Peavey XR 560 Bedienungsanleitung

X/?*

560

Powered

Mixer

ENGLISH

Thank

you

for

purchasing

the

Peavey

XR®

560!

The

560

six-channel

mixer

with

variety

built-in

features,

including

dedicated

line

input

channel

(for

tape

deck

other

line

level

device),

16-bit

digital

reverb

with

time

and

color

controls,

seven-band

featuring

Peavey's

exclusive

FLS

™

Feedback

Locating

System

and

150W

power

amplifier,

all

housed

rugged

topbox

package.

CHANNEL

FEATURES

(CHANNELS

1-5)

MIC

INPUT

XLR

balanced

low

impedance

channel

input

optimized

for

microphone

other

low

impedance

source.

the

positive

input.

This

connector

has

+15

phantom

power

supply

pins

and

all

times

(pin

the

ground

reference).

Hl-Z

INPUT

(CHANNELS

-2)/LINE

INPUT

(CHANNELS

3-5)

Fli-Z

input

-1/4"

unbalanced

input

for

use

with

high

impedance

microphones,

acoustic/

electric

guitars

other

high

impedance

sources

equipped

with

1/4"

plug

(TS).

Line

input-1/4"

unbalanced

input

that

accepts

line

level

sources

equipped

with

1/4"

plug

(TS).

The

two

inputs

(XLR

and

1/4")

cannot

used

simultaneously.

GAIN

Sets

the

level

the

individual

channel

the

mix.

(Channels

1-6)

REVERB

SEND

Sets

the

level

the

internal

reverb

for

the

channel

and

must

used

conjunction

with

the

master

reverb

level.

post

gain

and

will

affected

the

gain

(3)

adjustment.

MONITOR

SEND

Controls

the

channel

monitor

mix

level.

independent

all

channel

functions,

allowing

adjustment

the

"house"

mix

without

affecting

the

monitor

mix.

(Channels

1-6)

LOW

shelving

type

active

tone

control

that

varies

the

bass

frequency

levels

Hz.

will

add

depth

thin

signals,

clean

muddy

ones.

HIGH

shelving

type

active

tone

control

that

varies

the

treble

frequency

level

kHz.

designed

remove

noise

add

brilliance

the

signal,

depending

the

quality

the

source.

AUX

CHANNEL

FEATURES

(CHANNEL

OUR

The

Aux

Channel

the

560

provided

with

high-frequency

contour

control

that

provides

cut

and

boost

kHz.

This

control

primarily

designed

add

brilliance

roll

off

the

high

end

order

avoid

feedback

problems

caused

high-frequency

reflections

off

walls,

ceilings,

other

objects

the

speaker/microphone

acoustic

environment.

AND

TAPE

INPUTS

RCA

and

1/4"

jacks

stereo

input

from

player,

tape

deck

keyboard.

These

inputs

are

summed

internally

into

mono

signal.

CAUTION:

Care

should

taken

not

record

deck

that

has

its

outputs

connected

the

line/tape

input

jacks

and

have

the

Channel

gain

control

turned

up,

Feedback

will

occur.

MASTER

FEATURES

10.

TAPE

OUTPUTS

RCA

output

jacks

that

provide

monaural

signal

the

left

and

right

inputs

stereo

tape

deck.

This

the

main

signal

taken

before

the

Master

Level

and

the

graphic

EQ.

11.

REVERB

FOOTSWITCH

Provided

for

connection

the

optional

remote

footswitch.

The

footswitch

used

activate/defeat

the

reverb.

12.

OUTPUT

This

1/4"

unbalanced

line

level

output

can

used

source

for

external

monitor

amplifier/speaker

system.

The

level

determined

the

channel

monitor

and

master

monitor

controls.

There

reverb

this

signal.

13.

MAIN

OUTPUT

1/4"

unbalanced

output

that

can

used

source

for

external

amplifier/speaker

system,

feed

other

mixers

tape

deck.

This

signal

taken

before

the

graphic

EQ.

14.

MASTER

LEVEL

CONTROL

Controls

the

overall

volume

level

the

system.

15.

POWER

LED

Illuminates

when

power

being

supplied

the

mixer.

16.

MASTER

MONITOR

LEVEL

CONTROL

This

the

master

for

all

channel

monitor

sends

and

determines

the

overall

monitor

mix

level.

17.

MASTER

REVERB

LEVEL

CONTROL

Controls

the

amount

reverb

that

will

heard

the

main

mix.

18.

PEAK

LED

Illuminates

when

the

signal

being

sent

the

Digital

Reverb

within

clipping.

The

Channel

Reverb

controls

(4)

set

this

level,

which

can

blink

red

occasionally

without

clipping.

19.

REVERB

TIME

CONTROL

Controls

the

length

the

reverb

decay.

Fully

counterclockwise

the

shortest

available

decay,

while

fully

clockwise

the

longest

available

decay.

20.

REVERB

COLOR

CONTROL

Controls

the

brightness

the

reverb.

Fully

clockwise

the

brightest

reverb,

while

fully

counterclockwise

results

dark

reverb.

21.

FEEDBACK

LOCATING

SYSTEM

When

feedback

occurs,

the

LED

the

frequency

band

that

feeding

back

will

illuminate,

indicating

the

slider

adjusted.

The

LED

will

remain

illuminated

for

few

seconds

even

after

the

feedback

gone.

This

allow

you

see

where

the

feedback

the

feedback

goes

away

before

any

correction

made.

there

feedback

occurring,

the

LED

the

frequency

band

with

the

most

signal

will

illuminate.

Just

because

the

LED

illuminated

does

not

mean

that

there

feedback

occurring.

OPERATING

THE

FEEDBACK

LOCATING

SYSTEM

The

feedback

locating

system

normally

used

one

two

ways.

catch

and

reduce/eliminate

feedback

"on-the-fly"

during

performance.

determine

frequency

bands

that

are

susceptible

feedback

before

the

performance,

and

eliminate

them

advance.

This

done,

after

the

system

set

up,

bringing

the

microphone

levels

slowly

the

point

feedback.

they

start

feedback,

note

the

LED

activity

the

FLS.

Move

the

faders

decrease

the

"identified"

bands.

Now

you

have

eliminated

high

percentage

potential

feedback

problems

before

the

performance

even

begins.

NOTE:

not

uncommon

for

feedback

occur

over

several

frequency

bands.

Also,

easy

when

making

fader

adjustments,

since

extreme

movements

will

affect

your

performance

and

counterproductive.

Some

feedback

ringing,

although

audible,

may

not

louder

than

the

other

program

material

and

may

not

light

LED.

22.

7-BAND

GRAPHIC

EQUALIZER

Provides

equalization

each

center

frequency.

boost

obtained

moving

particular

band's

slide

control

above

the

center

line.

cut

obtained

moving

particular

band's

slide

control

below

the

center

line.

OPERATION

NOTE:

This

equalizer

designed

provide

room

equalization,

feedback

control

and

system

tone

control.

amount

equalization

will

correct

the

response

curve

poor

loudspeaker.

Always

begin

with

all

sliders

the

"0"

position

and

avoid

excessively

cutting

large

segments

the

audio

passband,

which

would

limit

the

system's

dynamic

range.

POWER

SWITCH

Used

turn

mains

power

off.

FUSE

The

fuse

located

within

the

cap

the

fuseholder.

the

fuse

should

fail,

MUST

REPLACED

WITH

THE

SAME

TYPE

AND

VALUE

ORDER

AVOID

DAMAGE

THE

EQUIPMENT

AND

PREVENT

VOIDING

THE

WARRANTY.

the

amp

repeatedly

blows

fuses,

should

taken

qualified

service

center

for

repair.

WARNING:

THE

FUSE

SHOULD

ONLY

REPLACED

WHEN

THE

POWER

CORD

HAS

BEEN

DISCONNECTED

FROM

ITS

POWER

SOURCE.

LINE

CORD

SOCKET

Provided

the

removable

line

cord.

Connect

only

proper

source--see

back

panel

markings.

OUTPUTS

Two

parallel

1/4"

jacks

are

provided

the

output

the

power

amplifier.

Minimum

speaker

impedance

ohms.

560

Applications

Guide

Output

from

Back

560

Output

from

Back

560

From

Monitor

Out

Main

Speaker

Main

Speaker

Keyboard

Module

On/Off

for

Digital

Reverb

Foot

Switch

Power

Amp

Acoustic/Electric

Guitar

t£

■

“-~3

r~o

'Fo

r:0

Monitor

560

Input

Specifications:

Function

Input

(ohms)

Min

Input

gain

setting

Input

Levels

(to

unbal

outputs)

Min

Nominal*

Max

Bal/

Unbal

Connector

Microphone

Max

gain

(50dB)

-58dBu

-30dBu

-8dBu

Bal

XLR

Gnd

(+),

(-)

HI-Z

220K

Max

gain

(30dB)

-38dBu

-8dBu

+12dBu

Unbal

1/4"

TS,Tip

(+),

Sleeve

Ground

Line

10K

Max

gain

(20dB)

-28dBu

+2dBu

+22dBu

Unbal

1/4"

TS;

Tip

(+),

Sleeve

Ground

Aux

Input

100K

Max

gain

(20dB)

-26dBu

-i-2dBu

+22dBu

Unbal

1/4"

TS;

Tip

(+),

Sleeve

Ground

Tape

100K

Max

gain

(20dB)

-26dBu

-i-2dBu

+22dBu

Unbal

RCA

Jacks

Norn

output:

2dBu=

0dBV=1

Min

input

level

(Sensitivity)

the

smallest

signal

that

will

produce

nominal

output

(2dBu)

with

channel

and

master

controls

set

for

maximum

gain.

Nominal

settings

are

defined

all

controls

set

(or

50%

rotation

for

rotary

pots).

560

Output

Specifications:

Function

Minimum

Load

(Ohms)

Output

Level

Nominal

Max

Bal/

UnBal

Connector

Main

600

+2dBu

-F22dBu

Unbal

1/4"

TS:

Tip(+)

Sleeve

Ground

Monitor

600

+2dBu

+22dBu

Unbal

1/4"

TS:

Tip(-H)

Sleeve

Ground

Tape

10k

-lOdBV

+10dBu

Unbal

RCA

2dBu=0dBV=1V

(RMS)

Gain:

Mic

Input

Main

Output

Hi-Z

Input

Main

Output

Line

Input

Main

Output

Aux

Input

Main

Output

Frequency

Response:

Mic

Input

(XLR)

Main

Output

Line

Input

Main

Output

60dB

(Max

Gain)

40dB

(Max

Gain)

30dB

(Max

Gain)

30dB

(Max

Gain)

20Hz

20KHZ

+0dB/-1dB

20Hz

20KHZ

+0dB/-1dB

Total

Harmonic

Distortion

(THD):

0.02%

20Hz

20KHz

Mic

Main/Monitor

output

Nominal

Level

(22Hz

80KHz

BW)

0.01%

20Hz

20KHz

Line

Main/Monitor

output

Nominal

Level

(22Hz

80KHz

BW)

0.005%

typical

KHz

Hum

and

Noise:

Output

Residual

Noise

Ref:

OdBu

S/N

Ratio

Ref:

2dBu

Test

Conditions

Main

-lOOdBu

102dB

All

controls

down

-90dBu

92dB

One

channel

nominal

Master

level

nominal

Monitor

-96dBu

98dB

All

controls

down

-90dBu

92dB

One

channel

send

nominal,

Monitor

master

nominal

(Hum

and

Noise

Measurements:

22Hz

22KHz

BW)

Norn

output:

2dBu=

0dBV=1

S/N

ratio

>85dB

below

rated

output

(150WRMS)

Mic

Speaker

output

>90dB

below

rated

output

(150WRMS)

Line

Speaker

output

Equivilent

Input

Noise

(EIN):

-115.5

dBu

(Input

terminated

with

150

Ohms)

Common

Mode

Rejection

Ratio

(Mic

Input):

65dB

min

(20Hz

20KHz)

85dB

typ

KHz

Power

Amp

Specifications:

150M

Module

with

DDT

Power

and

Load:

90W

RMS

into

ohms

150W

RMS

into

ohms

not

recommended

Frequency

Response:

20HZ-20KHZ

+0dB/-1dB

Total

Harmonic

Distortion

(THD):

<0.03%

rated

output

KHz

Power

Requirements:

DOM:

120VAC60HZ

250

Watts

Max

EXP:

220-230VAC/240VAC

50/60Hz

250

Watts

Max

Andere Handbücher für XR 560

Inhaltsverzeichnis

Andere Peavey Musikmixer Handbücher

Peavey

Peavey PV 14AT Bedienungsanleitung

Peavey

Peavey XRD 680 PLUS Bedienungsanleitung

Peavey

Peavey 601R Bedienungsanleitung

Peavey

Peavey XR 500C Bedienungsanleitung

Peavey

Peavey Unity 1000 Bedienungsanleitung

Peavey

Peavey PM 1 Bedienungsanleitung

Peavey

Peavey SMR 821a Bedienungsanleitung

Peavey

Peavey XR 680C Bedienungsanleitung

Peavey

Peavey XR 1000L Bedienungsanleitung

Peavey

Peavey XR 1600F Bedienungsanleitung

Peavey

Peavey 800 Booster Bedienungsanleitung

Peavey

Peavey PV 8 USB Bedienungsanleitung

Peavey

Peavey Unity 2000 SM Bedienungsanleitung

Peavey

Peavey PV 20 Bedienungsanleitung

Peavey

Peavey XR 8300 Bedienungsanleitung

Peavey

Peavey Linemix 8 Bedienungsanleitung

Peavey

Peavey 2443/3243 Bedienungsanleitung

Peavey

Peavey XR 1220 Bedienungsanleitung

Peavey

Peavey XR 560 Bedienungsanleitung

Peavey

Peavey PV 6 Bedienungsanleitung

Peavey

Peavey LM 16s Bedienungsanleitung

Peavey

Peavey SRC 1600/2400 Bedienungsanleitung

Peavey

Peavey XR 600E Bedienungsanleitung

Peavey

Peavey XR 800FPlus Bedienungsanleitung

Beliebte Musikmixer Handbücher anderer Marken

Neve

Neve 8816 Bedienungsanleitung

Mackie

Mackie Onyx Analogue Mixer Bedienungsanleitung

Behringer

Behringer EUROPOWER PMP518M Bedienungsanleitung

Rane

Rane MP 4 Bedienungsanleitung

True

True T9 Touchscreen Console Bedienungsanleitung

Studiomaster

Studiomaster Air Pro 24 Bedienungsanleitung

Pioneer

Pioneer SVM 1000 - Audio/Video Mixer Bedienungsanleitung

Roland

Roland M-160 Bedienungsanleitung

Yamaha

Yamaha MR1642 Bedienungsanleitung

Ecler

Ecler MAC40v Bedienungsanleitung

Pioneer

Pioneer DJM 909 - Battle Mixer W/Effects Bedienungsanleitung

Veeder-Root

Veeder-Root TLS-350 Series Bedienungsanleitung

Alto

Alto APM80.QUAD Bedienungsanleitung

Omnitronic

Omnitronic PM-211 Bedienungsanleitung

SoundCraft

SoundCraft B400 Bedienungsanleitung

Roland

Roland SoundCanvas SC-8820 Bedienungsanleitung

CARVIN

CARVIN RX 1200 Bedienungsanleitung

Roland

Roland M-16E Bedienungsanleitung