Electro-Voice N/D468 Bedienungsanleitung

Technical Specifications:

Designed specifically for horns, drums, acoustical and

electric guitars, the N/D468 provides a smooth, natural

sound, capturing the excitement of the instrument. The

supercardioid pattern provides superior rejection and

acoustic isolation in any application. An innovative EV

design harnesses the increased power of a neodymium

based magnet design, allowing a large-diameter voice

coil (up to 50% larger than other mics) for dynamic, efficient

microphone performance. N/DYM® offers the power and

clarity to “cut through the mix.” Whatever your instrument

application the N/D468 is sure to be a top performer.

Operation

The low frequency response of the N/D468 microphone

varies with the distance from the sound source. Known

as “proximity effect,” maximum bass response is

produced in “close-up” use with the microphone 1/4

inch from the sound source. Normal bass response is

experienced with working distances greater than 24

inches. Working close to the microphone will produce a

more robust sound. Close up positioning of the

microphone will also reduce the potential for feedback

from the sound reinforcement system. When close-

miced, the bass-boost provides an increase in overall

microphone output level. The mixer gain may be

proportionately reduced, resulting in a reduction of the

system’s sensitivity to feedback caused by sound

entering the microphone from the loudspeakers.

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General Description:

N/D468

N/DYM®Dynamic Supercardioid

InstrumentalMicrophone

Key Features:

• Designed specifically for musical instruments

• Flexible mechanical design for optimum

positioning

• Supercardioid pattern for exceptional acous-

tic isolation and feedback rejection

• Accurate response, even in high sound

pressure levels (SPL)

• Rugged steel construction for exceptional

durability

12000 Portland Avenue South, Burnsville, MN 55337

Phone:952/884-4051,Fax:952/884-0043

www.electrovoice.com

Part Number 38109-831 Rev. B

N/D468 Part Number: 16043008

Polar Response:Frequency Response:

(5dBperdivision)

1000 Hz

U.S.A. and Canada only. For customer orders, contact Customer Service at:

800/392-3497 Fax: 800/955-6831

Europe, Africa, and Middle East only. For customer orders, contact Customer Service at:

+ 49 9421-706 0 Fax: + 49 9421-706 265

Other International locations. For customer orders, contact Customer Service at:

+ 1 952 884-4051 Fax: + 1 952 736-4212

For warranty repair or service information, contact the Service Repair department at:

800/553-5992 or 402/467-5321

For technical assistance, contact Technical Support at:

800/392-3497 or 952/736-4656

Specifications subject to change without notice.

Instrumental Microphone Standard Placement & Use Guidelines

1.Always point the microphone at the desired source of sound, and away from any unwanted sources.

2.Themicrophoneshould belocatedclose tothesound sourcetominimize interferencefromother potentialsoundsources.

3.Usethe 3-to-1rulewhen usingmultiplemicrophones. Placeeachmicrophone threetimesfarther fromothermicrophones asfromthe

desired sound source.

4.Minimizeover-handling ofthe microphonetoreduce unwantedmechanicalnoise.

5.Working close to the microphone will increase the bass tone and also provide increased gain-before-feedback.

Microphone Use and Placement

Pleasenotethat micingtechniquesare amatterof personalpreference.These aremerelyguidelines to assistin the placementof the

microphoneto gainoptimalperformance.

Usage Optimal Placement

Electric Guitar and Bass Guitar Amplifier Placemicrophoneapproximately 1-2"from andat a90°degreeangleto thespeakercone.

To reduceboominess, move themicrophoneoff axisto the conefrom90° to45°,or move

mic from center of cone to either edge.

Tom-Toms On double headedToms placemic over thetop of drum1-3"and ata45° angletothe

drum surface and 1-2" in from thedrum edge.Onsingle headedToms useabovemethod

orplacemic insideTomfromunderneath at a90° angle fromthecenter ofhead,3-5",

away.

Snare Drum Placemic1-3" abovetheheads, 1-2"infrom therim.Aim each micat the topheads

angleddownabout 45°.Ifthe drumrings,tape deadeningmaterialto theheador use

dampingrings.For more“snare” sound placea 2ndmicunderneath aimedupat the

bottomofhead.

Cymbals Place microphone one to two feet above the top of cymbals.

High-Hat Place5inches above outsideedgeat a45°down angle.

Brass 6-24" away, and on axis with the bell of the instrument.

Acoustic Guitar Place mic 6-12" from where finger board joins the body.

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