Rane MP 2S Bedienungsanleitung

Manual-1

OPERATORS MANUAL MP 2S

CLUB MIXER

QUICK START

If you are too excited to read the manual, at least read this page

to minimize any potential mistakes (we know you don't make

any). Be sure your ampliﬁer is oﬀ while making connections, and

every time you turn on your system, apply power to your ampli-

ﬁer last.

e most common assumption is that the cables you already

have will work. Well, let's be sure ﬁrst. None of your RCA cables

should be longer than 10 feet (3 meters) or you are asking for

hum. e MAIN and AUX OUTPUTS are balanced ¼" TRS

(tip-ring-sleeve) connectors, allowing you to run long lines if

neccessary with properly balanced cables. If you really have to

use unbalanced (tip-sleeve) cables, keep them as short as possible

(well under 10 feet [or 3 meters]). If you are connecting balanced

devices (3-conductor) to either Input of the MP 2S, or are send-

ing the Output to an unbalanced equalizer or ampliﬁer, consult

the included RaneNote “Sound System Interconnection” for proper

wiring.

e MP 2S has 3 sets of Outputs. e HOUSE OUTPUT

is set by the front panel HOUSE LEVEL control. e AUX

OUTPUT is set by the rear panel screwdriver adjusted AUX

LEVEL control. e TAPE OUTPUT is ﬁxed. All Output level

WEAR PART

is product contains the following wear part subject to the ninety (90) day warranty period described on page Warranty-1:

(1) Active Crossfader #11646.

MIC LEVEL A LEVEL B LEVEL LEVELLOW

10 8 6 4 02

LOWHIGH HIGH

0 2 4 6 108

INPUT INPUT

PGM CUE

A B

MP 2S

MIXER

PROGRAM A PROGRAM B

CUE

PHONESMIC

PAN

HOUSE

LEVEL POWER

L1 L2

100

–24

–12

+12

–12 +12 –12 +12 –12 +12 –12 +12

-24

-12

+12

controls are independent of each other. e only Level controls

that aﬀect all Outputs simultaneously are the PROGRAM A

and B LEVEL controls.

If you bring a phono signal into P1 or P2 be sure to keep the

PHONO switch in; likewise when connecting a CD player to

this input, be sure the PHONO switch is out.

Start with the HOUSE LEVEL all the way down so you

don't scare the neighbors. Start with the Crossfader all the way

to the left (PROGRAM A). Select an INPUT for PROGRAM

Aand another for PROGRAM B and start playing your sources.

Set the LOW and HIGH controls to the center. Adjust the

PROGR AM LEVEL controls so the bottom three (-24, -12, and

0) indicators light up. If the +12 indicator ﬂashes, turn down its

PROGR AM LEVEL control. Now slowly turn up the HOUSE

LEVEL so you can hear things working. Moving the Crossfader

to the right brings in the source selected on PROGRAM B.

e headphone cue system is simple: e PAN controls the

headphone mix between the Program going to the HOUSE and

what is on CUE, determined by the CUE switches.

A clean Crossfader is happy, behaved and long-living. See the

Fader Cleaning instructions on page Manual-4.

Manual-2

FRONT PANEL DESCRIPTION

1MIC LEVEL control: adjusts the Level of the MIC Input. e OL (overload) indicator lights when the maximum mic level has

been reached, 3 dB before clipping. If this lights up, either turn the MIC LEVEL down, or stop yelling.

2Program INPUT selectors: provide Input selection between the two Phono and two Line Inputs for each of the Program A or

Program B channels.

3Program LOW and HIGH controls: adjust the equalization for each of the Program channels. Pointing these controls straight

up at their center detents takes the tone controls out of the path. is is not designed to be the only equalizer in the system, this

is intended to adjust tone between varying program materials. We recommend an external graphic equalizer for the best system

sound, connected between the MASTER OUTPUTS and the ampliﬁer.

4Program LEVEL controls: set the volume of each Program Input, as you would expect! ese controls are pre-Crossfader, so

both Program Level controls also depend on the Crossfader setting(see 6).

5Program meter: shows signal presence (at -24), optimum signal level (at around 0), and a warning to turn down the associated

LEVEL control if the +12 indicator lights up.

6Active Crossfader: controls the mix of Program A and B Levels in a logical manner. When the Crossfader is all the way left, only

Program A is heard. When it’s all the way right, only Program B is heard. When it’s right in the middle, both Program A and B

are mixed together equally. is is an Active Crossfader™ which uses a VCA to deliver an extended life and reduced travel noise. To

insure trouble-free operation, see Fader Cleaning on page Manual-4.

7HOUSE LEVEL control: adjusts the Output Levels of the MAIN OUTPUTS.

8Phone CUE switches: select Program A or B in any combination. e associated yellow indicator lights when a CUE is activated

and pressed in. Depressing a button sends Program to the CUE side of the PAN control. For example, when the Crossfader is to

the left (playing Program A to the House), listen to CUE B (Program B) on the headphones to audition, match beats or prepare

its starting point.

9Phone PAN control: changes the relative levels of the Cue and Program mixed together in stereo for the headphones. PGM fol-

lows the Main (House) Output; Cue is determined by the CUE switches and only goes to the headphones. Adjust this control

anywhere between Program and Cue.

0PHONES LEVEL and headphone jack: As you guessed, plug your headphones in here and adjust the overall volume with the

LEVEL control.

qPOWER indicator: illuminates to let you know that the MP 2S is plugged in and ready to rock.

MIC LEVEL A LEVEL B LEVEL LEVELLOW

10 8 6 4 02

LOWHIGH HIGH

0 2 4 6 108

INPUT INPUT

PGM CUE

A B

MP 2S

MIXER

PROGRAM A PROGRAM B

CUE

PHONESMIC

PAN

HOUSE

LEVEL POWER

L1 L2

100

–24

–12

+12

–12 +12 –12 +12 –12 +12 –12 +12

-24

-12

+12

1 7

10 11

2 23 34 45 5

Manual-3

REAR PANEL DESCRIPTION

1PHONO/LINE 1 & 2 INPUTS: are switchable from a PHONO (RIAA) stage for magnetic cartridges (PHONO, switch in) to a

LINE level Input suitable for any line level device such as a CD player (LINE, switch out). e PHONO GROUND screw con-

nects to those extra green wires coming out of the turntables.

2LINE 1 & 2 INPUTS: connect to stereo sources such as CD players or any line-level device. L1 and L2 may be assigned to Pro-

gram A or Program B via the front panel INPUT switches.

3MIC Input: accepts a ¼" balanced (TRS) or unbalanced (TS) microphone cable, controlled by the MIC LEVEL control on the

front panel.

4HOUSE OUTPUT: e front panel HOUSE LEVEL control aﬀects the volume at this Output. ese balanced ¼" TRS (tip-

ring-sleeve) Outputs connect to a balanced equalizer or ampliﬁer. ough not recommended, unbalanced ¼" TS (tip-sleeve)

cables may be used for short runs (under 3 meters [10 feet]) to an ampliﬁer with unbalanced inputs. See the RaneNote “Sound

System Interconnection” for wiring recommendations.

5AUX OUTPUT: is delivers the same signal as the HOUSE OUTPUT, but has its own LEVEL control on the rear panel. is

Output is not aﬀected by the front panel HOUSE LEVEL control. ese balanced ¼" TRS (tip-ring-sleeve) Outputs connect to a

balanced equalizer or ampliﬁer (for a possible second listening zone) and follow the same interconnection rules as above.

6TAPE OUTPUT: ese line-level RCA Outputs are intended for use with a tape recorder, but not necessarily restricted to that

purpose. Be creative! ese Outputs are not aﬀected by the HOUSE LEVEL or AUX LEVEL controls.

7MIC to TAPE switch: In the YES position the Mic signal along with the Program Inputs are routed to the TAPE OUTPUT.

In the NO position only the Program Inputs appear at the TAPE OUTPUT.

8Universal Voltage Input: via a miniature IEC 60320 C6 appliance inlet. With the right cord, you can plug anywhere in the

world between 100 and 240 VAC. is mates with an IEC 60320 C5 line cord (USA domestic). Do not lift the ground connec-

tion!

RIGHT LEFT RIGHT LEFT

LEVEL

YES

PHONO

LINE

PHONO GROUND

HOUSE AUX

TAPE OUTPUT L2 P2 L1 P1

MIC TO TAPE

MIC

BALANCED OUTPUTS: TIP = , RING = , SLEEVE = SIGNAL GROUND

BALANCED MIC INPUT

PHONO

LINE

MP 2S

100-240 V

50/60 Hz 7 WATTS

COMMERCIAL AUDIO

EQUIPMENT 24TJ

ACN 001 345 482

RANE CORP. MADE IN U.S.A.

This device complies with Part

15 of the FCC Rules. Operation

is subject to the following two

conditions:

(1) this device may not cause

harmful interference, and

(2) this device must accept any

interference received, including

interference that may cause

undesired operation.

8 36 1

4 5 7 2

Manual-4

©Rane Corporation 10802 47th Ave. W., Mukilteo WA 98275-5098 TEL 425-355-6000 FAX 425-347-7757 WEB www.rane.com

Fader Cleaning

With heavy use in harsh environments, the faders may need

lubrication. is treatment extends longevity and can make used

faders as good as new. e fader assembly must be removed from

the MP 2S for proper cleaning. We recommend any of the fol-

lowing cleaning solutions:

Caig DeoxIT FaderLube

F100 spray lubricant (www.caig.com)

Caig DeoxIT FaderLube F5 spray cleaner (www.caig.com)

CRC 2-26 (www.crcindustries.com)

Order DeoxIT® from:

CAIG Laboratories, Inc.

12200 atcher Ct.

Poway, CA 92064

Phone 858-486-8388

Fax 858-486-8398

Web www.caig.com

CLEANING INSTRUCTIONS

A. Fader assembly replacement (part #11646)

1. Unplug the MP 2S.

2. Remove the bottom cover.

3. Remove the fader screws from the front panel.

4. Draw fader assembly out through the bottom.

5. Remove ribbon cable from old fader.

6. Attach ribbon cable to new fader, screw onto front panel and

replace bottom cover.

B. Fader cleaning

1. Hold the fader assembly away from the mixer.

2. Position the fader at mid-travel.

3. Spray cleaner/lubricant into both ends of the fader in suﬃcient

amounts to ﬂush debris.

4. Move the fader over its full travel back and forth a few times.

5. Shake excess ﬂuid from the fader assembly.

6. Wipe oﬀ excess ﬂuid.

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