Nady Systems PCM-100 Bedienungsanleitung

USER GUIDE

To take full advantage of the superb features of the PCM-100/200, and to

enjoy long and trouble-free use, please read this User’s Guide carefully.

NADY PCM SERIES

Your PCM-100/200 microphones was carefully packed at the

factory in a carrying case designed to protect the unit during

shipping. Please retain this container for subsequent transport

and in the highly unlikely event that you ever need to return

your microphone for servicing.

Congratulations on purchasing a Nady PCM Microphone.

These vintage retro-look styling microphones have advanced

state-of-the-art acoustic design — perfect for multi-purpose

studio, recording, broadcasting, or live performance theater,

concert applications.

This user guide covers the operation of the PCM microphone

and the available optional accessories. To take full advantage

of the superb features of your microphone, and to enjoy long

and trouble-free use, please read this user's guide carefully.

UNPACKING, INSPECTION, STORAGE & TRANSPORT

• PCM 100/200 microphone

• User guide

• Warranty card

• Foam padded plastic carrying case

SMPS-1 — 48V DC phantom power supply (PCM-100 only)

STANDARD ITEMS SUPPLIED OPTIONAL ACCESSORIES

FEATURES

PCM-100 & 200 Professional Classic Style Microphones

PCM-100 PCM-200

PCM-100 — Condenser Microphone PCM-200 — Dynamic Microphone

• Special design high quality back electret condenser

microphone for clearest audio reproduction

• Cardioid polar pattern

• Smooth tailored frequency response

• Vivid vocal reproduction with a characteristic presence

peak

• Switchable low cut filter

• Phantom power LED

• High output dynamic cartridge for big powerful sound

• Cardioid pickup pattern to reduce feedback in live use

• Transparent tailored sound with presence peak for distinct

lifelike vocals

• Pop-free locking on-off switch

• The microphone should never be dropped or subjected to extreme shock. Store only in a padded case to protect it during

transport.

• Keep the microphone away from extremely high temperatures (above 140˚F or 60˚C) and humidity. Avoid leaving the

microphone in direct sunlight for long periods of time.

• When using the microphone outdoors, avoid getting it wet.

• After use in a high-moisture application such as a stage performance, wipe off the microphone with a dry cloth and permit it

to air dry. Do not store the unit in a closed space (e.g., a plastic bag) until all moisture has evaporated.

PRECAUTIONS AND CARE OF YOUR PCM-100/200

SPECIFICATIONS

Specifications subject to change for improvement purposes

SERVICE

(U.S.) Should your Nady microphone require service, please contact the Nady Service Department via phone at

(510) 652-2411 or e-mail at service@nady.com

(INTERNATIONAL) For service, please contact the Nady distributor in your country through the dealer from whom you pur-

chased this product.

Do not attempt to service this unit yourself as it will void your warranty

CARTRIDGE TYPE:

PCM-100: Black electret condenser

PCM-200: Dynamic

POLAR PATTERN: Unidirectional (cardioid)

FREQUENCY RESPONSE

PCM-100: 30Hz to 18KHz

PCM-200: 60Hz to 16KHz

SENSITIVITY (0dB=1V/Pa @ 1kHz)

PCM-100: -36dB, ±2dB; PCM-200: -54dB, ±3dB

OUTPUT IMPEDANCE (@ 1kHz)

PCM-100: 100 Ohms, ±30%;

PCM-200: 250 Ohms, ±30%

LOAD IMPEDANCE: >1,000 Ohms

SELF NOISE (IEC 581-5): 22dB-A (PCM-100)

MAX INPUT SPL (@ 1kHz≤1% T.H.D)

PCM-100: 127dB; PCM-200: 130dB

S/N RATIO: 72dB (PCM-100)

POWER REQUIREMENT: 48V DC Phantom power (PCM-100)

DIMENSIONS: 2.625" x 6.75" ( 66.7 mm x 171.5 mm)

WEIGHT: 1.4lb. (650g)

MATERIAL: Die-cast metal housing

USING YOUR PCM-100/200

The PCM-100/200 can be used with any standard mixer,

powered mixer/amplifier, or mic preamp. Using either an XLR

to XLR or XLR to 1/4" phone plug low impedance cable,

connect the female XLR end to the PCM-100 and the other end

(male XLR or 1/4" phone plug, as appropriate) to your

equipment.

NOTE: The PCM-100 requires +48VDC to

operate. This phantom power is available on most mixer

inputs or can be supplied by the optional SMPS-1 power

supply.

The PCM-100/200 can be mounted on a microphone stand

with the integral mic holder mount supplied. Depending on the

threading of the mic stand you are using, you may need to

remove the threaded adapter from the mic holder.

Be aware of the proximity effect (an increase in bass response)

when the mic is placed close to the instrument. This may or

may not be desirable. Experimenting with the position of the

mic with respect to the audio source will ensure the optimum

results you are seeking in any given application.

If the microphone is placed too near a speaker during live

stage use, an unpleasant howling effect (acoustic feedback)

may occur. Although all microphones are prone to feedback

to some extent, with a unidirectional polar pattern are

specially designed to accept only signals from the audio

source directly in front of the mic cartridge. Thus, the cardioid

pattern of the PCM-100/200 ensures that it will deliver only

the desired audio in front of the mic, rejecting the unwanted

audio from the rear, even in noisy ambient conditions with

high sound pressure levels from the P.A. and monitor speakers.

This means that feedback will be greatly minimized with the

PCM-100/200 in all live performance miking applications.

Some useful ways in which to totally eliminate annoying

feedback include: experimenting with mic positions with

respect to the speakers, decreasing speaker volume (whenever

possible), and adjusting the equalization of the mic audio with

the mixer.

FREQUENCY RESPONSE

PCM-100 PCM-200

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