Boulder 2020 Bedienungsanleitung

Boulder 2020

Advance D/A Converter

Owners Manual

V1.2 8/1/98

TABLE OF CONTENTS

GETTING STARTED

Placement of your 2020 D/A Converter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1-1

Connecting the Power Supply to the Main Chassis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1-2

Connecting to the Mains Outlet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1-3

Connecting a Hardwire Digital Audio Source . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1-4

Connecting an Optical Digital Audio Source . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1-5

Connecting to a Balanced Input Preamplifier . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1-6

Polarity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1-6

Connecting to an Unbalanced Input Preamplifier . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1-7

Connecting to an Analog Recording Device . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1-8

OPERATION

Powering Up . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2-1

Input Selections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2-2

Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2-3

Advance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2-4

Digital Maximum Indication . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2-7

REMOTE CONTROL

Expansion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-1

Batteries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-5

Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-6

GETTING

STARTEDOPERATION

REMOTE

CONTROL

PROGRAM-

MING

REMOTE

PROGRAMMING

RECORDINGAPPENDIX

PROGRAMMING

Program Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4-1

Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4-2

Advance Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4-3

Digital Maximum Indication . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4-4

Master Reset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4-5

PROGRAMMING FROM THE REMOTE CONTROL

Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5-1

Advance Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5-2

Digital Maximum Indication . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5-2

USING A DIGITAL AUDIO RECORDER

Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6-1

Main Out Connection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6-1

Record Out Connection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6-2

Record Source Selection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6-2

Programming for Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6-3

APPENDIX

Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7-1

Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7-2

Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7-4

Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7-5

GETTING

STARTEDOPERATION

REMOTE

CONTROL

PROGRAM-

MING

REMOTE

PROGRAMMING

RECORDINGAPPENDIX

GETTING STARTED

PLACEMENT OF YOUR 2020 D/A CONVERTER

Your Boulder 2020 is designed to reduce interference from external mag-

netic and radio fields (RF). While placement is not critical, known magnetic

fields should be avoided. Line of sight from the listening position is necessary

for the remote control to function properly.

Because the converter and its power supply are heavy, a solid, stable sur-

face should be used. As both will generate some heat, they should be allowed

to have good air circulation around them. In particular, make certain that the

fins on the rear of the supply are not blocked.

You may want to have some access to the rear panels for cable changes.

1-1 GETTING

STARTED

CONNECTING THE POWER

SUPPLY TO THE MAIN CHASSIS

Your Boulder 2020 Converter is sup-

plied with a Boulder 2000 Triple Power

Supply. Each of the three supplies is

independent of the others except for the

front panel LED which confirms correct

power supply operation of all three sup-

plies.

Three cables are provided for con-

necting the power supply to the main

chassis. Two of these cables have 4 pin

connectors and are used for connecting

the left and right audio supplies (±27V).

The third one has 5 pin connectors and

is used for the digital supplies (+5V).

Care must be taken not to confuse

these as any attempt to insert the wrong connector will result in a damaged

connector.

CAUTION: Connect and disconnect these cables only with the power sup-

ply turned off.

1-2 GETTING

STARTED

CONNECTING TO THE MAINS OUTLET

Your 2000 Power Supply is supplied with a mains cord suitable to the loca-

tion where it was purchased.

One of the features of the 2000 is its universal automatic voltage-selecting

power supply. Simply plug it into any standard outlet. (Exact voltage and fre-

quency compatibility is stated in the specifications section.)

1-3 GETTING

STARTED

CONNECTING AHARDWIRE

DIGITALAUDIO SOURCE

Four balanced AES/EBU digital

audio inputs are provided on the rear

panel of the main chassis. Each input

may be converted to unbalanced 75Ω

coax by the use of a Boulder

Digital Input Adapter. This adapter has

a special internal network to properly

terminate the cable, and must not be

confused with one made for analog

audio.

Connect each source to one of the

four inputs provided. Later, you will be

able to name each input with the

source’s name, so you might want to

make a list as you connect them.

1-4 GETTING

STARTED

ST Glass Input #5

AES/EBU Input #1

Toslink Input #6

AES/EBU Input #4

CONNECTING AN OPTICAL DIGITAL AUDIO SOURCE

Two optical inputs are also provided on the main chassis– a glass fiber con-

nection known as “ST Glass” and a plastic fiber known as “Toslink.” Remove

the protective caps before trying to insert the connector. (Store the caps in a

safe place.)

The “ST Glass” input will be selected as input 5, and the “Toslink” input

will be selected as input 6. Again, keep track of what sources you connect

because you will be able to name them later.

1-5 GETTING

STARTED

CONNECTING TO ABALANCED

INPUT PREAMPLIFIER

Because your 2020 Converter’s bal-

anced output has a very low output

impedance, any practical distance

between converter and preamplifier will

not be a problem.

The Boulder series Balanced Cables

will give the best possible sonic

connection.

Connect each of the 2020’s outputs

marked “MAIN OUTPUT” on the chan-

nel audio assemblies to the inputs on

your preamplifier.

POLARITY

Please note that your Boulder 2020 Converter conforms to the new stan-

dard of pin 2 as the high or hot pin for all balanced outputs.

1-6 GETTING

STARTED

Right Main Output Left Main Output

Inhaltsverzeichnis

Beliebte Medienkonverter Handbücher anderer Marken

SoundTraxx

SoundTraxx Blunami BLU-2200 Bedienungsanleitung

SPROLINK

SPROLINK VA1 Bedienungsanleitung

Acclaim Lighting

Acclaim Lighting DDC-1-AC Bedienungsanleitung

Nikon

Nikon AF-S TC-20E III Bedienungsanleitung

Axis

Axis AXIS Q7406 Bedienungsanleitung

Omega

Omega TAC80B-J Bedienungsanleitung

Zoom

Zoom Thunderbolt TAC-2R Bedienungsanleitung

OST

OST iConverter 10/100M Bedienungsanleitung

Vertiv

Vertiv Netsure Bedienungsanleitung

birddog

birddog MINI Bedienungsanleitung

Roland

Roland GI-10 Bedienungsanleitung

Wallenstein

Wallenstein WX310 Bedienungsanleitung

Pace

Pace MSS 200-1 Bedienungsanleitung

Solar Converters

Solar Converters EQ 12/24-50 Bedienungsanleitung

CYP

CYP EL-7400V Bedienungsanleitung

TIE

TIE MIDI 1i1o Bedienungsanleitung

DCS

DCS Vivaldi Upsampler Bedienungsanleitung

Westermo

Westermo MCW-211 SERIES Bedienungsanleitung