Marshall Amplification Valvestate 200 AVT Bedienungsanleitung

ENGLISH

From Jim Marshall

I would like to thank you personally for selecting one of our

Valvestate 2000 AVT amplifiers.

Ever since its initial launch in the early 1990’s, the original

Marshall Valvestate technology received worldwide acclaim and set a

new standard in affordable quality amplification. However, my

dedicated team of designers are constantly looking for methods to

make our amplifiers sound even better. As they are all guitar players

themselves this process has become a passion within the design

department.

As the name Advanced Valvestate Technology (AVT) suggests,

your new amplifier benefits from their research and utilises their

latest circuit innovations, all of which are totally unique to Marshall.

By emulating the feel and response of an all-valve amplifier even

more closely, the new AVT range perform brilliantly and represent

yet another major step forward in guitar sound technology.

I suggest that you read this manual thoroughly before operating

your new amplifier and keep it in a safe place for future reference.

This will help you to derive maximum enjoyment from our Advanced

Valvestate Technology.

Wishing you every success.

Yours Sincerely,

ENGLISH

WARNING! - Important safety instructions

WARNING: THIS APPARATUS MUST BE EARTHED!

APLEASE read this instruction manual carefully before switching on.

BALWAYS use the supplied mains lead, if a replacement is required please contact your

authorised Marshall Dealer.

CNEVER attempt to by-pass the fuses or fit ones of the incorrect value.

DDO NOT attempt to remove the amplifier chassis, there are no user serviceable parts.

ERefer all servicing to qualified service personnel including replacement of fuses and

valves. Servicing is required when the apparatus has been damaged in any way, such as

the power supply cord or plug is damaged, liquid has been spilled or objects have fallen into

the apparatus, the apparatus has been exposed to rain or moisture, does not operate

normally or has been dropped.

FNEVER use an amplifier in damp or wet conditions.

GALWAYS unplug this apparatus during lightning storms or when unused for long periods of time.

HProtect the power cord from being walked on or pinched particularly at plugs, convenience

receptacles and at the point where they exit from the apparatus.

IDO NOT switch the amplifier on without the loudspeaker connected.

JENSURE that any extension cabinets used are of the correct impedance.

➲

Note: This equipment has been tested and found to comply with the requirements of the EMC

directive (Environments E1, E2 and E3) and the Low Voltage directive in the E.U.

EUROPE ONLY - Note: The Peak Inrush current for the AVT150, AVT150H & AVT275 is 32 amps.

This equipment has been tested and found to comply with the limits for a Class B digital device,

pursuant to part 15 of the FCC rules.

These limits are designed to provide reasonable protection against harmful interference in a

residential installation. This equipment generates, uses and can radiate radio frequency energy

and, if not installed and used in accordance with the instructions, may cause harmful interference to

radio communications. However, there is no guarantee that interference will not occur in a

particular installation. If this equipment does cause harmful interference to radio or television

reception, which can be determined by turning the equipment off and on, the user is encouraged to

try to correct the interference by one or more of the following measures:

◆

Reorient or relocate the receiving antenna.

◆

Increase the separation between the equipment and the receiver.

◆

Connect the equipment into an outlet on a circuit different from that to which the receiver is

connected.

◆

Consult the dealer or an experienced radio/TV technician for help.

ENGLISH

➲

Caution: Any changes or modifications not expressly approved by the party responsible for

compliance may void the user’s authority to operate the equipment.

➲

Note: It is recommended that all audio cables used to connect to the AVT150 Combo, AVT150H

Head or AVT275 are of a high quality screened type. These should not exceed 10 metres in

length. Always use a Marshall approved speaker lead with the AVT150H Head and extension

cabinets.

➲

WARNING: Do not obstruct ventilation grilles and always ensure free movement of air around

the amplifier!

USA ONLY - DO NOT defeat the purpose of the polarised or grounding type plug. A

polarised plug has two blades with one wider than the other. A grounding type plug has two

blades and a third grounding prong. The wide blade or the third prong is provided for your safety.

When the provided plug does not fit into your outlet, consult an electrician for replacement of the

obsolete outlet.

FOLLOW ALL INSTRUCTIONS AND HEED ALL WARNINGS

KEEP THESE INSTRUCTIONS !

WARNING! - Important safety instructions (cont.)

ENGLISH

Introduction

What is AVT?

Advanced Valvestate Technology, or AVT for short, is a major step forward in hybrid amplifier

design which is exclusive to our new Valvestate 2000 (VS2000) Series of amplifiers. It has evolved

from the original, critically acclaimed Marshall Valvestate technology, but is improved so that it

emulates even more closely the feel and response of the classic Marshall all-valve power

stage...without using valves.

It is not only the power stage that has been significantly improved in the VS2000 Series either.

Much careful attention to detail and many hours of development have also gone into the preamp

section too. As a result, each AVT channel offers the widest possible range of control and shape to

your sound, with an ECC83 (a.k.a.12AX7) preamp valve adding to the all-important tone and feel of

these latest Marshall creations.

Valve Drive Preamp

As just stated, each amp in the VS2000 range boasts a preamp stage equipped with an ECC83

Dual Triode valve. Drawing on our vast experience in this field, we have gone to great lengths to

ensure that this precious device delivers maximum sonic benefit at all settings and volume levels.

As a result, the clean sounds ring with the ‘bell-like

’

harmonics that only a valve preamp can deliver

and the break-up is never harsh or unnatural sounding. Whenever an AVT Overdrive channel is

selected the ECC83’s dual triode is saturated to its limit, providing the dynamics and feel worthy of a

place in the Marshall hall of fame.

Power Amp Delivery

The same sort of toneful care and attention was also focused on the all-important power stages

of the AVT series too. Our goal was to ensure that each one would create the warm, musical feel

and 3-dimensional sounds that have made our all-valve power amps world renowned. In addition,

these VS2000 products were designed to deliver the goods in the often hostile and unpredictable

environment of the live performance stage - which is why all the AVT power amps, from the AVT50

upwards, are fan cooled for optimum reliability.

'Extended Bass Response' Loudspeakers

Knowing how important the relationship between the amplifier and speaker is, this is another

area where we spent a great deal of time and effort when developing the VS2000 Series. By

working extremely closely with our long-term colleagues at Celestion Loudspeakers, we have

successfully developed a range of speakers which, through radical design, re-define the state-of-the-

art in rock guitar reproduction. In a nutshell, they allow the compact closed back cabinets used in

the AVT range, to maintain the bottom end delivery normally only associated with a full 4 x12 cabinet set-

up.

Introduction (cont.)

ENGLISH

DFX Onboard

At Marshall our aim is to create products that offer our fellow guitarists true inspiration in the

practice and performance of their art. When integrating DFX (Digital Effects) into the tonal topology

of AVT, the greatest care was taken to ensure that the highest level of signal integrity was

maintained. Through careful shaping and mixing of the ‘wet’ (processed) and ‘dry’ (unprocessed)

signals, we have ensured that the onboard effects enhance your tone while adding none of the

nasty, artificial ‘grain’ often associated with DFX. Different effect types can be assigned to the Clean

and Overdrive channels and can, of course, be turned on and off via the sturdy 6-way LED foot

controller supplied with your amp.

We are so proud and enthused by the end results of our labour that we feel fully justified in

hailing Advanced Valvestate Technology as a major breakthrough in hybrid guitar amplifier design.

We are convinced that you will derive as much pleasure from playing them as we did while

designing them. Enjoy!

AVT150/AVT150H & AVT275 Front Panel Features

I. The Preamp Section

Your AVT amp boasts no fewer than four

channels: Acoustic Simulator, Clean, Overdrive 1

and Overdrive 2. The preamp section is where

the gain, tone and relative volume of these four

channels is determined.

1 Input Jack Socket

This is where you plug your guitar into the

amp. You must always use a screened

(shielded) guitar cable and never use an

unscreened (unshielded) speaker cable. Also,

this cable should be one of good quality. If you

are in any doubt regarding this, your Marshall

dealer will be more than happy to help and

advise you.

2Acoustic Simulator Channel

Selector Switch

Allows selection of the Acoustic Simulator

channel via the front panel.

3Top Control

This control takes the channel’s sound

from a mellow, acoustic tone (similar to a

microphone placed towards the neck of the

instrument) all the way to a bright, piezo-like

acoustic sound and all points in-between.

Note:

The amp’s Master Presence control (21)

affords you further adjustment of the high end.

4Body Switch

This changes the ‘body resonance’

simulation of the channel from that of a regular

sized, steel-string acoustic (switch ‘out’) to that

of a large bodied, ‘Jumbo’ acoustic (switch ‘in’).

5Volume Control

This dictates how loud the Acoustic

Simulator Channel will be.

6Clean Channel Selector Switch

This allows selection of the Clean channel

via the front panel.

7Clean Channel Gain Control

This rotary control regulates the drive into

the two cascaded valve stages of the preamp.

Lower settings will give you a wide range of

well defined, warm clean tones.

At higher Gain settings you will pass

through natural, valve-induced compression

and into an increased level of desirable ‘break-

up’ (a.k.a. ‘crunch’) which is perfect for subtly

overdriven blues/rock.

ENGLISH

AVT150/AVT150H & AVT275 Front Panel Features

8Bright Switch

Most of the Gain controls in classic

Marshall amps have been fitted with what is

known as a ‘treble bleed capacitor’. This

device allows extra high frequencies to be

‘bled’ through to the drive section when the

Gain control is at low settings. Engaging the

Bright Switch will ‘bleed’ extra high frequencies

into the drive stage of the Clean channel,

giving you a bright, clean tone perfect for many

styles, including funk and country.

The higher the Gain control is set, the less

effect the ‘treble bleed capacitor’ has. As a

result, at maximum Gain settings, the bright

switch will have no audible effect at all.

9Clean Volume Control

As its name suggests, this control

determines the volume of the clean channel.

The actual setting you choose will be

dependent on how loud you want the channel

to be, and also on the type of sound you have

selected on the pre-amp. Due to the

remarkable realism of our Advanced Valvestate

Technology, once the Volume control is turned-

up past a certain point the preamp will start to

push the power amp section into creating its

own, desirable distortion - just like an all-valve

Marshall amp. When this occurs, the AVT’s

power amp will start to add musical harmonics,

compression and ‘break-up’ into your sound.

Note:

As each channel has its own volume

control, you can easily balance the levels of all

four channels as you so desire. Once set to

your satisfaction, these controls can be left

alone and you can use the amp’s Master

Volume knob (20) to set your overall volume

level.

10 Clean Tone Controls

The Clean channel is equipped with rotary

Bass, Middle, and Treble controls. These three

passive EQ controls are designed to achieve

maximum tonal variation from your AVT

amplifier and, just like the tone controls on our

famous all-valve amps, are highly inter-

dependent on each other. As a result, the way

each one functions depends on the exact

position of the other two controls. This is

especially true of the Bass and Treble controls

in relation to the Middle control. As you will

discover, the lower the Middle control is set, the

more ‘reactive’ the others become.

As tone is very much down to personal

taste, experimentation and experience is

probably the best way of learning how these

three controls will affect your sound. To offer

you some guidance, suggested settings are

shown later on in this manual.

Points to remember are:

When selecting a sound on any amp:

a) The tone and output level coming out of

each guitar is as widely variable as guitars

themselves. Remember, guitars and also

pickups are not designed (nor intended) to be

equal. Therefore, amp settings will vary to suit

both your guitar and your playing style, and by

necessity, are at your discretion.

b) The tone of your sound is also

dependent on the way you set-up the Volume,

Gain and Tone controls of your amp. Taking

the time to adjust them to taste will further

enhance the sonic textures of your AVT. As is

true of all the best things in life, it is worth

investing some time playing around until you

find the desired sweet spot!

Note:

The amp’s Master Presence control (21)

affords you further adjustment of the high end.

11 OD1 Channel Select Switch

Pressing this front panel switch selects the

Overdrive 1 (OD1) channel of your AVT.

12 OD1 Gain Control

This rotary control can be best described

as the ‘sonic brain’ of the OD1 channel. Lower

Gain settings will produce well-defined, natural

sounding overdrives which have a nice ‘cut,’

making them perfect for funky, blues rock.

Higher gain settings will see the sound start to

get more ‘rounded’ as the AVT’s pre-amp valve

is pushed into saturation.

ENGLISH

AVT150/AVT150H & AVT275 Front Panel Features

13 OD1 Scoop Switch

Fine tuned to create the most awesome

mid ‘scoop’ imaginable, OD1's Scoop circuitry

is more than just a pre-set middle control.

Instead it actually reconfigures the whole post-

EQ voicing of the channel - from low to high.

Because of this, even though the resulting

‘scooped’ sound that occurs when the switch is

activated (pushed ‘in’) is totally extreme, the

channel's overall tone still remains tight and

focused.

14 OD1 Volume Control

As its name suggests, this control

determines the volume of the OD1 channel.

The actual setting you choose will be

dependent on how loud you want the channel

to be, and also on the type of sound you have

selected on the pre-amp (i.e. high Gain settings

will generate much more preamp output level

than lower, cleaner sounding Gain settings).

Due to the remarkable realism of our

Advanced Valvestate Technology, once the

Volume control is turned-up past a certain

point, the preamp will start to push the power

amp section into creating its own, desirable

distortion - just like an all-valve Marshall amp.

When this occurs, the AVT's power amp will

start to add musical harmonics, compression

and desirable ‘break-up’ to your sound.

As previously stated, each channel has its

own volume control so you can easily balance

the levels of all four channels. Once set to

your satisfaction, these controls can be left

alone and you can use the amp’s Master

Volume knob (20) to set your overall volume

level to best suit each playing situation and

venue.

15 OD2 Channel Select Switch

This selects the Overdrive (OD2) channel

of your amp.

16 OD2 Gain Control

Cranking the OD2 Gain control will

unleash the most extreme gain levels ever

found on a Marshall Valvestate amplifier. The

higher settings of the OD2 gain control can be

likened to driving the front-end of an already

raging Marshall valve amp with a high gain,

overdrive stomp box. If you've already

experienced the tonal pleasure of ‘front ending’

a Marshall valve amplifier in this way, you will

appreciate the energy and dynamics of this

type of set-up!

Turning the OD2 Gain control clockwise

will see more of the already smouldering signal

being sweetly compressed and ‘rounded’ by

the unique characteristic of the AVT's Valve

Drive stage as it is driven over the top into total

saturation. This channel can also be as nasty

and ‘in-yer-face’ as you would like. Engaging

the OD2 ‘Scoop’ button (17) will take this

channel onto a new level of cranium crushing

crunch, perfect for modern (a.k.a. ‘nu’) metal.

17 OD2 Scoop Switch

As is true of the OD1 Scoop, this circuit

acts like an advanced, pre-set contour control

that not only ‘scoops-out’ the mids but also

shapes the highs and lows for a tight, focused

sound. Engaging OD2’s Scoop Switch loads

you up with a ‘bottom heavy’ sound perfect for

the de-tuned, high-gain aggression favoured by

many modern acts.

18 OD2 Volume Control

This control regulates the drive of the OD2

channel into the power stage of the amplifier,

hence controlling its output volume. You will

find that the louder you go, the looser the

bottom end of your sound will become. Having

said this, the closed-back cabinet design of

your AVT is such that it will deliver tight, well-

defined low end at much higher volumes than

any other ‘hybrid’ amplifier known to man.

ENGLISH

AVT150/AVT150H & AVT275 Front Panel Features

19 Overdrive Tone Controls

Your AVT is equipped with rotary Bass,

Middle, and Treble EQ controls which are

shared between the two Overdrive Channels,

OD1 and OD2. This EQ section boasts a tone

circuit identical to the one used in legendary

Marshall valve amplifiers such as the 100 Watt

‘Plexi’ and the JCM800 2203, making it a

foundation stone for that instantly recognisable

and unsurpassable ‘Marshall Sound’. As was

the case with the Clean channel’s EQ network,

these controls are interactive and, as a result,

allow endless tonal possibilities.

Note:

Remember that in addition to these

three controls, further tonal adjustment is also

afforded by the Scoop button (17) and also the

Master Presence control which is explained

later (21).

II. The Master Section

These controls adjust the power amp

section of your AVT and determine the overall

Volume and Presence of the amplifier.

20 Master Volume

Once you have set the relative volumes of

your AVT's channels, this control governs the

overall volume of the amplifier.

21 Master Presence

A feature normally only found on

expensive valve amplifiers, the Presence

control affords you increased high frequency

control by altering the power amplifier’s

feedback. Increasing the Presence control will

emphasise high-end ‘fizz’ in overdriven tones

and top-end ‘sparkle’ in clean sounds.

III. FX Section

A. Parallel FX Loop

Your AVT boasts a rear-panel mounted

Parallel FX loop for use with external effects

devices. This FX loop is Mono in the case of

the AVT150 and AVT150H and Stereo (Mono

Send, L & R Returns) in the case of the

AVT275 (see ‘Rear Panel Features’ Section for

more details).

22 FX Loop Mix Controls

(Clean & Overdrive)

When an effects unit is hooked-up to the

aforementioned FX loop, the top control adjusts

the FX Mix for the two OD channels and

turning it clockwise increases the amount of

effect you hear - from ‘dry’ (0) to ‘wet’ (10).

The bottom FX Mix control does the exact

same thing for the Acoustic Simulator and

Clean channels.

Please note that the FX mix on your

external processor should be set to maximum

(i.e. ‘wet’).

B. Internal Digital FX

As mentioned in the introduction of this

manual, the AVT150, AVT150H and AVT275

each feature two separate DFX (Digital Effects)

sections - the upper DFX section is for the two

Overdrive channels, OD1 and OD2, and the

lower section is for the Clean & Acoustic

Simulator Channels. Each DFX section boasts

16 on-board effects and three controls - DFX

Mix, Adjust and Program.

We chose the particular effects algorithms

to give you a comprehensive palette of natural

sounding options. When developing the DFX

section, our aim was to enhance the overall

sound of the amplifier and, most importantly,

allow the effects to work with you instead of

masking your all-important tone underneath

layers of artificial sounding digital signal

processing.

ENGLISH

The first 10 programs offered are all Reverbs. Reverberation effects recreate the natural echo

reflections found in physical environments such as halls and rooms or, in the case of plate reverbs, a

mechanically vibrating metal plate. These echoes are extremely complex in nature and are,

therefore, notoriously difficult to recreate. In developing these 10 programs we've gone to great

lengths to ensure that none of the harsh digital ‘graininess’ normally associated with some digital

reverbs is present.

Below is a brief description of each of the 16 DFX programs available:

AVT150/AVT150H & AVT275 Front Panel Features

1Hall A: this is a large, bright sounding, concert hall. “Wembley Arena, are you ready to

rock!?”

2Hall B: warmer sounding than Hall A, this program is perfect for adding depth and character

to clean and acoustic tones.

3Hall C: a medium sized hall with 12ms of delay before the reverb starts.

4Room 1: a hardwood studio with lots of early reflections. Perfect for acoustic type sounds.

5Room 2: perfect for adding some subtle ambience.

6Room 3: warmer sounding than Room 1, perfect for clean or acoustic work.

7Plate 1: a bright, transparent plate sound ideal for lead work.

8Plate 2: warmer sounding than Plate 1, this program is great for adding sustain, especially

on clean and acoustic tunes.

9Plate 3: an accurate emulation of a vintage tube plate reverb. As this program has very little

low end it is great for adding ‘cut’.

10 Gated Reverb: by ‘chopping-off’ the end of the reverb’s decay ‘tail’ via a Noise Gate, this

program is great for spicing-up chord stabs without cluttering up your sound.

11 Chorus: splitting the signal and then mixing the dry signal with a detuned version creates this

popular effect. To add to the subtle ‘widening’ this creates, the detuned signal is modulated

by an LFO (Low Frequency Oscillator) which causes the detuning to vary. The result is a

subtle, lush sound that is equally effective on both clean and dirty tones.

12 Flange: similar to chorus but much more ‘jet’ like in nature.

13 Delay: this creates an echo repeat of the original signal. The delay time is adjustable in 10

millisecond (ms) increments and can be set to be as long as 1270ms which is well over 1

second.

14 Chorus/Room: as the name suggests, this combines Chorus and a large room Reverb.

15 Chorus/Delay/Room: if program 14 isn't dramatic enough for you then this is definitely the

one for you, as it adds Delay to the Chorus & Reverb mix!

16 Modulation: this effect is similar to the chorus effect but is less subtle and can be used to

create rotary speaker-like effects.

ENGLISH

AVT150/AVT150H & AVT275 Front Panel Features

23 DFX Mix Controls

(Clean FX & Overdrive FX)

These determine the level of the internal

effects selected by the pair of Program controls

(25). The top DFX Mix control works on the

two OD channels while the bottom one works

on the Acoustic Simulator and Clean channels.

In general you will find that the modulation

effects (e.g. Chorus, Flange) require more level

than the reverbs and delays. As always, let

your ears decide what is right!

24 Adjust Controls

(Clean FX & Overdrive FX)

For each of the 16 selectable DFX a

particular parameter is adjustable. For

example, when a Reverb is chosen, the decay

(how long the reverb will be heard before it

fades away) is adjustable via this control. The

‘Program/Adjust’ table (26) on the front panel of

your amp lists what the Adjust control does for

each of the 16 programs. As was the case with

the DFX Mix controls, the top Adjust control

works for the two OD channels and the bottom

one for the Clean & Acoustic Simulator

channels.

25 Program

(Clean FX & Overdrive FX)

These select each one of the 16 on board

digital effects - the top Program control works

on the two OD channels and the bottom control

works for the Clean and Acoustic Simulator

Channels. The DFX available include single

effects such as Reverb (9 types), Delay or

Chorus and also multi-FX such as

Chorus/Delay/Room. To add further to the

flexibility of these two DFX sections, they can

be switched on and off via the sturdy, LED foot-

controller which comes supplied with each amp.

26 Digital FX Program/

Adjust Table

This lists the 16 programs selectable via

the Program control (25) and also indicates

which parameter the Adjust control (24)

modifies for each one. For added convenience,

this table is shown below.

27 Power Switch

Wait for it...yes, this switches the amp on

and off! When the amp is on the power switch

is illuminated and vice-versa. Advanced power

amplifier muting circuitry provides anti-thump

protection on power up and down.

Important Note:

As is the case with an all-

valve amplifier, there will be no signal heard

until the amp's ECC83 preamp valve warms-up

and starts to pass signal. This can take up to

15 seconds so don't panic!

Program

Halls

Rooms

Plates

Gated reverb

Chorus

Flange

Delay

Chorus Room

Ch/Dly/Room

Modulation

Adjust

Decay Time

Rate

Time

Decay Time

Time

Speed

1 - 3

4 - 6

7 - 9

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