BASS CONTROLS:
These controls alter the low‐frequency respOnse of the two channels
below 600Hz. The precise a!terations can be seen in Figure 3. :ts
stepped′ d iscrete‐ resistor construction insures a channel‐ to‐ channe:
accuracy within ldB throughout its range, When used in coniunction
uvith the low f‖ ter, a wide range of corrective alteration is possible,
partia‖ y negating deficiencies in speakers and source material.
TREBLE CONTROLS:
These controls alter the high― frequency response of the two channels
above 1800 Hz. The precise alterations can be seen in Figure 3.丁 hey
have the same stepped′ d iscrete‐ resistor construction as the BASS
contro:s. The boost positiOns incorporate supersonic f‖ tering in a
Gaussian frequency distribution. The resuitant smooth curve causes a
minirnum phase distortion of high frequencies and provides the!east‐
ObieCtiOnable interference from noise.
LOW FILTER:
Four positions of !ow‐frequency attenuation are provided by this
contro!. Attenuation occurs at the rate (slope)Of 12dB per octave
below the se:ectable turnover frequencies of 1 0,20,30 or 50Hz. :t is
useful where your turntable and/or recOrd has runnb!e interference,
Although the rumble frequency might be belovv audib‖ ity, and thus
not heard directiv′ its effect can sometirnes be heard as intermodu:ation
distortion occuring in either the amp!ifier or speaker. :ts use might
thus c!ean up the sound ctarity in the mid or high=frequency range.
The use of the iow fi!ter in coniunctiOn with bass boost extends the
f!exib‖ ity of the avai!ab!e bass connpensation.
MODE SWiTCH:
丁
his switch determines hov′ the source inputs are channeled to the
output iackS. :t functions as fo‖ows:
A. The left channel is connected to bο よ″outputs.
B. The right channel is connected toわ οオカ
outputs.
A+B. . . . . ... BOth Channe:s are combined and the mixed{Mono)
resultant is connected to bOιみoutputs.
STEREO. . . . . 丁
his,the normal position,connects the left input to
the:eft output and the right input to the right output.
REV.........・ ThiS position connects the:eft input to the opposite
(right)output and the right input to the opposite
(left)Outputi simp!y reversing the STE R EO mode
descr:bed above.
TAPE MONITOR:
The normal position for this contro: is either one of the two labeled
OUT, When at OtJT, the signa:s selected by the source push‐ buttons
mav be heard. When you 、vish to monitor any of the tape recorders
connected to the tape inputs of THAEDRA, simp:y turn the control
to either of the three positions corresponding to the appropriate
recorder.
While in the ttAPE l′ 丁APE 2,or ttAPE FRONT position,the signal
selected by the push―button source selector wi‖ be disconnected and
the signal from the selected tape recorder's output wili be substituted.
The origina‖y selected source signal wi!!′ however, continue plaving
into the TAPE OUT iaCkS.Thus′ by rapidly switching between the
OUtt position and the desired TAPE source, the tvvo signa:s can be
connpared whi:e recording. Of course,this direct monitoring can on!y
be achieved with recorders having adequate head provislons for this
purpose.
TAPE COPY:
This svvitch makes possib:e′ vvithout resorting to externa!′patch cords″ ′
extremely versat‖ e interconnections(for cOpying or editing purposes)
betⅥ″een any of the three tape recorders connected to THAEDRA. it
functions as fo‖ ows:
1‐ 2....… …
・
TAPE l力 ρ
″
おare connected to TAPE 2 0″ ゅ
″
な
(ie:The signals from tape recorder l are fed outゎ
tape recorder 2.
1‐ F. . . . . ・
・
・
・
TAPE l inputs are connected to the front‐ panel TAPE
OUT iaCk,
2‐ 1. . . . . . . . ・
TAPE 2 inputs are connected to TAPE l outputs.
2‐ F. . . . . ・
・
・
・
¬
「
APE 2 inputs are connected to the front― panel¬
「APE
OUT iaCk.
F‑1. . . . .. . .
・
The front‐ pane! 丁APE :N iack iS COnnected to the
TAPE l outputs.
F‐ 2. ... .・ ・・
・
The front‐ panel TAPE IN iack iS COnnected to the
TAPE 2 outputs.