Electro-Voice ND46 Bedienungsanleitung
Electro-Voice | ND46
ND46
▪Excellent isolation with lively and balanced sound
▪Large diaphragm dynamic capsule creates a rich and
detailed frequency response
▪Easy mic placement with locking pivoting head
▪Humbucking coil guards against line hum
▪Memraflex grille resists denting
The Electro-Voice ND46 is a robust, high-performance
dynamic supercardioid instrument microphone.
Designed for capturing a wide variety instrument
sounds, the ND46 capsule is precisely tuned to deliver
a lively and balanced sound, as well as excellent
isolation from the sound of other nearby instruments.
The ND46 dynamic capsule contains a large Mylar
diaphragm which delivers a rich and detailed
frequency response by combining its large surface
area for tonal balance with its low-mass high-velocity
material for exceptionally fast transient response.
The ND46 locking pivoting head makes mic placement
easy and precise. Achieve ideal mic placement by
pushing its button, pivoting the head into position,
then releasing the button to lock the head's position.
The ND46 capsule uses a humbucking coil that
attenuates AC hum and electromagnetic interference.
ND dynamic mics can be used with confidence near
speaker cabinets and EMF generating equipment
racks.
The ND46 Memraflex grille is made of a durable tight-
mesh grille wire that withstands extraordinarily-rough
treatment. Your microphone remains protected and
looking good gig-after-gig, year-after-year.
For additional protection, the ND46 capsule contains a
hydrophobic cloth membrane which prevents moisture
and debris from reaching the diaphragm.
The ND46 also features an innovative capsule shock-
mount system consisting of a 4-point suspension
around the circumference of the capsule combined
with a tuned pneumatic pump at the capsule base,
offering superior handling noise reduction to eliminate
mechanical vibrations and noise in the mix.
Technical specifications
Element Type: Dynamic neodymium magnet structure
Frequency Response: 70 Hz – 18 kHz
Polar Pattern: Supercardioid
Sensitivity, Open Circuit
Voltage @ 1 kHz:
2.4 mV/Pascal
Maximum SPL: >140 dB
Polarity: Pin 2 positive, reference to pin 3 with
positive pressure on diaphragm
Impedance: 350 ohms balanced (low-z)
Microphone Connector: 3-pin, XLR-type
Finish: Black polyurethane paint
Material: Zinc die cast yoke, aluminum die cast
housing, Memraflex grille screen
Dimensions (yoke rotated to
back), Length:
Width (at widest point):
Diameter (less yoke):
5.67 in (144.1 mm)
2.86 in (72.5 mm)
2.2 in (56 mm)
Net Weight: 10.9 oz (309 g)
Shipping Weight: 20.6 oz (584 g)
Accessories Included: (1) Gig bag, (1) stand clip, and (1)
Euro thread adapter
Frequency Response:
-10
20 50
0 dB
+10
500
FREQUENCY IN HERTZ
100 1K 5K 10K 20K
1 m
2.5 cm
5 cm
Polar Response:
Dimensions:
[144.1mm]
5.67in
[56mm]
2.20in
[72.5mm]
2.86in
[21mm]
Ø 0.83in
Unlock
Button
[84.3mm]
3.32in
System overview
Microphone Use and Placement:
Please note that micing techniques are a matter of
personal preference. These are merely guidelines to
assist in the placement of the microphone to gain
optimal performance.
Usage Optimal Placement
Electric Guitar
and Bass Guitar
Amplifier
Place microphone approximately 1-2" from and at a
90°degree angle to the speaker cone. To reduce
boominess, move the microphone off axis to the
cone from 90° to 45°, or move mic from center of
cone to either edge.
Tom-Toms On double headed Toms, place mic over the top of
drumhead 1-3" and at a 45° angle to the drumhead
surface and 1-2" in from the drum edge. On single
headed Toms, use above method or place mic
inside Tom from underneath at a 90° angle from the
center of head, 3-5" away.
Snare Drum Place mic 1-3" above the heads, 1-2" in from the
rim. Aim each mic at the top heads angled down
about 45°. If the drum rings, tape deadening
material to the head or use damping rings. For more
“snare” sound place a 2nd mic underneath aimed
up at the bottom head.
Cymbals Place microphone one to two feet above the
cymbals.
High-Hat Place 4-5” above outside edge at a 45° down angle.
Brass 6-24" away, and on axis with the bell of the
instrument.
Acoustic Guitar Place mic 6-12" from where neck joins the body.
Standard Placement and Use Guidelines:
1. Always point the microphone at the desired source of
sound and away from any unwanted sources.
2. The microphone should be located close to the sound
source to minimize interference from other potential
sound sources.
3. Use the 3-to-1 rule when using multiple microphones.
Place each microphone three times farther from other
microphones as from the desired source.
4. Minimize over-handling of the microphone to reduce
unwanted mechanical noise.
5. Working close to the microphone will increase the
bass tone and also provide increased gain-before-
feedback.
Using the rotating head
The ND46 head will rotate up to 180° with fifteen
positive locking positions within its rotation range.
!
Caution!
Attempting to rotate the head while the un-
locking button is not pushed may result in
damage to the microphone.
2 | ND46
To rotate the head, do the following:
1. Push and hold the unlocking button to unlock the
head.
2. While holding the unlock button down, rotate the
head to the desired position.
3. Release the unlock button and gently rotate the head
to the nearest positive locking position.
The lock should click into place.
Parts included
Qty. Item
1 Microphone
1Gig bag
1 Stand clip
1Euro thread adapter
1 Engineering data sheet
1 Warranty and Product Documentation Information card
Ordering information
ND46
Dynamic supercardioid instrument microphone, black
Order number ND46
SAND-1
Stand adapter, black
Order number SAND-1
ND46GRILLE
Replacement end grille, black
Order number ND46GRILLE
Accessories
DRC-2
Drum rim clamp, black
Order number DRC-2
3 | ND46
4 | ND46
Represented by:
Bosch Security Systems, Inc.
12000 Portland Avenue South
Burnsville MN 55337
USA
Germany:
Bosch Sicherheitssysteme GmbH
Robert-Bosch-Ring 5
85630 Grasbrunn
Germany
www.electrovoice.com
© Bosch Security Systems 2016 | Data subject to change without notice
Document Number F.01U.319.495 | Vs1 | 11. Mar 2016
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