Behringer Powerplay Pro HA4600 Bedienungsanleitung

DEUTSCH

Users Manual

Version 1.1 January 2004

POWERPLAY

PRO HA4600

ENGLISH

POWERPLAY PRO HA4600

This symbol, wherever it appears, alerts you to the

presence of uninsulated dangerous voltage inside

the enclosurevoltage that may be sufficient to

constitute a risk of shock.

This symbol, wherever it appears, alerts you to

important operating and maintenance instructions

in the accompanying literature. Please read the

manual.

IMPORTANT SAFETY INSTRUCTIONS

CAUTION: To reduce the risk of electric shock, do not remove

the top cover (or the rear section). No user

serviceable parts inside refer servicing to qualified

personnel.

WARNING: To reduce the risk of fire or electric shock, do not

expose this appliance to rain and moisture.

DETAILED SAFETY INSTRUCTIONS:

1) Read these instructi ns.

2) Keep these instructi ns.

3) Heed all warnings.

4) F ll w all instructi ns.

5) D n t use this device near water.

6) Clean nly with a dry cl th.

7) D n t bl ck any ventilati n penings. Install in

acc rdance with the manufacturers instructi ns.

8) D n t install near any heat s urces such as radiat rs,

heat registers, st ves, r ther apparatus (including

amplifiers) that pr duce heat.

9) D n t defeat the safety purp se f the p larized r

gr unding-type plug. A p larized plug has tw blades

with ne wider than the ther. A gr unding type plug

has tw blades and a third gr unding pr ng. The wide

blade r the third pr ng are pr vided f r y ur safety. If

the pr vided plug d es n t fit int y ur utlet, c nsult

an electrician f r replacement f the bs lete utlet.

10) Pr tect the p wer c rd fr m being walked n r

pinched particularly at plugs, extensi n c rds, and the

p int at which they exit the unit.

11) Only use attachments/access ries specified by the

manufacturer.

12) Use nly with the cart, stand, trip d, bracket, r table

specified by the manufacturer, r s ld with the device.

When a cart is used, use cauti n when m ving the cart/

device c mbinati n t av id injury fr m stumbling ver

it.

13) Unplug this device during lightning st rms r when

n t used f r l ng peri ds f time.

14) Refer all servicing t qualified service pers nnel.

Servicing is required when the unit has been damaged

in any way, such as p wer supply c rd r plug is

damaged, liquid has been spilled r bjects have fallen

int the device, the unit has been exp sed t rain r

m isture, d es n t perate n rmally, r has been

dr pped.

POWERPLAY PRO HA4600

FOREWORD

Dear Customer,

Welcome to the team of POWE PLAY P O users and many thanks for the confidence that you have shown

in us by purchasing the HA4600. It is one of my most pleasant tasks to write this letter to you, because after

many months of hard work our engineers have achieved a very ambitious goal: the presentation of an

outstanding piece of equipment, which thanks to its flexibility can be used both in studios and by in live sound

applications. The task of developing our new POWE PLAY P O has meant a great deal of responsibility. As

we continued to develop it further, youthe discerning end-user and musicianwere always at the forefront of

our thoughts. Meeting this responsibility also involved us in considerable effort and late-night working, but it

was fun, too. This type of development always brings together a large number of people, and it is a great feeling

when all those involved can be proud of the results of their work.

Our philosophy is that you should also share in this satisfaction. You are the most important member of our

team. With your highly competent encouragement and suggestions for new products, you have greatly

contributed to shaping our company and to making it successful. In return we guarantee you an uncompromising

level of quality (manufactured under ISO9000 certified management system), excellent technical and audio

characteristics and an extremely favorable price. All this makes it possible for you to develop your fullest

potential, without being hampered by budget constraints.

We are often asked how we manage to manufacture equipment of this quality at such unbelievably low prices.

The answer is very simple: You make it possible! Many satisfied customers means large sales volumes. Large

sales volumes means we can get better purchase prices for components etc. Isnt it only fair for us to pass this

benefit back to you? After all, we know that your success is our success, too!

I would like to thank everyone who has helped make the POWE PLAY P O possible. All have made their own

personal contribution, beginning with the developers, through the many employees of our company and up to

you, the user of BEH INGE products.

My friends, its been worth the trouble!

Thank you very much,

Uli Behringer

POWERPLAY PRO HA4600

HA4600

POWERPLAY PRO

Professional multi-purpose headphone amplifier system for stage and studio applications

sFour totally independent high-power stereo amplifiers in one rack space

sFour independent input/aux sections provide up to four stereo mixes

sStereo aux input for each channel allows you to mix in any additional instrument or sound source

sUltra-musical 2-band EQ per channel for effective sound adaptation

sHighest sonic quality even at maximum volume

sOutput level control per channel

sMono / stereo switch per channel for more flexibility

sLeft & right mute switches per channel allow two different mixes in mono mode

sOne front and two rear 1/4" T S outputs per channel

sAccurate 8-digit LED output meter per channel

sFront panel direct input connector for easy connection of any source

sParalleled main outputs allow cascading of several headphone amplifiers

sServo-balanced, gold-plated XL and 1/4" T S inputs and outputs

sUltra low-noise 4580 operational amplifiers for outstanding audio performance

sHigh-quality detented ALPS potentiometers and illuminated switches

sHigh-quality components and exceptionally rugged construction for long life and durability

sShielded toroidal power transformer for minimal noise interference

sDesigned in Germany. Manufactured under the ISO9000 certified management system

POWERPLAY PRO HA4600

TABLE OF CONTENTS

1. INTRODUCTION..................................................................................................................... 5

1.1 Before you begin ............................................................................................................................. 5

2. CONTROL ELEMENTS ......................................................................................................... 6

2.1 The front panel control elements ..................................................................................................... 6

2.2 The rear panel controls elements .................................................................................................... 7

3. APPLICATIONS ....................................................................................................................... 8

3.1 Using the MAIN Inputs .................................................................................................................... 8

3.2 Using the AUX IN Inputs .................................................................................................................. 8

3.3 Using the DI ECT IN input .............................................................................................................. 9

3.4 Using the MONO function ............................................................................................................... 9

3.5 Using the MUTE function ................................................................................................................ 9

3.6 Connecting several headphones .................................................................................................... 10

4. AUDIO CONNECTIONS ....................................................................................................... 10

5. SPECIFICATIONS ................................................................................................................. 11

6. WARRANTY ........................................................................................................................... 12

1. INTRODUCTION

In purchasing the BEH INGE POWE PLAY P O HA4600 you have acquired a headphone amplifier of the

high end-class. The equipment was developed for the most demanding uses: professional recording, radio and

TV studios, CD and digital production equipment etc. Its extensive capabilities make the POWE PLAY P O

universally applicable. It was developed for use both as a reference unit, to assess the quality of a final mix, and

as a distribution amplifier for the comfortable addition of playbacks in studio use.

The POWE PLAY P O has a range of switching possibilities and a sound performance, which are found in

few headphone amplifiers. Besides its extremely powerful amplifiers the HA4600 also has an ingenious

signal-source distribution system.

Improving on the well-known POWE PLAY P O unit was a big challenge. We are proud that we have been

able to develop further the innovations we introduced in the preceding models and to have developed an even

more high-value headphone amplifier, which can meet professional expectations in every type of application.

The HA4600 includes for example bass and high-EQ in each channel, making possible an even more

individualized audio setup. An 8-segment LED display gives you exact information on the performance of each

channel and makes it possible to control the level precisely, at any time.

+This manual first describes the terminology used, so that you can fully understand the

POWERPLAY PRO and its functions. Please read the manual carefully and kee it for future

reference.

1.1 Before you begin

The POWE PLAY P O was carefully packed in the factory, in order to ensure safe transport. Nevertheless,

should the box show signs of damage please check the equipment itself immediately for any signs of external

damage.

Please also take the time to complete and return the warranty card within 14 days of the date of purchase,

otherwise you will lose the right to the extended warranty. Or simply use our online registration under

www.behringer.com.

1. INT ODUCTION

POWERPLAY PRO HA4600

1. INT ODUCTION

+If the unit is damaged, lease do not return it to us, but notify your dealer and the shi ing

com any immediately, otherwise claims for damage or re lacement may not be granted.

Shi ing claims must be made by the consignee.

Be sure that there is enough space around the unit for cooling and please do not place the POWE PLAY P O

on high-temperature devices such as power amplifiers, etc. to avoid overheating.

+Before connecting the POWERPLAY PRO to the mains, lease carefully check that your

equi ment is set to the correct su ly voltage!

The fuse holder on the female mains connector has 3 triangular markings. Two of these triangles are opposite

each other. The HA4600 is set to the operating voltage shown next to these markings. It can be set to another

voltage by turning the fuse holder through 180°. CAUTION: this does not a ly to ex ort models, which

were designed e.g. only for a mains voltage of 120 V!

Connection to the mains is made by means of a mains cable with an IEC receptacle which complies with the

appropriate safety regulations.

+Please note that all units must be grounded ro erly. For your own safety, you should never

remove any ground connectors from electrical devices or ower cords or render them

ino erative.

WARNING!

+It should be ointed out, that extreme out ut volumes may damage your ears and/or your

head hones. Turn down all LEVEL controls before you switch on the unit. Always ay

attention to an a ro riate volume.

2. CONTROL ELEMENTS

The BEH INGE POWE PLAY P O has four identical channels. Each channel has three illuminated

push-button switches, four rotary controls, two jacks and eight LEDs. The common main section has one

control, one jack and five LEDs.

2.1 The front anel control elements

Fig. 2.1: The POWERPLAY PRO front panel

1The DIRECT IN socket is used to apply external signal sources. Use of this input automatically cuts off

the MAIN signal applied on the rear panel.

2The INP T LEVEL control adjusts the sound level of the input signal, which is fed in via the rear panel

MAIN INPUT socket.

POWERPLAY PRO HA4600

2. CONT OL ELEMENTS

3The 4-digit INP T LEVEL display shows the input level over a range from -24 to +12 dBu. The ON LED

lights up when you switch on the HA4600.

4The HEADPHONE O T socket is connected in parallel with the output sockets on the rear panel and

provides an additional means of listening to the individual channels. This function is particularly useful

when the equipment has been permanently installed in a rack.

5A further input signal can be mixed in to the MAIN or the DI ECT IN-Signal via the A X IN-input.

6The L M TE switch mutes the left input signal.

7The R M TE switch mutes the right input signal.

8The MONO switch can be used to switch each of the amplifiers from stereo to mono operation.

9The BASS control can be used to increase or decrease the lower frequencies (+/-15 dB).

10 The TREBLE control can be used to increase or decrease the higher frequencies (+/-15 dB).

11 The BALANCE control sets the ratio level between the MAIN or DI ECT IN signal and the input signal,

which was applied to the AUX input.

12 The O TP T LEVEL control is used to set the sound level of each individual amplifier. At the same time

it also controls the left and right channels.

13 The 8-digit O TP T LEVEL display monitors the output level of each individual channel over the range

from -24 to +12 dBu. If the Clip-LED lights up, please reduce the gain of the current channel, otherwise

distortion may result.

2.2 The rear anel control elements

Fig. 2.2: The POWERPLAY PRO HA4600 rear panel

14 F SE HOLDER /VOLTAGE SELECTOR. Before connecting the equipment to the mains supply, please

check that the voltage displayed on the unit conforms with your mains voltage supply. When replacing

the fuse, make sure you use another one of the same type.

15 The mains connection is made via a standard IEC RECEPTACLE. A suitable connecting cable is

supplied with the equipment.

16 MAIN IN. These are the POWE PLAY P O audio inputs. They are available both as balanced 1/4" T S

and XL connectors.

17 MAIN O T. These are the POWE PLAY P O audio outputs. The matching 1/4" T S and XL connectors

are wired in parallel.

18 HEADPHONE O T 1. These are the headphone outputs of channel 1.

19 HEADPHONE O T 2. These are the headphone outputs of channel 2.

20 HEADPHONE O T 3. These are the headphone outputs of channel 3.

21 HEADPHONE O T 4. These are the headphone outputs of channel 4.

POWERPLAY PRO HA4600

3. APPLICATIONS

3.1 Using the MAIN in uts

Connect a program source to the rear panel MAIN inputs and connect the headphone cable with one of the

POWE PLAY P O outputs. Turn the INPUT LEVEL and the BALANCE controls to their central positions. The

INPUT LEVEL control is used to increase or decrease together the volume of all the headphones which are

being controlled via the MAIN inputs. The individual OUTPUT LEVEL controls are only used to adjust the

desired channel volume.

3.2 Using the AUX IN in uts

The AUX IN inputs are basically used to mix in an additional input signal with the master signal, while the

corresponding BALANCE control adjusts the volume ratio between the two signals. The Aux function replaces

the monitor mixer which was necessary up to now, and so allows for a type of use which occurs frequently in

practice.

Suppose e.g. that a singer has to add a vocal track to an existing playback. Up till now it was usual for the

singer to listen to the playback by pressing a headphone pad against one ear, while using the other ear to

control his/her own voice. With the POWE PLAY P O this application becomes much simpler and much

more comfortable. The playback signal is played in via the MAIN IN inputs and the pre-amplified vocal signal

added via the AUX connector. The associated BALANCE control is adjusted so that the singer hears a perfect

sound volume mix of both the playback and the vocals, with the OUTPUT LEVEL control determining the

overall volume level.

The four independent channels permit the separate recording and mixing for four musicians. Should this not be

enough, you can interface and link as many POWE PLAY P O machines as desired using the MAIN OUT

outputs.

Fig. 3.1: Example of a playback application in a studio

In addition to the joint control of all channels via the MAIN input, each of the four amplifiers can also be used

completely independently. The AUX IN inputs are used here, together with the BALANCE controls. When the

BALANCE control is set fully counterclockwise (AUX position) the MAIN signal is suppressed and only the

input signals set up via the AUX IN input are fed through to the appropriate power amplifier. By using each

amplifier separately you can now play in up to four independent stereo programs. This means that you can play

in different, individual mixes for four musicians at the same time. As with a stage monitoring system you then

have the advantage of being able to play a specific configuration of instruments for each musician, giving him a

musically inspiring mix; or you can (e.g.) in a conference system set up different signal paths for the interpreters.

Create sub-groups, or set up premixes using the effects and monitor facilities of your mixing console. To do

this, turn the BALANCE control fully counterclockwise and connect the AUX inputs of the BEH INGE

POWERPLAY PRO HA4600

3. APPLICATIONS

POWE PLAY P O with the appropriate monitor-, subgroup or single outputs from the mixing console. Please

note that the AUX inputs are set up for stereo. To play in a stereo signal you will need a stereo jack. If you use

a mono jack it is advisable to activate the MONO switch, so as to get a signal distribution over both halves of

the headphone.

Fig. 3.2: Example of a monitor recording in stage use

3.3 Using the DIRECT IN in ut

The DI ECT IN socket is situated on the left side of the front panel. It is often necessary e.g. to replay a piece

of music to the musicians in the studio via a DAT recorder. This can be done simply and easily using the

DI ECT IN socket. Use of this input automatically blocks the signal set up over the MAIN IN socket.

3.4 Using the MONO function

For some monitor applications, especially in live operation, a stereo program can often sound irritating. This

negative effect becomes particularly clear if the two channels show a large channel separation, i.e. they have

different information content, linked with significantly different impressions of sound volume. The MONO switch

permits mono operation, that is, the linked operation of the left and right channels without having to use a Y

adaptor or a special cable.

3.5 Using the MUTE function

If the MONO switch is in the depressed position, the unit works in mono operation. Pressing one of the two

MUTE switches mutes the corresponding input signal (left or right input) and the non-muted signal can then be

heard over BOTH (left and right) headphone outputs. This routing option means that you can set up two different

programs via the left and right inputs and make just the one or the other audible as desired.

The Mute function is particularly useful if playback is to be combined with the simultaneous recording of a vocal

track. Whereas before it was necessary for a singer to hold one headphone pad away from his/her ear during

a music recording in order to hear his own voice better, with the HA4600 the playback can now be switched to

stereo mode and the unused channel switched to mute. The previous normaland uncomfortablepractice of

moving one headphone pad away from the ear is now a thing of the past.

3.6 Connecting several head hones

All four stereo amplifiers have three headphone output sockets on both the front and rear panels. This means

that several headphones can be connected via each amplifier at the same time, provided that the minimum

connection impedance of the amplifier does not drop below 100 Ohm. Since the amplifiers are resistant to

temporary short circuits, no damage will occur if the level drops below this impedance, but it can lead to a loss

of quality in the form of distortion and reduced performance.

POWERPLAY PRO HA4600

4. AUDIO CONNECTIONS

As a standard, the BEH INGE POWE PLAY P O is equipped with electronically servo-balanced inputs

and outputs. The circuit design features automatic hum suppression for balanced signals and so ensures

trouble-free operation, even at the highest operating levels. Externally induced mains hum, etc. can therefore

be effectively suppressed. The automatic servo-function recognizes the presence of unbalanced connectors

and adjusts the nominal level internally to avoid level differences between the input and output signals

(6-dB correction).

+Please ensure that only qualified ersons install and o erate the POWERPLAY PRO. During

installation and o eration the user must have sufficient electrical contact to earth.

Electrostatic charges might affect the o eration of the unit.

Fig. 4.1: Connector for the headphones, A X IN and DIRECT IN

Unbalanced use of

mono 1/4" jack plugs

Ring

Balanced use of

stereo 1/4" jack plugs

Balanced use with XLR connectors

1 2

2 1

Input

Output

Tip =

Signal Tip =

hot (+ve)

Sleeve =

Ground / Shield Sleeve =

Ground / Shield

Tip Tip

Sleeve Sleeve

Strain relief clamp Strain relief clamp

Ring =

cold (-ve)

For connection of balanced and

unbalanced plugs, ring and sleeve have

to be bridged at the stereo plug.

1 = Ground / Shield

2 = hot (+ve)

3 = cold (-ve)

For unbalanced use pin 1 and pin 3 have to be bridged

Fig. 4.2: Different plug types

Andere Handbücher für Powerplay Pro HA4600

Dieses Handbuch passt für folgende Modelle

Inhaltsverzeichnis

Andere Behringer Verstärker Handbücher

Behringer

Behringer Microamp HA400 Bedienungsanleitung

Behringer

Behringer A500 Bedienungsanleitung

Behringer

Behringer Powerplay Pro-8 HA8000 Bedienungsanleitung

Behringer

Behringer ULTRA-DI DI100 Bedienungsanleitung

Behringer

Behringer Ultratone K1800FX Bedienungsanleitung

Behringer

Behringer MIDAS DL16 Bedienungsanleitung

Behringer

Behringer Microamp HA400 Bedienungsanleitung

Behringer

Behringer Ultracoustic ACX450 Bedienungsanleitung

Behringer

Behringer EUROCOM AX6220 Bedienungsanleitung

Behringer

Behringer iNuke NU4-6000 Bedienungsanleitung

Behringer

Behringer ULTRACOUSTIC ACX1800 Bedienungsanleitung

Behringer

Behringer EUROPOWER EP2000 Bedienungsanleitung

Behringer

Behringer EUROPOWER EPX2000 Bedienungsanleitung

Behringer

Behringer Vintager AC112 Bedienungsanleitung

Behringer

Behringer Ultrabass BXR1800H Bedienungsanleitung

Behringer

Behringer ULTRATONE KT108 Bedienungsanleitung

Behringer

Behringer A800 Bedienungsanleitung

Behringer

Behringer Ultracoustic AT108 Bedienungsanleitung

Behringer

Behringer V-AMPIRE LX110 Bedienungsanleitung

Behringer

Behringer ULTRABASS BX4210A Bedienungsanleitung

Behringer

Behringer Ultratone K3000FX Bedienungsanleitung

Behringer

Behringer KX1200 Bedienungsanleitung

Behringer

Behringer Ultratone K900FX Bedienungsanleitung

Behringer

Behringer Ultratone K1800FX Bedienungsanleitung

Beliebte Verstärker Handbücher anderer Marken

ASTRO

ASTRO HVO V40 P Bedienungsanleitung

Marantz

Marantz SUPERSCOPE BLA-545 Montageanleitung

NAD

NAD CI980 Bedienungsanleitung

Technics

Technics SE-CH770 Bedienungsanleitung

Harman Kardon

Harman Kardon HK6300 Bedienungsanleitung

NAD

NAD T975 Bedienungsanleitung

McIntosh

McIntosh MA6850 Bedienungsanleitung

Electro-Harmonix

Electro-Harmonix ENGLISH MUFF’N Bedienungsanleitung

Viatron

Viatron Autrix Bedienungsanleitung

GME

GME GA9800 Bedienungsanleitung

Atlas

Atlas CP700 Bedienungsanleitung

Roland

Roland KC-1000 Bedienungsanleitung

Pyle

Pyle PFMRA350BW Bedienungsanleitung

Advantage

Advantage S-250 Bedienungsanleitung

IRT Electronics

IRT Electronics DVA-3007 Bedienungsanleitung

Dimavery

Dimavery BA-100 Series Bedienungsanleitung

Sony

Sony XM-S400D Bedienungsanleitung

Schertler

Schertler ROY X Bedienungsanleitung