BC Audio A7 Bedienungsanleitung

bcaudio hand-made all-tube non-clone guitar amps

Amplifier No. 7

OWNER’S MANUAL

Models A7, A7HB, A7-240 and A7HB-240

Congratulations on your purchase of BC Audio’s flagship model,

Amplifier No. 7, developed by award winning amp builder and guitarist

Bruce Clement. That’s me.

I designed Amplifier No. 7 to be the ideal rock amp for club and concert

work. It is a dual-channel non-Master Volume amp, meant to be played

loud and driven hard. Construction is heavy-duty, meant for real-world

use and abuse. It will drive any 8 or 16 ohm cab and works well with

pedals. Amplifier No. 7 is made with the highest quality components,

USA iron, and true point-to-point wiring.

I sincerely hope you enjoy playing your new Amplifier No. 7 as much as I

enjoyed building it.

bcaudioAmplifierNo.7Owner’sManual

IMPORTANT SAFETY INSTRUCTIONS

READ, FOLLOW, HEED, AND KEEP ALL INSTRUCTIONS AND WARNINGS.

• DO NOT REMOVE SCREWS ON BOTTOM/REAR. LETHAL VOLTAGES LURK

INSIDE. BOO! CONTACT THE MANUFACTURER FOR SERVICE INFORMATION.

SERVICE MUST BE PERFORMED BY QUALIFIED PERSONNEL.

• THIS AMPLIFIER IS CAPABLE OF PRODUCING HIGH SOUND PRESSURE

LEVELS. CONTINUED EXPOSURE TO HIGH SOUND PRESSURE LEVELS CAN

CAUSE PERMANENT HEARING IMPAIRMENT OR LOSS. WHAT? SPEAK UP!

USER CAUTION IS ADVISED AND EAR PROTECTION IS RECOMMENDED IF

UNIT IS OPERATED AT HIGH VOLUME. WHICH OF COURSE IT SHOULD BE.

• WHEN POWERED ON, THE TUBES MAY BECOME VERY HOT, HOT ENOUGH

TO BURN SKIN ON CONTACT. SO DON’T TOUCH ‘EM. AND KEEP OUT OF

REACH OF CHILDREN AND PETS.

• DO NOT OPERATE WITHOUT SPEAKER OR OTHER SUITABLE LOAD

CONNECTED TO THE SPEAKER JACK, AS DAMAGE MAY RESULT.

• DO NOT OPERATE NEAR ANY HEAT SOURCE.

• DO NOT OPERATE WITH LID IN CLOSED POSITION (MODELS A7 AND A7-240)

OR WITH VENTILATION OPENING(S) COVERED, AS THIS MAY OVERHEAT THE

AMP. DUH.

• DO NOT USE NEAR SPLASHING, FALLING, SPRAYING, OR STANDING

LIQUIDS. AND DON’T EVER LET SOME FOOL SET HIS DRINK ON YOUR RIG.

• CLEAN ONLY WITH A LINT-FREE DRY CLOTH. DO NOT USE CLEANING

AGENTS.

• CONNECT POWER CORD ONLY TO A POLARIZED, SAFETY GROUNDED

OUTLET WIRED TO CURRENT ELECTRICAL CODES AND COMPATIBLE WITH

VOLTAGE, POWER, AND FREQUENCY REQUIREMENTS STATED ON THE

APPLIANCE.

• PROTECT THE POWER CORD FROM DAMAGE DUE TO BEING WALKED ON,

PINCHED OR STRAINED.

• UNPLUG THE APPARATUS DURING LIGHTNING STORMS OR WHEN NOT IS

USE.

• REPLACE FUSE WITH CORRECT TYPE AND RATING AS INDICATED IN THIS

MANUAL AND ON THE APPLIANCE.

• ONLY USE ATTACHMENTS, ACCESSORIES, STANDS, OR BRACKETS

SPECIFIED BY THE MANUFACTURER FOR SAFE OPERATION AND TO AVOID

INJURY.

OVERVIEW

MAJOR FEATURES

Built by me in the USA

100% All-Tube Signal Path

True Point-to-Point Wiring

Custom Heavy 16ga Powder Coated

Steel Chassis

American-made Paper Bobbin/Paper

Layer Wound Transformers

Stainless Steel Hardware

Tube Rectifier

Class A Cathode Biased Output

Section

Choice of Power Tubes

Octal Preamp

Combination Power/Standby Switch

Bright and Normal Channels

Presence Control

Will Drive Any 8 or 16 Ohm Guitar

Speaker Cabinet

TUBE COMPLEMENT

For 15 Watts*

(1) 5Y3 Rectifier**

(2) 6V6 Power Tubes

(2) 6SL7 Octal Preamp Tubes

For 25 Watts*

(1) 5AR4/GZ34 Rectifier

(2) 5881 Power Tubes

(2) 6SL7 Octal Preamp Tubes

*maximum power into 16 ohms

** If ordered in 15w configuration, your

Amplifier No. 7 is supplied with an

NOS (New Old Stock) 5Y3. If possible,

replace only with an NOS 5Y3. New

production examples do not produce

the ideal B+ voltage for 6V6s.

ESSENTIAL INFORMATION

Tube placement, left to right (facing the front, see diagram, p. 4):

V5 V4 V3 V2 V1

15w Configuration: 5Y3 6V6 6V6 6SL7 6SL7

25w Configuration: GZ34 5881 5881 6SL7 6SL7

Always use the appropriate rectifier tube with your chosen power tubes, as

indicated above. Do not use a GZ34 with 6V6s, as it will shorten their life.

Never use a solid state rectifier replacement module in place of a tube rectifier,

unless it is designed to emulate the rectifier you are replacing, in which case,

why not just use the real thing?

Power (Models A7 and A7HB): 120VAC, 60Hz, 1A

Power (Models A7-240 and A7HB-240): 240VAC, 60Hz, 0.5A

Fuse (Models A7 and A7HB): 2A Slow Blow, Type 3AG, 1/4” x 1-1/4”

Fuse (Models A7-240 and A7HB-240): 1A Slow Blow, Type 3AG, 1/4” x 1-1/4”

bcaudioAmplifierNo.7Owner’sManual

CONNECTIONS AND CONTROLS

Model A7 (A7-240 Similar)

Models A7HB and A7HB-240 – Front Panel

Model A7HB – Rear Panel (A7HB-240 Similar)

1. Input Jack

The INPUT jack feeds the Normal and Bright channels simultaneously. Plug a

guitar cable into the INPUT jack, and the other end into your guitar, pedal board

or accordion.

2 & 3. Volume Controls

NORMAL VOL (2) sets the volume level of the Normal Channel, while BRIGHT

VOL (3) sets the volume level of the Bright Channel. No kidding! By mixing

Bright and Normal Channels, you can dial in an infinite variety of mellow to

cutting tones. Both channels are active at all times.

4. Presence Control

PRESENCE adjusts the amp’s overall brilliance and bite. Unlike a “Tone” or

“Treble” control, Presence works in the amp’s power section to subtly change the

sound and feel of the amp. Lower settings produce a darker, “browner” sound

(yeah, I know), while higher settings produce a brighter, sharper tone.

5. Speaker Output Jack

Plug a speaker cable into the SPEAKER jack, and plug the other end into any 8-

or 16-ohm guitar speaker cabinet. Be sure to use a speaker cable, not a guitar

cable, or damage to the cable, the amp and your reputation may occur. It is

perfectly safe to use a quality attenuator for those quiet restaurant gigs and

weddings. Say, what are you doing playing those kinds of shows?

6. Power/Standby Switch

Amplifier No.7 is equipped with a combination Power/Standby switch. To turn on

the amp, move the POWER switch to the center STBY (Standby) position to

allow the tubes to warm up. After a half-minute or so, flip the switch up to the ON

position. To turn the amp off, simply flip the switch all the way down to OFF.

There’s no need to put it in Standby when shutting down.

7. Power Indicator

The Power Indicator lamp will illuminate when power is connected and the

POWER switch (6) is set to either STBY (Standby) or ON. If it doesn’t light, the

power is not connected, or the fuse (8) has blown.

8. Fuse Holder (Top of Chassis on Models A7 and A7-240)

Disconnect power before changing the fuse. Push in and turn counter-clockwise

to remove the fuse. Replace with same type and rating only (see p. 3). On

Models A7 and A7-240, you will need to remove one of the tubes adjacent to the

fuse holder (V4 or V5) to access it.

9. IEC Power Inlet

With the POWER switch (6) in the OFF (down) position, plug the included power

cord into the IEC power inlet, and the other end into a suitable power source.

Any medium or heavy duty cord designed to fit the standard IEC power inlet will

work fine, but Amplifier No.7 ships with a Hospital Grade cord. Sick! Get it?

Hospital...Sick... 5

bcaudioAmplifierNo.7Owner’sManual

SETUP

Opening and Removing the Lid (Models A7 and A7-240 Only)

To open the lid, lift up on the side latch, then pull the lid open.

If you place the amp on top of a speaker cabinet, I suggest that you detach the

lid and place it out of the way to avoid vibration noise from the handle. To detach

the lid, open it at about 90 degrees, then slide it sideways at the hinge. To put

the lid back on, align the holes with the pins and slide it on. This can be a little

tricky in a dark bar at 2am, so take your time.

Sometimes the small handle attached to the end of the can will vibrate. You can

eliminate vibration by looping your guitar cable through the handle.

Stage Placement (Models A7 and A7-240 Only)

I like to place Amplifier No. 7 on top of a speaker cabinet, but you may place it on

the floor next to your cab or rack, or even up front with your pedal board.

Place it on its side, controls facing forward and tubes vertical; or on its bottom,

controls up and tubes horizontal. The metal enclosure will remain a bit cooler

with the amp placed on its bottom. Heat rises, you know. The case may get

quite hot; this is normal.

Contact BC Audio for a rack mount kit.

PLAYING IT

Control Settings

There are only three knobs, so you won’t have a hard time dialing in your sound.

And like the great amps of yesteryear, you can’t really get a bad tone out of

Amplifier No. 7. Plug it in, set the controls just about anywhere, and off you go.

Experiment with the mix of BRIGHT VOL and NORMAL VOL settings; you will

find quite a range of possibilities. PRESENCE is rather subtle, but you’ll hear it

and feel it, so try it, you’ll like it!

Tone Tip: Use your guitar’s volume controls! Set the amp for the most gain you

will need, then back off the guitar’s volume to clean it up. Some of the smoothest

clean tones you will ever hear can be had by backing off on an overdriven tube

amp.

Getting Distortion

As a non-Master Volume amp, Amplifier No. 7 is meant to be cranked up in order

to bring out its overdrive tones. To really hear Amplifier No. 7 and what it can do

for you, I suggest you start out by plugging your guitar directly into the amp

without any pedals, rack gear or multi-fx units.

Depending on the strength of your pickups, you will find that break-up begins

when the volume controls are on about 5. The Bright Channel naturally has

more gain and will yield overdrive tones at lower settings than the Normal

Channel. Increasing BRIGHT VOL and/or NORMAL VOL settings will bring on

more rich, thick and chocolaty distortion. Adjust PRESENCE for the desired

amount of bite.

Tone Tip: You don’t need as much gain as you think! Some of the biggest and

baddest guitar tones don’t have tons of gain. It’s the character of the crunch

coming from the power tubes that makes it sound rich and full of harmonics.

Using Overdrive/Distortion/Boost/Dirt/Fuzz Pedals

If you need a bit more gain for solos or very high-gain tones, feel free to use a

pedal. Amplifier No. 7 works well with these kinds of pedals.

Tone Tip: I’ve met a lot of players who put a Fuzz Face in front of a Marshall

Superlead - which at any sane volume is running clean - and they complain that

they don’t sound anything like Jimi Hendrix. And they’re right, they don’t! Let me

share with you a simple technique that many great players - including Jimi - have

used since the dawn of rock: Set the amp loud enough to be already somewhat

distorted without the pedal engaged. When you do kick in the pedal, it will still be

the “voice” of the amp that you hear. The pedal gives you lots of gain, but it is

the amp that produces that sound, not the pedal.



LIMITED WARRANTY

BC Audio warrants this product against defects in materials and workmanship for ONE (1)

YEAR from date of original retail purchase (30 days for tubes). BC Audio reserves the

right, before having any obligation under this limited warranty, to inspect the damaged

product, and all costs of shipping the product to BC Audio for inspection shall be borne

solely by the purchaser. In order to recover under this limited warranty, Purchaser must

make claim to BC Audio within 30 days of occurrence, and must present acceptable proof

of original ownership (such as original receipt) for the product. BC Audio, at its option, shall

repair or replace the defective unit covered by this warranty.

This limited warranty does not cover any damage to this product that results from improper

installation, accident, abuse, misuse, neglect, natural disaster, insufficient or excessive

electrical supply, abnormal mechanical or environmental conditions, or any unauthorized

disassembly, repair, or modification. This limited warranty also does not apply to any

product on which the original identification information has been altered, obliterated or

removed, has not been handled or packaged correctly, has been sold as second-hand or

has been resold contrary to the US export regulations.

This limited warranty covers only repair or replacement of defective BC Audio products, as

provided above. In the event of a claim, BC Audio's sole obligation shall be replacement of

the product.

DISCLAIMER OF WARRANTY

EXCEPT FOR THE LIMITED WARRANTY PROVIDED HEREIN, TO THE EXTENT

PERMITTED BY LAW, BC AUDIO DISCLAIMS ALL WARRANTIES, EXPRESS OR

IMPLIED, INCLUDING ALL WARRANTIES OF MERCHANTABILITY AND/OR FITNESS

FOR A PARTICULAR PURPOSE. TO THE EXTENT THAT ANY IMPLIED WARRANTIES

MAY NONETHELESS EXIST BY OPERATION OF LAW, ANY SUCH WARRANTIES ARE

LIMITED TO THE DURATION OF THIS WARRANTY. SOME STATES/PROVINCES DO

NOT ALLOW LIMITATIONS ON HOW LONG AN IMPLIED WARRANTY LASTS, SO THE

ABOVE LIMITATIONS MAY NOT APPLY TO YOU.

LIMITATION OF LIABILITY

REPAIR OR REPLACEMENT OF THIS PRODUCT, AS PROVIDED HEREIN, IS YOUR

EXCLUSIVE REMEDY. BC AUDIO SHALL NOT BE LIABLE FOR ANY SPECIAL,

INCIDENTAL OR CONSEQUENTIAL DAMAGES, INCLUDING, BUT NOT LIMITED TO,

PROPERTY DAMAGE, LOST REVENUES, LOST PROFITS, RENTAL OF

REPLACEMENT EQUIPMENT, DOWNTIME, DAMAGE TO PROPERTY, AND THIRD-

PARTY CLAIMS, ARISING OUT OF ANY THEORY OF RECOVERY, INCLUDING

WARRANTY, CONTRACT, STATUTORY OR TORT. NOTWITHSTANDING THE TERM

OF ANY LIMITED WARRANTY OR ANY WARRANTY IMPLIED BY LAW, OR IN THE

EVENT THAT ANY LIMITED WARRANTY FAILS OF ITS ESSENTIAL PURPOSE, IN NO

EVENT WILL BC AUDIO'S ENTIRE LIABILITY EXCEED THE PURCHASE PRICE OF

THIS PRODUCT. SOME STATES/PROVINCES DO NOT ALLOW THE EXCLUSION OR

LIMITATION OF INCIDENTAL OR CONSEQUENTIAL DAMAGES, SO THE ABOVE

LIMITATION OR EXCLUSION MAY NOT APPLY TO YOU. THIS WARRANTY GIVES

YOU SPECIFIC LEGAL RIGHTS AND YOU MAY ALSO HAVE OTHER RIGHTS THAT

VARY FROM STATE TO STATE AND PROVINCE TO PROVINCE.

Other copyrights and trademarks are the property of their respective owners.

www.bcaudio.com

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