

when

used

in

connection

with

the

DX7,

but

the

TX216

only

actually

handles

the

0

—

15

range.

The

range

values

for

the

Modulation

Wheel,

Foot

Control,

Breath

Control

and

After

Touch

sent

from

the

DX7

are

changed

automatically

as

shown

in

the

table

below:

1.

ACOUSTIC

PIANO

<

FREQ

>

FC

FF

01.00

90

74.13

87

01.00

00

3.00

до

20.00

00

08.00

oo

M

ЕС

ЕЕ

тоде

+7

+3

+5

+7

+0

91

155

65

64

72

94

<

РОКТАМЕМТО

>

тоде

<

P.BENDER

>

step

ACC.

PI

ANO

pitch

amp

EG-bias

<

ENVELOFE

>

R4

L1

L2

L3

14

R2

23

61

15

14

16

19

<

РОКТАМЕМТО

>

81155

<

P.BENDER

>

range

R3

17

64

13

11

eo

00

time

step

46

55

43

42

99

79

82

вв

ва

oo

га

од

eo

pitch

amp

eo

Фо

00

eo

LD

ое

20

од

oo

20

eg

LC

DL

Y

RD

L1

<

KBD

SCALE

>

BP

RC

<

KBD

SCALE

>

LC

BP

A7

F2

ce

G#0

в

і

D#2

RD

00

99

87

ва

eo

OFF

RC

OFF

<

PITCH

ENVELOPE

>

R3 R4

L2

L3

°$

p

o

QO

но

{

TL

РМО

AMD

SYNC

PMS

OFF

2.

HIGH

STRINGS

i

<

NAME

>

<

PITCH

ENVELOPE

>

|

Кі

R2

КЗ

R4

L1

L2

L3

L4

|

MIB

с

G#1

WAVE

SPD

OLY

FMD

AMD

SYNC

PMS

<

KBD

SCALE

>

кг КЗ

R4

(1

L2

L3 L4

LD

LE ВР

RO

RC

R

му

TL

FOL

Y

|

<

PORTAMENTO

>

<

MODULATION

>

mode

gliss

time

|

мор Е.С B.C

A.TCH

|

і

1

і

LEVEL

ATT

<

P.BENDER

>

||

pitch

і

ом

OFF

OFF,

ON

і

range

step

атр

OFF

OFF OFF

|

EG-bias

OFF

ON

OFF

|

1

і

1

Е

"m

|

t

_

. Қ

і

<

PITCH

ENVELOPE

>

|

ві

R2

R3

R4

1

12

13 14

|

НІ

STRINGS

EDEN

haa

ae

ви

Ма

AA

eT

m

A

RENE

_

94

67

95 60

59

50

ALGO

02

|

<

LFO

>

мо

с

G#1

WAVE

SPD

DLY

PMD

AMD

SYNC

PMS

<

ENVELOPE

>

<

KBD

SCALE

>

м

M

FC

FF

D

К:

кг

КЗ

ка

L1

L2

L3

L4

LD

LC BP

КО RC

R

му

TL

і

í————————————————————————————————————————

A

i

ia

с

|

Е

1.000

99

+2

46

33

20

46 99

92 84

ёо

90

-L

А-1

99

-

2

31

99

I:

і

м

05.00

00

+6

99 46

00

44

99

93 87

00

од

-L

D#4

до

-L

1

Фі

84

|3

с

|

Е

1.000

00 +3

46 33

20

43 99

92 84

99

00

-L

А-

00

-L

2

зо

99

M

і

М

05.00

00

+2

99

46

99

46

99 93 87

00

од -L

084

до

-L

i

91

84

5

|

М:

95.00

00"

-2

99

46 00

43

99

93

87 QQ

Фо

-L

D#4

99

-L

1

0%

77

6

j

М

10.00

00

+0

99 46

00

43 99

93

87

00

60

-L

D#4

99 -L

1

00

71

і

POLY

<

PORTAMENTO

>

„|

<

MODULATION

>

/

MONO

mode

91155

time

Е

EL

ERE

Poes

oF

e

|

_

MOD

F.C

B.C

A.TCH

|

POLY

retai

OFF

|

——

86

pitch

ON

range

step

amp OFF

ОРЕ

OFF

ON

OFF

—

i

і

i

і

3

і і

і

"-

m

[n]

|

с

м.

в

и

1D]

————

9

|

РЕЗЕРВИ

НИВУ

ВР

ИСАК

то

набори

ی󰾯

Кин

ИККО

НИНЕН

КЫ

3.

ТВИМРЕТ

1

i

|

Ri

R2

R3 R4

Li

L2 L3

14

TRUMPET

A

ЕЕ

і

|

99

67

95

60

49

51

59

52

1

LFO

»

PMD

AMD

SYNC

PMS

<

ENVELOPE

>

ОР

M

FC FF

D

R1

R2

R3 R4

L1

L2

L3 L4

LD

LC

ве

RD

RC

R

MM

TL

96.24

04

-1

48

12

22

50 99

61

д0

00

-L

A-

52

м

1

м

Е

5

М

91.99

д9

+0

41

12

22

50

99

95 95

00

-L

А-1

QQ

-L

м

8-1

м

1

м

1

РОКТАМЕМТО

>

mode

91155

time

OFF

Фе

мор Е.С

в.с

A.TCH

š

1

i

retai

L

—na

сенин

L

Í

range

53

оо од

вь

|

LEVEL

ATT

<

P.BENDER

>

||

pitch

ON

OFF

||

OFF

ом

|

range

step

||

amp

ON

OFF

||

OFF ОРЕ

|

і

<

PITCH

ENVELOPE

R2 R3

R4

L1

L2

13

L4

SPD

ШУ

PMD

AMD

SYNC

PMS

<

FREQ

>

<

ENVELOPE

>

<

KBD

SCALE

>

<S

>

ОР

M

FC

FF

D

Ri

R2

КЗ

R4

L1

L2

L3

L4

LD

LC

ВР RD

RC

R

му

TL

є

1

i

01.00

да

+Q

70

24

19

55 99 86 Bé

QQ

00

-L

А-1

QQ

-L 99

92.10

95

+0

99

12

22

50

85 85 85 00

00

-

F

S

96

-E ча

01.00

00

чо

41 12

22

50

99 99

96

00

~.

A-1

QQ

-L

79

і

01.00

00

чо

66

76

22

59

99

61

да

00

-L

А-1

00-4

74

а-1

А-1

юю

ла

06.24

94

-1

48

12

22

50 99

61

00

оа

-L

до

-L

50

08.47

21

+0

42

56 20

70

99

00

QQ

eo

-L

zzzzzzi

555055

WSWUNWN

90

-L

~

99

<

АМЕМТО

>

mode

91155

time

і

/MONO

MOD

F.C

B.C

A.TCH

—————:

retai

OFF

oo

FOL

Y

LEVEL

ATT

<

F.BENDER

>

ON

OFF

ON

OFF

OFF OFF

OFF

OFF OFF OFF

4.

MALE

&

FEMALE

CHOIR

<

FITCH

ENVELOPE

>

i

R1

R2

R3

ва

Li

L2 13

ца

;|

75

80 75

60

50

So

59 50

<

LFO

2

і

WAVE

SFD

ПУ

PMD

AMD

SYNC

FMS

!

36 38

OFF

DP

M

FC

FF

D

Кі

R2

КЗ

RA

L1

L2 L3

14 Lo LC

BP

ко RC

R

MV

TL

N

e

i

М

95.00

де

-3

47 20

22

50

99

97

QQ

99

—

C2

99

-Lð

C

i

F

2692.

43

+Q

40 80 22

52

99

99 99

во

00

-L

F#2

15

-L

Q

М

01.00

00

+2

ба

20

22

5

а

М

02.00

90

-3 48

ва

22

54 99

99

QQ

18

-L

ЕЗ

28

-L

ð

М

01.00

QQ

+3

99 ва 22

39 99 99

99

да

од

-L

[#2

62

-L

9

4

і

|

<

РОКТАМЕМТО

>

тоде

91155

time

|

<

P.BENDER

>

|

гапде

step

1

і

|

Н

і

1

|

атр

Í

OFF

|

| |

|

і

|

і

777

NAME

>

<

PITCH

ENVELOPE

>

Li

L2

<

ENVELOPE

>

<

KBD

SCALE

>

«S825

R2

R3

R4

L1

L2

L3

L4

LO

LC ВР RD RC

К

MM

TL

2692.

43

-1

35

21

36

63

99

90

85

eo 00

~L

А-1

900

-L

|

mode

81155

1

|

retai

OFF

eo

<

P.BENDER

>

range

step

if

ЕР

ено

пинот

|

ОЕЕ

ОБЕ ОБЕ

ОРЕ

оз

oo

і

|

атр

|

ОЕЕ

ОРЕ

ОБЕ

ОРЕ

|

і

СА

А

ААРОН

5.

ELECTRIC

PIANO

FC

26.18

01.00

ОР

=

ЕС

ој

26.18

01.00

Aran!

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Yamaha TX-216 Bedienungsanleitung

Beliebte Aufnahmegeräte Handbücher anderer Marken