AKG PERCEPTION 100 Bedienungsanleitung

PERCEPTION

100

PERCEPTION

200

User Instructions . . ............p.2

Please read the manual before using the equipment!

Mode d’emploi . ..............p.14

Veuillez lire cette notice avant d’utiliser le système!

PERCEPTION

100/200

Page

1 Precaution/Unpacking ...........................3

1.1 Precaution . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

1.2 Unpacking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

2 Description .....................................3

2.1 Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

2.2 Common Features . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

2.3

PERCEPTION

200

Added Features..................4

2.4 Optional Accessories . . . . . . . . . . . . . . . . . . . . . . . . . 5

3 Interfacing .....................................6

3.1 General. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

3.2 Pinout. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

3.3 Connecting the Microphone . . . . . . . . . . . . . . . . . . . 6

Page

4 Using Your Microphone ..........................7

4.1 General Hints . . . . . . . . . . . . . . .................7

4.2

PERCEPTION

200............................8

5 Cleaning .......................................8

6 Troubleshooting .................................9

7 Specifications..................................11

The International Page ............................25

Table of Contents

PERCEPTION

100/200

Precaution/Unpacking

1.1 Precaution

Please make sure that the

piece of equipment your microphone

will be connected to fulfills the safety

regulations in force in your country

and is fitted with a ground lead.

1.2 Unpacking

Check that the packaging contains all of

the items listed for your microphone.

Should any item be missing, please con-

tact your AKG dealer.

PERCEPTION

100:• Microphone

• Stand adapter

• Mini poster

PERCEPTION

200:• Microphone

• Spider suspension

• Carrying case

• Mini poster

2 Description

2.1 Introduction

Thank you for purchasing an

AKG product. This Manual contains

important instructions for setting up and

operating your equipment. Please take a

few minutes to read the instructions

below carefully before operating the

equipment and keep the Manual for

future reference. Have fun and impress

your audience!

The

PERCEPTION

100 and

PERCEPTION

200 are heavy-duty, rugged true con-

denser microphones built to the same

strict quality standards as all other AKG

products.

Designed on the basis of AKG’s decades

of know-how and feedback from sound

engineers around the world using AKG

studio microphones every day, these

general-purpose 1-inch large-diaphragm

microphones bring AKG studio quality to

the worlds of recording, live sound, and

broadcasting.

2.2 Common Features

The

PERCEPTION

100 and 200 share the

following features:

•Cardioid polar pattern: The micro-

phone is most sensitive to sounds

arriving from in front of it while pick-

ing up much less of sounds arriving

from the sides or rear (from monitor

speakers or neighboring instru-

ments). This makes the microphone

equally suited for recording and

onstage use.

•Gold-sputtered diaphragm: The

diaphragm is made of a plastic foil

that is gold-sputtered on one side

only to prevent shorting to the back

electrode even at extremely high

sound pressure levels.

PERCEPTION

100/200

•All-metal body: The all-metal body

adds to the rejection of RF interfer-

ence so you can use the microphone

near transmitter stations and along

with wireless microphones or other

communications equipment. The

extremely rugged, heavy body and

sturdy front grill protect the micro-

phone from damage from tough han-

dling on stage.

•High headroom, minimum distor-

tion: Capable of handling sound

pressure levels up to 135 dB without

introducing perceptible distortion and

built to resist high temperatures and

humidity, the microphone will give

excellent results in a wide range of

applications.

2.3

PERCEPTION

200

Added Features

The

PERCEPTION

200 is basically identi-

cal to the

PERCEPTION

100 but provides

the following additional features:

•Bass cut filter: Selector 1 on the

microphone front (refer to fig. 1) fur-

ther reduces low-end distortion caus-

ed by footfall or wind noise, etc. The

filter also minimizes the proximity

effect that close-in miking from less

than 4 inches causes in any unidirec-

tional microphone. The filter rolls off

at 12 dB/octave from 300 Hz down-

ward.

•Switchable preattenuation pad:

Selector 2 on the microphone front

(refer to fig. 1) lets you increase the

headroom by 10 dB for distortion-

free close-in recording. The preatten-

uation pad prevents the micro-

phone's output level, particularly at

low frequencies, from overloading the

miniature transformers used in many

mixer input stages, etc. Fig. 1: Bass cut and preattenuation

switches on

PERCEPTION

200 front.

1 2

PERCEPTION

100/200

2.4 Optional Accessories

•PF 80 studio pop screen

•ST 305 floor stand

•W 4000 external windcscreen

PERCEPTION

100/200

3 Interfacing

3.1 General

Section 3 applies to both the

PER-

CEPTION

100 and the

PERCEPTION

200.

The microphone uses a true condenser

transducer designed for 48-volt phan-

tom powering to DIN 45 596/

IEC 268-15. Neither the diaphragm nor

the backplate are permanently polarized,

so the microphone needs an external

power supply.

3.2 Pinout

The microphone provides a balanced

output on a 3-pin male XLR connector:

Pin 1: ground

Pin 2: hot

Pin 3: return

3.3 Connecting the Microphone

Refer to fig. 2.

1. Use an XLR cable to connect the

microphone to a balanced XLR input

with phantom power.

2. Switch the phantom power on. (Refer

to the user manual of the unit to which

you connected your microphone.)

Fig. 2: Connecting to a balanced input with phantom power.

PERCEPTION

100/200

4 Using Your

Microphone

4.1 General Hints

The

PERCEPTION

100 and

PERCEPTION

200 are general-purpose cardioid micro-

phones for recording, broadcast, and

onstage use.

Every instrument radiates its sound in a

specific way. Therefore, to get the best

sound it is crucial to experiment with

microphone placement.

The following hints apply to both the

PERCEPTION

100 and

PERCEPTION

200.

• The front of the microphone is the

side of the body with the AKG logo

on it. Therefore, always aim the logo

at the sound source you are going to

record!

Being a unidirectional (cardioid) mi-

crophone, the

PERCEPTION

will pick

up very little sound from the rear.

• When recording wind instruments or

vocals, make sure not to blow or

sing directly into the microphone.

To avoid unwanted wind and pop

noise or moisture problems, place an

optional PF 80 pop screen from AKG

between the microphone and vocal-

ist/instrument.

•Keep the microphone dry. Moisture

from blowing or singing directly at the

capsule from a short distance, or

extremely high humidity may cause

the microphone to start crackling or

go very quiet due to partial short cir-

cuits in the polarization voltage.

• If you use the microphone in the

open air, use an optional AKG

W 4000 windscreen to protect the

microphone from moisture and re-

duce wind noise.

Fig. 4: Microphone front.

PERCEPTION

100

PERCEPTION

200

PERCEPTION

100/200

4.2

PERCEPTION

200

•High volume instruments: You can

use this microphone for close-in

recording of very loud instruments

(brass instruments, kick drum, etc.).

Just switch the preattenuation pad in

to increase the microphone’s capabili-

ty of handling sound pressure levels

up to 145 dB.

•Low-frequency noise: To suppress

low-frequency noise such as air con-

ditioning rumble, footfall noise, or

traffic sounds, switch the bass cut fil-

ter in.

5 Cleaning

To clean the surface of the

microphone body, use a soft

cloth moistened with water.

PERCEPTION

100/200

No sound.

Distortion.

1. Power to mixer and/or amplifier is off.

2. Channel or master fader on mixer, or

volume control on amplifier is at zero.

3. Microphone is not connected to mixer

or amplifier.

4. Cable connectors are seated loosely.

5. Cable is defective.

6. No supply voltage.

1. Channel gain control on mixer set too

high.

1. Switch power to mixer or amplifier on.

2. Set channel or master fader on mixer

or volume control on amplifier to de-

sired level.

3. Connect microphone to mixer or am-

plifier.

4. Check cable connectors for secure

seat.

Check cable and replace if damaged.

6. Switch phantom power on.

Phantom power supply: connect to

power outlet or insert battery

(batteries).

Check cable and replace if necessary.

1. Turn gain control down CCW.

Problem Possible Cause Remedy

6 Troubleshooting

PERCEPTION

100/200

(Distortion)

Crackling noises or low output.

2. Microphone too close to sound

source.

• Partial short circuits due to excessive

humidity.

2. Move microphone further away from

sound source.

(

PERCEPTION

200 only:) Switch preat-

tenuation pad in.

• Place microphone in warm, dry room

and allow to dry.

Problem Possible Cause Remedy

6 Troubleshooting

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