Zoom MULTISTOMP MS-50G+ Bedienungsanleitung

Effect Types and Parameters

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characteristics and do not indicate any affiliation with the Zoom Corporation.

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2 3

Effect explanation overview

Contents

DYNAMICS • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 3

FILTER • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 4

DRIVE • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

PREAMP• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

MODULATION • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 12

DELAY • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 15

REVERB• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 18

SFX• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 19

Additional tables • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 20

DELAY This long delay has a maximum length of 4000 ms.

TIME Sets the delay time. 1 – 4000

MODE Sets the delay time range.

When metronome is chosen, the delay time is synchronized to the tempo.

SHORT,

LONG,

REPEAT Adjusts the number of repeats. 0 – 100

MIX Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100

Effect type Effect explanation Parameter range

Parameter explanation

ParameterEffect Screen

Tempo synchronization possible icon

2 3

Effect Types and Parameters

[ DYNAMICS ]

COMPRESSOR

This compressor in the style of the MXR Dyna Comp.

SENSE Adjusts the sensitivity of the effect. 0 –10

ATTCK Sets compressor attack speed to Fast or Slow. SLOW, FAST

TONE Adjusts the tone. 0 – 10

VOL Adjusts the volume. 0 – 100

RACK

COMPRESSOR

This compressor allows more detailed adjustment than Comp.

THRSH Sets the level that activates the compressor. 0 – 50

RATIO Adjusts the compression ratio. 1 – 10

ATTCK Sets compressor attack speed. 1 – 10

VOL Adjusts the volume. 0 – 100

GRAY

COMPRESSOR

This models a ROSS Compressor. Added parameters allow you to adjust the tone.

SUSTN Adjusts the sustain. 0 – 100

LO Adjusts volume of low frequencies. 0 – 100

HI Adjusts volume of high frequencies. 0 – 100

VOL Adjusts the volume. 0 – 100

BLACK

OPTICAL

COMPRESSOR

This is a simulation of the Demeter COMP-1 Compulator.

Added parameters allow you to adjust the tone.

COMP Adjusts the depth of the compression. 0 – 100

LO Adjusts volume of low frequencies. 0 – 100

HI Adjusts volume of high frequencies. 0 – 100

VOL Adjusts the volume. 0 – 100

1176 LIMITER This is a simulation of the UREI 1176LN.

INPUT Adjusts the input level. 0 – 80

RATIO Adjusts the compression ratio. 4:1, 8:1, 12:1,

20:1

REL This is a limiter that suppresses signal peaks above a certain reference level. 10 – 70

OUTPUT Adjusts the output level. 0 – 80

ZOOM NOISE

REDUCTION

ZOOM's unique noise reduction cuts noise during pauses in playing without affecting the

tone.

DETCT Sets control signal detection level. GTRIN,

EFXIN

DEPTH Sets the depth of noise reduction. 0 – 100

THRSH Adjusts the effect sensitivity. 0 – 100

DECAY Adjust the envelope release. 0 – 100

NOISE GATE This is a noise gate that cuts the sound during playing pauses.

DETCT Sets control signal detection level. GTRIN, EFXIN

DEPTH Sets the depth of noise reduction. 0 – 100

THRSH Adjusts the effect sensitivity. 0 – 100

DECAY Adjust the envelope release. 0 – 100

4 5

Effect Types and Parameters

[ DYNAMICS ]

SLOW

ATTACK This effect slows the attack of each note, resulting in a violin-like performance.

TIME Adjusts the attack time. 1 – 50

CURVE Set the curve of volume change during attack. 0 – 10

TONE Adjusts the tone. 0 – 100

VOL Adjusts the volume. 0 – 100

[ FILTER ]

AUTO WAH This effect varies wah in accordance with picking intensity.

MODE Sets direction of movement of the filter. DOWN, UP

SENSE Adjusts the sensitivity of the effect. 1 – 10

RESO Sets effect resonance. 0 – 10

VOL Adjusts the volume. 0 – 100

LOW-PASS

FILTER This effect varies the low pass filter frequency according to picking intensity.

FREQ Sets minimum frequency of low pass filter. 0 – 100

SENSE Adjusts the sensitivity of the effect. FST100 –

SLW100

RESO Sets effect resonance.

2P-10 – 4P-10

BAL Adjusts the balance between original and effect sounds. 0 – 100

ENVELOPE

GENERATOR

FILTER

This filter effect is controlled using the foot switch.

FREQ1 Sets the frequency when the foot switch is off. 0 - 100

FREQ2 Sets the frequency when the foot switch is on. 0 - 100

RESO Sets effect resonance. 0 - 100

TYPE Sets filter type. HPF2 -

LPF4

SPEED Sets the speed of the modulation. 0 - 100

BAL Adjusts the balance between original and effect sounds. 0 - 100

VOL Adjusts the volume. 0 - 100

SEQUENCE

FILTER The sequence filter has the flavor of a Z.Vex Seek-Wah.

STEP Adjusts number of sequence steps. 2 – 8

PTTRN Sets effect pattern. 1 – 8

SPEED Sets the speed of the modulation. 1 – 50

RESO Sets effect resonance. 0 – 10

STEP FILTER This special effect gives the sound a stepped quality.

DEPTH Sets the depth of the modulation. 0 – 100

RATE Sets the speed of the modulation. 0 – 50

RESO Sets effect resonance. 0 – 10

SHAPE Adjusts the effect envelope. 0 – 10

4 5

Effect Types and Parameters

[ FILTER ]

GUITAR

GRAPHIC

EQ7

This mono graphic equalizer has 7 bands that suit guitar frequencies.

100Hz Adjust to boost or cut 100 Hz. -12 – 12

200Hz Adjust to boost or cut 200 Hz. -12 – 12

400Hz Adjust to boost or cut 400 Hz. -12 – 12

800Hz Adjust to boost or cut 800 Hz. -12 – 12

1.6kHz Adjust to boost or cut 1.6 kHz. -12 – 12

3.2kHz Adjust to boost or cut 3.2 kHz. -12 – 12

6.4kHz Adjust to boost or cut 6.4 kHz. -12 – 12

VOL Adjusts the volume. 0 – 100

PARAMETRIC

EQ This is a 1-band parametric equalizer.

FREQ Sets the frequency of the equalizer.

20 Hz – 20 kHz

QAdjusts equalizer Q. 0.5 – 16

GAIN Adjusts the gain. -12 – 12

VOL Adjusts the volume. 0 – 100

[ DRIVE ]

EP DRIVE This models the Maestro Echoplex preamp.

GAIN Adjusts the gain. 0 – 100

BASS Adjusts volume of low frequencies. -10 – 10

TREBLE Adjusts volume of high frequencies. -10 – 10

VOL Adjusts the volume. 0 – 100

RC DRIVE This booster covers sounds ranging from clean boosts to light drives.

GAIN Adjusts the gain. 0 – 100

BASS Adjusts volume of low frequencies. 0 – 100

TREBLE Adjusts volume of high frequencies. 0 – 100

VOL Adjusts the volume. 0 – 100

TS DRIVE Simulation of the Ibanez TS808.

GAIN Adjusts the gain. 0 – 100

BOOST Turns boost ON/OFF. OFF, ON

TONE Adjusts the tone. 0 – 100

VOL Adjusts the volume. 0 – 100

GOLD DRIVE This effect models a famous gold overdrive boutique pedal.

GAIN Adjusts the gain. 0 – 100

BASS Adjusts volume of low frequencies. 0 – 100

TREBLE Adjusts volume of high frequencies. 0 – 100

VOL Adjusts the volume. 0 – 100

SWEET DRIVE This effect models a sweet sounding overdrive.

GAIN Adjusts the gain. 0 – 100

TONE Adjusts volume of high frequencies. 0 – 100

FOCUS Adjusts volume of middle frequencies. 0 – 100

VOL Adjusts the volume. 0 – 100

6 7

Effect Types and Parameters

[ DRIVE ]

ZEN O.DRIVE This models the sound of a Hermida Audio Zendrive.

GAIN Adjusts the gain. 0 – 100

TONE Adjusts the tone. 0 – 100

VOICE Adjusts gain of high frequencies. 0 – 100

VOL Adjusts the volume. 0 – 100

DYNAMIC

DRIVE This effect easily achieves the warm drive tone of a tube amp.

GAIN Adjusts the gain. 0 – 100

TONE Adjusts the tone. 0 – 100

MODE Sets the sound style. COMBO,

STACK

VOL Adjusts the volume. 0 – 100

PLUS

DISTORTION This models the sound of a MXR DISTORTION+.

GAIN Adjusts the gain. 0 – 100

VOL Adjusts the volume. 0 – 100

DRYMX Adjusts the volume of the unaffected sound. 0 – 100

COMP Sets the clipping type of DIST Plus.

ORIGINAL,

MODIFY1,

MODIFY2

DISTORTION

ONE This models the sound of a BOSS DS-1 DISTORTION.

GAIN Adjusts the gain. 0 – 100

TONE Adjusts the tone. 0 – 100

VOL Adjusts the volume. 0 – 100

COMP Sets the clipping type of DIST 1. ORIGINAL,

MODIFY

SQUEAK

DISTORTION

This models a ProCo RAT.

A parameter has been added that allows you to adjust the mix level of the original sound.

GAIN Adjusts the gain. 0 – 100

FLTR Adjusts the tone. 0 – 100

VOL Adjusts the volume. 0 – 100

DRYMX Adjusts the volume of the unaffected sound. 0 – 100

RED CRUNCH

DRIVE Use this effect for the famous "brown sound."

GAIN Adjusts the gain. 0 – 100

TONE Adjusts the tone. 0 – 100

PRESENC Adjusts volume of super-high frequencies. 0 – 100

VOL Adjusts the volume. 0 – 100

VIOLET

DISTORTION This models the sound of a SUHR Riot Reloaded.

GAIN Adjusts the gain. 0 – 100

TONE Adjusts the tone. 0 – 100

VOICE Sets the sound style. 0 – 2

VOL Adjusts the volume. 0 – 100

6 7

Effect Types and Parameters

[ DRIVE ]

TB MK1.5

FUZZ This is a classic fuzz effect.

ATTCK Adjusts the gain. 0 – 100

TONE Adjusts the tone. 0 – 100

COLOR Sets the sound color. 1, 2

VOL Adjusts the volume. 0 – 100

OCTAVE

FUZZ This fuzz effect adds an octave above.

BOOST Adjusts the gain. 0 – 100

COLOR Sets the sound color. 1, 2

TONE Adjusts the tone. 0 – 100

VOL Adjusts the volume. 0 – 100

NEW YORK

MUFF FUZZ

This models an Electro-Harmonix Big Muff Pi. An added parameter allows you to adjust the

balance of original sound and distortion.

SUSTN Adjusts the gain. 0 – 100

TONE Adjusts the tone. 0 – 100

BAL Adjusts the balance between original and effect sounds. 0 – 100

VOL Adjusts the volume. 0 – 100

WAVE

SHAPER

DRIVE

This effect is another new kind of distortion effect that applies a new original algorithm to

shape the waveform and create a unique sound.

GAIN Adjusts the gain. 0 – 100

SHAPE Adjusts the distortion character. 0 – 100

COMP Adjusts the depth of the compression. 0 – 100

VOL Adjusts the volume. 0 – 100

RAZOR DRIVE This effect is a new-concept distortion effect that uses Comb filtering to simulate the gain

parameter of the overdriven signal.

GAIN Adjusts the gain. 0 – 100

EDGE Adjusts the distortion tone. 0 – 100

LO Adjusts volume of low frequencies. 0 – 100

VOL Adjusts the volume. 0 – 100

THROTTLE

DRIVE

This models the sound of the Mesa Boogie THROTTLE BOX(GAIN SWITCH:HI / BOOST:ON).

GAIN Adjusts the gain. 0 – 100

TONE Adjusts the tone. 0 – 100

MDCUT Adjusts volume of middle frequencies. 0 – 100

VOL Adjusts the volume. 0 – 100

ACOUSTIC

SIMULATOR This effect changes the tone of an electric guitar to make it sound like an acoustic guitar.

TOP Adjusts the unique string tone of acoustic guitars. 0 – 100

BODY Adjusts the body resonance of acoustic guitars. 0 – 100

TONE Adjusts the tone. 0 – 100

VOL Adjusts the volume. 0 – 100

8 9

Effect Types and Parameters

[ PREAMP ]

MS45OS

DRIVE This models the sound of the Marshall JTM 45 Offset.

IN1 Adjusts the gain of the input1. OFF - 100

IN2 Adjusts the gain of the input2. OFF - 100

VOL Adjusts the volume. 0 - 100

BASS Adjusts volume of low frequencies. 0 - 100

MID Adjusts volume of middle frequencies. 0 - 100

TREBLE Adjusts volume of high frequencies. 0 - 100

PRESENCE Adjusts volume of super-high frequencies. 0 - 100

MS1959

DRIVE This models the sound of the Marshall 1959 SUPER LEAD 100.

IN1 Adjusts the gain of the input1. OFF - 100

IN2 Adjusts the gain of the input2. OFF - 100

VOL Adjusts the volume. 0 - 100

BASS Adjusts volume of low frequencies. 0 - 100

MID Adjusts volume of middle frequencies. 0 - 100

TREBLE Adjusts volume of high frequencies. 0 - 100

PRESENCE Adjusts volume of super-high frequencies. 0 - 100

MS800 DRIVE This models the sound of the Marshall JCM800 2203.

INPUT Adjusts the input gain. LO, HI

GAIN Adjusts the gain. 0 - 100

VOL Adjusts the volume. 0 - 100

BASS Adjusts volume of low frequencies. 0 - 100

MID Adjusts volume of middle frequencies. 0 - 100

TREBLE Adjusts volume of high frequencies. 0 - 100

PRESENCE Adjusts volume of super-high frequencies. 0 - 100

FD B-MAN

DRIVE This models the sound of the Fender '59 Bassman.

INPUT Selects the input channel. NORMAL,

BRIGHT

GAIN Adjusts the gain. 10 - 120

VOL Adjusts the volume. 10 - 120

BASS Adjusts volume of low frequencies. 10 - 120

MID Adjusts volume of middle frequencies. 10 - 120

TREBLE Adjusts volume of high frequencies. 10 - 120

PRESENCE Adjusts volume of super-high frequencies. 10 - 120

FD TWIN-R

DRIVE This models the sound of the Fender '65 Twin Reverb.

BRGHT Sets the high frequency response. The effect is noticeable at lower gain settings. OFF,ON

GAIN Adjusts the gain. 10 - 100

VOL Adjusts the volume. 10 - 100

BASS Adjusts volume of low frequencies. 10 - 100

MID Adjusts volume of middle frequencies. 10 - 100

TREBLE Adjusts volume of high frequencies. 10 - 100

DEPTH Sets the depth of the modulation. 10 - 100

SPEED Sets the speed of the modulation. 10 - 100

8 9

Effect Types and Parameters

[ PREAMP ]

FD DELUXE-R

DRIVE This models the sound of the Fender '65 Deluxe Reverb.

INPUT Selects the input channel. NORMAL

VIBRATO

GAIN Adjusts the gain. 10 - 100

VOL Adjusts the volume. 10 - 100

BASS Adjusts volume of low frequencies. 10 - 100

TREBLE Adjusts volume of high frequencies. 10 - 100

DEPTH Sets the depth of the modulation. 10 - 100

SPEED Sets the speed of the modulation. 10 - 100

FD MASTER

DRIVE This models the sound of the Fender ToneMaster B channel.

GAIN Adjusts the gain. 10 - 100

VOL Adjusts the volume. 10 - 100

BASS Adjusts volume of low frequencies. 10 - 100

MID Adjusts volume of middle frequencies. 10 - 100

TREBLE Adjusts volume of high frequencies. 10 - 100

FAT Sets the sound style. OFF, ON

UK 30A

DRIVE This models the sound of an early class A British combo amp.

GAIN Adjusts the gain. 0 - 100

VOL Adjusts the volume. 0 - 100

BASS Adjusts volume of low frequencies. 0 - 100

TREBLE Adjusts volume of high frequencies. 0 - 100

TONE CUT Adjusts the tone. 0 - 100

DEPTH Sets the depth of the modulation. 0 - 100

SPEED Sets the speed of the modulation. 0 - 100

BG MARK1

DRIVE This models the sound of the Mesa Boogie Mark I combo amp.

GAIN1 Adjusts the gain of the first stage. 0 - 100

GAIN2 Adjusts the gain of the second stage. 0 - 100

VOL Adjusts the volume. 0 - 100

BASS Adjusts volume of low frequencies. 0 - 100

MID Adjusts volume of middle frequencies. 0 - 100

TREBLE Adjusts volume of high frequencies. 0 - 100

PRESENCE Adjusts volume of super-high frequencies. 0 - 100

BG MARK3

DRIVE This models the sound of the Mesa Boogie Mark III combo amp.

GAIN1 Adjusts the gain of the first stage. 0 - 100

GAIN2 Adjusts the gain of the second stage. 0 - 100

VOL Adjusts the volume. 0 - 100

BASS Adjusts volume of low frequencies. 0 - 100

MID Adjusts volume of middle frequencies. 0 - 100

TREBLE Adjusts volume of high frequencies. 0 - 100

PRESENCE Adjusts volume of super-high frequencies. 0 - 100

10 11

Effect Types and Parameters

[ PREAMP ]

RECTI DUAL

DRIVE This models the sound of the Mesa Boogie Dual Rectifier Orange Channel.

MODE Sets the tone of the character. VNTG,

MDRN

GAIN Adjusts the gain. 0 - 100

VOL Adjusts the volume. 0 - 100

BASS Adjusts volume of low frequencies. 0 - 100

MID Adjusts volume of middle frequencies. 0 - 100

TREBLE Adjusts volume of high frequencies. 0 - 100

PRESENCE Adjusts volume of super-high frequencies. 0 - 100

XTASYBLUE

DRIVE This models the sound of the Bogner Ecstasy Blue channel.

STRUCT Selects the type and gain of the tone. LO, HI

GAIN Adjusts the gain. 0 - 100

VOL Adjusts the volume. 0 - 100

BASS Adjusts volume of low frequencies. 0 - 100

MID Adjusts volume of middle frequencies. 0 - 100

TREBLE Adjusts volume of high frequencies. 0 - 100

PRESENCE Adjusts volume of super-high frequencies. 0 - 100

HW 100

DRIVE This models the sound of the Hiwatt Custom 100.

INPUT Selects the input channel. NORMAL,

BRILL

GAIN Adjusts the gain. 0 - 100

VOL Adjusts the volume. 0 - 100

BASS Adjusts volume of low frequencies. 0 - 100

MID Adjusts volume of middle frequencies. 0 - 100

TREBLE Adjusts volume of high frequencies. 0 - 100

PRESENCE Adjusts volume of super-high frequencies. 0 - 100

ORG120

DRIVE This models the sound of the Orange Graphic120.

INPUT Selects the input channel. LO, HI

GAIN Adjusts the gain. 0 - 100

VOL Adjusts the volume. 0 - 100

BASS Adjusts volume of low frequencies. 0 - 100

TREBLE Adjusts volume of high frequencies. 0 - 100

PRESENCE Adjusts volume of super-high frequencies. 0 - 100

COLOR Sets the tone of the effect type. 1 - 6

DZ DRIVE This models the sound of the Diezel Herbert Channel2.

GAIN Adjusts the gain. 0 - 100

VOL Adjusts the volume. 0 - 100

BASS Adjusts volume of low frequencies. 0 - 100

MID Adjusts volume of middle frequencies. 0 - 100

TREBLE Adjusts volume of high frequencies. 0 - 100

PRESENCE Adjusts volume of super-high frequencies. 0 - 100

DEEP Emphasizes low frequencies. 0 - 100

MID CUT Cuts middle frequencies. 0 - 100

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