AKG C 535 EB Bedienungsanleitung

4 BEDIENUNGSANLEITUNG

Vor Inbetriebnahme des Gerätes lesen!

24 USER INSTRUCTIONS

Read the manual before using the equipment!

44 MODE D’EMPLOI

Lire cette notice avant d’utiliser le système!

64 MODO DE EMPLEO

¡Consulte el manual antes de utilizar el equipo!

REFERENCE CONDENSER

VOCAL MICROPHONE

C535 EB

C535 EB MANUAL22

1 SAFETY AND ENVIRONMENT 24

1.1 Risk of damage 24

1.2 Environment 24

2 DESCRIPTION 25

2.1 Introduction 25

2.2 Package content 25

2.3 Optional Accessories 25

2.4 Brief Description 25

2.5 Controls 26

2.6 Microphone housing 28

3 POWER SUPPLY 29

3.1 Phantom powering with balanced inputs 29

3.2 Standardized values for Rv and 2 x Rv 30

3.3 Phantom powering with unbalanced inputs 30

4 USING THE MICROPHONE 32

4.1 Vocals 32

4.2 Acoustic Guitar 34

4.3 Clarinet 34

4.4 Flute 35

4.5 Trumpet 35

5 CLEANING 36

6 TECHNICAL DATA 37

6.1 Circuit Diagram 39

6.2 Dimensional Drawing 39

7 SERVICING 41

CONTENTS

C535 EB MANUAL 23

Publisher AKG Acoustics GmbH

Laxenburger Straße 254

1230 Vienna

Austria

Tel: +43 (0)1 86654-0

Fax: +43 (0)1 86654-8800

[email protected]

AKG ACOUSTICS, U.S.

8500 Balboa Blvd. Dock 15

Northridge, CA 91329

U.S.A.

Tel: +1 818 920-3224

[email protected]

The information contained in this manual, including any drawings

and photos provided, are the intellectual property of AKG Acoustics

GmbH.

In accordance with copyright law, it is not permitted for this

documentation or parts thereof to be reproduced or transmitted for

any purpose in any form using any means, whether electronic or

mechanical, by photocopying, recording or using information storage

and information processing systems without the express, written

consent of AKG Acoustics GmbH. Forwarding to third parties is not

permitted. This manual should be returned to us on request.

Updates ;OPZTHU\HSTH`ILTVKPÄLK^P[OV\[WYPVYUV[PJLHUKKVLZUV[

represent any obligation on the part of AKG Acoustics GmbH.

Version 1.0

Publication

date

4H`201/EN

Printed in Hungary /5061692

PUBLISHING INFORMATION

C535 EB MANUAL24

SAFETY AND ENVIRONMENT

1 Safety and environment

1.1 Risk of damage

Thank you for your decision to buy an AKG product. Please read

the user instructions carefully, before using the unit and keep

them in a safe place so that you can refer to them in the future at

any time. We wish you a lot of fun!

1.2 Environment

• At the end of the lifetime of the product, disconnect the

housing, electronics and cable from each other and discard all

components according to applicable disposal regulations.

• The packaging is recyclable. Dispose of the packaging via an

appropriate collection system provided for this purpose.

C535 EB MANUAL 25

DESCRIPTION

2 Description

2.1 Introduction

Thank you for your decision to buy an AKG product. Please read

the user instructions carefully, before using the unit and keep

them in a safe place so that you can refer to them in the future at

any time. We wish you a lot of fun!

2.2 Package content

• C535 EB

• SA61: Stand adapter

•Packed in a solid case lined with a soft foam material

Check that the package contains all the parts given above. If

anything is missing, please contact your AKG dealer.

2.3 Optional Accessories

Optional accessories can be found at www.akg.com. Your dealer

will be happy to advise you.

2.4 Brief Description

The C535 EB cardioid condenser microphone was designed

especially for professional vocal and instrumental work both on the

stage and in the studio.

The C535 EB has proven to be ideally suited for all situations

placing high demands on the sound quality and the robustness

of a microphone. The superior design of the microphone, tailored

strictly to the requirements of the music scene, offers to the user

a number of advantages, including an extended frequency range,

negligible distortion even at high sound pressure levels, insensitivity

to structure-borne noise, trouble-free operation even in extreme

temperatures and humidity, and robust construction. Its weight

being evenly distributed over its compact size, the microphone

Introduction

Package

content

Optional

accessories

Brief

Description

C535 EB MANUAL26

DESCRIPTION

does not in any way encumber the user –mainly the vocalist – when

working with it.

The high quality condenser transducer is screwed into an elastic

suspension element. This arrangement effectively prevents hand-

ling and cable noise from being transmitted. The excellent transient

response of the microphone results from the use of extremely thin

diaphragm materials which made it possible to reduce moving

masses to about 2 milligrams. The result is brilliant, transparent,

and faithful reproduction of voices and instruments.

The sturdy steel wire-mesh front grille will take the kind of punis-

hment the microphone receives during stage work and protects

the transducer against mechanical damage. An additional foam

lining will suppress pop noise and wind noise created by wind

instruments.

The surface of the C535 EB is matte black; therefore, the micro-

phone is highly inconspicuous which is a particular advantage in

television and stage work. Strong spotlights will not cause irritating

SPNO[YLÅLJ[PVUZ

The C535 EB is designed for external universal phantom powering

(9 … 52 volts, according to IEC 61938) and may be fed from

mixers, tape recorders, battery, or mains operated power supply

units.

• Wiring: balanced, ungrounded.

• Current consumption is lower than 1 mA.

Your C535 EB carries its individual serial number.

2.5 Controls

A built-in mode switch enables you to adapt the microphone’s fre-

quency response and sensitivity to a variety of recording situations.

As a safeguard against unintentional activation, the switch is reces-

sed in the microphone shaft.

Controls

C535 EB MANUAL 27

DESCRIPTION

Use a small screwdriver or similar object to adjust the desired

switch position.

Figure 1: Mode switch

The switch offers four different positions:

10 dB

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load limit: 130 dB SPL.

20 dB

JVUKLUZLYTPJYVWOVULSL]LSHZHIV]L^P[OIHZZJ\[ÄS[LY

below 100 Hz slope: 12 dB/octave.

Applications: mainly instrumental recordings, for reducing

unwanted low frequency structureborne noise.

3-14 dB

attenuation of –14 dB, dynamic microphone output level,

ÅH[V]LYSVHKSPTP[!K):73

Applications: recording high sound level instruments, or

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are adjusted for dynamic microphones.

C535 EB MANUAL28

DESCRIPTION

4-14 dB

preattenuation of –14 dB (as above) with additional bass

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Applications: as above, mainly vocalist, but also instru-

mental recording, close-in miking in situations requiring

effective suppression of proximity effect.

2.6 Microphone housing

;OLKPLJHZ[aPUJHSSV`OV\ZPUNJVU[HPUZ[OLWYLHTWSPÄLYKJ

voltage regulator circuit, impedance converter, output transformer,

and the 3-pin standard XLR connector (male).

Microphone

housing

C535 EB MANUAL 29

POWER SUPPLY

3 Power supply

The AKG C535 EB has been designed for phantom powering

according to IEC 61938. These standards specify a positive voltage

of 12, 24 or 48 volts on the audio lines versus the cable shield.

3.1 Phantom powering with balanced inputs

The following connection diagrams are recommended:

microphone output

screenscreen

input amplier

Figure 2: Input circuitry incorporating transformer with center tap (ungrounded).

microphone output

screenscreen

2x Rv2x Rv

input amplier

Figure 3: Input circuitry incorporating transformer without center tap

(ungrounded).

Phantom

powering

with balanced

inputs

C535 EB MANUAL30

POWER SUPPLY

The resistors 2 x Rv must have a tolerance not exceeding 0.5 % in

order to satisfy the symmetry requirement.

3.2 Standardized values for Rv and 2 x Rv

+ UBRV2 x RV

12 V ± 2 V 680 ohms 330 ohms

24 V ± 4 V 1200 ohms 680 ohms

48 V ± 4 V 3300 ohms 6800 ohms

3.3 Phantom powering with unbalanced inputs

0MVUS`ZPUNSLLUKLKNYV\UKLKHTWSPÄLYPUW\[ZVYUVPUW\[[YHUZ-

formers are available, either capacitors or optional transformers

must be wired into the audio lines to prevent leakage currents from

entering the input stage.

ground

+Uphantom

–Uphantom

amplier

2 Rv

input

2 Rv

Figure 4: Phantom powering with unbalanced inputs with condensers

Standardized

values for Rv

and 2 x Rv

Phantom

powering with

unbalanced

inputs

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