Peavey Backstage Chorus 208 Bedienungsanleitung

Andere Handbücher für Backstage Chorus 208

2

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T

L

O

A

Intended

to

alert

the

user

to

the

presence

of

uninsulated

"dangerous

voltage”

within

the

product's

enclosure

that

may

be

of

sufficient

magnitude

to

constitute

a

risk

of

electric

shock

to

persons.

A

Intended

to

alert

the

user

of

the

presence

of

important

operating

and

maintenance

(servicing)

instructions

in

the

literature

accompanying

the

product.

CAUTION:

Risk

of

electrical

shock

-

DO

NOT

OPEN!

CAUTION:

To

reduce

the

risk

of

electric

shock,

do

not

remove

cover.

No

user

serviceable

parts

inside.

Refer

servicing

to

qualified

service

personnel.

WARNING:

To

prevent

electrical

shock

or

fire

hazard,

do

not

expose

this

appliance

to

rain

or

moisture.

Before

using

this

appliance,

read

the

operating

guide

for

further

warnings.

A

E

ste

simbolo

ticnc

cl

proposito

dc

alertar

al

usuario

dc

la

presencia

de

"(voltaje)

peligroso"

que

no

tiene

aislamiento

dentro

de

la

caja

del

producto

que

puede

tener

una

inagnitud

suficiente

como

para

constituir

riesgo

dc

corrientazo.

A

E

ste

simbolo

ticnc

cl

proposito

dc

alertar

al

usario

dc

la

presencia

de

instruccones

importantes

sobre

la

operaeion

y

mantenimiento

en

la

literatura

que

viene

con

el

producto.

PRECAUCION:

Riesgo

dc

corrientazo

-

No

abra.

PRECAUCION:

Para

disminuir

el

riesgo

de

corrientazo,

no

abra

la

cubierta.

No

hay

piezas

adentro

que

el

usario

pueda

reparar.

Deje

todo

mantenimiento

a

los

tecnicos

calificados.

ADVERTENCIA:

Para

evitar

corrientazos

o

peligro

de

incendio,

no

deje

expuesto

a

la

lluvia

o

humedad

este

aparato

Antes

dc

usar

este

aparato,

lea

mas

advertencias

en

la

guia

de

operaeion.

A

C

e

svmbole

est

utilise

pur

indiquer

a

l'utilisateur

la

presence

a

l'intdrieur

de

ce

produit

de

tension

non-isolee

dangereuse

pouvant

ctrc

d'intensite

suffisante

pour

constituer

un

risque

de

choc

dlectrique.

A

C

e

symbole

est

utilise

pour

indiquer

a

l’utilisateur

qu'il

ou

qu’elle

trouvera

d’importantes

instructions

sur

I'utilisation

et

1'entretien

(.service)

de

I'apparcil

dans

la

litteraturc

accompagnant

le

produit.

ATTENTION:

Risques

de

choc

dlectrique

-

NE

PAS

OUVR1R!

ATTENTION:

Afin

de

reduire

le

risque

de

choc

electnque,

ne

pas

enlever

le

couvercle.

II

ne

se

trouve

a

rinterieur

aucune

piece

pouvant

etre

reparee

par

l'utilisateur.

Conficr

l'cntrcticn

a

un

personnel

qualific.

AVERTISSEMENT:

Afin

de

prevenir

les

risques

dc

dcchargc

clcctriquc

ou

dc

feu,

ncxposez

pas

cet

appareil

a

la

pluie

ou

a

rhumiditd.

Avant

d'utiliser

cet

appareil,

lisez

les

avertissements

suppldmentaires

situes

dans

lc

guide.

A

Dieses

Symbol

soil

den

Anwender

vor

unisolieiten

gefahrliehen

Spannungcn

innerhalb

des

Gchauses

warnen,

die

von

Ausreichender

Starke

sind,

urn

einen

elektri.schen

Schlag

verursachen

zu

konnen.

A

Dieses

Symbol

soil

den

Benutzer

auf

wichtige

Instruktionen

in

der

Bedienungsanlcitung

aufmerksam

machen,

die

Handhabung

und

Warning

des

Produkts

betreffen.

VORSICHT:

Risiko

-

Elektrischer

Schlag!

Nicht

offnen!

VORSICHT:

Um

das

Risiko

eines

elektrischen

Schlages

zu

vermeiden,

nicht

die

Abdeckung

enfernen.

Es

befinden

sich

kcinc

Teile

darin,

die

vom

Anwender

repariert

werden

konnten.

Reparaturen

nur

von

qualifiziertem

Fachpersonal

durchfiihren

lassen.

___

ACHTUNG:

Um

einen

elektrischen

Schlag

Oder

Feuergefahr

zu

vermeiden,

sollte

dieses

Gerat

nicht

dern

Regen

oder

Feuchtigkeit

ausgesetzt

werden.

Vor

Inbetricbnahmc

unbedingt

die

Bcdienungsanleitung

lesen.

ENGLISH

4

1

2

3

5

6

7

8

9

10

11

12

13

14

15

16

HIGH

GAIN

INPUT

(1)

Used

for

most

electric

guitars.

It

is

10

dB

louder

than

the

Low

Gain

input.

LOW

GAIN

INPUT

(2)

Provided

for

instruments

that

have

extremely

high

outputs,

which

can

result

in

overdriving

(distorting)

the

High

Gain

input.

If

both

inputs

are

used

simultaneously,

the

output

levels

are

the

same

(both

are

High

Gain).

NORMAL

GAIN

(3)

Controls

the

volume

level

of

the

Normal

channel

and

is

not

affected

by

the

SuperSat®

or

Post

Gain

controls.

CHORUS

SELECT

SWITCH

(4)

The

“in’*

position

of

this

switch

activates

the

Chorus

effect.

The

“out”

position

defeats

the

Chorus.

NOTE:

The

Chorus

effect

must

be

activated

to

be

controlled

via

remote

footswitch.

CHANNEL

SELECT

SWITCH

(5)

Allows

selection

of

the

Lead

or

Normal

channel.

The

“in”

position

of

the

switch

selects

the

Lead

channel

and

the

“out”

position

selects

Normal.

NOTE:

Channel

selection

may

also

be

accomplished

by

the

remote

footswitch.

If

the

remote

selection

is

desired

the

channel

switch

must

be

in

the

“in”

(Lead)

position.

LOW,

MID,

&

HIGH

EQ

(6)

Passive

tone

controls

that

regulate

the

low,

mid

and

high

frequencies,

respectively.

S

UPERSAT®/PULL

GAIN

(7)

A

transistor

simulation

of

tube

distortion

(soft

clipping).

To

activate

the

SuperSat

effect.

Lead

channel

must

be

activated.

Pull

Gain

switch

boosts

overall

system

gain.

Pull

to

activate.

POST

GAIN

(8)

Controls

the

overall

volume

level

of

the

Lead

channel.

The

final

level

adjustment

should

be

made

after

the

desired

sound

has

been

achieved.

BOTTOM

(9)

An

active

tone

control

(shelving

type

±15

dB)

that

varies

the

low

frequency

boost

or

cut.

NOTE:

This

control

is

not

functional

on

the

Normal

channel.

BODY

(10)

An

active

tone

control

(peak/notch,

±15

dB)

that

varies

the

mid

frequency

boost

or

cut.

NOTE:

This

control

is

not

functional

on

the

Normal

channel.

EDGE

(11)

An

active

tone

control

(shelving

type,

±15

dB)

that

varies

the

high

frequency

boost

or

cut.

NOTE:

This

control

is

not

functional

on

the

Normal

channel.

REVERB

(12)

Controls

the

overall

reverb

level.

R

ATE

CONTROL

(13)

Controls

the

sweep

rate

(frequency)

of

the

chorus

effect.

DEPTH

CONTROL

(14)

Controls

the

depth

(intensity)

of

the

chorus

effect.

POWER

LED

(15)

Illuminates

when

AC

power

is

being

supplied

to

the

amp.

POWER

SWITCH

(16)

Depress

the

switch

to

the

“On”

position.

The

red

pilot

light

(LED)

will

illuminate

indicating

power

is

being

supplied

to

the

unit.

17

LINE

CORD

(120V

PRODUCTS

ONLY)

(17)

For

your

safety,

we

have

incorporated

a

3-wire

line

(mains)

cable

with

proper

grounding

facilities.

It

is

not

advisable

to

remove

the

ground

pin

under

any

circumstances.

If

it

is

necessary

to

use

the

equipment

without

proper

grounding

facilities,

suitable

grounding

adaptors

should

be

used.

Less

noise

and

greatly

reduced

shock

hazard

exists

when

the

unit

is

operated

with

the

proper

grounded

receptacles.

PREAMP

OUT

MIX

2

(18)

The

Preamp

Output

can

be

used

to

route

the

amplified

signal

to

a

mixing

console,

tape

recorder,

etc.

connect

the

Preamp

Output,

using

a

shielded

cable,

to

an

input

of

the

tape

recorder,

mixer,

outboard

power

amplifier,

etc.

This

patch

does

not

affect

the

operation

of

the

amplifier.

NOTE:

When

only

the

preamp

out

mix

2

jack

is

used,

the

mixed

chorus

effect

is

present

at

this

point.

(Com¬

bination

of

dry

and

chorused

signals)

When

both

preamp

out

jacks

are

engaged,

only

the

chorused

signal

appears

at

this

point.

STEREO

HEADPHONE

JACK

(19)

Provided

for

use

with

any

stereo

headset.

One

channel

of

the

headphones

will

deliver

signals

processed

by

the

chorus

circuit.

The

other

side

will

deliver

only

“dry”

(unprocessed)

signals.

Use

of

a

monaural

headset

is

not

recommended.

PREAMP

OUT

DRY

1

(20)

The

preamp

output

can

be

used

to

route

the

amplified

signal

to

a

mixing

console,

tape

recorder,

etc.

Connect

the

preamp

output,

using

a

shielded

cable,

to

an

input

of

the

tape

recorder,

mixer,

outboard

power

amplifier,

etc.

This

patch

does

not

affect

the

operation

of

the

amplifier.

NOTE:

The

dry

(unchorused)

signal

is

always

present

at

this

point

even

when

both

preamp

out

jacks

are

en-

gaged.

This

jack

should

be

used

for

normal

preamp

out

patching

when

the

chorus

effect

is

not

desired.

REMOTE

SWITCH

(21)

Provided

for

connection

of

the

optional

remote

footswitch

(#5996).

The

footswitch

is

used

to

select

the

Lead

or

Normal

channels

and

defeat

reverb

and

the

chorus

effect.

SPECIFICATIONS

POWER

AMP

SECTION

Rated

Power

&

Load:

(each

channel)

30

W

RMS

into

8

ohms/driven

separately

25W

RMS

into

8

ohms/both

channels

driven

(50

W

RMS

total)

Power

@

Clipping:

(Typical

each

channel)

(5%

THD,

1

kHz.

120

V

AC

line)

25

W

RMS

into

8

ohms/both

channels

driven)

Total

Harmonic

Distortion:

Less

than

0.2%,

100

mW

to

20

W

RMS,

40

Hz

to

15

kHz,

8

ohms

(Typically

below

0.1%)

Power

Consumption:

(Domestic)

150

W

@

120

V

AC,

50/60

Hz

PREAMP

SECTION

The

following

specs

are

measured

@

1

kHz

with

the

controls

preset

as

follows:

Channel

&

Chorus

select

normal

(out)

Low

&

high

EQ

@

10

Mid

EQ

@

0

SuperSat®

@

10

Pull

Gain

Off

(In)

Post

Gain

@

10

Bottom,

Body,

&

Edge

Voicing

@

0

Reverb

Level

@

0

Stereo

Chorus

Depth

&

Rate

@

10

Preamp

High

Gain

Input:

Impedance:

High

Z,

200

K

ohms

Nominal

Input

Level:

-20

dBV,

100

mV

RMS

Minimum

Input

Level:

-36

dBV,

15

mV

RMS

Maximum

Input

Level:

+16

dBV,

6

V

RMS

Preamp

Low

Gain

Input:

(10

dB

pad)

Impedance:

High

Z,

69

K

ohms

Nominal

Input

Level:

-

10

dBV,

300

mV

RMS

Minimum

Input

Level:

-26

dBV,

45

mV

RMS

Maximum

Input

Level:

+26

dBV,

18

V

RMS

Preamp

#1

Output:

(Dry

signal,

no

chorus)

Load

Impedance:

10

K

ohms

or

greater

Nominal

Output:

0

dBV,

1

V

RMS

Maximum

Output:

+18

dBV,

8

V

RMS

(Switching

jack,

removes

dry

signal

feed

to

output

#2

when

used,

allowing

full

stereo

output

patching)

Preamp

#2

Output:

(Mix

of

dry

and

chorus

signals)

Load

Impedance:

TO

K

ohms

or

greater

Nominal

Output:

0

dBV,

1

V

RMS

Maximum

Output:

+18

dBV,

8

V

RMS

(This

output

is

converted

to

chorus

signal

only

if

output

#1

above

is

used

tor

output

patching)

Headphone

Output:

(Stereo

jack,

stereo

signal)

Load

Impedance:

4

ohms

or

greatcr/channcl

Nominal

power

output:

100

mW

into

4

ohms/channel

(Switching

jack,

disconnects

internal

speakers

when

a

stereo

phone

plug

is

fully

inserted)

System

Hum

&

Noise

@

Nominal

Input

Levels:

(20

Hz

to

20

kHz

unweighted)

74

dB

below

rated

power

Normal

Channel

Equalization:

Low,

mid,

&

high

passive

type

EQ

Lead

Channel

Voicing:

Special

Bottom,

Body,

&

Edge

EQ

Pull

Gain:

Increases

SuperSat®

gain

External

Footswitch

Function:

Reverb

defeat

(when

reverb

control

raised)

Lead

channel

defeat

(when

selected

with

button)

Chorus

defeat

(when

selected

with

button)

A

Due

to

our

efforts

for

constant

improvements,

features

and

specifications

listed

herein

are

subject

to

change

without

notice.

TONE

SETTINGS

REVERB

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208

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3000

BACKSTAGE

CHORUS

200

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boost

C

0

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f\J

TR

Y

LEAD

ACJUST

ADJUST

TO

TASTE

TO

TASTE

Tone

settings

given

are

general

and

will

vary

according

to

type

of

guitar,

type

and

gauges

of

strings,

type

of

pickup

and

even

type

of

pick.

Personal

taste,

playing

style,

and

type

of

music

greatly

contribute

to

desired

tonality.

tt

w\

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T_•

*00*0—n

1

SWITCH

arcnco

b

ADPhONC

This

block

diagram

shows

tho

signal

path

within

the

unit.

In

order

to

thoroughly

understand

the

unit's

functions

please

study

the

block

diagram

carefully.

E

S

P

A

N

O

L

Consulte

los

diagramas

del

panel

delantero

en

la

seccion

de

ingles

de

este

manual.

HIGH

GAIN

INPUT

(Entrada

de

ganancia

alta)

(1)

Se

usa

para

la

mayoria

de

las

guitarras

electricas.

Tiene

JO

dB

mas

volumen

que

la

entrada

de

baja

ganancia.

LOW

GAIN

INPUT

(Entrada

de

haja

ganancia)

(2)

Se

suministra

para

instrumenlos

que

tienen

una

salida

extremadamente

alta,

la

cual

puede

causar

la

sobrecarga

(distorsion)

de

la

entrada

dc

alta

ganancia.

Si

sc

usan

ambas

entradas

simultancamente,

el

nivel

de

salida

es

el

mismo

(ambos

son

de

agudas

ganancia).

NORMAL

GAIN

(3)

Controla

el

nivel

de

volumen

del

canal

normal,

y

no

lo

afectan

los

controles

SuperSat

®

o

Ganancia

posterior.

CHORUS

SELECT

SWITCH

(Interruptor

de

selection

de

coro)

(4)

La

posicion

“hacia

adentro”

de

este

interruptor

activa

el

electo

de

coro.

La

posicion

“hacia

afuera*'

anula

el

coro.

NOTA:

El

electo

de

coro

debe

activarse

para

controlarse

por

medio

del

pedal

interruptor

remoto.

CHANNEL

SELECT

SWITCH

(Interruptor

para

seleccion

del

canal)

(5)

Permite

la

seleccion

del

canal

“lead”

(solista)

o

normal.

La

posicion

hacia

dentro

selecciona

el

canal

“lead”

y

la

posicion

hacia

fuera

selecciona

el

canal

normal.

NOTA:

La

seleccion

del

canal

puede

lograrse

tambicn

con

cl

pedal

interruptor

dc

control

remoto.

Si

sc

dcsca

hacer

seleccion

con

control

remoto,

el

interruptor

de

canal

debe

cstar

cn

la

posicion

hacia

dentro

(“lead”).

LOW,

MID,

&

HIGH

EQ

(Ecualizador

de

frecuencias

graves,

medias,

y

agudas)

(6)

Controles

de

tono

pasivo

que

rcgulan

las

frecuencias

graves,

medias,

y

altas,

rcspcctivamentc.

SUPERSAT®/PULL

GAIN

(SupcrSat/Control

que

se

tira

para

obtener

ganancia)

(7)

Es

una

simulation

con

transistors

dc

la

distorsion

dc

tubos

(rccortc

suave

dc

scnalcs).

Para

activar

el

efecto

de

SuperSat,

tiene

que

activarse

el

canal

solista.

El

interruptor

“Pull

Gain”

aumenta

la

ganancia

general

del

sistema.

Hay

que

tirarlo

para

activarlo.

POST

GAIN

(Control

de

ganancia

posterior

del

prcamplitlcador)

(8)

Controla

el

volumen

general

del

canal

solista.

El

ajuste

final

dc

nivel

debe

hacerse

dcspucs

dc

que

se

haya

obtenido

el

sonido

deseado.

BOTTOM

(Fondo)

(9)

Un

control

activo

de

tono

(tipo

“repisa”

±15

dB)

que

varfa

el

impulso

o

la

reduccion

de

las

frecuencias

graves.

NOTA:

Este

control

no

funciona

en

el

canal

normal.

BODY

(El

con

junto)

(10)

Un

control

activo

de

tono

(gradual

±15

dB)

que

varfa

el

impulso

o

la

reduccion

de

las

frecuencias

medias.

NOTA:

Este

control

no

funciona

en

el

canal

normal.

EDGE

(Extremo)

(11)

Un

control

activo

de

tono

(tipo

“repisa”

±15

dB)

que

varfa

el

impulso

o

la

reduccion

de

las

frecuencias

agudas.

NOTA:

Este

control

no

funciona

en

el

canal

normal.

REVERB

(Reverberacion)

(12)

Controla

el

nivel

general

de

la

reverberacion.

RATE

CONTROL

(Control

dc

velocidad)

(13)

Controla

la

velocidad

de

barrido

(frccucncia)

del

efecto

de

coro.

DEPl'H

CONTROL

(Control

de

amplitud)

(14)

Controla

la

amplitud

(intensidad)

del

efecto

de

coro.

POWER

LED

(LED

indicador

de

corriente)

(15)

Se

ilumina

cuando

el

amplificador

recibe

corriente

alterna.

POWER

SWITCH

(Interruptor

de

corriente)

(16)

Oprima

cl

interruptor

a

la

posicion

"hacia

dentro”

(encendido).

La

luz

roja

del

piloto

(indicador)

se

encendera

indicando

que

la

unidad

esta

recibiendo

corriente

alterna.

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LINE

CORD

(120

V

PRODUCTS

ONLY)

(Cable

de

corriente

para

120

v

solamente)

(17)

Para

su

proteccion

hemos

incorporado

un

cable

de

3

polos

con

polo

a

tierra.

No

cs

rccomcndablc

remover

la

pata

del

polo

a

tierra

bajo

ninguna

circunstancia,

se

recomienda

un

adaptador

en

caso

ncccsario.

Hsto

reducira

ruidos

y

peligrosos

corrientazos.

PREAMP

OUT

MIX

2

(Salida

del

preamplificador

mezclada

2)

(18)

Se

puede

utilizar

la

salida

del

preamplificador

para

enviar

la

senal

amplificada

a

una

consola

de

mczcla.

grabadora,

etc.

Conecte

la

salida

del

preamplificador,

utilizando

un

cable

blindado,

a

una

entrada

dc

una

grabadora,

un

mezclador,

o

amplificador

de

potencia

extemo,

etc.

Esla

enlace

no

afecta

el

funcionamiento

del

amplificador.

NOTA:

Cuando

se

utilice

solamente

el

enchufe

hembra

de

salida

del

preamplificador

mezclada

2,

el

efecto

de

coro

mezclado

estii

presente

en

este

punto

(combination

dc

scnalcs

con

y

sin

efectos

dc

coro).

Cuando

se

utilicen

ambos

enchufes

hembras

de

salida

del

preamplificador,

solamente

aparccc

la

senal

precesada

con

coro.

STEREO

HEADPHONE

JACK

(Enchufe

hembra

para

audifonos

estereofonicos)

(19)

Se

suministra

para

el

uso

con

cualquier

audffono

estereofonico.

Un

canal

del

audffono

enviara

scnalcs

pro

ccsadas

por

el

circuito

de

coro.

El

otro

canal

enviara

senates

sin

procesar.

El

uso

dc

audifonos

monofonicos

no

es

rccomendable.

PREAMP

OUT

DRY

1

(Salida

del

preamplificador

sin

efectos

1)

(20)

La

salida

del

preamplificador

puede

ser

utilizada

para

enviar

la

senal

amplificada

a

un

consola

dc

mezeias,

grabadora.

etc.

Conecte

la

salida

del

preamplificador,

utilizando

un

cable

blindado,

a

una

entrada

dc

la

grabadora,

mezclador,

amplificador

de

potencia

exterior,

etc.

Esta

enlace

no

afecta

la

operacion

del

amplificador.

NOTA:

La

senal

seca

(sin

coro)

siempre

esta

presente

en

este

punto

incluso

cuando

sc

utilicen

ambos

en-

chufes

hembras

de

salida

del

preamplificador.

Esta

salida

debe

usarse

para

envios

normalcs

del

preamplificador

cuando

no

se

desee

el

efecto

de

coro.

REMOTE

SWITCH

(Interruptor

remoto)

(21)

Se

proporciona

para

la

conexidn

del

pedal

interruptor

remoto

opcional.

El

pedal

interruptor

sc

usa

para

selec

cionar

los

canales

“Lead”

(solista)

o

Normal

y

anular

los

efectos

de

reverberacion

y

coro.

F

R

A

N

C

A

I

S

Veuillez

vous

referer

au

“front

panel

line

art”

situe

dans

la

section

en

langue

anglaise

de

ce

manuel.

HIGH

GAIN

INPUT

(Entree

haut

gain)

(1)

Cette

prise

s’utilise

avec

la

plupart

des

guitares

dlectriques.

Elle

donne

un

gain

superieur

de

10

dB

h

Fentree

“Low

Gain”.

LOW

GAIN

INPUT

(Entree

faible

gain)

(2)

Cette

prise

accepte

les

instruments

a

tres

haut

niveau

of

sortie

qui

causeraient

de

la

saturation

(distorsion)

sur

Ten

tree

“High

Gain”.

Si

les

deux

entrees

sont

utilisees

simultanement,

les

niveaux

sontalors

equivalents

(“High

Gain”).

NORMAL

GAIN)

(3)

Controle

le

niveau

de

volume

du

canal

“Normal”

el

nest

pas

affecte

par

les

commandes

“SuperSat”

ou

“Post

Gain”.

CHORUS

SELECT

SWITCH

(Interrupteur

pour

effet

“Chorus’')

(4)

La

position

“In”

de

cet

interrupteur

active

le

chorus.

La

position

“Out”

dsactive

le

chorus.

NOTE:

AFin

de

pouvoir

etre

controle

a

distance

par

un

interrupteur

au

pied,

le

chorus

doit

etre

active.

CHANNEL

SELECT

SWITCH

(Seleeteur

de

canal)

(5)

Perinet

de

selectionner

les

canaux

“Lead”

ou

“Normal”.

La

position

“In”

du

seleeteur

correspond

au

canal

“Normal”.

La

position

“Out”

selectionne

le

canal

“Lead”.

NOTE:

La

selection

dcs

canaux

pout

aussi

se

faire

a

Faide

dc

Finterrupteur

au

pied.

Si

la

selection

a

distance

cst

dcsircc,

lc

seleeteur

“Channel

Select

Switch”

doit

etre

en

position

“In”

(“Lead”).

LOW,

MID,

&

HIGH

EQ

(legalisation

graves,

moyennes

et

aigues)

(6)

Rcglages

dc

tonalite

passifs

rcglant

rcspcctivemcnt

les

frequences

graves,

moyennes

et

aigues.

SUPERSAT®/PULL

GAIN

(Seleeteur

Gain/SuperSaC)

(7)

Simulation

par

transistor

dc

distorsion

a

tube

(saturation

douce).

Afin

de

pouvoir

utiliser

Feffet

“SuperSat”,

lc

canal

“Lead”

doit

ctrc

active.

Lc

commutatcur

“Pull

Gain”

hausse

lc

gain

du

systcmc.

Tircr

pour

mettre

en

fonction.

POST

GAIN

(8)

Commandc

lc

volume

general

du

canal

“Lead”.

Lc

rcglagc

Final

dc

niveau

doit

ctrc

cfiectuc

apres

avoir

obtenu

la

sonorite

desiree

a

Faide

des

autres

reglages.

BOTTOM

(Graves)

(9)

Rcglagc

dc

tonalite

actif

(type

passe

bas,

±15

dB)

faisant

varier

la

coupurc

ou

Famplification

dcs

frequences

graves.

NOTE:

Cette

commandc

ne

fonctionne

pas

sur

le

canal

“Normal”.

BODY

(Corps)

(10)

Bouton

de

reglage

de

tonalite

actif

(correction

±15

dB)

faisant

varier

la

coupure

ou

Famplification

des

fre¬

quences

moyennes.

NOTE:

Cette

commande

ne

fonctionne

pas

sur

le

canal

“Normal”.

EDGE

(Aigues)

(11)

Bouton

de

reglage

de

tonalite

actif

(type

passe

haut,

±15

dB)

faisant

varier

la

coupure

ou

Famplification

des

hautes

frequences.

NOTE:

Cette

commande

ne

fonctionne

pas

sur

lc

canal

“Normal”.

REVERB

(Reverberation)

(12)

Controle

le

niveau

de

volume

global

de

la

reverberation.

RATE

CONTROL

(Reglage

de

vi(esse)

(13)

Contrele

la

vitesse

(frequence)

dc

l’cffet

“Chorus”.

DEPTH

CONTROL

(Reglage

d’intensitc)

(14)

Controle

la

proibndeur

(intensite)

de

I’effct

“Chorus”.

POWER

LED

(DEI.

temoin

de

mise

sous

tension)

(15)

S’a

Hume

lorsque

I’ampli

regoit

1’alimentation

CA.

POWER

SWITCH

(Interrupteur

d’alimentation)

(16)

Mcttrc

l’interrupteur

cn

position

“On”.

La

lampc

temoin

rouge

(DEL)

s’illuminc

indiquant

que

fappareil

est

alimente

cn

courant.

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LINE

CORD

(120V

products

only)

(Cordon

d

■

alimentation

pour

appareils

120V

seulement)

(17)

Pour

votre

securitc,

nous

avons

incorpore

un

cable

d’alimentation

sectcur

a

3

fils

avee

mise-a-terre

approprice.

II

n’est

pas

recommande

d’cnlcvcr

la

broche

dc

mise-a-terre

en

aucunc

circonstancc.

S'il

est

ncccssaire

d'utiliscr

l’equipcment

sans

misc-a-tcrrc

approprice.

utilises

dcs

adaptatcurs

dc

mise-a-terre

convcnablcs.

Unc

bonne

mise-a-terre

amoindrit

lc

bruit

de

fond

et

reduit

grandement

les

risques

dc

choc.

PREAMP

OUT

MIX

2

(Sortie

mixage

preampli

2)

(18)

La

sortie

“Preamp

Out”

sert

a

diriger

le

signal

amplific

vers

unc

console

de

mixage.

un

magnetophone,

etc.

Branchez

la

sortie

“Preamp

Out”

a

1’entree

d‘un

magnetophone,

mclangcur,

amplificateur

de

puissance

ex-

teme,

etc.

Utilise/

un

cable

blinde.

Ce

branchement

n’affecte

pas

le

travail

de

1’amplificateur.

NOTE:

Lorsque

la

prise

“Preamp

Out

Mix

2”

est

utiliscc

sculc,

lc

signal

chorus

melange

(combinaison

des

signaux

direct

(non-traitc)

ct

chorus)

est

present

a

ce

point.

Quand

les

deux

sorties

de

preampli

sont

utilisees,

scul

lc

signal

du

chorus

est

present

a

ce

point.

STEREO

HEADPHONE

JACK

(Prise

pour

casque

d’ecoute

stereophonique)

(19)

Accepte

tous

les

types

dc

casques

d’ccoutc

stercophoniques.

Un

canal

du

casque

regoit

les

signaux

traites

par

le

circuit

de

chorus.

L’autre

cote

ne

regoit

que

les

signaux

directs

non-traites

(“dry”).

L'usagc

dc

casque

monophonique

est

deconseille.

PREAMP

OUT

DRY

1

(Sortie

preampli

dircctc

1)

(20)

La

sortie

“Preamp

Out”

sert

a

envoyer

le

signal

amplific

vers

uric

console

dc

mixage,

un

magnetophone,

etc.

Branchez

la

sortie

“Preamp

Out”

a

1’entree

d’un

magnetophone,

mclangcur,

d’un

amplificateur

de

puissance

externe,

ou

autre.

Utiliscz

un

cable

blinde'.

Ce

branchement

n’affectc

pas

lc

travail

dc

I’amplificateur.

NOTE:

Le

signal

direct

(non-traite)

est

toujours

present

a

cette

prise

memo

quand

les

deux

prises

“Preamp

Out”

sont

utilisees.

Cette

prise

doit

ctrc

utilisee

comme

sortie

normale

dc

preampli

quand

I’effet

chorus

n’est

pas

desire.

REMOTE

SWITCH

(Interrupteur

pour

commande

a

distance)

(21)

Sert

a

brancher

une

pedale-mterruptcur

(cn

option)

pour

controle

a

distance.

L’interrupteur

au

pied

peut

etre

utilise

pour

selectionner

les

canaux

“Lead”

ou

“Normal”

et

desactiver

les

effets

“Reverb”

ct

“Chorus”.