Behringer TUBE ULTRAGAIN MIC200 Bedienungsanleitung
TUBE ULTRAGAIN MIC200
Version 1.0 November 2003
Users Manual
ENGLISH
IMPORTANT SAFETY INSTRUCTIONS
CAUTION: To reduce the risk of electric shock, do not remove the top cover (or the
rear section). No user serviceable parts inside; refer servicing to
qualified personnel.
WARNING: To reduce the risk of fire or electric shock, do not expose this appliance
to rain and moisture.
DETAILED SAFETY INSTRUCTIONS:
1) Read these instructi ns.
2) Keep these instructi ns.
3) Heed all warnings.
4) F ll w all instructi ns.
5) D n t use this device near water.
6) Clean nly with a dry cl th.
7) D n t bl ck any ventilati n penings. Install in acc rdance with the manufacturers
instructi ns.
8) D n t install near any heat s urces such as radiat rs, heat registers, st ves, r ther
apparatus (including amplifiers) that pr duce heat.
9) D n t defeat the safety purp se f the p larized r gr unding-type plug. A p larized
plug has tw blades with ne wider than the ther. A gr unding type plug has tw blades
and a third gr unding pr ng. The wide blade r the third pr ng are pr vided f r y ur safety.
If the pr vided plug d es n t fit int y ur utlet, c nsult an electrician f r replacement f
the bs lete utlet.
10) Pr tect the p wer c rd fr m being walked n r pinched particularly at plugs, extensi n
c rds, and the p int at which they exit the unit.
11) Only use attachments/access ries specified by the manufacturer.
12) Use nly with the cart, stand, trip d, bracket, r table specified by the manufacturer,
r s ld with the device. When a cart is used, use cauti n when m ving the cart/device
c mbinati n t av id injury fr m stumbling ver it.
13) Unplug this device during lightning st rms r when n t used f r l ng peri ds f time.
14) Refer all servicing t qualified service pers nnel. Servicing is required when the unit
has been damaged in any way, such as p wer supply c rd r plug is damaged, liquid has
been spilled r bjects have fallen int the device, the unit has been exp sed t rain r
m isture, d es n t perate n rmally, r has been dr pped.
This symbol, herever it appears, alerts you to the presence of uninsulated
dangerous voltage inside the enclosurevoltage that may be sufficient to
constitute a risk of shock.
This symbol, herever it appears, alerts you to important operating and
maintenance instructions in the accompanying literature. Please read the
manual.
3
TUBE ULTRAGAIN MIC200
Welcome to the BEHRINGER family!
Thank you for the confidence you have placed in us by purchasing
the MIC200.
Your MIC200 is a professional mic preamp that can be used in a
variety of applications. Due to its incredible functionality and the
broad range of connection options the MIC200 can even be used as
a preamp for electric and bass guitars keyboards and percussion
instruments. No matter where you use your MIC200 you always get
optimal performance be it live or on the stage in a professional
recording studio or at home!
1. INTRODUCTION
With the MIC200 you have purchased an extremely musical mic
preamp that is equipped with a 12AX7 vacuum tube. Thanks to
BEHRINGERs preamp modeling its main advantages are the
number of preamp settings you can select. Additionally features like
an integrated limiter phase reverse function phantom power supply
highly accurate LED meter switchable pad function and low cut filter
make the MIC200 a very powerful piece of equipment.
1.1 The design concept
The heart of the TUBEULTRAGAIN is an extremely low-noise
microphone preamp circuitry that uses discrete components and
produces a highly transparent sound. In combination with our
BEHRINGER tube technology state-of-the-art 4580 operational
amplifiers and a sophisticated circuit topology the TUBEULTRAGAIN
yields excellent noise and distortion properties. The innovative UTC
circuitry that has been developed by our engineering team offers an
abundance of sound-shaping possibilities. Absolute musicality was
our main goal when we designed the TUBE ULTRAGAIN. The result
is a device that due to our tube circuitry can produce an incredible
punch in percussion instruments. On the other hand instruments that
are rich in upper harmonics will receive more transparency. The sound
will be warm detailed and brilliant. You get better low-end differen-
tiation which will help you locate individual instruments. With the
help of the TUBEULTRAGAIN vocals gain in presence and volume
without masking other instruments. As a result your voice will be
perfectly integrated in the mix.
1. INTRODUCTION
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TUBE ULTRAGAIN MIC200
2. CONTROL ELEMENTS
Fig. 2.1: User interface of the MIC200
2.1 User interf ce
The GAIN control allows you to control the gain from +26 to
+60 dB to the input signal. This control should be set all the
way to the left when (dis)connecting a sound source from the
MIC200. When all connections are made slowly start raising
the gain control.
We recommend using the LED meter to adjust gain. The
LED chain displays the output signal level in dB. Please make
sure that the clip LED never lights up permanently.
2. CONTROL ELEMENTS
5
TUBE ULTRAGAIN MIC200
It should light up only at peak signals but it should never be on
all the time.
If your MIC200 is connected to the mains via the enclosed
power supply unit the PO ER LED lights up to indicate that
your MIC200 is running.
The 20 dB PAD switch reduces the input sensitivity by 20 dB
(switch pressed). The appropriate setting depends on the
equipment connected. Generally speaking lowering the signal
level in mic applications is not recommended. No matter what
your application is the clip LED warns you to reduce the gain
setting to avoid distortion.
This +48 V switch activates the phantom power supply for the
XLR input. Phantom power supply is required for operating
condenser microphones. Dynamic microphones require no
phantom power.
Press the LO CUT switch to eliminate undesired subsonic
noise such as floor rumble.
With the PHASE REVERSE switch the input signal is reversed
by 180°. This function is available for both mic and line signals.
Use this function in a multi-microphone setup if you detect
phase cancellations in specific frequency bands.
The OUTPUT control governs the output level within a range
from -oo to +10 dB. If the control is turned all the way to the left
there is no output signal at all. The more the control is turned to
the right the higher the output level.
The PREAMP MODE rotary switch gives you a wide selection
of preamp presets. The options available are: WARM WARM/
LIMITER LIMITER and NEUTRAL:
2. CONTROL ELEMENTS
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TUBE ULTRAGAIN MIC200
WARM (moving clockwise, st rting t 9 oclock):
These settings make sense if you wish to add that typical warmth
associated with analog signals.
KEYB: For electronic keyboard instruments of all types.
E-GTR: Electric guitar.
VOCAL: Speech and vocals.
VALVE: Warm analog tube sound.
WARM + LIMITER (moving clockwise, st rting t 12 oclock):
Use these settings when working with high volumes or with sounds
with frequent signal peaks and if directly recording an instrument with
a mic (e. g. drums) to insert additional warmth.
MULTI: Various applications.
VOCAL: Speech and vocals.
A-GTR: Acoustic guitar.
PIANO: Piano/grand piano.
LIMITER (moving clockwise, st rting t 3 oclock):
Select these settings if you wish to use the limiter function without
adding tube warmth.
BASS: Bass guitar.
A-GTR: Acoustic guitar.
PERC: Percussion and drums.
LIMIT: Neutral limiter setting.
NEUTRAL (moving clockwise, st rting t 6 oclock):
These settings are ideal for neutral and natural sound reproduction
without limiter and without tube sound.
NEUTRAL: Neutral sound setting.
VOCAL: Optimized setting for speech and vocals.
GUITAR: Optimized setting for guitars and guitar amps.
BASS: Optimized setting for electric bass guitar.
2. CONTROL ELEMENTS
7
TUBE ULTRAGAIN MIC200
+Since presets c nnot cover ll possible pplic tions,
experiment with different settings until you find those th t
work best for you. Think of presets s the st rting points
for your sound configur tion.
2.2 Re r p nel
Fig. 2.2: The rear panel of your MIC200
The balanced 1/4" TRS INPUT of your MIC200 can be used to
connect your electric guitar for example. This input is wired
parallel to the XLR input.
Ideally the balanced XLR INPUT should be used to connect
a microphone.
+In contr st to its outputs, the MIC200s inputs should
never be used simult neously!
This is the balanced XLR OUTPUT of your MIC200. Use this
connector to feed the XLR input of your mixing console
multitrack recorder or power amp.
The balanced 1/4" TRS OUTPUT of your MIC200 can also be
connected to a mixer recording system or power amp.
+Ple se note th t you c n use the XLR nd TRS outputs of
your MIC200 t the s me time! Thus, it is possible to
connect the MIC200s output sign l to two different devices
simult neously.
2. CONTROL ELEMENTS
8
TUBE ULTRAGAIN MIC200
Use the PO ER SUPPLY CONNECTOR to hook up the en-
closed power supply unit. Next to this connector youll find the
strain relief clamp which prevents accidental release of the
power supply.
2.3 Seri l number
The MIC200s serial number is located on the bottom cover. Please
take time to fill in and return the warranty card within 14 days after the
date of purchase so you can benefit from our extended warranty.
Or use our online registration option available on the World Wide Web
at www.behringer.com.
3. WIRING EXAMPLES
Youll be surprised how flexible the MIC200 is. The following
chapter describes some typical wiring examples.
3.1 Enh ncing voc ls nd instruments in live pplic tions
Here the MIC200 is wired before the mixers channel input. Thus
the sound gains in warmth and transparency. Thanks to the limiter
setting for vocals (VOCAL) distortion is eliminated effectively.
Fig. 3.1: Standard live application
3.2 Direct to disk pplic tion in studio or home recording
environments
If you are looking for a piece of equipment that considerably enhances
the sound of your digital workstation this is where the MIC200 comes
in handy. Many hard disk recorders lack that typical liveliness.
3. WIRING EXAMPLES
9
TUBE ULTRAGAIN MIC200
Some workstations have noisy microphone preamps. Turning the
preamps on your workstation off and using the MIC200 will solve this
common problem.
Fig. 3.2: Connection of the MIC200 and the soundcard of your PC
3.3 The MIC200 s DI-box
Your MIC200 is suited for this application too. For example you
can connect an unbalanced acoustic guitar signal to the MIC200 to
prevent hum or interference noise. What you get is a balanced
noise-free signal.
Fig. 3.3: The MIC200 as a DI-box
3. WIRING EXAMPLES
10
TUBE ULTRAGAIN MIC200
4. AUDIO CONNECTIONS
4. AUDIO CONNECTIONS
Fig. 4.1: XLR connectors
Fig. 4.2: 1/4" TS connector
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