Rodgers Grande Double Harpsichord Leitfaden

9lJoJk

Owner's Manual

and

Technical Manual

ROIGERS

INSTRUMENTS LLC

The

sound

choice!

1905-1948

TABLE

CONTENTS

V'ARIABLE

CONTROLS

SELECTING

SOUNDS

COUPLING

ENSEMBLE VOICES

LOWER

MANUAL

ENSEMBLE

OCT

AVE

SHIFT

REPLACING

CELESTA,

~TRlNG,

AND

PIANO VOICE

3. TRANSPOSITION

TEMPERAMENTS

VING

~TOP

~ETUPS

AUTO

TUNING

REVERB

5. SUSTAIN PEDAL ASSIGNMENT

SUSTAIN PEDAL AS A

STOP

CHANGE

ADDING

EXTERNAL

~OUND

MODULE1~

ADDING

MIDI

~EQUENCER

INPUT/OUTPUT

DEM01~

MIDI

CHANNELS

MIDI

PROGRAM

NUMBER~

&10. VOICES

SET

THE

KEYBOARD

11. Key

chart

for voices.

12.

MIDI

CONTROL

NUMBER~

13.

POWER

REQUIREMENTS

CONNECTING

THE

SUSTAIN

PEDAL

14.

INPUTSAND

OUTPUTS

GLOBAL

TU1VING

GENERAL

MIDI

15, 16, &17

INPUT/OU~PUT

PANEL

DESCRIPTION

HARPSICHORD OPERATION

VARIABLE CONTROLS

Volume control:

2. Brightness control:

3. Ensemble control:

4. Reverb control:

Changes the over-all volume

the instrument.

Changes the over-all brightness

the instrument.

Changes the level

only the ensemble voices.

The reverb knob changes the amount

reverberation and the buttons change the size

the

simulated room.

SELECTING SOUNDS

1. To select avoice for the UPPER MANUAL, press the desired

button in the harpsichord section and/or the ensemble section. One

from each can be selected.

To select avoice for the LOWER MANUAL, press the desired

button in the hail)sichord section. The ENSEMBLE voices can

added by the use

the ensemble coupler.-

COUPLING ENSEMBLE VOICES TO

THE

LOWER MANUAL

Hold the coupler button and the ensemble, lights will flash, then

press the desired button.

2. The coupler button is then avoice button and can

toggled

and

off

as any other voice.

ENSEMBLE OCTAVE

SHIFT

The ensemble voices can

sllifted up an octave. This will change the

voices to 4' voices.

THE

UPPER

MANUAL:

Hold the TRANSPOSER button and press the

OBOE

button.

2. To reverse this action, Hold the TRANSPOSER button and again

press the

OBOE

button.

THE

LOWER

MANUAL:

Hold the TRANSPOSER button and press the COUPLER button.

2. To reverse this action, Hold the TRANSPOSER button and again

press the COUPLER button.

lEACH

MANUAL

TRANSPOSES

INDEPENDENTLY.j

REPLACING

CELESTA, STRING, AND PIANO VOICE

WIT"H

ONE

THE

SIXTY ONE RESIDENT VOICES:

There are sixty-one selected voices that can

accessed

from the keyboards. (see voice chart.)

FOR

THE

UPPER

MANUAL:

Hold the MIDI button and press one

the three voice buttons that

is to

replaced, (Celesta, String,

Piano), then any key on the

keyboard that represents the desired voice from the resident voices.

the upper keyboard

the lower keyboard is program

the voice list and

F61

is the last voice on the list.

return to the voice represented by the button, Hold the MIDI

button and press the changed button. When holding down the MIDI

button, the changed button's light will flash to indicate that abutton

has

been

changed.

FOR

THE

LOWER

MANUAL:

Hold the MIDI button and press the

COUPLER

(the light will

flash), then press the desired voice from the voices.

the upper

lower keyboards is program #1

the voice list and

F61

is the

last voice

the list. Ti,e coupler button will couplet/Ie ensemble

voice markedon

tl;le

stop pa/lel even

tI,e Celesta andStrings

have been cllanged However,

tI,e

PIANO

is altered ti,e

coupler will couple ti,e cllanged voice to ti,e lower mallual

Ti,e COUPLER button tl,en becomes areversible stop

for

ti,e selected voice.

TRANSPOSITION:

Press and hold the transposer button (tile lights

tIle marked stops

will flash). Then select the desired step, eitller flat or sharp by tIle

buttons in the marked area.

Also, transposition can be accomplislled by selecting the desired

key on either keyboard. Press and hold the transposer button and

then select the desired key on either manual.

3. When the transposer button is pressed and lleld the light will flash

showing the selection.

4. To return to the key

C, press the transposer button. It will act as

areversible button toggling between tIle transposed key and the

keyofC.

Return to the key

Cwhen selecting the transposition by using

the keyboards. This is accomplished by holding the transposer

button and pressing the Ckey on the keyboard. All the lights will

flash in the transposer section indicating that the key

Cis

selected for both states

the transposer button.

TEMPERAMENTS:

There are five temperaments: Vallotti, Just, Mean, Werckmeister, and

Kirnberger.

To set the temperament, press the temperament button and hold.

The lights will flash in the temperament section. Select the desired

temperament and press the button.

Holding the temperament button and pressing the desired key you

wish to play on the keyboard will normalize that temperament t6

that key. This means the harpsichord will correct the tuning

the

temperament so the tuning is correct for the key for which the music

is written.

VING

STOP

SETUPS:

The harpsichord has astop savillg featllre tllat allows different stop

set-ups to be saved in banks. Tllese stop banks will be emptied when

the unit is turned off. There are four stop storage banks, FI and

F61

each

manual.

save astop setup:

a. Press and hold the transposer button.

Press one

the four keys.

return to the key-play mode:

a. Press and hold tIle transposer

butt011.

Press the memory-key TWICE. Now the key will

taken

out

the memory mode.

AUTO

TUNING:

The instrument will be in the pitch that is set

the tuning knob when

turned on.

To change the master tuning :

Hold the transposer and select the desired tuning by

selecting one

the five buttons

the

IO'Ner

manual sectioll.

This will force the master tuning to astandard value.

8'1

IS A-415

8'11

IS A-435

c. 8'+8' IS A-440

8'+4' IS A-444

Lute IS A-450

2. The tuning knob located on the output panel will assume

control

moved. This will allow the various tunings to be

altered.

REVERB:

The reverb simulates two sizes

rooms: asmall room marked

ROOM and alarge room marked HALL. Selection is made by

selecting the desired reverb button. The amount

reverb is controlled

by the LEVEL knob.

SUSTAIN PEDAL ASSIGNMENT:

The sustain function is enabled for both maIluals when the instrument is

turned on.

FOR THE UPPER

MAJ'.fUAL:

Hold the temperament button and press the OBOE button.

Pressing the button will cause

tIle

light

the OBOE to flash

the upper manual

assigned to the sustain pedal.

2. To disable this sustain functioll on the upper manual, Iloidthe

Temperament button and then press the OBOE button.

FOR THE LOWER MANUAL:

Hold the temperament button and press tIle COUPLER

button. Pressing the button will cause the light

the

COUPLER button to flasll

the lo\ver manual

assigned

to the sustain pedal.

2. To disable this sustain function on the lower manual,

110Id

the

Temperament button and press the COUPLER button.

SUSTAIN PEDAL

ASTOP CHANGE:

The sustain pedal can be used to change between two stop set-ups.

To set the stops:

Hold the TRANSPOSER button and press the COUPLER and

OBOE buttons. The lights will stop flashing. This sets thefirst

toggle position.

2. Next, Hold the TRANSPOSER button and press the COUPLER

and OBOE buttons. The lights will stop flashing. This sets the

second toggle position.

3.l:Jow for each press

the SUSTAIN pedal, you can set the desired

stop setup. Stop changes can be made anytime while in this mode.

ADDING EXTERNAL SOUND MODULES:

The

addition

external MIDI sound generator allows athird layer

sound to

placed

each manual. Holding tIle

MIDI

button

and

pressing the 8"I button in the upper manual

on the lower manual

stop

sections causes the buttons to flash. Pressing a

key

will

cause

program change to

sent out

011

MID

Iport; tilis also sends the

keyboard

infonnation out. The

UPPER

tnanual plays

MIDI

channel

and the

LOWER

manual plays on MIDI channel #3. Holding the

MIDI

button

and

pressing the

8'1

button without follo\ving it with a

key

press

disables the corresponding MIDI output.

ADDING MIDI SEQUENCER INPUT/OUTPUT:

Channels 12 through 16

the

MID

Iports can

used to interface to

asequencer.

These

channels correspond to tIle four

intemallayers,

(UPPER

HARPSICHORD,

UPPER

ENSEMBLE,

LOWER

HARPSICHORD,

LOWER

ENSEMBLE). The output

these

channels

can

switched

and

off

by holding the

MIDI

button

and

pressing the

TRANSPOSER

button. While holding the

MID

Ibutton

the

transposed

lamp will flash

the sequencer output is enabled.

Also,

t/l,ese

c/l,aJ1nels

are

~)etup

to play

oIlier

Rodgers consoles as.follows:

upper manuaillarpsicllordsends

cllannel16

(solo)

upper

mal"lual

ensemble sends

cllannel 13

(swell)

lower manual harpsichordsellds

cllannel 15

(clloir)

lower manualensemble sends

cllannel 12

(great)

Each o.fthe above divisions can be toggled on

and

0.[(

any

0.(the buttons in their respective sections.

Any

upper Ilarpsicllord

voice

will

toggle

tI,e

SOLO division,

any upper ensemble

voice

will toggle

tI,e

SWELL division,

any lower Ilarpsicllord

voice

will

toggle

ti,e CHOIR division,

andtI,e coupler

buttOll

will toggle tI,e GREAT

division.

(NOTE: THE

ENSEMBLE

LEVEL

CONTROL

WILL

CONTROL

THE

LEVEL

EXTERNAL

INSTRUMENT

ONLY

THE

DIVISIONS

ASSIGNED

THE

ENSEMBLE

SECTIONS.

)

DEMOS:

l1e

harpsichord has two songs stored in internal memory. The first is

SINFONIES

FANFARES by Mouret. The second is HANDEL opus 4

No.6.

start: Press and hold the MIDIbutton, tllen press Room. (song#1)

start: Press and hold the MIDI button, then press Hall. (song#2)

stop: Repeat the above.

MIDI CHANNELS:

The MIDI port uses the following channels:

2lower keyboard external layer

3upper keyboard external layer

4lower keyboard external layer ecllo (output only)

5upper keyboard external

layer

ecllo (output only)

10 Drums

lower keyboard harpsichord plays

14 lower keyboard ensemble plays

15 upper keyboard harpsichord plays

16 upper keyboard ensemble plays

These channels are chosen for confonnity witlI other synthesizers. Channels 2

through 5are used for the

extemallayer

because they will play on an

-32

expander module (Channel

will not.) Cllalmel

is reserved as a

DRUM

input, because that is also done on the MT-32 and other synthesizers. The last

four channels are chosen for the internal voices because the MT-32 does not

respond to them.

Channels 2and 3are used for playing and external sound module, and are

independently switch able by holding MIDI, pressing one

the

8'1

,harpsichord buttons and then pressing akey. IThis connects the

,corresponding keyboard to the MIDI output, and issues aprogram change

·determined from the key. Ifno key is pressed before MIDIis released, the

MIDI output channel is disconnected from the keyboard.

Channels 12 through 16 are intellded for sequencillg, not for playillg remote

sound modules, which is

WIlY

they use channelllumbers that tIle MT-32 does

not respond to. These channels are turned

off

as agroup, either by receipt

aMIDI stop, Start

Continue byte, or by holding the MIDI button and

pressing the TRANSPOSER button. (Channe114 is not used). i

Channels 2and 3can

recorded by asequellcer, too, by driving the

sequencer

from the sound module THRU, or the sound module

from

the sequencer THRUport.

Input chaPJIels

through 16 are always responsive to MIDI messages, so no

special action needs to

taken in order to enable playback. Cllamlels 2and

3also respond to input, and are conveniently echoed onto Olltput channels 4

and 5. This allows

extemallayer

sounds to be included in asequence, while

completely separate

extemallayer

sounds are played by the perfonner.

MIDI

PROGRAM

NUMBERS:

In channels

through 16, program bank 0is used to access the standard GS

sounds,

and

program bank 4000H (40 in tIle MSB and 0in the LSB) is used

to access the harpsichord and ensemble voices. They use the following

program numbers:

1Harpsichord

8'1

2Harpsichord

8'11

5Lute

6Celesta

7Strings

8Piano

9Nason Flute 8'

10 Principal 8'+4'

Chorus (PrincipaI8'+4'+mixture)

Oboe

sme

The

voices assigned to the keyboard that resides in bank 40 are listed on

the following pages. Piano 2starts with bank voice #14 and will be key #1

either manual.

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