Focal Solo6 Be Bedienungsanleitung
Twin6 Be Solo6 Be
Solo6 Be - Twin6 Be - Sub6
PROFESSIONAL MONITORING SYSTEM
User manual
Français page 13
Sub6
An example of this equipment has been tested and found to comply with the following
European directives and international standards:
Electromagnetic compatibility
EN 55103
EN 61000
Electrical safety
EN 60065
mportant safety information
Please read carefully the following instructions and safety information. eed all warnings and follow all instructions.
• Do not remove the back panel. There are no user serviceable parts inside; please refer to qualified service personnel.
This equipment must be earthed.
• Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where
they exit from the apparatus.
• Only use attachments/accessories specified by the manufacturer.
• Servicing is required when the unit has been damaged in any way, such as power cord or plug is damaged, liquid has been
spilled or objects have fallen into the unit, the unit has been exposed to rain or moisture, does not operate normally, or has
been dropped.
• Do not place naked flame sources, such as lighted candles, on the apparatus.
• Use the apparatus only in moderate climates (not in tropical climates).
• Do not expose the apparatus to dripping or splashing.
• Do not place objects filled with liquids, such as vases, on the apparatus.
CAUT ON!
R SK OF ELECTR C SHOCK
DO NOT OPEN
DO NOT EXPOSE TO RA N OR MO STURE
The Solo6 Be and Twin6 Be use a tweeter equipped with a Beryllium dome, allowing a frequency range extending beyond 40k z.
In its solid form, Beryllium is harmless. owever, due to its nature, certain special precautions should be observed to avoid
exposure to unnecessary risk:
• Under no circumstances should the Beryllium dome be subjected to any form of abrasive action. To ensure no accidental
damage to the tweeter dome it is advised to carefully replace the protection covers while not in use.
• In the unlikely case of damage to the dome, of any form, a wide piece of adhesive tape should be immediately used to seal
the whole front surface of the tweeter. The protective cover should then be replaced and also taped securely in place. You
should then inform the dealer from whom you purchased the product so that the tweeter can be removed by a professional
and returned to the product distributor for replacement.
• If the dome is broken in any way giving rise to loose particles of Beryllium, these should be carefully collected with the use of
an adhesive tape and sealed in a zip-top bag to be returned with the tweeter.
For further information, please contact Focal-JMlab directly:
beryllium@focal-fr.com
Solo6 Be / Twin6 Be / Sub6
User manual
2
INTRODUCTION
Thank you for choosing the FOCAL Solo6 Be - Sub 6 - an /or Twin6 Be.
The Solo6,Twin6 Be, an the Sub6 are worl class Professional Monitoring Systems.
They have been esigne to offer superior imaging, outstan ing precision an exten e frequency range, in a compact
format suitable for near fiel monitoring.
Unpacking
In a ition to one lou speaker an a user manual (such as this one), each Solo6 or Twin6 carton shoul contain:
• A power cord.
• A guarantee card.
• A protection grille for the Beryllium tweeter (you are advised to remove it before listening to the speakers).
• A plastic bag containing an information note “Beryllium inverted dome tweeter”, and some adhesive tape to affix on the
tweeter in the unlikely event of the dome being damaged.
In a ition to one subwoofer an a user manual each Sub6 carton inclu e:
• A power cord.
• A guarantee card.
• A grille protecting the drive unit (which it is advisable to remove whenever possible).
Please check that none of these items are missing, an remove all accessories from the carton.
To remove the loudspeaker from its carton without damage, open the end flaps fully and bend them right back. Then remove the
upper cushion and lift the loudspeaker out gently. Inspect the speaker for signs of any possible damage.
In the unlikely event of this having occurred please inform the carrier and supplier. It is a good practice to keep the packaging in
case of future transportation.
Preliminary recommendations
We would like to give a word of warning about the high sound pressure levels that can be generated by these loudspeakers,
especially in a 5.1 configuration. Because of their low levels of distortion, and the minimal fatigue incurred by the user, it is not
always obvious to realise the actual sound pressure level while working.
Please bear in mind that exposure to excessive levels over a sustained period of time may lead to permanent hearing loss.
Warranty
These products are guaranteed against defects in components and workmanship only, for a period of one year from the date of
shipment to the end user. During the warranty period Focal will, at their discretion, either repair or replace products which prove
to be defective, provided that the product is returned, shipping prepaid, to an authorised Focal service facility.
Defects caused by unauthorised modifications, accident, negligence or any misuse are not covered by this warranty.
For further information please contact your dealer or the distributor in your country.
3
D
B
F
E
A
C
4
nput
sensitivity switch
Audio
input connector
Voltage selector Fuse Holder
HF control
LF control Audio
input connector
nput sensitivity
Switch
Midrange driver
selector
Voltage
selector
Fuse
Holder
HF control LF control
Position A
Lelf/Right
Position B
Lelf/Right
Position C
Left
Position C
Right
Position A
Lelf/Right
Position B
Lelft
Position C
Left Right
Driver choosen to reproduce midrange when switch selected for left speaker
Driver choosen to reproduce midrange when switch selected for right speaker
Recommended choice for
midrange driver positionning.
Midrange driver on the inside.
Right
USER MANUAL
Lelf/Right
5USER MANUAL
Hi Pass switch
Defeat switch
Phase control
Level control
Lo Pass control
Polarity switch
Mute switch
Voltage selector
Audio intput connectors
(Stereo/2.1 wiring only)
Audio output connectors
to satellites speakers
(Stereo/2.1 wiring only)
LFE input connector
(mutichannel
wiring only)
G
6.35 Jack connector
for 2.1 Bypass footswitch
remote control
PRODUCTS OVERVIEW
Solo6 Be
The Solo6 Be is a two-way active loudspeaker (2 internal amplifiers channels), comprising one “W” cone 6.5” low/mid unit,
loaded with a large cross-section laminar port, and an inverted pure Beryllium dome (fig. A).
Twin6 Be
The Twin6 Be is a three-way active loudspeaker (3 internal amplifiers channels), comprising two “W” cone 6.5” low/mid units,
loaded with two large cross-section laminar ports, and an inverted pure Beryllium dome. The two 6.5” drive units operate at low
frequencies but only one of them (either can be selected) will reproduce the midrange (fig. B).
Sub6
The Sub6 is an active subwoofer (1 integral amplifier) designed for professional monitoring systems. It uses a 11” drive unit
equipped with a “W” composite cone, and loaded by a large cross-section laminar port (fig. G).
The Sub6 may be used :
- For bass or sub-bass enhancement in stereo + sub setups (2.1 or 2.2). The rear panel of the Sub6 allows for the connection
of a traditional stereo source (Left In / Right In), while providing hi-passed outputs intended to feed the main speakers
(satellites),
- As a LFE channel (Low Frequency Effects) in a multi-channel installation (5.1, 5.2, 6.1…), via a dedicated input of the
rear panel.
Installing
Mains voltage
After having unpacked the unit, first check that the operating voltage is correctly set (see location on rear panel). If it is not,
adjust the selector to the appropriate position. Also check and if necessary replace the fuse, which rating depends on the
operating voltage (please refer to technical specifications).
The Solo6 and Twin6 must be earthed using the power cord supplied.
Audio connections: general
The audio signal is to connect to the XLR inlet. This is a balanced input, which use the standard cabling scheme, namely:
Pin 1 = Ground (shield)
Pin 2 = In phase voltage (“hot”)
Pin 3 = Out-of-phase voltage (“cold”)
If the audio source is unbalanced, common practice is to link “cold” and ground pins (pins 3 and 1 respectively). This is
generally achieved within the cable.
Audio connections: Sub6 (fig. G)
Stereo + Sub setup (2.1 or 2.2):
Left IN: this input is intented to receive the signal coming from the left channel of your source (mixing console, or other…).
Right IN: this input is intented to receive the signal coming from the right channel of your source (mixing console, or other…).
Left OUT: this output is intended to connect to the left main loudspeaker of your system. The signal supplied by this output is
internally processed through a high pass filter.
Right OUT: this output is intended to connect to the right main loudspeaker of your system. The signal supplied by this output is
internally processed through a high pass filter.
Multichannel configuration:
LFE: this input is intended to feed your Sub6 in a multichannel application (5.1, 5.2, 6.1, …): this channel is dedicated to low
frequencies only.
6
PRODUCTS OVERVIEW
7
Positioning
The Solo6 Be and Twin6 Be are designed for near field monitoring and should be placed at a distance between 1 and 3 metres
from the listener, pointing towards the listening position. They can be sitting on the console top or placed on appropriate stands.
In any way it is recommended that the tweeter is at a height from the floor approximately equivalent to that of the listener’s ears.
If required it can make sense to place the speakers upside down so that the previous rule is better fulfilled (fig. C,D).
The Solo6 Be could be used vertically or horizontally depending on the environment, preferably pointing towards the listener (fig. C).
By design the Twin6 Be’s are rather intended for a landcape orientation, though in some situations they could be positioned
vertically. As seen in the earlier rear panel description, the Twin6 Be has a switch allowing to choose which drive unit is to
reproduce the mid frequencies (see below) (fig. E). Consequently it will always be possible, as desirable, to configure the
speakers in a “mirror” (ie symetrical) way (fig. F). As a general rule having the “midrange” driver on the inside of the cabinet
results in better imaging.
Optimal positioning of the Sub6 may vary depending on the surface, the shape and acoustic properties of the listening room.
You are advised to try various locations so to choose the one giving the best possible and most level sound balance. As a rule of
thumb the optimal location will often be in a corner of the room.
USING THE SYSTEM
Running in
As in all brand new loudspeaker the drivers need some run in period: they are mechanical elements demanding a little time to
settle and adapt to the climatic environment This period will vary depending of the working conditions and may take up to a
few weeks. Avoid pushing the speakers very hard during their first hours of use, but to accelerate the run-in process it is good
practice to operate the speakers at moderate levels for 20 hours or so, with programmes having significant low frequency
content. Only once the transducers have come to stabilize will you get the optimum performance.
Solo6 Be/Twin6 Be/Sub6 Controls
Speaker switch (Left/Right) : only for Twin6 Be
This switch allows the user to select which one of the two 6.5” drivers will reproduce the midrange. By convention, the “Right”
position of the switch will select the left hand side driver (when facing the cabinet laying horizontally). Conversely in the “Left”
position the right hand side driver (facing the cabinet) will be the one operating in the mid frequencies. It is easy to figure how
useful this control is when it comes to get the best possible imaging in any cabinet layout (fig. E,F).
Input switch
The input sensitivity can be adjusted using this two position switch. The +4dBu position is suitable for standard professional
audio equipment, while -10dBV position may be used for other types of sources providing a lesser output level.
HF contour
This control allows for a continuous adjustement of the high frequency level; it operates above 5k z within a ±3dB range (fig. H).
LF contour
This control allows for a continuous adjustement of the low frequency level; it operates below 150 z within a ±6dB range (fig. I).
This adjustement is typically useful to deal with possible excessive level of LF energy resulting from acoustic coupling associated
with close reflecting surfaces: mixing console, nearby walls…
Power on in icator
A power on LED is located on the cabinet front panel, near the Focal logo.
8
I
USING THE SYSTEM
9
Sub6 controls (fig. G)
Level
This adjustement allows to set the sound level of the subwoofer relative to that of the main loudspeakers. It should also be
optimised taking into account the actual location of the subwoofer and its acoustic consequences: for example in an angle
the 6 dB acoustic gain should be compensated by an equivalent attenuation to maintain the overall balance of the system.
Mute
This switch will turn out the output signal of the subwoofer channel (making it silent does not require to switch the power off).
When muting the subwoofer the high pass filters used for the main speakers will remain active.
Hi Pass
This area is dedicated to the setting of the high pass filters intended for the main speakers in a 2.1 configuration. The “Defeat”
switch allows to disable (ie by-pass) these filters. The 75 z / 100 z switch allows to select the cut-off frequency, in order to
optimise the acoustic recombination between the satellites and the Sub6.
Lo Pass
This potentiometer adjusts the cut-off frequency of the low pass filter on the subwoofer channel, thus setting the upper frequency
range to be reproduced by the Sub6. The goal is to achieve the smoothest frequency response of the whole system: sub +
satellites.
Polarity
This switch inverts the signal polarity on the subwoofer channel (ie 180° phase shift).
Phase
This potentiomer provides some fine ajustment of the phase on the subwoofer channel. Combined with the polarity switch it
can be used to compensate for the spacing between the sub and the main speakers, so to get a coherent soundfield through a
proper time alignment of the different sources.
2.1 Bypass
This input allows for plugging in a control footswitch (not supplied) via a ¼” jack connector.
Turning it active will :
- mute the subwoofer channel
- defeat the high pass filters in the satellites signal paths. The satellites will then be fed with full range signals.
This facility allows for instantaneous comparison between the 2.1 configuration (with sub) and the traditional stereo setup
(without sub) with the same system.
Power in icator
Power "LED" indicator
SPECIFICATIONS: Solo6 Be
10
SYSTEM
Frequency response 40 z - 40k z
Maximum SPL 113dB SPL (peak @ 1m)
ELECTRON C SECT ON
nput Type/Impedance
Connector
Sensitivity
Electronically balanced / 10 kOhms
XLR
Adjustable, +4dBu ou -10dBV
LF amplifier stage
HF amplifier stage
150W rms, BAS ® technology
100W rms, class AB
Power supply Main Voltage
Connection
230V (1.6A fuse rating)
115V (3.15A fuse rating)
IEC inlet and detachable power cord
User controls Input level switch
LF and F contours (potentiometers)
Power ON/OFF switch, mains voltage selector
ndicator Power on LED
TRANSDUCERS
Woofer "W" cone, Focal 6W4370B 6.5" drive unit
High frequency Focal TB871 inverted Beryllium dome tweeter
Shielding Integral through concellation magnets or by magnet design
CAB NET
Construction 19mm MDF panels with internal braces
Finish Real red veneer on sides
Dimensions (HxWxD) 330mm x 240mm x 290mm - (13"x9.5"x11.4")
Weight 11kg - (24.2lb)
All specifications are subject to change.
Andere Handbücher für Solo6 Be
5
Dieses Handbuch passt für folgende Modelle
2
Inhaltsverzeichnis
Sprachen:
Andere Focal Sprecher Handbücher
Focal
Focal ARIA 900 series Bedienungsanleitung
Focal
Focal DIABLO UTOPIA COLOUR EVO Bedienungsanleitung
Focal
Focal Dimension Bedienungsanleitung
Focal
Focal CHORUS 700 Series Bedienungsanleitung
Focal
Focal 100 AC Bedienungsanleitung
Focal
Focal DIVA UTOPIA BE Bedienungsanleitung
Focal
Focal BMW Series Bedienungsanleitung
Focal
Focal 100 Series Bedienungsanleitung
Focal
Focal INTEGRATION PLUG&PLAY IS 165TOY Bedienungsanleitung
Focal
Focal Cache 200 series Bedienungsanleitung
Focal
Focal ELECTRA SW 1000 Bedienungsanleitung
Focal
Focal TRIO6 Be Bedienungsanleitung
Focal
Focal CHORUS IC 706 V Bedienungsanleitung
Focal
Focal ELECTRA BERYLLIUM 1000 BE Bedienungsanleitung
Focal
Focal 100 Series Bedienungsanleitung
Focal
Focal CHORUS 826 W Bedienungsanleitung
Focal
Focal GRANDE UTOPIA EM EVO Bedienungsanleitung
Focal
Focal 300 SERIES Bedienungsanleitung
Focal
Focal SM8 Bedienungsanleitung
Focal
Focal LITTORA 200 ICW6 Bedienungsanleitung
Beliebte Sprecher Handbücher anderer Marken
Avantree
Avantree Pluto Air Bedienungsanleitung
Morel
Morel Integra Series INTEGRA OVATION 4 Bedienungsanleitung
Oppo
Oppo SONICA Bedienungsanleitung
Bose
Bose SoundLink Wireless Music System Bedienungsanleitung
Rocksteady
Rocksteady Stadium Bedienungsanleitung
Bowers & Wilkins
Bowers & Wilkins 4 Bedienungsanleitung
