Rodgers The trio Bedienungsanleitung

OWNER'S MANUAL

TRIO 321

RODGERS ORGAN COMPANY

TABLE OF CONTENTS

RODGERS

TRIO

321 OWNER'S MANUAL

Introduction...

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

The

Console

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

Solo

Manual.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

Great

Manual.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

Accompaniment

Manual.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

Pedal

board.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

Stop

Tabs

..................................................

. . 4

Speaking

Stops

the

Trio

321.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

The

Tibias

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

The

Diapasons

.........

......................................

The

Strings

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

The

Reeds

.....................................................

Oboe

.........................................................

Vox

Humana

........................................

..........

Clarinet

......................................................

Tuned

Percussion

..................................

............

Piano

........................................................

Harpsichord

.................

.................................

Harp

and

Carillon

.............................................

Traps

...........................................................

Trio

Controls

....................................................

Expression

Pedals

..............................................

Voicing

Tabs

...................................................

Tremulant

Tabs

................................

.................

Organ

Mute

......................................................

Lighted

Double-Touch

Preset

Action

.......

........................

Rodgers

Practice

Panel.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

The

Art

Organ

Registration

.....................................

Registration

Hints

................................................

The

Care

and

Maintenance

the

Rodgers

Trio

321

.................................................

Console

and

Pedalboard.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Keyboards

and

Stop

Tabs

...............

.........

;

..............

Leveling

Glides

.................................................

Rodgers

Limited

Warranty

.....................................

The

pleasure

owning

Rodge!s

Trio

begins

the

very

first

day

comes

into

your

home.

And

your

enjoyment

will

increase

you

become

familiar

with

the

design

this

fine

musical

instrument

. . .

its

vast

musical

resources

. . .

its

full,

rich,

exciting

theatre

organ

sound.

Slide

onto

the

bench

and

get

acquainted

Listen

the

characteristic

tonal

qualities

the

individual

Trio

voices.

Sample

the

Toy

Counter's

traps

and

the

tuned

percussions.

Use

the

Rodgers

exclusive

Rhythmaker,

with

its

four-measure

rhythm

patterns.

new

world

musical

pleasure

will

unfold

you

discover

each

musical

nuance

that

lies

beneath

your

fingers.

the

following

pages

are

some

the

outstanding

and

unique

features

the

Rodgers

Trio.

-1-

The

Rodgers

Trio

has

three

61-note

keyboards

and

full

32-note

pedalboard.

The

tones

this

organ

range

pitch

from a

bass

note

lower

than

the

lowest

tones

the

brass

tuba

treble

note

beyond

the

highest

tone

the

orchestral

piccolo.

The

Trio

ranges

pitch

from

three

octaves

below

Middle C to

five

octaves

above

Middle C . A

total

range

eight

octaves!

You

will

never

find

note

music

written

for

the

organ

that

cannot

played

your

Rodgers

Trio.

The

Trio

theatre

organ

designed

for

the

horne. On

theatre

organs,

classic

organs,

each

keyboard

(or

manual)

has

its

own

name:

MANUAL

Upper

Manual

Middle

Manual

Lower

Manual

THEATRE

ORGAN

Solo

Great

Accompaniment

CLASSIC ORGAN

Swell

Great

Choir

The

Accompaniment

Manual

level.

The

Great

Manual

tilts

slightly

forward.

The

Upper

Manual

has

pronounced

tilt.

Overhanging

and

tilting

keyboards

make

easy

to move

your

hands

from

one

manual

another.

-2-

SOLO

MANUAL

This

manual

generally

used

for

single

note

melodies,

because

the

incisive

quality

the

Solo

Voices.

This

manual

provides

voices

which

contrast

the

sonorous

sounds

the

Accompaniment.

All

four

tone

families

are

represented

the

Solo

Manual.

Pitches

range

from

the

16'

Tibia

Clausa

the

Piccolo.

The

Glockenspiel,

which

mounted

under

the

lid

the

Trio,

played

from

the

Solo

Manual

with

the

appropriate

stop

tab

depressed

the

Stop

Rail.

also

included

part

the

registration

preset

piston

#1.

The

Glockenspiel's

musical

notes

are

independent

the

Trio

voicing

controls

(tremulants

sustains

etc

. ) .

GREAT

MANUAL

This

manual

characterized

its

large

number

voices

and

pitches,

special

effects,

and

the

big,

full

sounds

reminiscent

the

traditional

Theatre

Organ.

addition

all

voice

families

the

pitch,

the

Great

Manual

contains:

three

16'

stops--

Bombarde,

Tibia

Clausa,

and

Vox

Humana;

three

mutation

stops--5-1/3'

Quint,

2-2/3'

Twelfth,

and

1-3/5'

Tierce;

a Piccolo

and

2';

a 1'

Fife,

and

four

Tuned-

Percussion

stops--

Harp,

Carillon,

Piano

and

Harpsichord.

Both

the

Piano

and

Harpsichord

may

used

combination

with

any

other

voice

the

organ.

The

Piano

tab

increases

the

loudness

both

Piano

and

Harpsichord

voices.

-3-

ACCOMPANIMENT MANUAL

This

manual,

its

name

implies,

most

often

used

for

back-

ground

while

the

melody

played

the

Solo

Great

Manual.

The

Accompaniment

voices

are

softer

than

those

the

upper

two

manuals

and

provide

soft,

yet

full

background

for

subtle

combinations

used

the

melody.

The

Accompaniment

Manual

contains

the

complete

tone

family

pitch,

plus

Piccolo,

a 4'

Viol,

and

two

Toy

Counter

stops

(Tambourine

and

Chinese

Block).

For

additional

loud-

ness,

there

Accompaniment

stop

which

increases

the

volume

the

Accompaniment

speaking

voices.

PEDALBOARD

Because

the

Rodgers

Trio

Pedal

board

concave

and

radiating,

relaxed

and

natural

swing

the

legs

brings

your

feet

within

easy

reach

all

pedals.

The

Trio

pedal

provides

wide

range

pitch

and

tonal

color,

including

two

percussion

effects

(Bass

Drum

and

Cymbal).

separate

Pedal

Sustain

Tab

controls

the

individual

pedal

voices.

There

Pedal

stop

which

increases

the

volume

the

Pedal

voices.

STOP TABS

The

colorful

array

illuminated

Stop

Tabs,

arranged

graceful

curve

the

stop

rail

above

the

keyboards,

contains

speaking

voices

(tone

producing

sounds)

and

nonspeaking

stops

(which

modify

control

tones

produced

the

speaking

stops).

The

color

the

individual

Stop

Tabs

indicates

the

voice

family

which

that

stop

belongs:

White

for

Tibia,

Flute,

and

Diapason;

Amber

for

Strings;

Red

for

Reeds;

Gray

and

Black

for

Percussion.

-4-

SPEAKING STOPS

The

speaking

stops

are

grouped

the

stop

rail

traditional

Theatre

Organ

console

layout.

the

extreme

left

are

the

pedal

stops;

the

accompaniment

manual

stops

are

next;

then

the

great

manual

stops;

and

finally

the

extreme

right

the

solo

manual

stops

Each

speaking

stop

tab

engraved

with

the

full

name

the

stop

italics

the

top,

the

pitch

designation

(8',

4',

etc.)

the

middle,

and

the

abbreviation

the

stop

name

capital

letters

the

bottom.

The

designation

pitch

footage

the

same

the

system

used

pipe

organ

nomenclature.

open

pipe

eight

feet

long

produces

the

lowest

tone

(bottom C

the

manual)

stop.

The

stops

are

called

the

"Unison

Pitch"

the

organ.

That

is,

Middle

played

with

stop

has

the

same

pitch

Middle

piano.

A 16'

stop

sounds

octave

below

Unison

Pitch,

a 4'

stop

sounds

octave

above,

a 2'

stop

sounds

two

octaves

above,

and

a 1'

stop

sounds

three

octaves

above.

addition

the

octave

sounding

stops,

there

are

the

"Mutation"

stops:

5-1/3'

Quint

(sounds

fifth

above

Unison

Pitch)

2-2/3'

Twelfth

(sounds

octave

and

a fifth

above

Unison

Pitch)

1-3/5'

Tierce

(sounds

two

octaves

and

third

above

Unison

Pitch)

-5-

For

example:

playing

Middle

the

Great

with

5-1/3'

Quint,

the

above

Middle

will

sound.

The

5-1/3'

Quint,

the

2-2/3'

Twelfth,

and

the

1-3/5'

Tierce

should

never

played

alone;

the

Tierce

should

only

used

combination

with

the

5-1/3'

Quint

2-2/3'

Twelfth.

Their

function

provide

tonal

color

and

shading.

Mutations

should

used

with

much

discretion.

Unless

special

effect

desired,

mutations

should

used

sparingly

-6

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