Electro-Voice N/D478 Bedienungsanleitung

Technical Specifications:

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General Description:

N/D478

N/DYM®DynamicCardioid

InstrumentalMicrophone

Key Features:

• VOBTM technology provides tailored bass

response for controlled “proximity effect” and

exceptional vocal clarity

• Cardioid pattern for superior feedback rejec-

tion and acoustic isolation

• Excellent choice for micing acoustical or

electrical instruments whether in a live sound

or studio environment

• Neodymium based magnet structure pro-

vides greater sensitivity and signal-to-noise

ratio

• Warm GripTM handle for more comfortable feel

and lower handling noise

The N/D478’s acoustic response presents optimal

performance in both a live sound or studio environment.The

new “vocally optimized bass” or VOB™ technology provides

the instrumentalist with reduced resonant distortion at low

frequencies. Critical damping of the low frequency resonant

peak has resulted in a microphone that replaces the

“muddiness” found in competitive models with greater

warmth and increased clarity. The result is a exceptional

performing instrument microphone with clean, clear,

consistent sound that “cuts through the mix.”

Operation

The low frequency response of the N/D478 microphone

varies with the distance from the sound source. Known as

“proximity effect,” maximum bass response is produced in

“close-up” use with the microphone 1/4 inch from the sound

source. Normal bass response is experienced with working

distances greater than 24 inches.Working close to the

microphone will produce a more robust sound. Close up

positioning of the microphone will also reduce the potential

for feedback from the sound reinforcement system.When

close-miced, the bass-boost provides an increase in overall

microphone output level.The mixer gain may be

proportionately reduced, resulting in a reduction of the

system’s sensitivity to feedback caused by sound entering

the microphone from the loudspeakers.

12000 Portland Avenue South, Burnsville, MN 55337

Phone:952/884-4051,Fax:952/884-0043

www.electrovoice.com

Part Number 38109-826 Rev. B

Polar Response:

Frequency Response:

(5dBperdivision)

1000 Hz

U.S.A. and Canada only. For customer orders, contact Customer Service at:

800/392-3497 Fax: 800/955-6831

Europe, Africa, and Middle East only. For customer orders, contact Customer Service at:

+ 49 9421-706 0 Fax: + 49 9421-706 265

Other International locations. For customer orders, contact Customer Service at:

+ 1 952 884-4051 Fax: + 1 952 736-4212

For warranty repair or service information, contact the Service Repair department at:

800/553-5992 or 402/467-5321

For technical assistance, contact Technical Support at:

800/392-3497 or 952/736-4656

Specifications subject to change without notice.

N/D478 Part Number: 16043312

Instrumental Microphone Standard Placement & Use Guidelines

1.Always point the microphone at the desired source of sound, and away from any unwanted sources.

2.Themicrophoneshouldbelocatedclosetothesoundsourcetominimizeinterferencefromotherpotentialsoundsources.

3.Usethe3-to-1rulewhenusingmultiplemicrophones.Placeeachmicrophonethreetimesfartherfromothermicrophonesasfromthe

desired sound source.

4.Minimizeover-handlingof the microphone to reduce unwanted mechanical noise.

5.Working close to the microphone will increase the bass tone and also provide increased gain-before-feedback.

Microphone Use and Placement

Pleasenotethatmicingtechniquesareamatterofpersonalpreference.Thesearemerelyguidelinestoassistintheplacementofthe

microphoneto gain optimalperformance.

Usage Optimal Placement

Electric Guitar and Bass Guitar Amplifier Placemicrophoneapproximately 1-2" from and ata90°degreeangle to the speaker cone.

To reduce boominess, move the microphone off axis to the cone from 90° to 45°, or move

mic from center of cone to either edge.

Tom-Toms On double headedToms place mic over the top of drum 1-3" and at a 45° angletothe

drum surface and 1-2" in from thedrumedge.Onsingle headed Toms use above method

orplace mic insideTomfrom underneath at a 90°anglefrom the center of head, 3-5",

away.

Snare Drum Placemic1-3"abovetheheads,1-2"infromtherim.Aimeachmicatthetopheads

angleddownabout45°.Ifthedrumrings,tapedeadeningmaterialtotheheadoruse

dampingrings.Formore“snare” sound place a 2nd mic underneath aimed up at the

bottomofhead.

Cymbals Place microphone one to two feet above the top of cymbals.

High-Hat Place5 inches above outside edge at a 45° down angle.

Brass 6-24" away, and on axis with the bell of the instrument.

Acoustic Guitar Place mic 6-12" from where finger board joins the body.

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