Yonac TROOPER Bedienungsanleitung
First Edition, September 2022
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Owner’s Manual
First Edition, September 2022
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TABLE OF CONTENTS
Basics……….…..………………………………………………….
The Synthesizer…………..……………………………………...
Preferences….………………............................................
Audio Unit (AUv3)……………….……………………………...
Presets………….…….…………………………………………….
3
6
11
15
16
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BASICS
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1) Preset Access
Touch to reveal the preset browser
2) Virtual Keyboard Options
Touch to reveal control strip. Use buttons in the strip to hide or show the virtual keyboard; change its
height, or toggle scrolling/resizing to change the size and location of the keys.
3) Preferences
Touch to reveal synth & app preferences panel
4) FX (automatically appears according to window size)
If the device or AUv3 screen is too small to display all the synth controls at once, this button will
automatically appear. Touch it to display the FX panel, which also contains the Arp and the Modulation
Envelope.
5) Tapedeck (Standalone)
Displays the built-in recorder/playback/looper
6) Tap Tempo (Standalone)
Displays the tap tempo and scroll wheel interface for setting the app tempo
7) Master volume
Sets the output volume of the synth
8) Synth Controls
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9) Virtual keyboard
Virtual Keyboard Management
Touch the KEYBOARD button on the taskbar to display keyboard options strip. From left to right, these buttons,
• Select the short height (“compact”) keyboard
• Select the full height (“performance”) keyboard
• Hide the keyboard altogether to make more of the synth controls visible, depending on the available
screen real estate.
• Toggle keyboard scrolling/resizing mode on and off. When turned on, scroll to change the keyboard
offset; pinch to change the key width to fit the desired number of keys on the screen.
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THE SYNTHESIZER
Oscillators & Audible LFO
Oscillators 1 and 2 are the principal signal generators, whereas the Audible LFO can simultaneously or
separately generate an audible signal or provide wide frequency modulation.
The waveform for an oscillator is selected using the WAVE knob. The base octave of the signal is set through the
OCT knob. Each oscillator and the aLFO provide six octaves in the audible range, including sub (S) and octaves
through 0 and 4. The additional low position (L) provides output below the audible range and can be used for
imparting interesting characteristics to the overall signal.
The VOL knobs specify the volume for each oscillator and react with other elements in the synth’s design. Up until
the mid position, the oscillator output will be relatively “pure,” which may be useful for cleaner synth sounds.
Above the mid point, the tonality of the signal will begin to change, resulting in a “rounder” sound. When
oscillators are combined, the volume controls can be used as an additional way obtain interesting new overtones
not usually available in the “clean” combination of signals.
The SEMI knobs in oscillator 2 and aLFO are used to vary the tuning of each relative to that of oscillator 1. In
small variations from the center, interesting “drifty” tones can be obtained.
The aLFO can be uncoupled from the keyboard by turning off the TRK button. In this case, it will emit a fixed
frequency that does not change no matter which key is held down. Modulation can be obtained by selecting a
target (O1, O2, or FILT) and then setting the desired amount of modulation via the MOD knob. Additional
modulation amount control can be obtained via the mod wheel, velocity, aftertouch, etc. These settings are found
in the PREFS -> MODULATION panel.
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Filter
TRACK: amount of keyboard filter tracking.
FREQ: The corner frequency of the filter, as well as the initial value when the filter envelope is triggered
RESO: The amount of filter resonance. In higher settings, the filter will start to self-oscillate, which can be used as
a unique sound on its own and controlled via the keyboard by setting TRACK to desired amount.
AMT: The peak value of the filter envelope. Filter envelope will have a more traditional contour up to the middle
setting. Above the middle setting, the AMT knob will start to change the envelope contour
A: Filter envelope attack time
D: Filter envelope decay time
S: Filter envelope sustain level: will represent a value between FREQ and AMT
R: Filter envelope release time. When set to 0, the last envelope value is held
VCA
A: VCA envelope attack time: i.e., from silence to peak amplitude
D: VCA envelope decay time: i.e., from peak to amplitude specified by SUSTAIN (S)
S: VCA envelope sustain level
R: VCA envelope release time: i.e., from sustain level to silence
Legato, Poly, and Glide
LEGATO: Toggle legato mode.
POLY: Switch between monophonic and polyphonic synth operation
GLIDE: Specify the portamento time between two notes
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LFO
The LFO applies a modulating signal to the selected targets. The amount of the signal is traditionally controlled
using the modulation wheel on the built in virtual keyboard or an external MIDI keyboard. Further control
options are provided in the Prefs -> MODULATION panel.
WAVE: Specify the waveform of the modulating signal
RATE: Specify the speed of the modulating signal
TARGET SELECTORS: Select which synth parameters to modulate
TRK: Turn on key tracking. The signal will speed up the higher one plays on the keyboard.
RST: Turn on first-key-in phase reset for the signal
SYNC: Enable BPM syncing. When BPM syncing is turned on, the RATE knob can be used to specify the note
value at which the LFO will operate
MOD WHEEL: Specify the amount of modulation supplied to the selected target(s). Further settings for the Mod
Wheel and other modulation related controls can be found in PREFS -> MODULATION
Modulation Envelope
Use the ENV as an additional modulation source to obtain interesting sounds. The ENV amount can optionally
also be controlled via MIDI velocity and Mod Wheel. Options are located in PREFS -> MODULATION.
AMT: Peak value of the envelope at the end of the attack stage
S: Sustain value of the envelope at the sustain stage
A: Attack time
D: Decay time
R: Release time
TARGET SELECTORS: Select the synth parameters to modulate
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Esprit & Get6
Esprit is a special parameter designed to interact with other synth settings. Depending on the underlying patch, it
can be used to give tighter, deeper bass sounds; change the tonality of the signal; or make the overall sound
more full and aggressive.
Get6 turns on big, stereophonic synth sounds, supplying an extra tool with which to obtain ballsier tones.
Arpeggiator
POWER: Turn the arp on or off
ALG: Select the note order for the pattern
NOTE: Select the note value for each step
OCT: Select the octave range for the pattern
GATE: Specify the gate amount for each step. When legato is activated, the maximum gate amount will result
arpeggiation in legato.
Texturizer
Texturizer is a multi-use effect. By experimenting with its parameters, one can obtain various flavors of chorus,
flange, stereo expansion, short-time resonant delay, sweeping comb filter effects, and more.
DELAY: The initial delay for the wet signal
FEED: The feedback for the wet signal
RATE: Speed of modulation
DEPTH: Amount of modulation
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MIX: Amount of wet signal applied to output.
Delay
Two-tap stereo delay.
L/R: Delay time for the left and right channels
FEED (L/R): Feedback amount for the left and right channels
MIX: Delayed signal mix
SYNC: Enable BPM syncing. Note values can be set via the L/R (delay time) knobs.
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